Ray Lev (May 8, 1912 – May 20, 1968) was an American classicalpianist. One year after her birth inRostov-on-Don,Russia, her father, asynagoguecantor, and mother, a concert singer, brought her to theUnited States.[1]
She started singing in her father's choir at an early age and after hearing aIgnacy Paderewski recital decided to become a pianist. Lev's early piano studies were withWaiter Ruel Cowles inNew Haven, Connecticut andGaston Déthier inNew York.[1] Her career was called "an old-fashioned success story" an example of unusual natural talent developed into high artistry. She won a New York Philharmonic Symphony Society scholarship while she was a student at James Madison High School. After winning the American Matthay Prize in 1930, she studied withTobias Matthay in England from 1930 to 1933.[2] She made her debut at age 17 in England performingTchaikovsky'sPiano Concerto No. 1 under SirLandon Ronald. Thereafter, Lev returned to the United States, where she made her New York Carnegie Hall debut in 1933 with theNational Orchestral Association underLeo Barzin. Her first solo recital was given at Town Hall here on March 17, 1934. "She did impressive things with her hands and also her brain, her imagination, and her musical sensibilities," aHerald Tribune reviewer wrote at the time. Lev played with such noted ensembles as theBudapest String Quartet and the Paganini, Gordon quartets. Her many recordings forConcert Hall Society promptedThe Saturday Review to proclaim her "a secondMyra Hess."[3] Her annual recitals inCarnegie Hall were generally sold out; she also toured successfully in Europe, the United States, and Canada and performed on radio network broadcasts. In one such Carnegie Hall recital, on November 10, 1944, Lev gave the first complete traversal ever presented in that venue of theSix Pieces, op. 118 ofJohannes Brahms.[4] Lev also was a champion of modern works. For instance, in November 1945, again at Carnegie Hall, she gave the premiere ofLouise Talma'sAlleluia in Form of a Toccata[5] and of 24-year-oldDouglas Townsend'sSonatina No. 1, which she repeated in a March 31, 1946 recital atNew York Times Hall broadcast live overWNYC.[6] A November 1948 Carnegie Hall recital included the Hora movement from the 1937Chassidic Suite ofJakob Schönberg.[7]
Lev gave two command performances inLondon, England, performed for US PresidentFranklin D. Roosevelt, and earned seven citations for patriotic service by extensively performing for US and allied armed forces duringWorld War II. In 1948, however, she took a step that would negate the benefits of these public-spirited activities and that effectively would put an end to the progress of her career: she joined 31 other American musicians, artists, and writers in signing an open letter of solidarity with twelve Russian writers who had called for fellow Communists to declare themselves publicly.[8] As a result, in 1950 she had the dubious distinction of being the sole classical pianist named in theRed Channels list of alleged communist sympathizers during the AmericanRed Scare. (In between, in 1949, she had formed part of thePaul Robeson concert that ended in thePeekskill Riots.[9]) Little information about her appears thereafter, and her name is largely forgotten today, although one reference suggests that she continued playing throughout her remaining life, including nearly annual Carnegie Hall recitals, and performed theSchumann Piano Concerto in April 1968, a month before her death.[10] Some support for the former claim can be found in the Fall 1958Juilliard Review, which indicates that on April 8 of that year she performed the premiere ofToccata for Piano by Juilliard alumnusWallingford Riegger at Carnegie Hall.[11] After theKhruschev revelations about Stalin in 1956 she suffered a nervous breakdown and bitterly regretted her political engagements - and refused to sign a petition against the Vietnam War in 1967. In 1964 she took up a teaching post at theTokyo University of Fine Arts after spending a few years in England with her friends the Huxleys near London.She returned to New York and gave 2 recitals in 1967 and 1968, the latter with music only by Schumann. The fliers for her concerts were produced byHarry Abrams, whose wife Nina was a first cousin of Ray Lev.Presumably, however, she became primarily a teacher; her students includeAnne Gamble,[12][circular reference]Aki Takahashi,[13]Sophia Rosoff, composerBob Telson, and the currently active American pianists Joel Sachs[14] andMiriam Brickman.[6] and Michael Steinberg.
Lev died by suicide in May 1968, a month after a Carnegie Hall performance of Schumann's Concerto.[15]
Ray Lev appeared in recital at Carnegie Hall nine times between 1941 and 1967, and gave many more performances as a featured soloist in both orchestral and benefit concerts.[16] Flyers for Lev's recitals are housed in the Carnegie Hall Archives, and feature both a promo photo taken by Eliascheff and a reproduction of a 1950 painting byRaphael Soyer.
In a78 RPM set released byMusicraft Records in early 1939, Lev and clarinettistDavid Weber collaborated in the first recording of the Brahms Sonata in F minor, op. 120 no. 1, in its original instrumentation for clarinet and piano.[17] After World War II, Lev began making phonograph records for theConcert Hall Society label,[1] issued first on 78 RPM disks and then onLPs. She set down some adventurous literature for the day, includingSchubert’sPiano Sonata in C Major, D. 840 (Reliquie) with the completion byErnst Krenek,[18] probably otherwise represented on records in this form only by the slightly later performance ofFriedrich Wührer onVox. Her recording has not appeared oncompact disc, although Wührer's has received a private CD release copied from LP. Lev’s records that have achieved CD reissue include her 1946 account ofBach’s Concerto No. 5 in D minor afterVivaldi’s op. 3, no. 11, BWV 596, in her own transcription, and a waltz bySergei Prokofiev, no. 2 from hisMusic for Children, op. 65.[2]
Album notes toJohannes Brahms, Sonata No. 1 in C Major; Two Choral Preludes -- Ray Lev, Pianist, Concert Hall Society Release A7 (78 RPM, ca. 1946).
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