Rocking the Cradle: Egypt 1978 is a live album by American rock band theGrateful Dead. It contains two CDs and one DVD and was released in 2008. The album was recorded September 15 & 16, 1978, at theGiza pyramid complex in Giza, Egypt. This was the third continent on which the band performed, having previously performed in Europe.[7][8] The shows on the album were recorded on a 24-trackmultitrack recorder and weremixed down to stereo for the album's release.
A bonus disc of additional tracks from the dates was included with early copies of the album. The DVD contains concert footage (all of which is represented either on the two CDs or the bonus disc) from the September 16 performance. It also includes "The Vacation Tapes", a 15-minute feature, from footage originally shot on8mm silent film, of band members, crew and friends visiting various Egyptian sites.[9]
The idea for the concerts had its origins in an Egyptian vacation taken by band manager Richard Loren. Following some on-the-ground research by Trist's close friend Jonathan Wallace and his meeting withJehan Sadat, the then-First Lady of Egypt, Loren returned with bassistPhil Lesh and Alan Trist to meet with officials and begin the paperwork and logistics process. Through Wallace's introduction to Joe Malone, a professor at theAmerican University of Beirut who was formerly with theState Department, the trio had made contacts with the Egyptian government.[10] Describing the planning, bassistPhil Lesh said, "It sort of became my project because I was one of the first people in the band who was on the trip of playing at places of power. You know, power that's been preserved from the ancient world. The pyramids are like the obvious number one choice because no matter what anyone thinks they might be, there is definitely some kind of mojo about the pyramids."[11]
Rather than ship all of the required sound reinforcement equipment from the United States, thePA and a 24-track, mobile studio recording truck were borrowed fromthe Who, in the UK. The Dead crew set up their gear at the open-air theater on the east side of theGreat Sphinx, for three nights of concerts. The final two, September 15 & 16, 1978, are excerpted for the album. The band referred to their stage set-up as "The Gizah Sound and Light Theater".
The final night's performance coincided with atotal lunar eclipse. DrummerBill Kreutzmann played with a cast, having broken his wrist while horseback riding. TheKing's Chamber of the nearby Great Pyramid of Giza was rigged with a speaker and microphone in a failed attempt to live-mixacoustical echo.[12]Hamza El Din, a Nubianoudist, performed as a guest and his composition "Ollin Arageed" appears on the album. He was backed by the students of his Abu Simbel school and accompanied by the Grateful Dead. El Din also appears on the Grateful Dead albumRoad Trips Volume 1 Number 4.
Lesh recalled that through the shows he observed "an increasing number of shadowy figures gathering just at the edge of the illuminated area surrounding the stage and audience – not locals, as they all seem to be wearing the same garment, a dark, hooded robe. These, it turns out, are theBedouin, the nomadic horsemen of the desert: drawn in by the music and lights... each night they have remained to dance and sway rhythmically for the duration of the show."[13] Kreutzmann recalls "Egypt instantly became the biggest, baddest, and most legendary field trip that we took during our entire thirty years as a band... It was priceless and perfect and, at half a million dollars, a bargain in the end. Albeit, a very expensive bargain."[14]
The concerts weren't expected to be profitable (proceeds were donated to the Department of Antiquities and a charity chosen by Jehan Sadat). Costs were to be offset by the production of a triple-live album; however, performances did not turn out as proficient as planned, musically, and technical problems plagued the recordings.[10] The results were shelved as the band focused instead on a new studio album,Shakedown Street.[10]
For the 30th anniversary of the event, producer Jeffrey Norman selected usable tracks that featured some of the better performances – chiefly from the final night of the run – for release.[15] A different mix of the tracks "Fire on the Mountain" and "Stagger Lee" had previously appeared on the expanded edition ofShakedown Street. That release also has a different edit of Hamza El Din's performance of "Ollin Arageed". Part of the material on "The Vacation Tapes" DVD previously appeared as a video segment on the music documentaryBackstage Pass.
The album title has a double meaning, referring to a rockingcradle and the fact that the Grateful Dead were playing rock music in one of thecradles of civilization. The cover art is byAlton Kelley and further artwork features apop-up, created by Scott McDougall.
First set: Bertha** > Good Lovin'**, Candyman*, Looks Like Rain*, Row Jimmy*, El Paso**, Ramble On Rose**, New Minglewood Blues*, Deal*
Second set: Ollin Arageed* > Fire On The Mountain* > Iko Iko*, I Need A Miracle* > It's All Over Now*, Sunrise, Shakedown Street* > Drums* > Space* > Truckin'* > Stella Blue* > Around and Around*
^abcGans, David (September 29, 2008)."Audio interview with Richard Loren".Grateful Dead Hour no. 1045. No. Grateful Dead Channel. Sirius XM Radio. Archived from the original on November 15, 2014. RetrievedJanuary 20, 2017.
^Dodd, David; Spaulding, Diana (2000).The Grateful Dead Reader. Oxford University Press. p. 133.ISBN9780195147063.
^Rocking the Cradle: Egypt 1978; Rhino Records, 2008. Liner Notes: Alan Trist
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