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Pyramid of Cestius

Coordinates:41°52′35″N12°28′51″E / 41.876388888889°N 12.480833333333°E /41.876388888889; 12.480833333333
From Wikipedia, the free encyclopedia
Ancient Roman pyramid, a landmark of Rome, Italy

Pyramid of Cestius
The Pyramid of Cestius
Pyramid of Cestius is located in Rome
Pyramid of Cestius
Pyramid of Cestius
Shown within Rome
Map
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LocationRegio XIII Aventinus
Coordinates41°52′35″N12°28′51″E / 41.876388888889°N 12.480833333333°E /41.876388888889; 12.480833333333
TypePyramid
History
BuilderGaius Cestius
Foundedc. 12 BC

Thepyramid of Cestius (inItalian,Piramide di Caio Cestio orPiramide Cestia) is anancient Romanpyramid inRome,Italy, near thePorta San Paolo and theProtestant Cemetery. It was built in the style of theNubian pyramids as a tomb for Gaius Cestius, a member of theEpulones religious corporation.[1] It stands at a fork between two ancient roads, theVia Ostiensis and another road that ran west to the Tiber along the approximate line of the modern Via Marmorata. Due to its incorporation into the city's fortifications, it is today one of the best-preserved ancient buildings in Rome.

Physical attributes

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Detail of the pyramid

The pyramid was built about 18–12 BC as atomb for Gaius Cestius, a magistrate and member of one of the four greatreligious corporations in Rome, theSeptemviri Epulonum. It is of brick-faced concrete covered with slabs of white marble standing on atravertine foundation. The pyramid measures 100Roman feet (29.6 m) square at the base and stands 125 Roman feet (37 m) high.[2]

Pyramid Caius Cestius room inside

In the interior is the burial chamber, a simplebarrel-vaulted rectangular cavity measuring 5.95 metres long, 4.10 m wide and 4.80 m high. When opened in 1660, the chamber was found to be decorated with frescoes, which were recorded byPietro Santo Bartoli. Only scant traces of these frescoes survive, and no trace of any other contents. The tomb had been sealed when it was built, with no exterior entrance, but had been plundered at some time thereafter, probably during antiquity. Until the end of restoration works in 2015, it was not possible for visitors to access the interior,[2] except by special permission typically only granted to scholars. Since the beginning of May 2015, the pyramid is open to the public every second and fourth Saturday each month. Visitors must arrange their visit in advance.

Inscriptions

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A dedicatory inscription is carved on both northwestern and southeastern faces,[3] so as to be visible from both sides. It reads:

G · CESTIVS · L · F · POB · EPVLO · PR · TR · PL[3]
VII · VIR · EPVLONVM


Gaius Cestius, son of Lucius, of the Pobilia [voting tribe], member of the College ofEpulones,praetor,tribune of the plebs,septemvir of the Epulones[2][4]

Night view fromPorta San Paolo (2011)

Below the inscription only on the southeastern face[3] is a second inscription recording the circumstances of the tomb's construction. This reads:

OPVS · APSOLVTVM · EX · TESTAMENTO · DIEBVS · CCCXXX
ARBITRATV
PONTI · P · F · CLA · MELAE · HEREDIS · ET · POTHI · L


The work was completed, in accordance with the will, in 330 days, by the decision of the heir [Lucius] Pontus Mela, son of Publius of theClaudia, and Pothus,freedman[2]

Another inscription on the east face is of modern origins, having been carved on the orders ofPope Alexander VII in 1663. Reading "INSTAVRATVM · AN · DOMINI · MDCLXIII", it commemorates excavation and restoration work carried out in and around the tomb between 1660–62.[2]

At the time of its construction, the pyramid of Cestius would have stood in open countryside (tombs being forbidden within the city walls). Rome grew enormously during the imperial period, and, by the 3rd century AD, the pyramid would have been surrounded by buildings. It originally stood in a low-walled enclosure, flanked by statues, columns and other tombs.[5] Two marble bases were found next to the pyramid during excavations in the 1660s, complete with fragments of the bronze statues that originally had stood on their tops. The bases carried an inscription recorded by Bartoli in an engraving of 1697:

M · VALERIVS · MESSALLA · CORVINVS ·
P · RVTILIVS · LVPVS · L · IVNIVS · SILANVS ·
L · PONTIVS · MELA · D · MARIVS ·
NIGER · HEREDES · C · CESTI · ET ·
L · CESTIVS · QVAE · EX · PARTE · AD ·
EVM · FRATRIS · HEREDITAS ·
M · AGRIPPAE · MVNERE · PER ·
VENIT · EX · EA · PECVNIA · QVAM ·
PRO · SVIS · PARTIBVS · RECEPER ·
EX · VENDITIONE · ATTALICOR ·
QVAE · EIS · PER · EDICTVM ·
AEDILIS · IN · SEPVLCRVM ·
C · CESTI · EX · TESTAMENTO ·
EIVS · INFERRE · NON · LICVIT ·

This identifies Cestius' heirs asMarcus Valerius Messala Corvinus, a famous general; Publius Rutilius Lupus, an orator whosefather of the same name had beenconsul in 90 BC; and Lucius Junius Silanus, a member of the distinguishedgensJunia. The heirs had set up the statues and bases using money raised from the sale of valuable cloths (attalici). Cestius had stated in his will that the cloths were to be deposited in the tomb, but this practice had been forbidden by a recent edict passed by theaediles.[2]

History

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Pyramid of Cestius byGiovanni Battista Piranesi (18th century)

The pyramid was built for Gaius Cestius Epulo, the son of Lucius, of the tribe of Pobilia. The inscription on it mentions that Cestius was apraetor, a tribune of the plebs, and aseptemvir of the Epulones. The tomb was completed in 330 days and was one of two pyramid shaped tombs in the city of Rome.[6] Its construction was regulated by sumptuary laws, which limit extreme displays of wealth such as in feasts, clothing, funerals, and tombs. While these laws can be traced back to the mid-5th century BC, they were much more strictly passed and enforced around the time of Cestius’ death.[3]

The sharply pointed shape of the pyramid is strongly reminiscent of thepyramids of Nubia, in particular of the kingdom ofMeroë, which had been attacked by Rome in 23 BC. The similarity suggests that Cestius had possibly served in that campaign and perhaps intended the pyramid to serve as a commemoration. His pyramid was not the only one in Rome; a larger one—the "pyramid of Romulus" — of similar form but unknown origins stood between theVatican and theMausoleum of Hadrian but was dismantled in the 16th century by Pope Alexander VI and the marble was used for the steps of St. Peter's Basilica.[2][7]

Pyramid of Cestius and environs byGiuseppe Vasi (18th century)

Some writers have questioned whether the Roman pyramids were modelled on the much less steeply pointedEgyptian pyramids exemplified by the famous pyramids ofGiza. However, the relatively shallow Giza-type pyramids were not exclusively used by the Egyptians; steeper pyramids of the Nubian type were favored by thePtolemaic dynasty of Egypt that had been brought to an end in the Roman conquest of 30 BC. The pyramid was, in any case, built during a period when Rome was going through a fad for all things Egyptian. The fusion of Roman and Egyptian styles is further highlighted by the fact that the exterior is distinctly "egyptianizing", while the interior displays classic Roman fresco paintings and a barrel vaulted ceiling.[8] TheCircus Maximus was adorned byAugustus with an Egyptianobelisk,[9] and pyramids were built elsewhere in the Roman Empire around this time.[10]

The pyramid was incorporated into the Aurelian Walls and is close to Porta San Paolo (on the right).

During the construction of theAurelian Walls between 271 and 275, the pyramid was incorporated into the walls to form a triangularbastion. It was one of many structures in the city to be reused to form part of the new walls, probably to reduce the cost and enable the structure to be built more quickly. It still forms part of a well-preserved stretch of the walls, a short distance from the Porta San Paolo.[11]

The origins of the pyramid were forgotten during theMiddle Ages. The inhabitants of Rome came to believe that it was the tomb ofRemus (Meta Remi) and that its counterpart near the Vatican was the tomb ofRomulus, a belief recorded byPetrarch.[12][13] Its true provenance was clarified by Pope Alexander VII's excavations in the 1660s, which cleared the vegetation that had overgrown the pyramid, uncovered the inscriptions on its faces, tunnelled into the tomb's burial chamber and found the bases of two bronze statues that had stood alongside the pyramid.[2]

Outlines of various pyramids overlaid on top of on another to show relative height
Comparison of approximate profiles of notable pyramidal or near-pyramidal buildings. Dotted lines indicate original heights, where data is available. Inits SVG file, hover over a pyramid to highlight and click for its article.

The pyramid was an essential sight for many who undertook theGrand Tour in the 18th and 19th centuries. It was much admired by architects, becoming the primary model for pyramids built in the West during this period.[14]Percy Bysshe Shelley described it as "one keen pyramid with wedge sublime" inAdonaïs, his 1821elegy forJohn Keats. In turn the English novelist and poetThomas Hardy saw the pyramid during a visit to the nearbyProtestant Cemetery in 1887 and was inspired to write a poem,Rome: At the Pyramid of Cestius near the Graves of Shelley and Keats, in which he wondered: "Who, then was Cestius, / and what is he to me?"[15]

In 2001, the pyramid's entrance and interior underwent restoration. In 2011, further work was announced to clean and restore the pyramid's badly damaged marble cladding, through which water seepage has endangered the frescoes within. The restoration is sponsored by Japanese businessman Yuzo Yagi, whose €1-million donation resulted in a call for tenders to carry out the work issued by theSoprintendenza Speciale per i Beni Archeologici di Roma[16] whose officials drew up the project and are supervising such an intervention along withItaly's Ministry of Cultural Heritage.[17] Restoration work started in March 2013.[18]

The pyramid is the namesake of thePiramide station of theRome Metro.[19]

See also

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References

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  1. ^"The Pyramid of Cestius and Porta San Paolo".izi.travel.
  2. ^abcdefghAmanda, Claridge (1998).Rome: An Oxford Archaeological Guide (1st ed.). Oxford, UK: Oxford University Press. pp. 59,364–366.ISBN 0-19-288003-9.
  3. ^abcd"Inscriptions & Sumptuary Laws".omeka.wellesley.edu.
  4. ^Di Meo, Chiara (2008).La piramide di Caio Cestio e il cimitero acattolico del Testaccio: trasformazione di un'immagine tra vedutismo e genius loci (in Italian). Roma: Fratelli Palombi.ISBN 978-8-86060-136-0.
  5. ^Keppie, Lawrence J. F (1991).Understanding Roman Inscriptions. London, UK: Routledge. pp. 104–105.ISBN 0-415-15143-0.
  6. ^Lacovara, Peter (2018)."Pyramids and Obelisks Beyond Egypt".Aegyptiaca (2): 127. Retrieved17 June 2019.
  7. ^"There Once Was In Rome... - the Meta Romuli".roma.andreapollett.com.
  8. ^""Egyptian" Exterior & "Roman" Interior".omeka.wellesley.edu.
  9. ^Curl, James Stevens (2005).The Egyptian Revival: Ancient Egypt as the Inspiration for Design Motifs in the West. London, UK: Routledge.ISBN 0-415-36118-4. p. 23.
  10. ^Curl 2005, p. 40.
  11. ^Aldrete, Gregory S. (2004).Daily Life In The Roman City: Rome, Pompeii, and Ostia. Westport, CT: Greenwood Press. pp. 41–42.ISBN 0-313-33174-X.
  12. ^Gardiner, Eileen; Nichols, Francis Morgan (1986).The Marvels of Rome. Italica Press, Incorporated. p. 86.ISBN 0-934977-02-X.
  13. ^Hare, Augustus J.C. (2001).Walks in Rome. Adamant Media Corporation. p. 268.ISBN 1-4021-7139-0.
  14. ^Humbert, Jean-Marcel; Price, Clifford A., eds. (2003).Imhotep Today: Egyptianizing Architecture. Routledge/Cavendish. p. 27.ISBN 1-84472-006-3.
  15. ^Radford, Andrew (2008). "'Fallen Angels': Hardy's Shelleyan Critique in the Final Wessex Novels". In Radford, Andrew; Sandy, Mark (eds.).Romantic echoes in the Victorian era. Ashgate Publishing, Ltd. p. 107.ISBN 978-0-7546-5788-0.
  16. ^"The Restoration of the Pyramid of Caius Cestius".Soprintendenza Speciale per i Beni Archeologici di Roma. 20 December 2012. Archived fromthe original on 6 July 2017.
  17. ^"Restoration of Rome's Pyramid".Wanted in Rome. 26 January 2011. Archived fromthe original on 28 July 2011. Retrieved28 May 2011.
  18. ^Larcan, Laura (13 March 2013)."Al via il restauro della Piramide Cestia, viaggio all'interno del monumento".Il Messaggero (in Italian). Archived fromthe original on 7 November 2021. Retrieved30 March 2013.
  19. ^Pruitt, Sarah (4 February 2016)."2,000-Year-Old Roman Pyramid Gets a Makeover".History.com.A&E Television Networks, LLC. Retrieved6 August 2018.

Further reading

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  • Kramer, Norbert (2000). "Augustus, Cestius und die Pyramide", in: Dreher, Martin (ed.),Bürgersinn und staatliche Macht in Antike und Gegenwart. Konstanz: Universitätsverlag Konstanz, pp. 181–190.
  • Krause, Clemens (1999). "Sepulcrum: C. Cestius", in: Steinby, Eva Margareta (ed.),Lexicon Topographicum Urbis Romae 4, Rome: Quasar, pp. 278–279.
  • Neudecker, Richard (2005). "Die Pyramide des Cestius", in: Giuliani, Luca (ed.),Meisterwerke der antiken Kunst. München: C. H. Beck, pp. 94–113.
  • Ridley, R. T. (1992). "The Praetor and the Pyramid – The Tomb of Gaius Cestius in History, Archaeology and Literature", in:Bollettino di Archeologia, vol. 13–15, pp. 1–29.

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