Robin Morgan | |
|---|---|
 Morgan in 2012 | |
| Born | (1941-01-29)January 29, 1941 (age 85) Lake Worth, Florida, U.S. |
| Education | Columbia University (BA) |
| Occupations |
|
| Years active | 1940s–present |
| Notable work | Sisterhood anthologies |
| Spouse | |
| Children | Blake Morgan |
| Website | robinmorgan |
Robin Morgan (born January 29, 1941) is an American poet, writer, activist, journalist, lecturer and formerchild actor. Since the early 1960s, she has been a keyradical feminist member of the AmericanWomen's Movement, and a leader in the international feminist movement. Her 1970 anthologySisterhood Is Powerful was cited by theNew York Public Library as "One of the 100 Most Influential Books of the 20th Century".[1] She has written more than 20 books of poetry, fiction, and nonfiction, and was editor ofMs. magazine.[2]
During the 1960s, she participated in thecivil rights andanti-Vietnam War movements; in the late 1960s, she was a founding member of radical feminist organizations such asNew York Radical Women andW.I.T.C.H. She founded or co-founded the Feminist Women's Health Network, the National Battered Women's Refuge Network, Media Women, the National Network of Rape Crisis Centers, the Feminist Writers' Guild, the Women's Foreign Policy Council, theNational Museum of Women in the Arts, theSisterhood Is Global Institute, GlobalSister.org, and Greenstone Women's Radio Network. She also co-founded theWomen's Media Center with activistGloria Steinem and actor/activistJane Fonda. In 2018, she was listed as one ofBBC's 100 Women.[3]
Due to circumstances at her birth, her mother claimed that Robin Morgan was born a year later than she actually was[4] (seebirth and parents), and throughout her career as a child actor, she was thought to be a year younger than she actually was, both by herself and others.
Already as a toddler, her mother, Faith, and mother's sister Sally started Robin as a child model. At the age of five, believed to be four,[4] she got her own program, titledLittle Robin Morgan, on the New York radio stationWOR. She was also a regular on the original network radio version ofJuvenile Jury. Her acting career took off when she was eight and started in the TV seriesMama, as Dagmar Hansen, the younger sister in the family depicted in the series. The show premiered on CBS in 1949, starringPeggy Wood, and was a great success. Morgan played Cecchina Cabrini inCitizen Saint (1947).
During theGolden Age of Television, Morgan starred in such "TV spectaculars" asKiss and Tell andAlice in Wonderland, and guest starred on such live dramas asOmnibus,Suspense,Danger,Hallmark Hall of Fame,Robert Montgomery Presents,Tales of Tomorrow, andKraft Theatre. She worked with directors such asSidney Lumet,John Frankenheimer,Ralph Nelson; writers such asPaddy Chayefsky andRod Serling; and performed with actors such asBoris Karloff,Rosalind Russell,Bill "Bojangles" Robinson, andCliff Robertson.[4]
Having wanted to write rather than to act since she was four, Morgan fought her mother's efforts to keep her in show business,[5] and left the cast ofMama at age 14.
As she entered adulthood, Robin Morgan continued her education as anon-matriculating student atColumbia University. She began working as a secretary atCurtis Brown Literary Agency, where she met and worked with such writers as poetW. H. Auden in the early 1960s. She had already begun publishing her own poetry (later collected in her first book of poems,Monster, published in 1972). Throughout the next decades, along with political activism, writing fiction and nonfiction prose, and lecturing at colleges and universities on women's rights, Morgan continued to write and publish poetry.[4]
In 1962, Morgan married poet Kenneth Pitchford.[5] She gave birth to their son,Blake Morgan, in 1969. The couple divorced in 1983.[6] At that time, she was working as an editor atGrove Press and was involved in an attempt tounionize thepublishing industry. When Grove summarily fired her and other union sympathizers, she led a seizure and occupation of their offices in the spring of 1970, protesting theunion-busting, as well as the dishonest accounting ofroyalties toBetty Shabazz,Malcolm X's widow. Morgan and eight other women were arrested that day.[4]
In the mid-1970s Morgan became a Contributing Editor toMs. magazine, and continued her affiliation there as a part- or full-time editor in the following decades. She served aseditor-in-chief of the magazine from 1989 to 1994, turning it into a highly successful, ad-free, bimonthly, international publication, which won awards for both writing and design, and received considerable acclaim among journalists.[7][8]
In 1979, when theSupersisters trading card set was produced and distributed, featuring famous women from politics, media and entertainment, culture, sports, and other areas of achievement, one of the cards featured Morgan's name and picture.[9] Today, the trading cards are in the collections of theMuseum of Modern Art and theUniversity of Iowa library.[10]
In 2005, Morgan co-founded the non-profit progressive women's media organization, The Women’s Media Center, with friends actor/activistJane Fonda, and activistGloria Steinem. Seven years later, in 2012, she debuted a weekly radio show andpodcast,Women’s Media Center Live With Robin Morgan. The broadcast is syndicated in the US and, as a podcast, is published online at the WMCLive website, and distributed oniTunes in 110 countries. It has been praised byThe Huffington Post as "talk radio with a brain" and features commentary by Morgan about recent news, and interviews withactivists,politicians, authors, actors and artists.[11] The weekly hour was picked up byCBS Radio two weeks after its launch and is broadcast on CBS affiliate WJFK each Saturday. The program features commentary by Morgan about recent news, and interviews withactivists,politicians, authors, actors and artists.
By 1962 Morgan had become active in theanti-war Left, and had also contributed articles and poetry to suchLeft-wing andcounter-culture journals asLiberation,Rat,Win, andThe National Guardian.[4] In the 1960s she became increasingly involved in social-justice movements, notably the civil-rights and anti-Vietnam war. In early 1967, she was active in theYouth International Party (known in the media as the "Yippies"), withAbbie Hoffman andPaul Krassner. However, tensions oversexism within the YIP (and theNew Left in general) came to a head when Morgan grew more involved inWomen's Liberation and contemporaryfeminism.[4]
In 1967, Morgan became a founding member of the short-livedNew York Radical Women (NYRW) group. She was the key organizer of their inaugural protest of theMiss America pageant in Atlantic City.[10] She designed the feminist symbol of araised fist within theVenus symbol for thatprotest of the 1969 Miss America pageant, where it was popularized.[12][13][14] Morgan also wrote theMiss America protest pamphletNo More Miss America!
With NYRW, Morgan publishedNotes from the First Year in 1968 andNotes from the Second Year in 1970. Both were important publications in the burgeoningwomen in print movement, an effort bysecond-wave feminists to establish autonomous communications networks of feminist periodicals, presses, and bookstores created by and for women which was associated withfeminist separatism andlesbian feminism.Notes from the First Year was one of the first identifiably separatist feminist publications in 1968. Over 560 were established in the next five years, many of them run as collectives like NYRW.[15][16] Morgan's print activism also included participating in the feminist takeover ofRat due to its sexist content and editorial policies. In the February 1970LibeRATion issue, she wrote: "If men return to reinstate the porny photos, the sexist comic strips, the 'nude chickie' covers (along with their patronizing rhetoric about being in favor of Women’s Liberation) — if that happens, then our alternatives are clear.Rat must be taken over permanently by women orRat must be destroyed."[17]
In 1968 Morgan also cofoundedWomen's International Terrorist Conspiracy from Hell (W.I.T.C.H.), a radical feminist group that used publicstreet theater (called "hexes" or "zaps") to call attention to sexism. Concerning the feminist organization W.I.T.C.H., Morgan wrote:
With the royalties from her anthologySisterhood Is Powerful, Morgan founded the first feminist grant-giving foundation in the US:The Sisterhood Is Powerful Fund, which provided seed money to many early women's groups throughout the 1970s and 1980s. She made a decisive break from what she described as the "male Left"[19] when she led the women's takeover of the underground newspaperRat in 1970,[20] and listed the reasons for her break in the first women's issue of the paper, in her essay titled "Goodbye to All That". The essay gained notoriety in the press for naming specific sexist men and institutions in the Left. Decades later, during the Democratic primaries for the 2008 presidential race, Morgan wrote a fiery sequel to her original essay, titled "Goodbye To All That #2", in defense ofHillary Clinton.[4] The article quickly went viral on the internet for lambasting sexist rhetoric directed towards Clinton by the media.[20]
In 1977, Morgan became an associate of theWomen's Institute for Freedom of the Press (WIFP).[21] WIFP is an American nonprofit publishing organization. The organization works to increase communication between women and connect the public with forms of women-based media.
Morgan has traveled extensively across the United States and around the world to bring attention to cross-cultural sexism. She has met with and interviewed female rebel fighters in thePhilippines,Brazilian women activists in the slums/favelas ofRio, women organizers in the townships ofSouth Africa, and underground feminists inIran.[10] Twice––in 1986 and 1989 she spent months in thePalestinian refugee camps inJordan,Lebanon,Egypt,Syria,West Bank, andGaza, to report on the conditions of women. Morgan has also spoken at universities and institutions in countries across Europe, theCaribbean, andCentral America, as well as in Australia,Brazil, China,Indonesia,Israel, Japan,Nepal, New Zealand,Pacific Island nations, thePhilippines, andSouth Africa.[7]
Over the years, Morgan has received numerous awards for her activism on women’s rights.[10] TheFeminist Majority Foundation named Robin Morgan "Woman of the Year" in 1990; she received the Warrior Woman Award for Promoting Racial Understanding from The Asian American Women's National Organization in 1992; in 2002 she received a Lifetime Achievement in Human Rights fromEquality Now, and in 2003The Feminist Press gave her a "Femmy" Award for her "service to literature".[7] She has also received the Humanist Heroine Award fromThe American Humanist Association in 2007.[22]
In March 2012 Morgan, along with her Women's Media Center co-foundersJane Fonda andGloria Steinem, wrote an open letter asking listeners to request that the U.S.Federal Communications Commission (FCC) investigate theRush Limbaugh–Sandra Fluke controversy, whereRush Limbaugh referred toSandra Fluke as a "slut" and "prostitute" after she advocated for insurance coverage forcontraception.[23] They asked that stations licensed for public airwaves carrying Limbaugh be held accountable for contravening public interest as a continual promoter ofhate speech against various disempowered and minority groups.[24]
In 1970, Morgan compiled, edited, and introduced the firstanthology offeminist writings,Sisterhood is Powerful. The compilation included now-classic feminist essays by such activists asNaomi Weisstein,Kate Millett,Eleanor Holmes Norton,Florynce Kennedy,Frances M. Beal,Joreen,Marge Piercy,Lucinda Cisler andMary Daly, as well as historical documents including theN.O.W. Bill of Rights, excerpts from theSCUM Manifesto, theRedstockings Manifesto, historical documents fromW.I.T.C.H., and a germinal statement from the Black Women’s Liberation Group of Mount Vernon.[25] It also included what Morgan called "verbal karate": useful quotes and statistics about women.[26] The anthology was cited by theNew York Public Library as one of the “New York Public Library's Books of the [20th] Century”.[1] Morgan established the first American feminist grant-giving organization, The Sisterhood Is Powerful Fund, with the royalties fromSisterhood Is Powerful.[27] However, the anthology was banned in Chile, China, and South Africa.[27]
Her follow-up volume in 1984,Sisterhood Is Global: The International Women's Movement Anthology, compiled articles about women in over seventy countries. That same year she founded the Sisterhood Is Global Institute, notable for being the first international feministthink tank. Repeatedly refusing the post of president, she was elected secretary of the organization from 1989 to 1993, was VP from 1993 to 1997, and after serving on the advisory board, finally agreed to become president in 2004.[28] A third volume,Sisterhood Is Forever: The Women's Anthology for a New Millennium in 2003, was a collection of articles mostly by well-known feminists, both young and "vintage", in a retrospective on and future blueprint for the feminist movement.[10] It was compiled, edited, and with an introduction by Morgan, and Morgan wrote "To Vintage Feminists" and "To Younger Women", which were both included in the anthology as Personal Postscripts.[29]
Morgan's articles, essays, reviews, interviews, political analyses, and investigative journalism have appeared widely in such publications asThe Atlantic,Broadsheet,Chrysalis,Essence,Everywoman,The Feminist Art Journal,The Guardian (US),The Guardian (UK),The Hudson Review, theLos Angeles Times,Ms.,The New Republic,The New York Times,Off Our Backs,Pacific Ways,The Second Wave,Sojourner,The Village Voice,The Voice of Women, and variousUnited Nations periodicals, etc.
Articles and essays have also appeared in reprint in international media, in English across theCommonwealth, and in translation in 13 languages in Europe,South America, theMiddle East, andAsia.[30]
Morgan has served as a contributing editor toMs. magazine for many years, receiving the Front Page Award for Distinguished Journalism for her cover story titled "The First Feminist Exiles from the USSR" in 1981.[31] She served as the magazine's editor-in-chief from 1989 to 1994, re-launching it as an ad-free, international bimonthly publication in 1991. This earned her a series of awards,[8][32] including the award for Editorial Excellence byUtne Reader in 1991, and the Exceptional Merit in Journalism Award by theNational Women's Political Caucus.[7] Morgan resigned her post in 1994 to become Consulting Global Editor of the magazine, which she remains to this day.[33]
Morgan has written for online audiences and blogged frequently. Among her best known articles are "Letters from Ground Zero" (written and posted after theSeptember 11 attacks in 2001 — which went viral), "Goodbye To All That #2", "Women of the Arab Spring", "When Bad News is Good News: Notes of a Feminist News Junkie", "Manhood and Moral Waivers", and "Faith Healing: A Modest Proposal on Religious Fundamentalism". Her online work is hosted in the archives of the Women's Media Center.[30]
Robin Morgan has published 21 books, including works of poetry, fiction, and the now-classic anthologiesSisterhood Is Powerful,Sisterhood Is Global, andSisterhood Is Forever.[30] Well before she was known as a feminist leader, literary magazines published her as a serious poet.[34] According to a 1972 review of her first book of poems,Monster, inThe Washington Post: "[These poems] establish Morgan as a poet of considerable means. There is a savage elegance, a richness of vocabulary, a thrust and steely polish..... A powerful, challenging book."[30] In 1979 Morgan received aNational Endowment for the Arts Creative Writing Fellowship in poetry,[34] then held a writing residency at the arts colonyYaddo the following year. During this time she worked on a cycle of verse plays.[35]
Morgan’s poetry collections includeA Hot January: Poems 1996–1999 (W. W. Norton, 1999),Depth Perception: New Poems and a Masque (Doubleday, 1994),Upstairs in the Garden: Poems Selected and New 1968–1988 (W. W. Norton, 1990),Death Benefits (Copper Canyon Press, 1981),Lady of the Beasts (Random House, 1976), andMonster (Random House, 1972). Of the book AHot January,Alice Walker wrote: "Morgan proves that exquisite poetry can be the most surprising gift of grief. A volume as proud, fierce, vulnerable, and brave as the poet herself."[36] A review ofUpstairs in the Garden, noted: "As a vindication and celebration of the female experience, these inventive poems successfully wed feminist rhetoric with vivid imagery and sensitivity to the music of language."[37] Two books of poems,Lady of the Beasts andDepth Perception, earned reviews inPoetry Magazine with criticJay Parini stating that "Robin Morgan will soon be regarded as one of our first-ranking poets."[38]
Morgan had published three books of fiction as of 2015. Her debut novel was the semi-autobiographicalDry Your Smile (published byDoubleday & Company, 1987), followed byThe Mer-Child: A Legend for Children and Other Adults (published byThe Feminist Press at City University of New York, 1991). Her most recent work of fiction is a historical novel titledThe Burning Time (Melville House Books, 2006), set in the 14th century, based on court records of the first witchcraft trial in Ireland.[39]The Burning Time was placed on the Recommended Quality Fiction List of 2007 by theAmerican Library Association,[40] in addition to being the 2006 Paperback Pick by Book Sense (The American Booksellers Association).[39]
Morgan has compiled, edited, and introduced several influential anthologies:Sisterhood Is Powerful: The Women’s Liberation Anthology (1970),Sisterhood Is Global: The International Women’s Movement Anthology (1984), andSisterhood Is Forever: The Women’s Anthology for a New Millennium (2003). She has herself written non-fiction, includingGoing Too Far (1978),The Anatomy of Freedom (1984),The Demon Lover: On the Sexuality of Terrorism (1989),The Word of a Woman (1994), andSaturday’s Child: A Memoir (2001). One of the most widely translated of Morgan’s books and a best-seller,The Demon Lover is a commentary on the psychological and political roots of terrorism, andNew York Times Book Review called it "Important...compelling....[Morgan] is intense and at times magnificent."[41] Her most recently published book of non-fiction isFighting Words: A Tool Kit for Combating the Religious Right (2006).[42]
In 1984, Morgan, together with the lateSimone de Beauvoir of France, and women from 80 other countries, founded The Sisterhood Is Global Institute (SIGI), an international non-profit NGO with consultative status to the United Nations, which has for three decades functioned as the world’s first feminist think-tank. The Institute has played a leading policy-formulation, strategic, and activist role in the evolution of the international Women’s Movement. SIGI has also developed a global communications network through which an umbrella of NGO interest, advice, contacts, and support is collectively mobilized to empower the global women’s movement.
Among its many activities, the Institute pioneered the first Urgent Acton Alerts regarding women’s rights; the first Global Campaign To Make Visible Women’s Unpaid Labor In National Accounts; and the first Women’s Rights Manuals For Muslim Societies (in 12 languages). Its most recent project is Donor Direct Action (donordirectaction.org), which links front-line women’s rights activists around the world to money, visibility, and popular support: minimum bureaucracy, maximum impact.
In 2005, Morgan co-founded the non-profit progressive organization, The Women’s Media Center with her friends actor/activistJane Fonda, and activistGloria Steinem. The focus of the organization is to make women powerful and visible in the media.
An invited speaker at numerous universities in North America, Morgan has traveled—as organizer, speaker, journalist—across North America, Europe, and the Middle East to Australia, Brazil, the Caribbean, Central America, China, Indonesia, Israel, Japan, Nepal, New Zealand, Pacific Island nations, the Philippines, and South Africa.[33] She has also been a guest professor or scholar in residence at a variety of academic institutions. She was guest chair for feminist studies at theNew College of Florida in 1971; a visiting professor at The Center for Critical Analysis of Contemporary Culture atRutgers University in 1987; a distinguished visiting scholar in residence for literary and cultural studies at theUniversity of Canterbury,Christchurch, New Zealand in 1989; a visiting professor in residence at theUniversity of Denver, Colorado in 1996; and visiting professor at the Center for Documentation on Women atUniversity of Bologna, Italy, in 1996.[7] She was awarded an honorary degree as aDoctor of Humane Letters by theUniversity of Connecticut at Storrs in 1992.[7]
Robin Morgan has been arrested, and has received death threats from both the Right and the Left because of her activism.[43] According to aNew Yorker magazine article published in the aftermath of Morgan's essay "Goodbye to All That" (#2) going viral on the Internet, "At five feet tall Morgan is, not for the first time, the little woman who has started a big war." In her original essay, "Goodbye to All That" (1970), Morgan bade adieu to "the dream that being in the leadership collective will get you anything but gonorrhea," referring to the "male Left". She also asserted thatCharles Manson was "only the logical extreme of the normal American male’s fantasy."[44]
Two years later, Morgan published the poem "Arraignment", in which she openly accusedTed Hughes of the battery and murder ofSylvia Plath.[45][46] There were lawsuits, Morgan's 1972 bookMonster which contained that poem was banned, and underground, pirated feminist editions of it were published.[34]
As the leading organizer of the 1968 protest of the Miss America Pageant, "No More Miss America!", Morgan attacked the pageant’s "ludicrous 'beauty' standards and also accused the pageant of beingracist, since at that time no African American woman had been a contestant. In addition––according to Morgan––in sending pageant winners to entertain troops in Vietnam, the women served as "death mascots" in an immoral war. Morgan asked, "Where else could one find such a perfect combination of American values -- racism, militarism, capitalism -- all packaged in one 'ideal' symbol, a woman."[47]
Another controversial quote is from her 1978 book, Going Too Far: The Personal Chronicle of a Feminist, where she stated: "I feel that "man-hating" is an honorable and viable political act, that the oppressed have a right to class-hatred against the class that is oppressing them."[48]
Morgan famously walked offThe Tonight Show in 1969 when it screened vintage footage of her as a child actor while she was trying to speak seriously about the first national march against rape. Of the incident, she has been quoted as saying: "Imagine talking about such a subject and having it trivialized like that."[43] In 1974, with her phrase "Pornography is the theory, and rape is the practice" (from her essay "Theory and Practice: Pornography and Rape"), she became a central figure on one of the divisive issues infeminism, particularly among anti-pornography feminists in Anglophone countries.
In 1973, Robin Morgan gave the keynote speech at the West Coast Lesbian Conference, in which she criticizedBeth Elliott, a performer and organizer of the conference, for being a transgender woman.[49] In this speech she referred to Elliott as a "transsexual male" and used male pronouns throughout, charging her with being "an opportunist, an infiltrator, and a destroyer-with the mentality of a rapist."[50] At the end of her speech she called for a vote on ejecting Elliott, with over two-thirds voting to allow her to remain, however the minority threatened to disrupt the conference and Elliott chose to leave after her performance to avoid this. The event demonstrated the high tension surrounding transgender women's involvement in the women's movement of the 1970s.[51][52][53]
Robin Morgan grew up in New York, first inMount Vernon, and later in Manhattan, onSutton Place. She graduated from The Wetter School in Mount Vernon, in 1956, and was privately tutored from then until 1959.[7] She published her first serious poetry in literary magazines at age 17.[4]
In an article published in the Jewish Women's Archive, Morgan reveals she is ofJewish ancestry, but identifies her religion as Wiccan and/or atheist. She is quoted as saying, "When compelled to define myself specifically in ethnic terms—I have described myself as being European American of Ashkenazic (with a touch of Sephardic) Jewish ancestry. I respect and understand the desire of others to affirm their ethnic roots as central to their identities, but while I’m quite proud of mine, I feel they’re just not particularly central to my identity. I am deeply opposed to all patriarchal religions, including though not limited toJudaism."[54] Morgan continues to tackle topics such as religion, politics and sex in fiery commentaries on her radio showWMC Live with Robin Morgan.[55]
Today Robin Morgan lives inManhattan.[7]Blake Morgan, her son with ex-husband Kenneth Pitchford, is a musician, recording artist, and founder of New York-based record companyECR Music Group.
In 2000 Norton published Morgan’s memoir,Saturday's Child, in which she wrote candidly about "the shadowy circumstances of her birth; a lifelong, impassioned, love-hate relationship with her mother; her years as a famous child actor and her fight to escape show business to become a serious writer; her marriage to a fiery bisexual poet and how motherhood transformed her life; her years in the civil rights movement, the New Left, and counterculture; her emergence a leader of global feminism; and her love affairs with women as well as men," according toBookNews.com.[56] In her book, "her passion for writing, especially poetry, is vividly conveyed, as is her love and respect for her son, born in 1969," according toThe New York Times Book Review.[57]
In April 2013, Morgan announced publicly that she had been diagnosed with Parkinson's disease, discussing the diagnosis on her radio showWMC Live with Robin Morgan,[58] revealing that she had been diagnosed in 2010, but that her quality of life was thus far "normal".[59] Since her diagnosis, Morgan has become active with theParkinson's Disease Foundation (PDF), completing training to become part of the organization'sParkinson's Advocates in Research initiative.[60] In 2014 she was the catalyst and took a leadership role in PDF's new Women and PD initiative, which will seek to better serve women impacted by Parkinson's disease by understanding and resolving gender inequalities in PD research, treatment, and caregiver support.[61] Morgan has also written new poetry inspired by her battle with the disease, and performed a reading of some of the poems as a TED Talk, at the TEDWomen 2015 conference.[62]
Her mother, Faith Berkeley Morgan, traveled from her New York residence to Florida to give birth, in order to avoid public scrutiny for her unmarried status.[4] Robin's father, a medical doctor named Mates Morgenstern, did not accompany pregnant Faith on her trip.
Until Morgan was 13 years old, her mother Faith claimed that Robin's father had been killed in World War II.[4] However, Robin overheard conversations between her mother and aunt suggesting her father was alive. When she confronted her mother, Faith changed her story to assert that Robin's father had escaped from one Nazi concentration camp after another, and that she had saved his life by sponsoring his immigration to the United States where he had no family.[4] Not until several years later did Robin get proof that this was also a lie.[4]
Morgan learned the truth, both about her father, who was still alive, and how old she really was, early in 1961.[4] Now a young woman, no longer working in show business, Robin found a listing for the medical practice of an obstetrician, Dr. Mates Morgenstern, in theNew Brunswick, New Jersey telephone directory. Suspecting this might be her father, she had sought a meeting with him, without her mother's knowledge, and ultimately paid a surprise visit to his New Jersey office in January 1961.
Morgenstern revealed that he was aware of Robin's fame as a child actor, but had remained firm in his decision to avoid contact with Faith Morgan, having chosen not to see her again after the only time he visited her and the infant Robin.[4] He also told Robin, during their conversation in his medical office, that she in fact was born on January 29, 1941, exactly one year earlier than she thought, and disclosed the copy of her original birth certificate, that he had stored in his office. In order to conceal the out-of-wedlock birth, Faith Morgan had asked her Florida obstetrician to sign an affidavit stating that the birth took place on January 29, 1942.[4]
During the conversation in his office, Morgenstern told his daughter that he first met her mother after his arrival in the United States, more than a year before the United States entered World War II, and that she had had nothing to do with his immigration. He added that he had known Faith only briefly and claimed that she had fantasized their relationship as more important than it was.[4] By the time Morgan met her father he had married and had two sons with a woman he had known since they were both children in Austria. Having been separated by the war, they resumed their relationship after she arrived in the United States not long after Robin was born, which probably also added to Morgenstern's decision to abandon Faith and their daughter.[citation needed]
Morgan only met her father once more, in February 1965 when he invited her and her husband to his New Jersey home.[4] Morgenstern did not want his sons to know that they had a half-sister and Morgan acceded to his request that they tell his two sons that she was "the daughter of an old friend."[4] She refused to do so again, however, and never met him or her two half-brothers again.[4]
Morgan describes the two encounters that she had with her biological father in her autobiography,Saturday's Child: A Memoir.
When Faith Morgan developedParkinson's disease, in her early 60s,[4] Robin telephoned her biological father to let him know. When she asked if he wanted to say goodbye, he declined.[4] During Faith's illness, her life savings, which consisted of the money Robin had earned in her radio and television career – by then a six-figure sum that had accumulated in the bank – was stolen, by her two elderly home caregivers.[4] Morgan discovered this but ultimately chose not to press charges.[citation needed]
Morgan's papers are held by theDuke University Sallie Bingham Center for Women's History and Culture archives. The collection includes correspondence, drafts of Morgan's writings, teaching materials, photographs, audiovisual material, and a digital archive of Morgan's website.[63]
Harvard University Library also holds a smaller collection of Morgan's papers, including personal papers, correspondence, subject and research files, and financial records.[64]
