Rogue One: A Star Wars Story premiered in Los Angeles on December 10, 2016, and was theatrically released in the United States on December 16. It received positive reviews, with praise for its acting, story, visuals, musical score, cinematography, and darker tone than previousStar Wars films, but criticism for its pacing and digital recreations ofCarrie Fisher andPeter Cushing.Rogue One grossed $1 billion worldwide, becoming thesecond-highest-grossing film of 2016, and received twoAcademy Award nominations forBest Sound Mixing andBest Visual Effects.Andor, a prequel television series, aired on the streaming serviceDisney+ for two seasons from 2022 to 2025.
Research scientist Galen Erso and his family are in hiding on the planet Lah'mu whenImperial weapons developerOrson Krennic arrives to press him into completing theDeath Star, asuperweapon capable of destroying planets. Galen's wife Lyra is killed in the confrontation while their daughterJyn escapes and is rescued by Rebel extremistSaw Gerrera.
Fifteen years later, cargo pilot Bodhi Rook defects from the Empire, taking a holographic message from Galen to Saw on the moonJedha.Rebel Alliance intelligence officerCassian Andor learns of the Death Star and Bodhi's defection from an informant at Kafrene. Jyn is freed from an Imperial labor camp on Wobani and is brought to the Rebels' base onYavin 4, where Rebel leaderMon Mothma convinces her to find Galen so the Alliance can learn more about the superweapon. Cassian is covertly ordered to aid Jyn but to kill Galen rather than extract him.
Jyn, Cassian, and reprogrammed former ImperialdroidK-2SO travel to Jedha, where the Empire lootskyber crystals to power the Death Star. In Jedha City, Saw and his partisans are engaged in an armed insurgency against the Empire, and Jyn and Cassian get caught in the crossfire. Aided by blind spiritual warriorChirrut Îmwe and his mercenary friendBaze Malbus, Jyn makes contact with Saw, who is holding Bodhi. Saw shows her the message in which Galen reveals he has secretly built a vulnerability into the Death Star. The schematics are located in an Imperial data vault on the planetScarif.
Onboard the Death Star, Krennic orders a test-fire, which destroys Jedha City. Jyn and her group take Bodhi and flee the moon, but accidentally leave Galen's message behind. Saw chooses to stay behind and dies in the explosion. Imperial governorGrand Moff Tarkin congratulates Krennic before using Bodhi's defection as a pretext to take control of the Death Star. Bodhi leads the group to Galen's Imperial research facility on the planetEadu, where Cassian hesitates to kill Galen. Rebel bombers then attack the facility; Galen is wounded and dies in Jyn's arms before she escapes with her group on a stolen Imperial cargo shuttle. Krennic is summoned byDarth Vader to answer for the attack on Jedha City. Krennic seeks his support for an audience with theEmperor, but Vader instead Force-chokes him to ensure no further problems occur.
Jyn proposes a mission to steal the Death Star schematics, but the Alliance Council feels there is no chance of victory. Frustrated at their inaction, Jyn's group leads a small squad of volunteers to raid the vault using the stolen Imperial shuttle, which Bodhi dubs "Rogue One." They gain entry through the planet's shield, and Jyn, Cassian, and K-2SO infiltrate the base while the others attack theImperial garrison as a diversion.
The Alliance learns of the raid from intercepted Imperial communications and deploys the fleet in support, engaging in a space battle against the Imperial forces. K-2SO sacrifices himself so Jyn and Cassian can retrieve the data. Chirrut is killed after activating the switch to allow communication with the Rebel fleet, and Baze is killed shortly afterward. Bodhi is killed by agrenade after informing the Rebel fleet that it must deactivate the planetary shield to let the plans be transmitted. RebelAdmiral Raddus uses anAlliance ship to crash two ImperialStar Destroyers into each other; the wreckage destroys the shield generator. Jyn obtains the plans but is ambushed by Krennic, who is shot and wounded by Cassian. Jyn transmits the plans to the Rebel command ship moments before the Death Star arrives above Scarif. Tarkin then orders the Death Star to destroy the citadel; Krennic is vaporized by the demolition beam, while Jyn and Cassian find themselves unable to escape the explosion, and embrace as they are killed in the ensuing shockwave.
The Rebel fleet begins to jump tohyperspace; however, many ships are intercepted by Darth Vader's Star Destroyer. Vader boards theRebel command ship and slaughters many troops in an attempt to reclaim the plans, but a smaller ship[b] escapes with them. Aboard the fleeing ship preparing to enter hyperspace,Princess Leia Organa declares that the plans will bring hope for the Rebellion.
In 2003, during the production ofEpisode III in Sydney,John Knoll, the visual effects supervisor for all three prequels,pitched an episode for the unproduced seriesStar Wars: Underworld.[48] At the time, he had written a short treatment called "Destroyer of Worlds".[49] After the Disney acquisition he felt as though he had to pitch it again or forever wonder "what might've happened if I had."[50][51] In May 2014, Disney announced thatGareth Edwards would direct the film and thatGary Whitta would write the script.[52] In October of the same year, cinematographerGreig Fraser revealed that he was hired to work on the film.[53] In January 2015, it was revealed that Whitta had completed his work on the script, and would no longer be involved with the project.[54]Simon Kinberg was considered as a replacement.[55] Later that month, it was announcedChris Weitz had signed to continue the script's development for the film.[56] In March 2015, the titleRogue One was officially revealed.[57][c]
Edwards stated the style of the film would be similar to that of awar film, stating, "It's the reality of war. Good guys are bad. Bad guys are good. It's complicated, layered; a very rich scenario in which to set a movie."[59][60] Assuming Disney would not allow a dark ending, Edwards had the main characters surviving in the original version of the script. However, the producers opted for a more tragic ending and never filmed the original version.[61][62][63]
In May 2016, reports emerged the film would undergo five weeks of reshoots withTony Gilroy writing additional scenes, as well as acting as a second-unit director under Edwards.[64][65] With input from Edwards, Gilroy oversaw the edit and additional photography of the film which tackled several issues, including the ending.[66] In August, Gilroy was given screenplay credit alongside Weitz and was paid $5 million for his work on the film.[67][68] Additionally,Christopher McQuarrie,Scott Z. Burns, andMichael Arndt all contributed to the script at various stages in development.[69][70]
In July 2016, discussing whether the film would feature anopening crawl,Kathleen Kennedy said, "we're in the midst of talking about it, but I don't think these [anthology] films will have an opening crawl." Edwards explained that the film was "supposed to be different than the saga films," and that "This film is born out of a crawl. ... There's this feeling that if we did a crawl, then it'll create another movie."[71] In November 2016, Kennedy confirmed the film would not feature an opening crawl, instead beginning in "a way that is traditional, with just the title."[72]
At the 2016Star Wars Celebration, Edwards said that the film's title had three underlying meanings: "a military sign," referring to theRed Squadron fromA New Hope; "the 'rogue' one" of the franchise, given it is the first film to not be part of the main saga; and a description of Jyn Erso's personality.[73]
Early reports put the production budget of the film at $200 million.[5] After the film was released, according to reports based on tax filing in the United Kingdom, the film had spent an estimated total of $280.2 million and was eligible for UK film production tax breaks which brought the final net cost down to $232.4 million.[d][103][4][3]
On February 11, 2016, Disney executives stated the film was "virtually completed."[104] Several weeks of pre-scheduled reshoots began in June 2016.[105][106] Tony Gilroy, who was an uncredited writer on the film at the time, was hired to direct the reshoots and rework aspects of the film, earning him a screenwriting credit.[107][61][108] In 2023, Edwards disputed the reports that he was sidelined during the reshoots, saying that he remained heavily involved during the reshoots and worked with Gilroy.[109][110] The very last scene to be shot was Darth Vader attacking the rebels.[111] It was created by solely using digital tools.[112]
Industrial Light & Magic (ILM) produced the film's visual effects. ILM usedCGI and digitally altered archive footage to insertPeter Cushing's likeness over the body of actorGuy Henry.[113] Lucasfilm secured permission from the late actor's estate to include him in the film.[114] The team searched through archival footage of Cushing footage in order to find suitable reference material,[115] and Henry provided themotion capture and voice work. A digital model of Cushing was mapped over Henry's performance like a digital body mask. Cushing's mannerisms, including his manner of speaking, were studied by the creative team and applied to the digital Tarkin model.[116] Cushing's estate was heavily involved with the creation and had input right down to "small, subtle adjustments."[117][118][114] A similar process was used in the portrayal of Princess Leia; Carrie Fisher's appearance as Leia in the first film was superimposed over the face of Norwegian actressIngvild Deila and archival audio of Fisher saying "hope" was used to voice the character.[28][29][119]
Post-production of the film wrapped on November 28, 2016.[120]
It does borrow from traditions that bothJohn Williams and George Lucas borrowed from when they made the originalStar Wars, you know. George was looking atFlash Gordon, the old serials, and John was looking atGustav Holst and different composers along the way to get a baseline for what he wanted to communicate. There is a wonderful musical language that John put together for the original films. I wanted to honor that vernacular but still do something new with it, something that was still me in a way.
—Michael Giacchino, on balancing the musical traditions ofStar Wars with his original music forRogue One.[121]
In March 2015, it was reported thatAlexandre Desplat who had worked with Edwards onGodzilla (2014), would compose the score forRogue One,[122] and had confirmed it in an April 2016 interview.[123] As the film's reshooting affected the post-production process, Desplat opted out from the project due to his commitments for scoringValerian and the City of a Thousand Planets (2017), and was replaced byMichael Giacchino in September 2016.[124] Giacchino only had four and a half weeks to compose the music for the film, beginning almost immediately after finishing scoringDoctor Strange.[121] In addition to composing original themes, Giacchino incorporated some of John Williams' themes from previous films into the score.[121] The official soundtrack was released byWalt Disney Records on December 16, 2016.[125] An extended version of the soundtrack was released on February 11, 2022, which includes additional demos composed for the film score, and cues that were not included in the album, or being un-edited.[126] A vinyl edition was further released by Mondo in March 2022.[127][128]
Promotion ofRogue One was initially delayed by the release of the filmMission: Impossible – Rogue Nation in July 2015, because the titles were deemed too similar.Paramount Pictures registered and cleared the title with theMotion Picture Association of America in January 2015, well before Disney announced the title of its forthcomingStar Wars spinoff. Disney and Lucasfilm had to reach an agreement with Paramount over promotion in order to avoid any confusion in the public mind. Disney agreed toembargo promotion onRogue One until after mid-2015, with the exception of a very short teaser which was screened at Star Wars Celebration in Anaheim that year.[129]
Ateaser trailer forRogue One, released by Lucasfilm on April 7, 2016,[130] was praised by reviewers for its portrayal of strong female characters.[131]The Daily Telegraph describedJyn Erso's character as "a roguish,Han Solo-style heroine," calling the film "progressive," while noting its painstaking faithfulness to theproduction design style of theoriginalStar Wars trilogy.[132]The Hollywood Reporter also noted the visual nods to the original trilogy, and examined the film's possible narrative direction, considering that the outcome is to some extent already revealed in the opening crawl ofA New Hope.[133]The Atlantic writer David Sims stated that the trailer brought "back some memorable pieces of architecture, from the lumberingAT-AT walkers to the Death Star itself, not to mention the glorious 70s costuming ofStar Wars." He added that the trailer has "the look," blending the old with the new.[134] The trailer was viewed close to 30 million times in its first 29 hours, at a rate of 800,000 views per hour, from Facebook and YouTube, which is 200,000 views short of what the first teaser trailer forStar Wars: The Force Awakens was receiving in November 2014.[135]
In June 2016,Rogue One was promoted at theStar Wars Celebration Europe III event in London.[136] During the event, a new official poster was unveiled, which depicts a battle taking place on the tropical planet Scarif, with the Death Star looming large in a blue sky, above which is printed thetagline "A Rebellion Built on Hope". A second teaser trailer was screened exclusively at the event, and it was reviewed favorably by critics;The Daily Telegraph noted that the trailer revealed new locations such as the planets Jedha and Scarif, and that its most significant revelation came in the final seconds of the teaser, with the appearance of Darth Vader, reflected in a computer screen and accompanied by his classic breathing sound effect.[101]Variety also hailed the Vader reveal, and noted that the emphasis of the production was much more on the kinetic depiction of large battle sequences and full-on warfare, comparing it toFrancis Ford Coppola's 1979Vietnam War epicApocalypse Now. Ashowreel was also shown during the event, which featured footage from the film, cut with behind-the-scenes shots and interviews with the director and cast members.[137] The second trailer was shown publicly during a broadcast of the2016 Summer Olympics and received positive responses;Wired stated that the trailer was "littered with nostalgic throwbacks to the original trilogy," whileRolling Stone described the CGI landscape shots seen in the footage as "eye-poppingly gorgeous."[138][139]
A further trailer released in October 2016 promptedThe Hollywood Reporter to comment that the newly revealed footage looked like "a trailer to a different movie than the one advertised earlier," remarking that Jyn Erso appeared to be portrayed as a more vulnerable character, and highlighting the appearance of Galen Erso as a protective father figure.[140]Vanity Fair also commented on the emphasis given to Jyn's relationship with her father, suggesting thatRogue One was drawing on "theStar Wars franchise's greatest natural resource: daddy issues."[141]
The film's publicity tour began in Mexico on November 23, 2016.[142]
In Asia, Disney focused marketing efforts onDonnie Yen, with his individual poster being used for marketing in territories including Japan, Singapore, Indonesia, Thailand,Hong Kong, China, Vietnam, and Malaysia. The officialStar Wars Facebook page of the respective Asian countries also featured clips and videos of Donnie Yen speaking various languages, greeting fans and telling them to support the film. Disney also released various versions of international trailers with more footage of Yen.[143][144]
A tie-in novel to the film,Catalyst: A Rogue One Novel, was released on November 15, 2016.[145] Written by veteranStar Wars novelistJames Luceno, the story is set some years before the events ofRogue One, and provides a backstory to the 2016 film.[146] Thenovelization of the film was written by Alexander Freed, and released on December 16, 2016.[147]
Months after the film was released,Lucasfilm Press published two further novels, titledStar Wars: Rebel Rising andStar Wars: Guardians of the Whills on May 2, 2017.Rebel Rising was written byBeth Revis, and explains what happened to Jyn Erso between the time her mother died and the day when rebel agents freed her from an Imperial labor camp, a time period that the film skips over in its opening minutes.[148]Guardians of the Whills was written by novelist and comic writerGreg Rucka, and focuses on the characters Chirrut and Baze, telling their backstories as well as giving more context to the events that happened on Jedha prior to the Imperial occupation depicted in the film.
Months after the film was released,Marvel Comics adapted the film into a six-part comic book miniseries, which adds extra content.[149] In August 2017,IDW Publishing announced that it would make a one-shot graphic novel adaptation of the film, which was released one day after the Marvel miniseries' collection was released. Unlike the Marvel miniseries, this graphic novel will have slightly morecartoonish visuals.[150][151]
In the same month, Marvel Comics released theStar Wars: Rogue One – Cassian & K-2SO Special, a non-canon 40-page one-shot comic focusing on the first meeting between Cassian Andor and K-2SO. The comic was written by Duane Swierczynski and pencilled by Fernando Blanco.[152]
A downloadable expansion pack forStar Wars Battlefront (2015), titledRogue One: Scarif, was released in December 2016, and added content based on the film, including new game modes, a map based on the planet Scarif, and Jyn Erso and Orson Krennic as playable characters.[153] A free virtual reality mission forPlayStation 4 was also released alongside the expansion.[154] A Rogue One Play Set was also planned for the gameDisney Infinity 3.0 as a purchasable expansion pack. However, it was scrapped alongside the cancellation of the series.[155] A free update forStar Wars Battlefront II (2017) was released in April 2020, adding a different Scarif map and otherRogue One-inspired content.[156] Several characters and concepts from the film were also included in the mobile gamesStar Wars: Force Arena,[157]Star Wars Commander,[158] andStar Wars: Galaxy of Heroes.[159]
Rogue One premiered at thePantages Theatre in Los Angeles on December 10, 2016.[160] The film was released in certain European countries on December 14, 2016, in North America on December 16, and in China on January 6, 2017.[161]
To promote the release ofAndor, Disney re-releasedRogue One into over 150IMAX theaters across the United States and Canada on August 26, 2022, featuring an exclusive preview of the Disney+ series ahead of its three-episode premiere on September 21, 2022.[165][166]
Rogue One grossed $534.9 million in the United States and Canada, and $523.9 million in other countries, for a worldwide total of $1.059 billion.[5]Deadline Hollywood calculated the film's net profit as $319.6 million, accounting for production budgets, marketing, talent participation, and other costs; box office grosses and home media revenues placed it third on their list of 2016's "Most Valuable Blockbusters".[2]
In late November 2016, box office projections for the United States and Canada had the film grossing $100–150 million during its opening weekend.[167][168] Disney chairmanBob Iger noted that Disney and Lucasfilm did not expectRogue One to matchThe Force Awakens' total gross of $2.1 billion, nor its $248 million opening.[169] Pre-sale tickets for the film went on sale at 12:01 am EST on November 28, 2016. Within 10 minutes, ticket sale sites such asFandango crashed, much like they had in advance ofThe Force Awakens the year prior.[170] In its first 24 hours, the film had the second-highest number of pre-sale tickets ever sold, behind onlyThe Force Awakens.[171] Worldwide, the film was expected to gross $280–350 million in its opening weekend.[172]
In the United States, the film made $29 million from its Thursday night previews, making it the highest-grossing Thursday opening of 2016. On Friday, the film grossed $71.1 million, and $46.3 million the next day, securing a total of $155.1 million in its opening weekend, the third-biggest debut of 2016.[172] It topped the box office once again in its second weekend, grossing $64 million (down 58.7%) over the three day weekend, and $96.1 million over the four day weekend. On Christmas Day, it grossed $25.9 million.[173] It finished first at the box office again in its third weekend, grossing $49.6 million (−22.5%) over the three-day weekend and $65.5 million over the four-day weekend.[174] In its fourth weekend, Sunday projections had the film grossing $22 million, besting newcomerHidden Figures' $21.8 million. However, final figures the following day revealed the film tallied a weekend total of $21.9 million, falling to second place behindHidden Figures' $22.8 million.[175] The IMAX re-release of the film on August 26, 2022, made $1.1 million over the weekend, bringing its running IMAX total to $105 million, 10th all-time.[176]
The film has received generally favourable reviews, praising its aesthetics and narrative. OnRotten Tomatoes, the film has an approval rating of 84% based on 461 reviews, with an average rating of 7.5/10. The site's critical consensus reads, "Rogue One draws deep onStar Wars mythology while breaking new narrative and aesthetic ground and suggesting a bright blockbuster future for the franchise."[177] OnMetacritic, the film has a weighted average score 65 out of 100, based on 51 critics, indicating "generally favorable reviews".[178] Audiences polled byCinemaScore gave the film an average grade of "A" on an A+ to F scale, whilePostTrak reported film goers gave the film a 91% overall positive score.[172][179]
IGN reviewer Eric Goldman gave the film 9 out of 10, describingRogue One's storytelling being related to the plot ofStar Wars (1977) as a "tricky gambit", but praised it for being clear and connected. He also enjoyed the visual aesthetic, which he opined helped establish its own identity, and praised the performances of Jones, Luna, and Tudyk. He disliked the film's connection to otherStar Wars films, disliking the use of digital effects to recreate a character from the original trilogy, deeming it as "uncanny valley."[180]Peter Travers ofRolling Stone affirmed the film as being reminiscent of the original trilogy, and enjoyed Edwards' direction and the pacing. He especially enjoyed Jones' performance and the action sequences in the third act, although he felt the film's exposition slightly undermined character interactions. Travers went on to give the film 4 stars.[181]/Film ratedRogue One an 8 out of 10, with writer Peter Sciretta enjoying the darker tone, action sequences, Giacchino's score, and felt it retroactively improvedStar Wars by providing additional context and backstory. Sciretta wished the film focused on further characterization, which he felt was neglected due to the ensemble cast and runtime.[182]
Justin Chang, writing for theLos Angeles Times, praised Fraser's cinematography and also enjoyed the action sequences, feeling its storytelling would "immediately ascend to classic status" and justified its existence. He particularly emphasized the cast, and commended the performances of Yen, Luna, and Jones; he defended the ensemble cast from criticism by contending it highlighted the film's anti-fascist themes. Chang also speculated that the film had faster pacing due to wanting to avoid criticisms of slow pacing from the prequel trilogy.[183]Peter Bradshaw, a film critic ofThe Guardian giving a 4-star rating, enjoyed the film for providing "muscular and adroit" variations on familiarStar Wars elements and themes in addition to the depiction of the Death Star. He also offered general praise for cast performances, including that of Mikkelsen, Mendelsohn, Jones, Tudyk, Yen, and Luna, but felt the film did not "go rogue at any stage" and considered it to be released during the cultural zeitgeist ofStar Wars: The Force Awakens (2015).[184] In another 4-star review forThe Guardian,Mark Kermode further praised the cast, enjoying the diversity and positively compared Jyn's character to that ofEllen Ripley from the filmAliens (1986). He also praised the cinematography of the battle scenes, which he described as being evocative of theNormandy landings andVietnam War, and felt the standalone nature of the film allowed it to raise the dramatic stakes during the third act.[185]
In a more critical review,The Washington Post's Ann Hornaday regarded the film as being simplistic and a "placeholder", comparing its imagery toMad Max: Fury Road (2015) andArrival (2016). She positively regarded the visual aesthetic, Giacchino's score, and darker tone, but thought the plot was unoriginal and lacked the tone of previousStar Wars films. That said, she regarded the film as superior to the prequel trilogy.[186] Giving a C+ grade,IndieWire's David Ehrlich similarly regarded it as "a spirited but agonizingly safe attempt to ... to keep the wheels greased between proper installments". He lauded the opening scene and final act, saying the latter reminded him ofStar Wars "as we remembered it", and praised the set design and visuals as "gorgeous." He also enjoyed how the film reconciled narrative elements between the original and newerStar Wars films, but felt the lack of interesting character development and requirement to adhere to pre-existing narratives was to its detriment.[187]A. O. Scott andRichard Brody, writing forThe New York Times andThe New Yorker respectively, more heavily scrutinized the film and gave negative reviews. Both felt that it did not expand upon theStar Wars mythos, criticized the script, and considered the film to ultimately not justify its existence.[188][189] Scott regarded the film as being "mediocre" and primarily critiqued the plot and thematic content, which he believed to be underdeveloped.[188] Meanwhile, Brody, who went on to call it "lobotomized and depersonalized," felt Edwards overlooked many aspects ofStar Wars lore. Brody positively regarded Fraser's cinematography, and considered it his favorite element of the film, but was not affected by the death of major characters as he was not emotionally invested in their story.[189]
Rogue One introduced many new characters into theStar Wars mythology, with Chirrut Îmwe, played byDonnie Yen, and K-2SO, played byAlan Tudyk, being the most popular. In a poll on the officialStar Wars website in May 2017, in which more than 50,000 people voted, Chirrut Îmwe was voted as the most popularRogue One character.[190]
George Lucas was reported to have enjoyed the film more thanThe Force Awakens; upon hearing this, Edwards said, "I can die happy now."[191]
The film was praised for its exploration ofethics in engineering; in a reviewer's words, "the core ethical arc of the film is one man's decision to engineer the Death Star in such a way as to prevent its use for galactic domination. One could fairly re-title the movie to 'Rogue One: an Engineering Ethics Story.'"[192][193][194]
James Seddon, writer for the military news websiteTask & Purpose laudedRogue One as theStar Wars film that best reflects real military experience. Many details resonate with his own military service and seem real to veterans: "The spacecraft rattle annoyingly. Places where hands would naturally grab, or gear would rub, have the paint worn off. Cockpit windows are scratched, and, if the sunlight hits them wrong, they are hard to see through. Headphones get hung on a convenient grab rail and not on the hanger designed for them—if there even was a hanger. Apparently, designers of military vehicles in galaxies far, far, away have also never actually operated them in the field." He also pointed to aspects beyond the film's production design, like rebel Lt. Sefla'smuzzle discipline, the "bitter stoicism" predominant among characters who "spend most of their time wet, uncomfortable, afraid, and bickering" even as they work diligently to complete their mission, and the moral ambiguity of some of the rebels' actions.[195]
In 2025, it was one of the films voted for the "Readers' Choice" edition ofThe New York Times' list of "The 100 Best Movies of the 21st Century," finishing at number 176.[196]
While much of thecomputer-generated imagery (CGI) received positive reviews, some news organizations published criticism about certain aspects, including thevisual effects that were used to revivePeter Cushing, who had died in 1994, asGrand Moff Tarkin.[197]The Guardian's Catherine Shoard described the "resurrection" as a "digital indignity."[198] Joseph Walsh ofThe Guardian raised legal and ethical issues about bringing a long-dead actor to life.[199] Lucasfilm had obtained permission from Cushing's estate before deciding to use his likeness.[114]The Washington Times' Eric Althoff rejected the entire concept of using CGI to recreate a deceased actor: "Alas, what we get is, basically, not a simulation, but an approximation of a simulation—a dead character portrayed by a living actor inhabiting not the character, but imitating the dead actor."[200] In September 2024,Kevin Francis, who had been a personal friend of Cushing for many years prior to his death, filed a lawsuit against Disney for “Unjust Enrichment”, claiming that Cushing had made clear that he did not want his likeness reused without his consent.[201]
Some journalists also criticized the quality of the CGI that was used to represent a youngerCarrie Fisher in order to portrayPrincess Leia at an earlier time, as well as its suitability in movie-making.[28][29] Eliana Dockterman ofTime wrote that "there was something particularly plastic about this version of the young Carrie Fisher—so smooth and so perfect it couldn't be real—that pulled me out of the moment."[202] Kelly Lawler ofUSA Today said that "while Tarkin is merely unnerving, the Leia cameo is so jarring as to take the audience completely out of the film at its most emotional moment. Leia's appearance was meant to help the film end on a hopeful note (quite literally, as 'hope' is her line), but instead it ends on a weird and unsettling one."[203] Michael Cavna ofThe Washington Post described the facial effect as feeling "distractingly artificial and nearly alien, like a plastered death mask robbed of authentic actorly effect, well beyond the usual artifice ofBotox."[204] For her part, Fisher was shown the CGI rendition of her younger self for the film by Kathleen Kennedy and "loved it."[205]
This sectionis in a table format thatmay be better if supplemented withprose. You can help by adding a prose summary of the table(s).Editing help is available.(August 2024)
On November 8, 2018, it was announced that a live-action prequel series was officially in development and set to air on Disney's streaming service,Disney+. The series takes place five years before the events inRogue One and focuses on Cassian Andor withDiego Luna reprising the role.[219] The first season debuted on September 21, 2022, and focuses on Cassian's involvement in the Rebellion.[220] The second and final season debuted on April 22, 2025,[221] with its series finale released on May 13.[222] Streaming ofRogue One saw a boost coinciding with the release and conclusion of the series.[223]
^abFilmL.A. (May 23, 2017)."2016 Feature Film Study"(PDF).FilmL.A. Feature Film Study: 22.Archived(PDF) from the original on July 31, 2017. RetrievedNovember 22, 2018.
^"The 2016 Preview – 13 Rogue One: A Star Wars Story".Empire. United Kingdom. February 2016. p. 89.Jonathan Aris will play Senator Jebel. Nope, we have no idea who that is either.
^Åberg, Erik (October 13, 2016)."Fares Fares gör roll i nya "Star wars"" [Fares Fares makes role in the new "Star Wars"].Aftonbladet (in Swedish).Archived from the original on October 16, 2016. RetrievedOctober 16, 2016.
^Lindholm, Emilie (October 13, 2016)."Fares Fares med i nya Star wars-trailern" [Fares Fares in the new Star Wars trailer].GP (in Swedish).Archived from the original on October 17, 2016. RetrievedOctober 16, 2016.
^Tassi, Paul (December 21, 2016)."Rogue One's Original Ending May Explain Where All Those Deleted Trailer Scenes Went".Forbes.Archived from the original on January 1, 2017. RetrievedDecember 31, 2016.The revelation that the original ending was much different probably explains a lot about how different the trailers were from the final product. Fans have noticed many scenes in the original spots did not appear in the final film.
^Goundry, Nick (December 22, 2016)."Filming behind the scenes with Rogue One".KFTV.Archived from the original on December 22, 2016. RetrievedDecember 22, 2016.Among the largest sets built at Pinewood was the mountainous planet of Eadu
^"GALACTIC INNOVATIONS: STAR WARS AND ROGUE ONE". Academy of Motion Picture Arts and Sciences. June 4, 2019.Archived from the original on August 5, 2020. RetrievedAugust 8, 2020.This event contrasted the analog technologies developed for the first STAR WARS released in 1977 with the all-digital toolsets used to create ROGUE ONE released in 2016.
^Dockterman, Eliana (December 19, 2016)."Let's Talk About Grand Moff Tarkin in Rogue One".Time.Archived from the original on December 22, 2016. RetrievedDecember 23, 2016.... the effect ends up showing the limitations of the technology. It's also distracting: As you ponder what, exactly, is off about this not-human-enough figure—something in the facial movements—you begin to lose track of the plot.