This article is about a Canadian artist. For the scientist and mathematician, seeRobert Adrain.
Robert Adrian (1935–2015), also known asRobert Adrian X, was a Canadian artist who made radio and telecommunications art.[1] Adrian moved from Canada toVienna, Austria in 1972 where he became known for creating experimental artworks using radio and communications technologies. His workThe World in 24 Hours, which connected artists in different cities and continents through telephone lines and radio, is considered to be one of the first experiments in online culture.[2] Adrian is considered to be a pioneer in the field of telecommunications art and media art.
Adrian was an early user of telecommunications and electronics technologies for artistic purposes.[8] One of his earliest telecommunications projects, in collaboration with Bill Bartlett, was a work that used the business computer network of the companyI. P. Sharp Associates,[9] which Adrian had learned about and gained access to through fellow artistNorman White.[10] CalledInterplay, the piece was a telecommunications event that linked a dozen cities in Canada, the US, Australia, Austria and Japan on April 1, 1979.[11]
FollowingInterplay, Bartlett and Adrian organized and implemented of one of the first electronic mail systems for artists in 1979/1980.[12][13] This again used the I. P. Sharp Associates computer network, this time from its Vienna office.[14] Adrian was instrumental in setting up the systemARTBOX (later renamed toARTEX)[15] in 1979 for mail and media artists to use to communicate between each other.[16][17][18]
In 1982, Adrian organizedDie Welt in 24 Stunden (The World in 24 Hours),[19][20] a telecommunications work that used telephone lines andslow-scan television to link sixteen cities on three continents together.[21][22] The piece is widely cited as an early example of networked electronic art and online culture.[15][2] It was commissioned by and presented atArs Electronica Linz.[23][24]
Adrian died in Vienna on September 7, 2015.[26][8][6] At the time of his death, the Austrian minister of culture Josef Ostermayer called Adrian "einen Pionier der Medienkunst" (a pioneer of media art).[27]