Russell Carpenter | |
---|---|
Born | Russell Paul Carpenter (1950-12-09)December 9, 1950 (age 74) Van Nuys,California, U.S. |
Nationality | American |
Other names | Russ Carpenter Paul Carpenter |
Alma mater | San Diego State University (BA) |
Occupation(s) | Cinematographer Photographer |
Years active | 1978–present |
Spouse | Donna Ellen Conrad |
Awards | See awards |
Russell Paul Carpenter,ASC (born December 9, 1950) is an Americancinematographer[1][2] andphotographer,[3] known for collaborating with directorsJames Cameron,Robert Luketic andMcG. He won theAcademy Award for Best Cinematography for the 1997Best Picture-winning filmTitanic.[4][5]
Much of his work has been in blockbuster films, includingHard Target (1993),True Lies (1994),Charlie's Angels (2000) and its sequelCharlie's Angels: Full Throttle (2003),Ant-Man (2015), andAvatar: The Way of Water (2022).[6] His documentary cinematography includesGeorge Harrison: Living in the Material World, directed byMartin Scorsese. It earned six nominations at the64th Primetime Emmy Awards, including Outstanding Cinematography for Nonfiction Programming for the cinematography team.[7]
In 2018, Carpenter received theAmerican Society of Cinematographers' Lifetime Achievement Award.
The grandson of a filmsound engineer, Carpenter was born inVan Nuys,California in 1950 to a family of six.[8] After his parents divorced in 1960, he moved with his mother and three siblings toOrange County, where he took upSuper 8 films as a hobby.[8]
After graduating fromVan Nuys High School, he enrolled atSan Diego State University to study television directing, but later changed his major to English. To pay for school, he worked at a localpublic broadcasting channel, where he learned the ropes ofdocumentary filmmaking. After graduating, he moved back to Orange County, where he shoteducational films and documentaries.[8]
Carpenter is most widely known for his early work inhorror andgenre cinema and for his collaborations with directors James Cameron,McG, andRobert Luketic. His first major project as Director of Photography was,Lady in White. It was followed byCritters 2: The Main Course, written and directed byMick Garris. TheLos Angeles Times criticized the film but praised Carpenter's cinematography.[9]
Carpenter had earlier worked as a Director of Photography (DP) on numerouslow-budgethorror films likeSole Survivor andCameron's Closet. In 1983, he shotThe Wizard of Speed and Time, aspecial effects-ladenexperimental film directed by animatorMike Jittlov.[10] His first major studio film wasCritters 2: The Main Course. Two years later, he shot his firstscience fiction film,Solar Crisis, and his firstaction filmDeath Warrant starringJean-Claude Van Damme. After shooting several episodes of the television seriesThe Wonder Years, he worked onThe Lawnmower Man.
Carpenter metJames Cameron during the production of theJohn Woo-directed action filmHard Target, who hired him on the basis of his work onLady in White to shoot his 1994Arnold Schwarzenegger andJamie Lee Curtisaction comedyTrue Lies,[8] and the 1996Universal Studios attractionT2 3-D: Battle Across Time. Their next collaboration,Titanic, carried away 11 Oscars in 1997, including Best Picture and Best Cinematography. Carpenter's work onTitanic earned him nine industry awards and a nomination for aBAFTA Award.
They worked together again onAvatar: The Way of Water andAvatar: Fire and Ash.[11][12]
Carpenter is married to Donna Ellen Conrad and has one son, Graham (from a previous marriage), a stepson Zak Selbert, a daughter-in-law Gaudia Correia, and two granddaughters.
He is a member of the American Society of Cinematographers(ASC).
† | Denotes films that have not yet been released |
Year | Title | Director | Notes |
---|---|---|---|
1990 | Redlands | Joan Taylor | |
1996 | T2 3-D: Battle Across Time | James Cameron John Bruno Stan Winston | Theme park attraction Shared credit withSulejman Medenčević andPeter Anderson |
1997 | Michael Jackson's Ghosts | Stan Winston | |
2007 | Lucifer | Ray Griggs | |
2009 | Down and Out | Matthew Mebane | Segment ofLocker 13 |
2014 | Sins of the Father | Rachel Howard | Also credited as producer |
2016 | The Final Adventure of John & Eleanor Greene | Matthew Mebane |
Year | Title | Director | Notes |
---|---|---|---|
1985 | The Lemon Grove Incident | Frank Christopher | Documentary special |
1987 | Rolling Stone Presents Twenty Years of Rock & Roll | Malcolm Leo | |
1988 | CBS Schoolbreak Special | Jeffrey Auerbach | Episode "No Means No" |
1991 | The Wonder Years | Jeffrey Auerbach Nick Marck Ken Topolsky Lyndall Hobbs | 4 episodes |
1993 | Attack of the 50 Ft. Woman | Christopher Guest | TV movie |
2013 | Guilty | McG |
Institution | Category | Year | Work | Result |
---|---|---|---|---|
Academy Award | Best Cinematography | 1998 | Titanic | Won |
American Society of Cinematographers | Outstanding Achievement in Cinematography | 1998 | Won | |
Lifetime Achievement Award | 2018 | — | Won | |
Austin Film Critics Association | Best Cinematography | 2023 | Avatar: The Way of Water | Nominated |
British Academy Film Award | Best Cinematography | 1998 | Titanic | Nominated |
British Society of Cinematographers | Best Cinematography in a Theatrical Feature Film | 1997 | Nominated | |
Chicago Film Critics Association | Best Cinematography | 1998 | Won | |
Columbus Film Critics Association | Best Cinematography | 2023 | Avatar: The Way of Water | Nominated |
Critics Association of Central Florida | Best Cinematography | 2023 | Nominated | |
Critics' Choice Movie Awards | Best Cinematography | 2023 | Nominated | |
Dallas–Fort Worth Film Critics Association | Best Cinematography | 1998 | Titanic | Won |
2023 | Avatar: The Way of Water | Won | ||
Hawaii Film Critics Society | Best Cinematography | 2023 | Nominated | |
Hollywood Critics Association | Best Cinematography | 2023 | Nominated | |
Houston Film Critics Society | Best Cinematography | 2023 | Nominated | |
Las Vegas Film Critics Society | Best Cinematography | 1998 | Titanic | Won |
Music City Film Critics' Association | Best Cinematography | 2023 | Avatar: The Way of Water | Won |
North Carolina Film Critics Association | Best Cinematography | 2023 | Nominated | |
Portland Critics Association | Best Cinematography | 2023 | Nominated | |
San Diego Film Critics Society | Best Cinematography | 2023 | Nominated | |
Satellite Award | Best Cinematography | 1998 | Nominated | |
2023 | Nominated | |||
Seattle Film Critics Society | Best Cinematography | 2023 | Nominated | |
SoCal Independent Film Festival | Best Cinematography | 2014 | Parched | Nominated |