"Robene and Makyne" is a short poem by the 15th-centuryScottishmakarRobert Henryson. It is an early written example of Scottishpastourelle, derived from theballad stanza form.[1]
Robene andMakyne (also speltMawkin) are stock names forpeasant characters, ashepherd and a country maiden.Henryson presents the two characters in the sparest of terms and much in the poem has to be inferred. Strictly speaking, nothing in the text verifies precisely who Makyne might be. In the first half of the poem, she declares longstanding love for Robene, but he is indifferent to her feelings. Minds quickly change and in the closing arc the hopeless declaration is from Robene. This simple dramatic reversal comes at thegolden section. Makyne's rejection of Robene is final.[2]
Henryson's writing suggests subtexts around the issue ofchastity, a material issue in the late medieval Church and of possible relevance in the poet's own life[citation needed]. The spareness allows different and perhaps dissonant readings to be simultaneously present, but any "allegorical" implications are present without pretentiousness or loss of authentic feeling and the poem stands as a simplecomic creation with a surprisingly wide range of emotion and intriguingtonal ambiguity[citation needed].
The closure, peculiar in its effect, evokes feelings of emptiness and a sense ofmusical return.[3]
Stanzas 12 and 13 of "Robene and Makyne," where the first stanza is spoken by Makyne, followed by Robene: