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In thesociological sense,recuperation is the process by whichpolitically radical ideas and images are twisted,co-opted, absorbed, defused, incorporated, annexed or commodified withinmedia culture and bourgeois society, and thus become interpreted through a neutralized, innocuous or more socially conventional perspective.[1][2][3] More broadly, it may refer to thecultural appropriation of any subversive symbols or ideas by mainstream culture.[4]
The concept of recuperation was formulated by members of theSituationist International, its first published instance in 1960.[5] The term conveys anegative connotation because recuperation generally bears the intentional consequence (whether perceived or not) of fundamentally altering the meaning behind radical ideas due to their appropriation or being co-opted into thedominant discourse. It was originally conceived as the opposite of their concept ofdétournement, in which images and othercultural artifacts are appropriated from mainstream sources and repurposed with radical intentions.[4]
Some former means of countercultural expression that have been identified by critics as recuperated (at least in part) arepunk music[6] and fashion likemohawk hairdos,ripped jeans, and bondage accessories like dog collars;[7][8] tattoos;[9]street art andparticipatory art.[10][11]
Environmental justice proponents who center social movements and resistance in the transformation toenvironmental sustainability see the language oftransitions to sustainability being recuperated by those seeking to delay and manage the transition.[12][13]
Pointing to "the erosion of publicly owned media" andcapitalist realism,Aaron Bastani wrote of the "recuperation of the internet by capital" and says that the consequences of this persistent corporate media recuperation included a reinforcement ofstatus quo, repression of dissent and artistic expression.[14]
Social justice advocates[who?] have identified the popular discourse ofThe New Jim Crow as recuperative, saying that it obscures an analysis of massincarceration in the United States by adhering to acounterrevolutionarycontextual framework.[15][16]
the process by which those who control the spectacular culture, embodied most obviously in the mass media, co-opt all revolutionary ideas by publicizing a neutralized version of them, literally turning oppositional tactics into ideology. [] The SI {Situationist International} identified the threat of revolutionary tactics being absorbed and defused as reformist elements. [] The SI pinpointed the increasingly evident problem of capitalist institutions subverting the terms of oppositional movements for their own uses [] recuperation operated on all fronts: in advertising, in academics, in public political discourse, in the marginal discourses of leftist factions, and so on.
the negative harmonization attributed to media society. [] revolutionary artists of the late twentieth century are faced with problems of intelligibility, accessibility and recuperation radically different from those of their predecessors. [] current concern with radical writers and media recuperation is the possibility thatavant-garde revolutionary art may not be possible, recognizable, or even desirable right now.
recuperation, namely, that the ruling class could twist every form of protest around to salvage its own ends. [] Détournement [] is the revolutionary counterpart to recuperation, a subversive plagiarism that diverts the spectacle's language and imagery from its intended use.
recuperation, namely, that the ruling class could twist every form of protest around to salvage its own ends. [] Détournement [] is the revolutionary counterpart to recuperation, a subversive plagiarism that diverts the spectacle's language and imagery from its intended use.
