| "Red House" | |
|---|---|
| Song bythe Jimi Hendrix Experience | |
| from the albumAre You Experienced | |
| Released | May 12, 1967 (1967-05-12) |
| Recorded | December 13, 1966 |
| Studio | CBS, London |
| Genre | Blues[1] |
| Length | 3:45[2] |
| Label | Track |
| Songwriter | Jimi Hendrix |
| Producer | Chas Chandler |
"Red House" is a song written byJimi Hendrix and one of the first songs recorded in 1966 bythe Jimi Hendrix Experience. It has themusical form of a conventionaltwelve-bar blues and features Hendrix's guitar playing. He developed the song prior to forming the Experience and was inspired by earlier blues songs.
"Red House" was first released on the British edition of Hendrix's debut albumAre You Experienced in May 1967 (for the American album release, previously released Experience singles were used in its place). A second similar take was eventually released in the US in July 1969 on the AmericanSmash Hits compilation.
The song was a fixture of Hendrix concerts throughout his career. Although the lyrics and basic structure were followed, his performances usually varied from the original recording. Many were recorded and continue to be released officially for the first time, including onFreedom: Atlanta Pop Festival (2015) andLive in Maui (2020). "Red House" has also been performed and recorded by a variety of blues and other artists.
"Red House" was inspired by blues songs Hendrix was performing early in his career as a sideman. Music criticCharles Shaar Murray describes a song he calls "California Night", which Hendrix performed withCurtis Knight and the Squires, as "a dead ringer, both in structure and mood, for his 1967 perennial 'Red House'".[3] Originally recorded byAlbert King in 1961 as "Travelin' to California",[4] it is a slow blues with lyrics that follow the common blues theme of the rambling man and his lost love (sometimes also misidentified as "Every Day I Have the Blues" – both songs use the verse "nobody loves me").[5][6][a]Elmore James's 1960 song "The Sky Is Crying" contains "I got a bad feeling my baby don't love me no more" and has been suggested as inspiring the similar line used by Hendrix.[8]
Hendrix recorded two live versions of "Travelin' to California" with Knight, which prominently feature his vocal and guitar playing.[9] Both were recorded at George's Club 20 in Hackensack, New Jersey, on December 26, 1965 and/or January 22, 1966.[10] After Hendrix's death in 1970, the recordings (using various names) were released by several European record companies that specialized inbootleg andgrey-market albums.[11] In 2017, a version was officially released onCurtis Knight [Featuring Jimi Hendrix]: Live at George's Club 20.[12]
Music writer Keith Shadwick describes Hendrix's performance as "a staggering display of blues guitar playing that is worthy of mention in the same breath as his later efforts with the Experience".[5] Although Shadwick compares his guitar tone and phraseology to that ofBuddy Guy, he adds that his techniques "simply transcend any previous models, and breaks new ground" and shows that "his ability to spin out long and consistently surprising lines across the standard blues changes is already full grown".[5] In 1966, during his residency asJimmy James and the Blue Flames at theCafe Wha? in New York City's Greenwich Village, Hendrix continued to develop his slow blues number that became "Red House".[13]
"Red House" is a moderately slow blues, which music writers Tom Wheeler and Joe Gore describe as having "thetwelve-bar structure, the lyrics, the accompaniment, and the arrangement [that] are more or less conventional".[14] The song is notated in 12/8 time in the key ofB major with a tempo of 66beats per minute[15] (although Hendrix fingered the song in the key of B major, he usually tuned his guitar one-half step and sometimes one step lower, resulting in a lower pitch).[14] The song opens with adiminished seventh chord frequently found in blues songs, including the intros to theRobert Johnson songs "Dead Shrimp Blues", "Kind Hearted Woman", and "32-20 Blues".[16] After the four-bar intro, Redding and Experience drummerMitch Mitchell come in while Hendrix solos up to the vocal at bar thirteen.[17] After two twelve-bar vocal sections, Hendrix solos for twelve bars, then finishes up with another vocal section.[18]The song's most prominent characteristic is Hendrix's guitar work.[19] Author Jeffrey Carroll describes his solo as "concise and packed solid with vocalisms, the bending and glissandos, jumps, drops and whoops of his guitar kept within a traditional structure of a break".[20] Shadwick also compares it to a vocal, calling it a "close approximation of the human voice ... scooping and bending his phrases to maximum expressive effect".[21] American bluesmanJohn Lee Hooker commented, "That 'Red House', that'll make you grab your mother and choke her! Man, that's really hard, that tears you apart. He could get down, he could mash it, yeah, Lord! He had so many blues".[22]
In his biographyRoom Full of Mirrors, biographerCharles R. Cross comments that the song's theme is "as old as the blues itself; the singer's woman doesn't love him any more and has moved".[23] Author Kay Norton describes the broader blues influence as "balancing a celebration of love and sex with dark humor and wry commentary on loss, mistreatment, corruption, and poverty".[24] The lyrics follow a bluescall and response or AAB pattern, where the first line (A) is repeated (often with a slight variation), followed by the response (B):
Wait a minute something's wrong here, the key won't unlock this door
Wait a minute something's wrong, Lord have mercy this key won't unlock this door
(Something's goin' on here)
I have a bad, bad feeling, that my baby don't live here no more ...
Well I might as well go back over yonder, way back among the hills
(Yeah that's what I'm gonna do)
Lord I might as well go back over yonder, way back yonder across the hills
'Cause if my baby don't love me no more, I know her sister will
(Yeah, how's that?)[25]
According to Experience bassistNoel Redding, Hendrix told him it was about Hendrix' girlfriend in high school, Betty Jean Morgan.[23] Jimi's brother,Leon Hendrix, also felt that it was about Betty Jean, but also included her sister Maddy,[26] although their house was brown.[23] Shadwick suggests that the song was inspired byLinda Keith,Keith Richards' then-girlfriend and early Hendrix supporter.[21] Keith referred to her friend's Manhattan apartment, with its red velvet walls and decor,[27] as the "red house", and the two frequently stayed there during the summer of 1966.[28] In London in 1970, Hendrix met up with Keith and when he performed "Red House" at the1970 Isle of Wight Festival, he dedicated the song to her and added "I got to get out of here, because my Linda don't live here no more" to the lyrics.[29] However,Billy Cox, longtime friend and bassist for Hendrix' post-Experience groups, explained, "As far as I know, 'Red House' didn't have any significance in reference to a particular person, place, or thing. It was just a blues number that Jimi put together".[16]
"Red House" was one of the earliest songs recorded by the Experience. The group first attempted it at theCBS Studios in London on Tuesday, December 13, 1966, following their performance of "Hey Joe" for theReady Steady Go! music television program.[30] Basic tracks for several songs were recorded during the three-hour session.[31] ProducerChas Chandler recalled: "The 'Red House' on the album [Are You Experienced] came about during the last fifteen minutes of [the December 13] session. Noel even played rhythm guitar on the track, playing the bass line. Jimi just winged through one take for reference and we started rolling".[32]
Redding added, "I had borrowed a terrible old hollow-body electric guitar from someone at the studio ... because I liked to play along on rhythm to familiarise myself with a sequence, not being quite at home on the bass yet".[33] The guitar was tuned down one-half step, with the tone controls set to resemble a bass guitar.[34]
Additional takes of the song were recorded atDe Lane Lea Studios on December 21, 1966, which closely followed the earlier arrangement.[35] However, both Hendrix and Redding had problems with missed notes and the takes were not used, except for a backing track that Hendrix later overdubbed at theOlympic Studios on March 29[36] or early April 1967.[35]
When preparing the final mixes for the Experience's debut album, Chandler chose to use the December 13, 1966, track recorded at CBS: "Later when we were scrambling to put the album together, we carted that [December 13 track] out and gave it a listen. We remixed it at Olympic and added it to the album".[35]Track Records issued the monaural mix onAre You Experienced,[35] which was released on May 12, 1967, in the UK.[37] At the time, it was industry practice in the US to include singles on albums.[38] So when the album was released in the US, "Purple Haze", "Hey Joe" and "The Wind Cries Mary" were included at the expense of "Red House" and two other songs.[38] Hendrix later questioned the choice and commented "Everybody was scared to release 'Red House' in America because they said, 'America don't like the blues, man!'"[39]
"Red House" finally saw an American release on July 30, 1969.[40]Reprise Records issued a stereo mix of the version recorded at De Lane Lea/Olympic on theSmash Hits compilation.[35] This version was later released internationally on the 1984Kiss the Sky compilation.[41] The original mono take became available in the US and Canada when it was released (without most of the studio talk at the end) on the 1994Blues album.[42]
Although Hendrix seeks to follow roughly the same musical roadmap in each performance, visiting many of the same locations, he never takes the same route twice.
"Red House" was a staple of Jimi Hendrix's concerts andjam sessions and often his performances showed considerable variety.[14] Some later renditions showB.B. King influences as well as the use ofT-Bone Walker-styleninth chords andCurtis Mayfield rhythm stylings.[43] Also, it was one of few songs that Hendrix sometimes used a guitar other than aFender Stratocaster, choosing mostly aGibson Flying V[44] and occasionally aGibson SG Custom.[45] Redding normally accompanied him on his signatureFender Jazz bass,[33] instead of a guitar; Cox also used a bass.[46]
Variations on a Theme: Red House (1992), a music reference with analyses, transcriptions, and accompanyingcompact disc, explores several live versions.[47] Several more performances have been released on various live and compilation albums over the years.[48][49][19] Generally, these later performances were much longer (onVariations they range from seven to fourteen minutes)[50] than the original recording and slower (36 to 60 bpm with shifts in tempo, onVariations). Some of these later versions by the Experience and Hendrix's later lineups include (all live, except two studio performances):[b]
"Red House" has been performed by many blues and other musicians.[74] Albert King, whose "Travelin' to California" inspired Hendrix, recorded a version for his final studio album,Red House (1991).[75] Another Hendrix influence, Buddy Guy, recorded it forStone Free: A Tribute to Jimi Hendrix.[76] Murray describes two versions by John Lee Hooker: a "more or less straight" version recorded in 1989 that appears onVariations on a Theme (1992) and later a "radically Hookerized and thoroughly deconstructed version" for theVan Morrison-producedDon't Look Back (1997).[77]Prince reworked it as "Purple House" for the 2004 tributePower of Soul: A Tribute to Jimi Hendrix, which also included Hooker's 1997 version of the song. In anAllMusic review, critic Sean Westergaard comments: "Prince reinterprets 'Red House' with great gospel-esque backing vocals and a monstrous guitar solo."[78]
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