Reima Pietilä | |
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| Born | 25 August 1923 Turku |
| Died | 26 August 1993(1993-08-26) (aged 70) Helsinki |
| Alma mater | Helsinki University of Technology |
| Occupation | Architect |
| Spouse(s) | Raili Pietilä (m. 1963–93; his death) |
| Children | Annukka Pietilä |
| Practice | Raili and Reima Pietilä architects (prev. Reima Pietilä and Raili Paatelainen) |
| Buildings | Kaleva Church,Dipoli,Tampere Central Library,Mäntyniemi |
Frans Reima Ilmari Pietilä (25 August 1923 – 26 August 1993) was aFinnisharchitect and theorist. He did most of his work together with his wifeRaili Pietilä; after 1963 all their works were officially attributed to "Raili and Reima Pietilä". Reima Pietilä was a professor of architecture at theUniversity of Oulu from 1973 to 1979.
Reima Pietilä was born in Turku, Finland. His father, Frans Viktor Pietilä, was a property owner and his mother, Ida Maria Lehtinen was a housewife. His parents had met each other in the US, when his mother was working as a domestic servant. He had an older sister, the artistTuulikki Pietilä, who was the partner of the authorTove Jansson.
Reima Pietilä attended school in Turku, where he was a school friend ofMauno Koivisto, who would later become the President of Finland. Pietilä graduated in architecture 1953 at theHelsinki University of Technology (TKK). Reima and Raili commenced their collaboration in 1960 creating the officeReima Pietilä and Raili Paatelainen, renamed in 1975 toRaili and Reima Pietilä architects. Reima Pietilä and Raili Paatelainen were married in 1963. Their daughter and only child Annukka Pietilä (born 1963), is also a qualified architect.
Pietilä's career took off after winning the architectural competition for the Finnish Pavilion at the Brussels World Fair of 1958. This was followed by two other significant competition victories, the Kaleva Church in Tampere (1966) and the Dipoli Student Union building for Helsinki University of Technology (1966).
The life and career of Reima Pietilä has been well charted in the writings of British architectural historian-criticsRoger Connah andMalcolm Quantrill, and to some extent also by the Norwegian architect, theorist and historianChristian Norberg-Schulz. Their basic question is to what extent Pietilä goes against the grain of a Finnishmodernist architecture concerned withrationalism and economy. The whole question is problematic, however, because Finland's most famous architect,Alvar Aalto, was also seen as someone who broke the mold of pure modernism, someone who indeed talked about extending the notion of rationalism. Pietilä saw his work asorganic architecture, but also very much as modern. Pietilä intellectualised his position, and was well-read in philosophy and modern literature. He was very much concerned with the issue of aphenomenology of place, epitomised by the Student Union building Dipoli (1961–1966) on the Otaniemi campus of Helsinki University of Technology. This concern for place also extended to his concerns about national identity and Finnishness, even exploring the Finnish language to generate architectural form. The same then applied also for his works abroad, inKuwait andDelhi. Many of Reima Pietilä's theoretical writings were published in the journalLe Carré Bleu, a journal he jointly founded in Helsinki in 1958, together with fellow Finnish architectsAulis Blomstedt and Keijo Petäjä, Finnish architecture historian Kyösti Ålander, and French architect André Schimmerling, whom together formed the CIAM Helsinki group, the Finnish group associated with CIAM (Congrès Internationaux d'Architecture Moderne).
A major exhibition of the work of Reima and Raili Pietilä was held in 2008 at theMuseum of Finnish Architecture in Helsinki, titledRaili and Reima Pietilä. Challenging Modern Architecture.
Raili and Reimä Pietilä designed a summer cottage for Reima's sister, the artistTuulikki Pietilä. The famous summer cottage[1] ofTove Jansson and Tuulikki Pietilä is situated on the remote archipelago island of Klovharu. The site was the inspiration forMoomin characters.
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