The first recording was made byJohn Lomax, who was traveling among the prisons of the American South to record the spirituals dating from the antebellum South before they were lost forever. Lomax met a remarkabletenor named Huddie Ledbetter (who later performed under the nameLead Belly) at a prison in Louisiana in 1933 and helped secure Ledbetter’s release from prison. Lomax then traveled with Ledbetter to other prisons, recording the inmates of the ArkansasCummins State Farm prison in 1934.[1] This recording is sometimes identified as "Kelly Pace and Prisoners".[2] Lead Belly first recorded his own, narrative version of the song in 1937, and numerous top musicians covered that version of the song, which was ostensibly about a train to New Orleans.
The beginning of the most popular (Lead Belly) version of the song tells the story of a train operator who smugglespig iron through a toll gate by claiming all he had on board waslivestock. Neither the 1929 transcription nor the 1934 Kelly Pace recording contained that narrative. The song's chorus includes:
The Rock Island Line is a mighty good road The Rock Island Line is the road to ride The Rock Island Line is a mighty good road If you want to ride you gotta ride it like you find it Get your ticket at the station for the Rock Island Line
Many artists subsequently recorded it, often changing the verses and adjusting the lyrics.[3]
Clarence Wilson, a member of the Rock Island Colored Booster Quartet made the earliest known written transcription of "Rock Island Line" in 1929. The singing group was made up of employees of theChicago, Rock Island and Pacific Railroad at the Biddle Shops freight yard inLittle Rock, Arkansas. The lyrics to this version are largely different from the version that later became famous, as explained below.
The first audio recording of the song was made by folklorist and musicologistJohn A. Lomax at theTucker, Arkansas prison farm on September 29, 1934 (sometimes identified as "Kelly Pace and Prisoners").[2]Lead Belly accompanied Lomax to the prison. Lomax had discovered Lead Belly in a prison in Louisiana and helped win his release, but the relationship between them was trying. John Lomax's son, Alan Lomax, helped Lead Belly become established as a musician after Lead Belly made his recording of a longer, narrative version of the song in 1937, which is the version that was most often covered by other musicians.[4] Lead Belly's version retains some lyrical features of the 1929 version, but also features the narrative. Lomax recorded a version similar to the 1929 version in October 1934 atCummins State Farm prison inLincoln County, Arkansas, performed by a group of singers led by Kelly Pace,[5] who recorded the inmates of the ArkansasCummins State Farm prison in 1934.[6]
The Penguin Book Of American Folk Songs, compiled and with notes byAlan Lomax, published in 1964, includes "Rock Island Line" with the following footnote, however, the "facts" conflict with those from other sources, and are believed to be inaccurate- For example, Kelly Pace could not have composed the song: 1)The 1934 recording was made to preserve the spirituals of the antebellum South before they were lost, and which Clarence Wilson had already transcribed, and which the Colored Booster Club had been singing five years earlier in 1929. Further, 2) Lead Belly had also been a convict in a southern prison in Louisiana which is believed to have been closer to where the song has been sung as a spiritual prior to the Civil War, and thus Lead Belly is likely to have heard the song first in that or other contexts in Louisiana.3) Donegan credited the Kelly Pace recording, however, he sang the Lead Belly version, which is what he made popular in England.
John A. Lomax recorded this song at the Cummins State Prison farm, Gould, Arkansas, in 1934 from its convict composer, Kelly Pace. The Negro singer,Lead Belly, heard it, rearranged it in his own style, and made commercial phonograph recordings of it in the 1940s. One of these recordings was studied and imitated phrase by phrase, by a young English singer of American folk songs [referring toLonnie Donegan], who subsequently recorded it for an English company. The record sold in the hundreds of thousands in the U.S. and England, and this Arkansas Negro convict song, as adapted by Lead Belly, was published as a personal copyright, words and music, by someone whose contact with the Rock Island Line was entirely through the grooves of a phonograph record.[7]
According to Harry Lewman Music,
Lead Belly and John and Alan Lomax supposedly first heard it from [a] prison work gang during their travels in 1934/35. It was sunga cappella. Huddie [Lead Belly] sang and performed this song, finally settling on a format where he portrayed, in song, a train engineer asking the depot agent to let his train start out on the main line.[8]
Lonnie Donegan's recording, released as a single in late 1955, signaled the start of the UKskifflecraze. This recording featured Donegan,Chris Barber on double bass andBeryl Bryden onwashboard. The Acoustic Music organization makes this comment about Donegan's version. "It flew up the English charts. Donegan had synthesized American Southern Blues with simple acoustic instruments: acoustic guitar,washtub bass and washboard rhythm. The new style was called 'Skiffle' .... and referred to music from people with little money for instruments. The new style captivated an entire generation ofpost-war youth in England."[9]
Pete Seeger recorded a versiona cappella while he was chopping wood, to demonstrate its origins.[8]
Prison inmates in Arkansas – Recorded by John Lomax in Arkansas twice in 1934. The October 1934 recording, by Kelly Pace and a group of convicts, was released on the compilation albumA Treasury of Library of Congress Field Recordings (released 1997)[10]
Lead Belly – Recorded in Washington, D.C., on June 22, 1937, the first of many recordings he made during his career, the last being live at the University of Texas at Austin on June 15, 1949.[11] "Rock Island Line" appears on the Lead Belly compilationRock Island Line: Original 1935-1943 Recordings (released 2003),[12] among many others.
Arkansas prisoners – Also recorded by John Lomax in 1939. This performance is included with his 1939 Southern States Recording Trip.[13]
George Melly (single 1951) – Recorded for the small BritishJazzlabel Tempo (which was subsequently acquired byDecca) under the name "The George Melly Trio", and featuringJohnny Parker on piano and Norman Dodsworth on drums (both members ofMick Mulligan's Magnolia Jazz Band with whom Melly was the singer).
Lonnie Donegan (single 1955) – In July 1954 Donegan recorded this fast-tempoversion of "Rock Island Line", withChris Barber'sJazz Band. It was the first debut record to be certifiedgold in the UK, where it helped trigger theskifflecraze.[15][16] The single reached the top ten in the US, peaking at number eight. This record is quoted by various later famous musicians as a catalyst for their musical development. Donegan embellishedLead Belly's earlier lyrics with an account of how the locomotive engineer fooled a toll-collector by misrepresenting his load ofpig-iron as livestock, which was not chargeable, but this is based on his misunderstanding of the railroad phrase “in the hole” (meaning in thesiding); the original meaning was merely that the engineer avoided a wait in the siding because trains carrying livestock were given priority.[17][18]
Stan Freberg (single 1956) – In his typical manner, Frebergparodied Lonnie Donegan's "Rock Island Line", following the latter's American chart success. Issued onCapitol, it was the B-side to Freberg's parody ofElvis Presley's "Heartbreak Hotel".[20]
Johnny Cash –Johnny Cash with His Hot and Blue Guitar (1957) and also issued asSun Records EP112 as a single - Cash adds two verses to the song, one about a train coming down the track and the second about an engineer indicating two beverages he wants to try before he dies: "a hot cup of coffee and a cold glass of tea."
Milt Okun –America's Best Loved Folk Songs, Baton BL1203 (1957)
Johnny Horton –1956–1960, recorded in 1957, released posthumously[23]
Snooks Eaglin –New Orleans Street Singer, SFW CD 40165 (1959)
^Stratton, Jon (2010). "The Englishness of Skiffle".Britpop and the English music tradition. Farnham, Surrey, England: Ashgate. pp. 32–34.ISBN9780754668053.
