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Robert Adrian

From Wikipedia, the free encyclopedia
Canadian artist
This article is about a Canadian artist. For the scientist and mathematician, seeRobert Adrain.

Robert Adrian (1935–2015), also known asRobert Adrian X, was a Canadian artist who made radio and telecommunications art.[1] Adrian moved from Canada toVienna, Austria in 1972 where he became known for creating experimental artworks using radio and communications technologies. His workThe World in 24 Hours, which connected artists in different cities and continents through telephone lines and radio, is considered to be one of the first experiments in online culture.[2] Adrian is considered to be a pioneer in the field of telecommunications art and media art.

Life

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Adrian was born inToronto, Ontario, Canada on February 22, 1935.[3][4][5] He moved to Vienna in 1972.[6][7]

Work

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Adrian was an early user of telecommunications and electronics technologies for artistic purposes.[8] One of his earliest telecommunications projects, in collaboration with Bill Bartlett, was a work that used the business computer network of the companyI. P. Sharp Associates,[9] which Adrian had learned about and gained access to through fellow artistNorman White.[10] CalledInterplay, the piece was a telecommunications event that linked a dozen cities in Canada, the US, Australia, Austria and Japan on April 1, 1979.[11]

FollowingInterplay, Bartlett and Adrian organized and implemented of one of the first electronic mail systems for artists in 1979/1980.[12][13] This again used the I. P. Sharp Associates computer network, this time from its Vienna office.[14] Adrian was instrumental in setting up the systemARTBOX (later renamed toARTEX)[15] in 1979 for mail and media artists to use to communicate between each other.[16][17][18]

In 1982, Adrian organizedDie Welt in 24 Stunden (The World in 24 Hours),[19][20] a telecommunications work that used telephone lines andslow-scan television to link sixteen cities on three continents together.[21][22] The piece is widely cited as an early example of networked electronic art and online culture.[15][2] It was commissioned by and presented atArs Electronica Linz.[23][24]

Awards

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In 2009, Adrian was a co-recipient of the US$50,000Nam June Paik Art Center Prize.[25]

Death

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Grave of Robert Adrian

Adrian died in Vienna on September 7, 2015.[26][8][6] At the time of his death, the Austrian minister of culture Josef Ostermayer called Adrian "einen Pionier der Medienkunst" (a pioneer of media art).[27]

See also

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References

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  1. ^Christa Sommerer; Laurent Mignonneau (19 August 2008).The Art and Science of Interface and Interaction Design. Springer Science & Business Media. pp. 165–.ISBN 978-3-540-79869-9.
  2. ^ab"Adrian, Robert, Papers".Carnegie Mellon University Libraries. Retrieved7 July 2016.
  3. ^"Medienkunstpionier Robert Adrian verstorben".Kurier.at. Retrieved6 July 2016.
  4. ^"Artist/Maker Name "Adrian, Robert"".Canadian Heritage Information Network. Archived fromthe original on 17 August 2016. Retrieved6 July 2016.
  5. ^"Pionier der Telekom-Kunst: Robert Adrian ist tot".Salzburger Nachrichten. Retrieved6 July 2016.
  6. ^ab"In memoriam Robert Adrian (1935 - 2015)".Kunstradio. Retrieved6 July 2016.
  7. ^"Robert Adrian 1935 - 2015".Kunstmagazine. Retrieved6 July 2016.
  8. ^abBosma, Josephine."If Art is Possible At All".Rhizome. Retrieved6 July 2016.
  9. ^TURNER, JEREMY."INTERVIEW WITH ROBERT ADRIAN ABOUT EARLY TELEMATIC ART AT OPEN SPACE GALLERY IN VICTORIA, CANADA".Open Space. Archived fromthe original on 11 May 2013. Retrieved7 July 2016.
  10. ^Medosch, Armin."The Museum of Forever - Interview with Robert Adrian".The Next Layer. Archived fromthe original on 7 June 2015. Retrieved7 July 2016.
  11. ^"Art and Telecommunication, 1979-1986: The Pioneer Years Robert Adrian".Walker Art Gallery. Archived fromthe original on 18 January 2021. Retrieved7 July 2016.
  12. ^Amelia Jones (9 February 2009).A Companion to Contemporary Art Since 1945. John Wiley & Sons. pp. 569–.ISBN 978-1-4051-5235-8.
  13. ^Gauguet, Bertrand."I – Interplay, ARTBOX et ARTEX".Archée. Retrieved6 July 2016.
  14. ^Brandon LaBelle (2006).Background Noise: Perspectives on Sound Art. A&C Black. pp. 281–.ISBN 978-0-8264-1844-9.
  15. ^abCharlie Gere (9 July 2006).Art, Time and Technology. Berg. pp. 146–.ISBN 978-1-84520-135-7.
  16. ^Annmarie Chandler;Norie Neumark (2005).At a Distance: Precursors to Art and Activism on the Internet. MIT Press. pp. 326–.ISBN 978-0-262-03328-2.
  17. ^Frank Popper (1993).Art of the electronic age. Harry N. Abrams.ISBN 978-0-8109-1928-0.
  18. ^Peter Gendolla; Jörgen Schäfer (July 2015).The Aesthetics of Net Literature: Writing, Reading and Playing in Programmable Media. transcript. pp. 156–.ISBN 978-3-8394-0493-5.
  19. ^Jonathan Coopersmith (29 January 2015).Faxed: The Rise and Fall of the Fax Machine. JHU Press. pp. 166–.ISBN 978-1-4214-1591-8.
  20. ^Dieter Daniels; Gunther Reisinger (2009).Net pioneers 1.0: contextualizing early net-based art. Sternberg Press.ISBN 978-1-933128-71-9.
  21. ^Gabriella Giannachi (1 June 2004).Virtual Theatres: An Introduction. Routledge. pp. 104–.ISBN 1-134-45475-9.
  22. ^Roy Ascott; Edward A. Shanken (2003).Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness. University of California Press. pp. 64–.ISBN 978-0-520-22294-6.
  23. ^Eduardo Kac (2005).Telepresence & Bio Art: Networking Humans, Rabbits, & Robots. University of Michigan Press. pp. 41–.ISBN 0-472-06810-5.
  24. ^Annmarie Chandler;Norie Neumark (2005).At a Distance: Precursors to Art and Activism on the Internet. MIT Press. pp. 308–.ISBN 978-0-262-03328-2.
  25. ^"Robert Adrian X shares Nam June Paik Art Center Prize".Northern Lights. Retrieved6 July 2016.
  26. ^Feßler, Anne Katrin."Künstler Robert Adrian X gestorben".Derstandard.at. Retrieved6 July 2016.
  27. ^"Bundesminister Ostermayer zum Ableben von Robert Adrian".ots.at. Retrieved6 July 2016.
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