The beat for "Praise God" was originally produced by 30 Roc and Zentachi in early 2020.[1] The first version of the beat consisted of a sample of a Japanese song with a Spinz 808 pattern. At the first listening event in Atlanta, the sample was swapped out for a choir sample, and by the time of the second listening party, the drums and 808s Zen-tachi and 30 Roc added were taken out completely.[1] Though most of the track was completely different from its original version, 30 Roc and Zen-tachi still received production credits for creating the original track that inspired the song.[1][2] Japanese music producersMachiko Ryu andKazuhiko Katō also received writing credits for writing the original song that was sampled.[2]
KayCyy, who has writing credits on the track, talked about how the track came together in an interview withHipHopDX:
Even the grittiest side, it's still gospel. It's like 'Let's try to make gospel cooler, how can other people who may not listen to gospel music listen to it and still get the message?' That's what we were trying to crack with all of the hip hop sounding joints on there.[3]
The song appeared on numerous track listing iterations forDonda revealed by West on July 18, 2020.[4][5] The song was first played by West at the first listening event forDonda on July 22, 2021. In the following listening event on August 6, the track received some changes such as more organs being added and the percussion being altered.[6] The first version previewed on had Travis Scott doing the first verses and the hook. On the second version, West cut some of Scott's lines out to fill himself in and substituted the entire hook with himself singing it. About collaborating with West, Keem wrote onTwitter: "Ye, an Idol, an Icon. Forever grateful for the experience of a lifetime".[7]
Lyrically, "Praise God" sees West along with Scott and Baby Keem complimenting Jesus and what He has done for them. The song opens up with the former's late mother,Donda West, reciting an excerpt ofGwendolyn Brooks' poem, "Speech to the Young: Speech to the Progress-Toward", speaking: "Say to them, say to the down-keepers, the sun-slappers / The self-soilers, the harmony-hushers / Even if you are not ready for the day, it cannot always be night".[8] It focuses on the people who think negatively about life, reminding them that they have a lot to be thankful for in life. The chorus sees West singing: "We gon' praise our way out the grave, dawg / Livin', speakin', praise God / Walkin' out the graveyard back to life / I serve, follow your word / See with a sight", before his mother finishes the last line of the chorus by saying, "Into the night". In the chorus, West focuses on turning his life around and putting his faith and trust in God to give what is right, which helps him see things in a more positive perspective. Scott also discusses his relationship with Christ in both of his verses. In Keem's verse, which closes the song, he raps the line: "Y'all treat your Lord and Savior like renter's insurance, you know what I mean?". He tries to call out the people that do not have belief in Christ's power until something bad happens to them, in which they rely on Him; he compares that to a person ignoring their renter's insurance until they need payment.[9]
^"ČNS IFPI" (in Czech). Hitparáda – Digital Top 100 Oficiální. IFPI Czech Republic.Note: Select 35. týden 2021 in the date selector. Retrieved September 6, 2021.
^"ČNS IFPI" (in Slovak). Hitparáda – Singles Digital Top 100 Oficiálna. IFPI Czech Republic.Note: Select 35. týden 2021 in the date selector. Retrieved September 6, 2021.