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Royal Trux | |
|---|---|
 Royal Trux, 1999 | |
| Background information | |
| Origin | Washington, D.C., United States |
| Genres | |
| Years active |
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| Labels | |
| Spinoffs | RTX |
| Spinoff of | |
| Past members | |
| Website | royal-trux |
Royal Trux was an Americanalternative rock band active from 1987 to 2001, and again from 2015 to 2019 consisting ofNeil Hagerty (vocals, guitar) andJennifer Herrema (vocals).[1]
While still a teenager, Hagerty joined Washington D.C.garage punk bandPussy Galore, led byJon Spencer, and subsequently relocated to New York.[2] During his time in there, Hagerty convinced his bandmates to release acassette-only remake of the entireRolling Stones albumExile on Main Street. While he gained underground notoriety for his work with Pussy Galore, Hagerty reportedly viewed it as a job and intended to pursue his own artistic vision with his girlfriend, Jennifer Herrema, under the name Royal Trux.[3]
Hagerty and Herrema released their first album,Royal Trux, in 1988. After moving to San Francisco, Royal Trux released the experimental double-albumTwin Infinitives.
AfterTwin Infinitives, Royal Trux releasedan untitled album (sometimes referred to as theSkulls record because of its sleeve artwork). Forgoing the experimentalism ofTwin Infinitives, the band instead opted for a morelo-fi approach, recording on an8-track. The arguably atypical lyricism and sonicatonality of their first two albums was largely abandoned in favor of a more stripped, direct sound.
Following the release of their untitled album, Hagerty and Herrema were joined by guitarist Michael Kaiser and drummer Ian Willers[4] to complete their fourth full-length,Cats and Dogs. Thesongwriting remained highly experimental, but was moremelodic, which was revealed on tracks such as "The Flag," "The Spectre," and "Turn of the Century." Around this time, the band signed withMatador and a Royal Trux record was assigned a catalog number for an album which never appeared.
During thecorporate interest inunderground music that followedNirvana's breakthrough success in 1991, Royal Trux signed a three-record contract totaling over $1 million with the major labelVirgin. The label viewed it as a way to gain credibility with other, more promising indie bands that they hoped to attract. Some of the money went into buying a house inVirginia and converting it to a studio, where the band recorded themselves and others (such asThe Make-Up). According to interviews, the band also kicked their drug habit at this time. (They spent a prior album advance on drugs and are known for theirheroin abuse.) The band added a considerably heavier rhythm section with Dan Brown on bass guitar and Chris Pyle (son ofLynyrd Skynyrd drummerArtimus Pyle) on drums. Pyle left after a brief period and was replaced by Ken Nasta, a prominentJacksonville drummer, formerly withChain of Fools,The Fenwicks and many others. They also added a percussionist named Rob Armstrong for a short period. In 1995, they releasedThank You, recorded almost completely live in the studio with producerDavid Briggs. Next cameSweet Sixteen. While the band received mainstream media exposure during their time on Virgin (Herrema appeared inCalvin Klein print and TV ads from 1995 to 2000), Virgin was reportedly unhappy withSweet Sixteen. The band was unwilling to record a third record for the label. Royal Trux returned to their own record label Drag City.
On Drag City, the band releasedAccelerator in 1998,Veterans of Disorder in 1999, andPound for Pound in 2000.
Royal Trux also released the triple-LPSingles, Live, Unreleased, as well as a pair of EPs (3-Song EP andRadio Video) and substantial video and webwork.
Hagerty and Herrema often credited themselves asAdam and Eve for their production work. They separated as a couple and dissolved the band following the release ofPound for Pound. Since then, both have recorded albums for Drag City; Hagerty under his own name and asThe Howling Hex, and Herrema under the nameRTX. After several releases RTX updated their moniker to Black Bananas.
Two reunion shows were announced for August 16, 2015 at The Observatory inSanta Ana, California as part of the Berserktown festival and December 19, 2015 atWebster Hall inNew York City.[5][6]
They played several more shows around the US throughout 2016.[7] They played their firstUK show since reuniting at the Victoria Warehouse for TRANSFORMER on May 28, 2017.[8]
In 2017, the band released a live album,Platinum Tips + Ice Cream, which received positive reviews. In early 2018 the band officially left Drag City and signed a new record deal with Mississippi-based indie labelFat Possum Records. The label also made the band's entire discography available on streaming outlets for the first time. The new LP was expected in early 2019.[9]
The band released their first studio album in 19 years,White Stuff, on March 1, 2019, on Fat Possum Records.[10]
During an interview withThe Guardian in March 2019 Hagerty announced he was leaving the band, stating "I'm not touring. She steamrollered right over me, man. I'm not ... I'm just doing this as a favour to Fat Possum. The album – I didn't approve of it. I have no idea what it is. I've heard like 10 seconds of one song. I'm out, man." In response, Herrema stated "He's done this on every tour. He always shows up, always does the tours."[11]
On April 30, after having previously been rescheduled due to Herrema's unspecified legal issues, the planned promotional tour forWhite Stuff was cancelled entirely.[12] The band has not been active since and both members have referred to the band reunion finishing in interviews sinceWhite Stuff was released.[13]
Royal Trux's music has been significantly influential on a number of underground bands. Dan Koretzky, co-founder ofDrag City (to which the band were signed), noted: "If everyone who listened tothe Velvet Underground started their own band, then everyone who listened to Royal Trux started reaching beyond their grasp, musical or otherwise".[14] In 2015,Stereogum called them "the most misunderstood band inindie rock. [...] In a world where experimenting and taking chances with music often takes a backseat to image and playing it safe, Royal Trux flipped the script and did the opposite; because they could, and because, for them, it was always, and only, about keeping themselves interested and happy with the music. Their goal from the outset was to deconstruct rock ‘n’ roll and put it back together as they saw fit, with their own artistic vision. It wasn't always pretty, but good art often isn't. What is true is that their music has stood the test of time and sounds just as, if not more, relevant today than it did when conceived."[15]
According to Dan Hancox ofThe National News, "their influence can be heard in everything from the bluesy sonic assaults made byThe Kills orThe White Stripes, toInterpol's angular guitars."[16] BothJamie Hince &Alison Mosshart of The Kills are notable fans of the band,[17][18] as areBobby Gillespie ofPrimal Scream,[19]Stephen Malkmus ofPavement[20][21] & Derek Miller ofSleigh Bells.[22]Thurston Moore ofSonic Youth cited the band'sdebut album as an influence on their music, calling it "the coolest record of that year, it was reckless, had a casual vision and sense of danger to it, it was completely experimental and it rocked. Much more so than any recordRed Hot Chili Peppers had that year, or whatever."[23]
Nate Young ofWolf Eyes namedTwin Infinitives one of his favorite albums of all time, praising their avant-garde use of new technology as being influential on his music.[24]Will Oldham, who had worked with the band on his “Trudy Dies”/“Come In” single, named them "hugely influential upon" his "professional musical life."[25]MGMT identified the band as a big influence on their own creative risk-taking, withBenjamin Goldwasser praising them as "amazing songwriters — they disguise pop songs really well.”[26]Alexis Taylor ofHot Chip cited Royal Trux as his favourite band, stating that "they really set the bar for what I thought a band could be like live. Hot Chip never really sounded like Royal Trux, but the joy of repetition in "Over and Over" is as much to do with their spirit as anything ‘carnal’ (to quote "Run Shaker Life", the song they opened that set with). They changed it all for me".[27]
It was just me and Neil. But it was some of the earliest songs we wrote as Royal Trux. We were doing that for a whole year when Pussy Galore called. We had songs written and we gave a couple of them to the band. There's a couple of Royal Trux songs on the album. [...] Royal Trux was his "thing." He considered Pussy Galore his National Service.
