| "Rocket" | |
|---|---|
| Song byBeyoncé | |
| from the albumBeyoncé | |
| Released | December 13, 2013 |
| Recorded | 2012 |
| Studio | Jungle City Studios,Oven Studios (New York City) |
| Genre | |
| Length | 6:31 |
| Label | |
| Songwriters | |
| Producers |
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| Music video | |
| "Rocket" onYouTube | |
"Rocket" is a song recorded by American singerBeyoncé from her fifth studio album,Beyoncé (2013). It was written byMiguel,Justin Timberlake,Timbaland,Jerome "J-Roc" Harmon and Beyoncé with the group of the latter three people also serving as its producers. Miguel initially conceived the song inspired by Beyoncé, trying to showcase her confidence andsexuality. Beyoncé revealed that "Rocket" was inspired byD'Angelo's "Untitled (How Does It Feel)" (2000) and felt it was one of her liberating songs meant to illustrate different sides of her personality.
"Rocket" is aslowtemposoul,funk andR&B ballad which was frequently compared to the music of D'Angelo andPrince. It features explicit andmetaphorical lyrics discussing frankfemale sexuality, a prominent theme present onBeyoncé. Lyrically, it sees Beyoncé addressing a male partner throughsexual innuendos, adopting soft and sensual vocals.
Amusic video for the song was directed by Beyoncé, Ed Burke and Bill Kirstein and released throughBeyoncé itself on December 13, 2013. It was shot atThe Standard, High Line hotel, New York City inblack-and-white using aslow motion technique and features various shots of the singer, who appears dressed in lingerie for most of the time. Many critics considered it to be one of the most erotic clips on the entire album and praised its filming technique. At the2014 MTV Video Music Awards, Beyoncé performed "Rocket" during a medley consisting of songs from her fifth studio album. It was also a part of the setlist duringThe Formation World Tour (2016).
"Rocket" was written byMiguel,Justin Timberlake,Timbaland,Jerome "J-Roc" Harmon andBeyoncé for the latter'sself-titled fifth studio album. It was produced by Beyoncé, Timbaland and Harmon, with the former also serving as the song's vocal producer. The track was recorded with guidance by Stuart White and Chris Godbey inJungle City Studios andOven Studios, both located in New York City. Theengineering of "Rocket" was done by Ramon Rivas with assistance by Matt Weber. Chris Godbey finished themixing and eventually, themastering was done by Tom Coyne and Aya Merrill atSterling Sound. Timberlake further providedbackground vocals.[1]
While working in the studio for her fifth studio album, Beyoncé demanded from Miguel to write a song in which nothing was "off-limits" and where he could push the envelope creatively. He recalled that they collaborated soon after she had had her first baby. Inside the studio, she told him, "'Listen I feel so empowered at this time and place. You'll have to put me on a pedestal, like, never mind that it's Beyoncé. I wanna make music that makes me feel or shows that I feel hot and I'm confident and I wanna feel empowered because that's what I meant in my life'".[2][3] For the opening lines of the song, Miguel was inspired by the singer herself: "What's the first thing I'd want Beyoncé to say to me, as a man? What have I not heard her say? That's where the song came from."[4] He further noted that "Rocket" managed to showcase a new part of the singer which was confident, sexual and liberating at the same time.[4]
Beyoncé explained on heriTunes Radio channel that "Rocket" was one of the "most sensual songs", adding that it reminded her of the vibes ofD'Angelo's song "Untitled (How Does It Feel)" (2000).[5] The singer elaborated the concept behind the song during an album documentary filmed forBeyoncé, titled "Honesty", saying, "Now I'm in my 30s, and those children that grew up listening to me have grown up, and I always felt like it was my responsibility to be aware of kids and their parents and all these generation".[6] With that said, the singer felt "stifled" and unable to express every feeling she wanted to show. However, she noted that with "Rocket", one of the most liberating songs on the record, she managed to express many of those feelings and show different sides of her personality. Revealing that she would not have been confident enough to record the song earlier in her career, Beyoncé noted, "I kinda dropped that fourth wall and I did it".[6] The singer also discussed the meaning of the song by saying, "What I love about this song is, it takes you through this journey. You're flirting and you're talking all of your arrogant s--t [sic]. Then you climax, and then you have your cigarette... This song actually is about singing from the heart, and harmonies and adlibs and arrangement".[7] During the same video, she praised Timberlake and Miguel's work; the clip also showed footage of Beyoncé recording the song in the studio.[7]
"Rocket" is a six and a half-minute track, the longest one onBeyoncé.[8] It has a time signature of 6/8. It is aslow tempo ballad[9][10] and explores elements ofsoul music,[11]neo soul,[12][13]funk[14] andR&B.[15][16] It was noted to be one of the album'sretro songs.[9][16]Houston Chronicle's Joey Guerra deemed the track an "old-school R&B stunner" filled with "all swooping verses and steamy choruses".[17] Many critics found similarities to work by musicianPrince.[18][19] Nick Catucci ofEntertainment Weekly described the track as a "funk excursion" similar to songs by Prince.[14] Mike Divers fromClash magazine also felt that "Rocket" was reminiscent of Prince's "funky prime".[9]Jon Pareles ofThe New York Times noted that the seductive track harks back to Prince's music with "harmonies blossom[ing] all around Beyoncé's cooing lead vocal".[20] Julia Leconte ofNow summarized the song's sound as a cross between music by D'Angelo during the late-90s andUsher during the early 2000s.[13] Other critics noted "Rocket" to be a rehash and a homage of D'Angelo's work,[16][21][22][23] particularly on his song "Untitled (How Does It Feel)".[24][25][26] Claire Lobenfeld ofComplex magazine found cues taken from "Untitled" in "Rocket" to the "point of pop-facsimile".[27]Variety's Andrew Barker deemed the seductive, "grinding" "Rocket" a 2013 makeover of that song.[28] In a review forThe Quietus, Mof Gimmers concluded that the song followed up whereCiara's "Body Party" (2013) andR. Kelly'sBlack Panties (2013) finished.[29]
Keeping in line with the most prominent theme ofBeyoncé, "Rocket" explores frankfemale sexuality.[13][14][24] It opens with Beyoncé expressing feelings of lust in the first line, "Let me sit this assssss [sic] on ya"[14] for which she adopts a soft and sultry vocal style.[3] She further sings about love-making with a male lover and the second line includes the lyrics: "Let me take this off while you watch me / that's my'ass appeal".[30] It features explicit andmetaphorical lyrics throughout[11][31] and sees Beyoncé instructing her love interest to watch her perform astriptease.[32] She further talks about how their evening together is going to proceed with lyrics such as "If you like you can touch it babe, do you wanna touch it baby?".[33]
While singing the lines "So rock right up to the side of my mountain / Climb until you reach my peak babe my peak, the peak / And reach right into the bottom of my fountain", Beyoncé usessexual innuendos.[12][34] She also incorporates similardouble entendres andeuphemisms in the lyrics, "Reach right into the bottom of my fountain / dip me under to where you can feel my river flow / Rock it till water falls".[35][36] During the end of the song, Beyoncé sings the lines "You rock hard / I rock steady" eventually "erupting into an orgasmic finish" as stated by Puja Patel ofSpin.[24] During the last part, she sings "Goddamnit, I'm comfortable in my skin / And you're comfortable in my skin".[37] It was noted that during the end of the song, the protagonist becomes ready to be sexually subordinate and "discipline[d]" as opposed to the first part where she adopted a more dominant persona;[38] this is further exemplified in the lines "Punish me, punish me please" where Beyoncé uses soft vocals.[39]
"Rocket" was met with critical acclaim. John Kennedy fromVibe magazine opined it was impossible for a sexually active person not to feel an urge to invite their partner over upon hearing "Rocket".[4] Evan Rytlewski ofThe A.V. Club compared the song's sexiness to that of "Drunk in Love" in a style of an "overeager, pre-shower quickie", calling both of them the singer's raunchiest and most romantic.[21] Mike Diver ofClash felt surprised by Miguel's writing contribution mostly due to the sound showcased in the song.[9]Now's Julia LeConte listed the song as the best on the entire album.[13] Andy Kellman fromAllMusic called "Rocket" the second best song onBeyoncé, deeming it an "amusing mix of metaphorical and explicit come-ons" with an "elegant" opening line.[11] Similarly,Rob Sheffield ofRolling Stone provided a positive review for the "squishy" tune where Beyoncé "hits nasty highs", further praising the first line as a nice song-opener.[40] Jon Dolan of the same publication further praised it as the best opening line of the "sumptuously asstastic" track.[8] In an article forVulture,Jody Rosen viewed the song as "teasingly slow and salacious" and felt that its opening line was one of the best of all time.[19] James Montgomery fromMTV News regarded it as a "slowed-down jam in the purest sense of the term".[41]
Writers ofBillboard magazine called "Rocket" a "baby-making anthem" in the vein ofZapp, which finds the singer "fully equipped for the occasion".[30] Commenting it was "aprimer on what sex with Beyoncé is like", Chris Bosman from the websiteConsequence of Sound concluded the track "beats R. Kelly at his own game of pairing hyper-specific, 'so ridiculous they're incredible' bedroom euphemisms with the most classic of soul vibes".[42] WriterGreg Kot of theChicago Tribune noted that Beyoncé's voice turned into a "lust-saturated choir" on the track.[23] Mikael Wood of theLos Angeles Times felt the "sumptuous" song provided a room for the singer to "flex her impressive stylistic chops".[16] Jody Rosen in Vulture also described it as a "sumptuous old-fashioned soul ballad, [which] goes down like aprofiterole".[43] Ryan E.C. Hamm fromUnder the Radar advised people who thought D'Angelo's "Untitled " is "the sexiest song ever" to hear "Rocket".[44] Lindsey Weber of Vulture considered it an ode to "Untitled" and summed it up as "insanely sexy".[45] Editor Caitlin White writing for the website The 405 noted how the singer managed to reveal her true side in "Rocket" while making herself the dominant lover.[32]
Philip Matusavage in a review for themusicOMH pointed out the lines "you're the shit, that makes you my equivalent" as re-appropriation of "When I Get You Alone" (2002) by singerRobin Thicke.[46] Writing forIdolator, Mike Wass likened the song to material onB'Day (2006), and complemented it as a "vocal tour de force with eye-popping, quotable lyrics".[33]BET's Latifah Muhammad used the words "assertive, feminine, coy and direct" to describe the track.[38] Una Mullally ofThe Irish Times dubbed "Rocket" as "simple and inoffensive".[47] Kevin Fallon ofThe Daily Beast felt that Beyoncé managed to execute a modernMotown sound.[48] Tris McCall ofThe Star-Ledger wrote that "Rocket" featured "a thing or two to say about the irresistible siren call of her butt".[49] Claire Lobenfeld fromComplex found "Rocket" to be more sultry than the rest of the songs on the album.[27] Tim Finney of the same publication highlighted "Rocket" as a "relatively classicist... sex romp slow jam" and concluded, "[it] gradually disintegrates into a loosely interwoven patchwork of faux-improvised exclamations and exhalations as Beyoncé determinedly roots out every possible voluptuous vocal angle on the song's preoccupations".[50]
Stereogum journalist Tom Breihan described "Rocket" as "a squelchy, Prince-ly old-school sex-ballad" in which the singer seemingly "melt[s] into the track". He stated that despite "nothing remotely innovative about it... I can't remember the last time I heard a ballad of this type so completely fleshed-out and fully realized".[10] Ryan B. Patrick ofExclaim! noted that songs on the album, such as Rocket", effectively display genre diversity, Beyoncé's vocal range and "a penchant of musical experimentation".[51] Although describing it as a "pitch-perfect rehash" of "Untitled" and noting that it succeeded in turning Beyoncé's "sex life intotopography",Fact's Chris Kelly felt "Rocket" was unnecessary on the album.[25] Philip Cosores ofPaste stated that the song was "dragging on a minute or two too long".[31] Janice Llamoca from the websiteHipHopDX called it suitable for a bonus track on Timberlake'sThe 20/20 Experience (2013).[12] Neil McCormick, writing forThe Daily Telegraph criticized the song as a "superflous" [sic] cut meant forThe 20/20 Experience.[52] In the annualPazz and Jop mass critics poll of the year's best in music in 2013, "Rocket" was ranked at number 424.[53]
Themusic video for "Rocket" was directed by Beyoncé along with Ed Burke and Bill Kirstein.[54] It was filmed at a room known as Hudson Studio in the hotelThe Standard, High Line, located inManhattan, New York City.[55] Some of the scenes were also shot in the hotel's hallway while others were filmed at different locations.[56] The visual was released on December 13, 2013, toiTunes Store onBeyoncé itself along with sixteen other music videos for every track on the album.[54] On November 24, 2014, it was also uploaded to the singer'sVevo account.[57] Todd Tourso, who served as the creative director forBeyoncé, revealed that while making the video, "Rocket" was altered to fit with its visual counterpart.[58]
During one scene in the video, Beyoncé is seen wearing a denim button-down top and a lace bra by retailerAgent Provocateur. In a commentary about the look, Joanna Nikas ofThe New York Times described her style as "[a]t-[h]ome".[59] Neal Farinah, who worked as a stylist for the singer, elaborated that the team wanted to keep her hair long and wavy in order to portray sexuality andfemininity.[60] The video features various close-up shots of the singer throughout; she is seen writhing on a bed dressed in lingerie, eating strawberries, having a shower inside a bathtub, playing on a piano. Other scenes show various objects and Beyoncé walking along a corridor and lighting up a cigarette atop a car.
A writer from the websiteE! Online felt that in the video, Beyoncé "most certainly comes into her own".[7] Puja Patel ofSpin regarded it as "practically a tribute to her curves".[24] An editor forCTV News noted how the singer was seen hovering over a bed in anexorcist style.[55] Kathy Iandoli fromVice remarked the same particular scenes for showing Beyoncé living in a matrix.[61] Billie Cohen from the magazineCondé Nast Traveler noted that "maybe one of the most memorable image" from the visual album was when the singer was seen falling on a king-size bed in "Rocket".[56] In what she perceived to be the best dance moves on the album, Lindsey Weber of Vulture listed the same scene.[62] Considering it one of the most intimate videos on the entire record, Michael Zelenko fromThe Fader noted, "In a collection full of erotic videos, 'Rocket,' with its heaving chests, bare thighs, bubble baths, and nails clawing at sheets, manages to stand apart as the steamiest of the bunch."[63] Jody Rosen ofThe New York Times opined that the video featured mostly slow-motion pictures of "billowing silk sheets and water droplets tumbling onto Beyoncé's bare midriff".[64] Neil McCormik fromThe Daily Telegraph noted the lack of subtlety during the scenes showing a power drill and Beyoncé "shuddering with pleasure".[35] In another review, he labeled the clip as "very naughty".[52]
Fuse writer Jason Newman called the clip an ode to D'Angelo and went on to state it worked as part underwear commercial, part shower commercial.[65] Writing for theItalian edition ofVogue, Valentina Veneziano concluded that the video showcased Beyoncé's positive attitude portrayed through her laugh in "Rocket".[66] Meghan O'Keefe fromVH1 argued that the video was the first to focus on Beyoncé's "voluptuous curve, toned muscle, raised goosebumps and bleached strands of bed head".[67] Brent DiCrescenzo from the magazineTime Out found influences byMadonna from her work on the albumErotica (1992) and the bookSex (1992).[68]Vanity Fair reviewer Michelle Collins opined that the video opened with shots of Beyoncé on a bed to slightly change the overall feeling present on the album.[69] Insanul Ahmed writing inComplex remarked that things "get sensual" in "Rocket"'s clip.[70] Whitney Phaneuf of the websiteHitFix was more critical towards the visual, saying that it "may be the sexiest video of the bunch, but it's achieved in such a conventional way that it ends up being boring".[71] On December 21, 2013, eight days following the release of the video for "Rocket", CTV News reported that the hotel where the clip was filmed would earn profit from the exposure in the album.[55]
"Rocket" was performed live for the first time by Beyoncé during the2014 MTV Video Music Awards on August 25, as part of a medley consisting of songs from her self-titled album. For the rendition of the song, the singer danced atop a chair, surrounded by smoke on stage.[72] She performed the same dance choreography seen in the music video for "Partition".[73] Beyoncé was dressed in a jeweled bodysuit and performed "Rocket" as the seventh song on the set.[72] Mike Wayers writing forThe Wall Street Journal noted that the performance of the song was during the medley's "sexiest part".[74] Following the song's live performance, its sales in the US increased by 584%.[75] In 2016, "Rocket" was performed live throughoutThe Formation World Tour. During the track, a line of "Untitled (How Does It Feel)" was implemented and Beyoncé performed a chair dance.[76][77]
Credits adapted from the album'sliner notes and the singer's official website.[1][78]
| Region | Certification | Certified units/sales |
|---|---|---|
| Brazil (Pro-Música Brasil)[79] | Gold | 30,000‡ |
| New Zealand (RMNZ)[80] | Gold | 15,000‡ |
| United States (RIAA)[81] | Platinum | 1,000,000‡ |
‡ Sales+streaming figures based on certification alone. | ||
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