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| RSO Records | |
|---|---|
 | |
| Founded | 1973 |
| Founder | |
| Defunct | 1983 |
| Status | Absorbed intoPolydor |
| Distributor(s) | Universal Music Group (Capitol for the Bee Gees; Polydor for all other artists;Island as US distributor of non-Bee Gees reissues) |
| Genre | Various |
| Country of origin | United Kingdom |
| Location | London, England |
RSO Records was arecord label formed byrock and roll andmusical theatre impresarioRobert Stigwood and record executiveAl Coury in 1973.[1][2][3] The letters "RSO" stood for the Robert Stigwood Organisation.
RSO managed the careers of several major acts, theBee Gees,Yvonne Elliman,Cream,Eric Clapton, andAndy Gibb. The release of the soundtracks ofSaturday Night Fever (over 50 million copies sold worldwide) andGrease (over 30 million copies sold worldwide), which were two of thebest selling albums ever, made RSO one of the most financially successful labels of the 1970s. Additionally, the record label released the soundtracks toFame,Sparkle,The Empire Strikes Back,Return of the Jedi,Times Square andGrease 2.
At one point in 1978, the label boasted an unprecedented six consecutive number-one singles on theBillboard (US) pop charts, holding the top spot for 21 consecutive weeks. With singles releases from theGrease soundtrack album ("You're the One That I Want", and the title track) and anotherAndy Gibb hit ("Shadow Dancing"), RSO logged a further 10 weeks at the number 1 position, giving the label a record nine in one calendar year. This feat remains unduplicated by any record label to date.[4]
The company's main headquarters were at 67 Brook Street, in London's Mayfair. RSO Records underwent four distribution stages: byAtlantic Records from March 1973 to December 1975, byPolydor Records from January 1976 to December 1977, as an independent label under thePolyGram Group umbrella from January 1978 to around October 1981, and finally by PolyGram Records from around November 1981 until the label's end in 1983.[5]
As well as the label was operating in 1978, the disastrous commercial and critical failure of theSgt. Pepper's Lonely Hearts Club Band soundtrack album crippled the company. The woes of this failure were somewhat offset by the middle of 1979, as theBee Gees albumSpirits Having Flown went on to eventually sell over 30 million copies (with the album producing three further number 1 singles that each sold more than one million copies in their own right).
In 1980, the label's most famous act, theBee Gees, filed a $200 million lawsuit against both RSO and Stigwood, claiming mismanagement, which was met with Stigwood's own $310 million countersuit alleging libel, defamation of character and extortion. It is still considered to be the largest successful lawsuit against a record company by an artist or group. The lawsuit was subsequently settled for an undisclosed amount, and after a public reconciliation, the band remained with the label until its dissolution.
By 1981, Stigwood had ended his involvement with the label, which was absorbed into PolyGram a few years later. All previous RSO releases were later re-released under the Polydor label, which is now owned byUniversal Music Group. Reissues from Polydor are distributed in the U.S. by sister labelIsland Records.
TheStar Wars soundtracks passed through several hands before ending up withSony Classical in the 1990s, and finally,Walt Disney Records after Disney's purchase ofLucasfilm Ltd. The Bee Gees catalog reverted to the Gibb family, who set up a new distribution arrangement with Warner Music'sReprise Records, which reissued their albums and theSaturday Night Fever soundtrack until 2016, when the Bee Gees signed a new deal with Universal'sCapitol Records.
Stigwood explained the inspiration for RSO Records'sakabeko logo in a 2001 interview forBillboard:
I was inJapan withThe Who and decided to set up RSO as anindependent label. I had designers working on a logo, but I didn't like any of them. Some Japanese friends gave me apapier-mâché cow, which is a symbol of good health and good fortune. It was on themantelpiece in my office, and I thought, 'Good health and good fortune, that's appropriate. Just write RSO on it.'[6]
In the 1978 movieSgt. Pepper's Lonely Hearts Club Band, a similar logo of apig, rather than acow, was used as a logo of the fictional Big Deal Records label depicted in the film.
During its existence, the styling of the RSO circular label changed as it changed its distribution partner.
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