
Ragnarsdrápa (Old Norse: ‘Drápa about Ragnarr’)[1] is askaldic poem attributed to the oldest knownskald,Bragi inn gamli (‘the old’) Boddason, who lived in the 9th century. Bragi describes the myths depicted on a decorated shield given to him by a certain Ragnar.
The poem is often compared with other early Skaldic examples ofekphrasis, especiallyHaustlöng andHúsdrápa, which also describe artworks depicting mythological scenes. Like Haustlöng, it uses archaic and complex kennings in a manner that strains the syntax.[2]
The poem is entitled Ragnar’s drápa, but the identity of Ragnar is unclear. According to the refrain,
Ræs gǫfumk reiðar mána
Ragnarr ok fjǫl sagna.
The poem affords a single clue about his identity; in stanza 2 we learn that he was the son of Sigurðr.[4]Snorri Sturluson considered him to be the Scandinavian kingRagnar Lodbrok (whose father wasSigurd Ring), and even calls the poemRagnars drápa loðbrókar (‘thedrápa of Ragnar Lodbrok’),[5] but Vésteinn Ólason argues that it was likely addressed to a later Ragnar.[6] Some earlier scholars thought that it was instead composed for the Swedish kingBjörn at Haugi,[7] at whose court Bragi was a skald.[8]
The poem describes two myths depicted on the shield,
Additional fragments of Bragi’s poetry sometimes thought to belong to theRagnarsdrápa include
The extant fragments ofRagnarsdrápa are preserved inSnorri Sturluson'sProse Edda.[9] The episodes of Hamdir and Sorli and Heðinn and Hǫgni are explicitly ascribed toRagnarsdrápa while the other parts have traditionally been inferred by scholars to belong to the same poem. In its complete state the poem would then have described four quarters of the shield, in four stanzas each with, presumably, a lost refrain.[9][1]
Although thedróttkvætt metre violates some of the rules developed later, it is well executed; this and the complexity of language demonstrate that there had already been considerable development of skaldic verse.[10] More specifically, the consistent system ofhendingar (rhymes between syllables) seen in laterdróttkvætt poetry was not fully established in Bragi’s time. In later dróttkvætt odd lines generally haveskothending, and even lines always haveaðalhending, but in theRagnarsdrápa odd lines frequently have no hending at all, while many even lines merely have askothending. These rare features are, to a lesser extent, present inHaustlöng, another archaicdróttkvætt poem.[11]