| Return to Seoul | |
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 French theatrical release poster | |
| French | Retour à Séoul |
| Directed by | Davy Chou |
| Written by | Davy Chou |
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| Starring |
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| Cinematography | Thomas Favel |
| Edited by | Dounia Sichov |
| Music by |
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Production companies | |
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Release dates |
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Running time | 119 minutes[1] |
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| Box office | $2.2 million[2] |
Return to Seoul (French:Retour à Séoul; original English title:All the People I'll Never Be) is a 2022drama film written and directed byDavy Chou, starring Ji-Min Park as a 25-year-old French adoptee who travels to South Korea seeking her biological parents.
Return to Seoul premiered in theUn Certain Regard section of theCannes Film Festival on 22 May 2022.[3] The film was selected as the Cambodian entry for theBest International Feature Film at the95th Academy Awards,[4] and made the December shortlist.[5] It received critical acclaim.
Freddie, an affable 25-year-old woman, was born in South Korea and adopted by French parents. She arrives inSeoul for a two-week vacation after her flight toTokyo is cancelled. She quickly bonds with Tena, the desk clerk at her hotel, and sleeps with a man she meets in a restaurant. Tena and a friend of hers tell Freddie about the Hammond Adoption Center. Freddie expresses no interest in finding her biological parents, yet visits the agency later.
The agency is restricted by law from revealing details of her parents, but are allowed to send them up to three telegrams per year notifying interest from adoptees. She travels toGunsan for a brief, uncomfortable reunion with her father, Tena serving as translator. On learning that her mother has not responded to all three telegrams, Freddie returns to her biological father's family for a three-night stay. Her father repeatedly makes drunken calls to her and sends her text messages in Korean regretting giving her up and promising a new life in South Korea.
Back in Seoul, Freddie tells Tena in a bar that she finds the father's relentless attention oppressive and asks her to tell him to stop. She then cruelly mocks declarations of love from the man she slept with on her first night in Seoul. As they are leaving, she tries to kiss Tena, who rejects her and tells Freddie she is "a very sad person". Freddie returns to her hotel with the DJ from the bar, but is confronted by her drunken father, who scolds her for ignoring his attempts at contact and scares off the DJ. Tena then suddenly appears, but her father ignores Tena's attempt to speak to him and as her father grabs hold of her arm, Freddie screams at him not to touch her and leaves.
Two years later, Freddie is living in Seoul. She goes on a date with André, a weapons dealer, who tells Freddie that she would be good in his industry. Freddie tells him that it is her birthday, and that every year on her birthday, she wonders if her mother is thinking about her. At a surprise birthday party thrown for her, she reveals to a co-worker who is also an adoptee that her mother has finally responded to several follow-up telegrams to say she is not interested in meeting her. It is revealed that Freddie's father still emails her, but she largely ignores him. Freddie tells her co-worker to contact Hammond, but her co-worker says she is following advice to learn about the Korean culture and language beforehand.
Five years later, Freddie speaks broken Korean and works with André selling missiles. On a business trip to South Korea, she goes with her French boyfriend, Maxime, to meet with her father. Her father plays her a piano tune that he wrote and performed, and Freddie is surprised at how it moves her. She becomes annoyed at Maxime when he says to her father that it is Freddie's destiny to helpdefend South Korea from North Korea. After dinner, she breaks up with him, heads to the entertainment district, and wakes up the next morning alone in an alley.
Freddie learns that her biological mother has responded positively to another telegram from Hammond, sent by a sympathetic employee in violation of policy. Freddie and her mother meet at a Hammond facility and Freddie weeps as her mother embraces her. Her mother gives Freddie her email address so they can stay in contact.
A year later, on her birthday, Freddie arrives at a hotel seeking a room. She writes an email to her mother apologizing for not contacting her earlier, and says that she thinks she is happy. The email fails to deliver as her mother's email address is no longer valid. Freddie goes to the hotel lobby and notices a piano with sheet music. She sits down and attempts tosight read the music, hesitantly at first, but soon producing a beautiful melody.
DirectorDavy Chou got the idea for the film from a similar experience with his friend, also a Korean French woman, Laure Badufle, in her 20s adopted from South Korean biological parents, who traveled with him to South Korea during the filming of his 2011 documentaryGolden Slumbers to meet her biological father and grandmother for the first time.[6] Seeing how emotional their meeting was, he decided to make a film along similar lines. Not knowledgeable in Korean culture or the experience of adoption at first, he researched these elements by talking to his friend and other adoptees as well as reading books, identifying some similarities with his own life as the son of immigrants from Cambodia who had left the country before theKhmer Rouge took over. Chou met Ji-Min Park through a "personal introduction" and decided to cast her as Freddie, her first film role, as he saw her as someone who "shared the essence of Freddie's free-spiritedness". He further developed her characterization through conversations with Park, which "challenged some of his notions as a male director and helped him understand how a young French woman might respond to aspects of Korea's highly patriarchal society."[7]
The film is an international co-production between France, Germany, Belgium, Qatar and Cambodia.[8][9] Filming took place over six weeks in late 2021 in South Korea and Romania.[10]
The film had its world premiere in theUn Certain Regard section of theCannes Film Festival on 22 May 2022 under the English titleAll the People I'll Never Be.[11] Shortly before its Cannes premiere,Mubi andSony Pictures Classics acquired the distribution rights to the film in different regions, with Sony Pictures Classics changing the film's English title toReturn to Seoul.[12][13]Return to Seoul was released theatrically in Cambodia on 18 November 2022 by Westec Media Limited,[14][15] in France on 25 January 2023 byLes Films du Losange,[16] in Germany on 26 January 2023 by Rapid Eye Movies,[17] and in Belgium on 8 February 2023 by Imagine Film Distribution.[9] In the United States, it was released for a one-week awards-qualifying run beginning 2 December 2022 in New York City and Los Angeles, followed by alimited theatrical release on 17 February 2023.[18]
On thereview aggregator websiteRotten Tomatoes, 97% of 122 critics' reviews are positive, with an average rating of 8.1/10. The website's consensus reads: "Sensitively attuned to its protagonist's quest,Return to Seoul uses one woman's story to explore universal truths about the human condition."[19]Metacritic, which uses aweighted average, assigned the film a score of 87 out of 100, based on 37 critics, indicating "universal acclaim".[20]
| Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
|---|---|---|---|---|---|
| Asia Pacific Screen Awards | 11 November 2022 | Best Film | Return to Seoul | Nominated | [21] |
| Best Director | Davy Chou | Won | [22] | ||
| Best New Performance | Ji-Min Park | Won | |||
| Asian Film Awards | 12 March 2023 | Best Director | Davy Chou | Nominated | [23] |
| Best Supporting Actor | Oh Kwang-rok | Nominated | |||
| Best Newcomer | Ji-Min Park | Nominated | |||
| Best Editing | Dounia Sichov | Nominated | |||
| Best Music | Jérémie Arcache and Christophe Musset | Nominated | |||
| Best Sound | Vincent Villa | Nominated | |||
| Boston Society of Film Critics | 11 December 2022 | Best Film | Return to Seoul | Won | [24] |
| Cannes Film Festival | 27 May 2022 | Un Certain Regard | Davy Chou | Nominated | [25] |
| Lumières Award | 22 January 2024 | Best Female Revelation | Ji-Min Park | Nominated | [26] |
| Magritte Award | 9 March 2024 | Best Foreign Film | Return to Seoul | Nominated | [27] |
| Most Promising Actor | Yoann Zimmer | Nominated | |||
| Sydney Film Festival | 19 June 2022 | Best Film | Return to Seoul | Nominated | [28] |
