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Roque Salas Rivera | |
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| Born | 1985 (age 40–41) |
| Occupation | Poet |
| Notable works | Caneca de anhelos turbios,tierra intermitente,lo terciario |
Roque Raquel Salas Rivera (born 1985)[1] is aPuerto Rican poet who writes in Spanish and English, focusing on the experience of being a migrant to the United States, the colonial status of Puerto Rico, and of identifying as a queer Puerto Rican and Philadelphian ofnon-binary gender.[2] He has a Ph.D. in Comparative Literature and Literary Theory from the University of Pennsylvania[3] and was selected as the fourthPoet Laureate of Philadelphia in 2018.[2] He currently lives in Puerto Rico.
Salas Rivera was born inMayagüez, Puerto Rico[4] and moved toMadison, Wisconsin when he was 6 months old.[5] During his childhood years, he lived in California, Nebraska, Alabama, and Texas. He returned to Puerto Rico during his teenage years and young adulthood, moving to Philadelphia for graduate studies.[2][6] His grandfather, Sotero Rivera Avilés, was a Puerto Rican poet belonging to theGuajana Generation, as is his mother, linguist Yolanda Rivera Castillo.[4][5][7]
Salas Rivera attended theUniversity of Puerto Rico at Mayagüez for his undergraduate degree, and had an instrumental role in organizing student protests at that campus in 2010.[4]
| External videos | |
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 “Gringo Death Coloring Book by Eric Mena, Mariana Ramos Ortiz, and Raquel Salas Rivera" | |
| "Raquel Salas Rivera Reads Four Poems in Spanish and English", October 23, 2018, Poets.org | |
| "Raquel Salas Rivera - Philadelphia's Poet Laureate", February 28, 2018, AL DÍA News Media |
Salas Rivera's writing emphasizes movement and often deals with themes of migration. In speaking about his heritage, the author acknowledges that migrating people have multiple homes and allegiances, and states that "My home is Philadelphia, and my home is Puerto Rico.”[6]
He prefers to write in Spanish, and later sometimes translates his works to English. For public readings, he often recites works only in Spanish.[6] According to the poet, "It's a political act" to have an audience of non-Spanish speakers listen to a language they don't understand, because the momentary discomfort echoes the everyday struggles of immigrants who don't yet understand the language of their new country.[8]
His worklo terciario/the tertiary focuses on thePuerto Rican debt crisis and the economic and social impact of the 2016 United States congressional measure called thePROMESA Law that transferred control of the island's finances and outstanding debt to an external control board. Salas Rivera titled each book section after Marxist economic ideas fromDas Kapital: “The Debt-Production Process,” “The Debt-Circulation Process,” and “Notes on a Derailed Circulation", beginning each poem with a quote byKarl Marx, as both a critique and a subversion of Marxist language.[9]
Salas Rivera identifies asnon-binary and useshe/him andthey/them pronouns.[10][6][1] He has adopted the Spanish word "buchipluma", in as aneologism for a "non-binary feathered butch" to describe his gender identity.[11] One of his inspirations is the Puerto RicanLatin trap singerBad Bunny.[11] To Salas Rivera, poetry has given him "an inside", "an outside", and "a means for talking about things", referencing gender identity.[3] Acknowledging a historical lack of transgender persons' voices in literature, Salas Rivera has attempted to "navigate" this gap by speaking from a transgender perspective.[3]
During his tenure as Poet Laureate of Philadelphia, Salas Rivera created a multilingual poetry festival called "We (Too) Are Philly" inspired by the work "I, Too" by the African-American poetLangston Hughes.[2] The summer 2018 festival, co-organized with poets Ashley Davis, Kirwyn Sutherland, and Raena Shirali, featured Philadelphia-based poets of color.[12] The goal of the organizers was to diversify the poetry scene to encourage the mixing or desegregation of audiences, while selecting locations of significance to particular Philadelphia neighborhoods that usually do not host poetry readings.[13]
Roque's 2025 book,Algarabía, is a transepic poem written inPuerto Rican Spanish and English. Both Spanish and English covers incorporate acentaur illustration by Natalia Bosque Chico.[14]
Salas Rivera lives in San Juan, Puerto Rico. In 2017, Salas Rivera and Allison Harris raised thousands of dollars to assist lesbian, gay, bisexual, and transgender Puerto Ricans who were impacted byHurricane Maria that year.[15] Through his efforts, he was able to bring 5 queer/transgender persons to the United States and support them, with assistance from theMazzoni Center.[4]
Salas Rivera has also published in periodicals such as theRevista del Instituto de Cultura Puertorriqueña,Apiary,Apogee,BOAAT, and theBoston Review.[16]
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Salas Rivera was a resident artist of the 2018-2019Kimmel Center Jazz Residency,[17] a 2019 Playwright Fellow at theSundance Institute Theater Program,[18] a 2020 writer in residence for theNorwegian Festival of Literature, and a 2020 resident artist of the MacDowell Colony.
He was chosen as the fourth poet laureate of Philadelphia in 2018, under the auspices of theFree Library of Philadelphia.[16] According to the selection committee, the poet was chosen because of his desire to use poetry to engage the subject of diversity in Philadelphia and its Puerto Rican community.[6]
He received the 2018 Ambroggio Prize from theAcademy of American Poets, honoring poets whose first language is Spanish, for his manuscriptx/ex/exis (poemas para la nación).[19]
His worklo terciario/the tertiary was longlisted for theNational Book Award for Poetry in 2018,[20][21] and won the 2019Lambda Literary Award for Transgender Literature in poetry.[22]
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