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Pradyumna

From Wikipedia, the free encyclopedia
Son of Krishna and Rukmini in Hinduism

Pradyumna
An 18th-centuryPahari painting of Pradyumna (right) battling with demonShambara
AffiliationVaishnavism,Kamadeva
AbodeDvaraka
TextsMahabharata,Srimad Bhagavatam,Harivamsa
Genealogy
Parents
SpouseMayavati
Rukmavati
Prabhavati[1]
ChildrenAniruddha
DynastyYaduvamsha
Vrishni heroes
Kondamotu Vrishni heroes relief, 4th century CE, Hyderabad State Museum
Part ofa series on
Vaishnavism
Closeup of Vishnu, seated in the lotus position on a lotus. From depiction of the poet Jayadeva bowing to Vishnu, Gouache on paper Pahari, The very picture of devotion, bare-bodied, head bowed, legs crossed and hands folded, Jayadeva stands at left, with the implements of worship placed before the lotus-seat of Vishnu who sits there, blessing the poet.
Supreme deity
Pradyumna, holding a bow and an arrow, in the Kondamotu Vrishni heroes relief, 4th century CE

Pradyumna (Sanskrit:प्रद्युम्न,lit.'the eminently mighty one')[2] is the eldest son of theHindu deitiesKrishna and his wifeRukmini.[3] He is considered to be one of the fourvyuha avatars ofVishnu. According to theBhagavata Purana, Pradyumna was the reincarnation ofKamadeva, the god of love. TheMahabharata states that Pradyumna was a portion ofSanat Kumara.[4]

TheHarivamsa describes thechaturvyuha, consisisting of theVrishni heroesVāsudeva,Samkarsana, Pradyumna, andAniruddha, that would later be the basis for theVaishnava concept of primary quadrupled expansion, oravatara.

Pradyumna is also another name of the Hindu god Vishnu, mentioned to be one of the 24Keshava Namas (names).

Birth and early life

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Pradyumna kills Sambara.
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Pradyumna was the son ofKrishna and the sixty-first grandson of Adinarayana. His mother wasRukmini, whom Krishna had eloped with from Vidarbha during herswayamvara on her request. Pradyumna was born inDvaraka and was the reincarnation of the demigodKamadeva, a deity who was burnt to ashes by the fury ofShiva.

According to theBhagavata Purana, within 10 days of Pradyumna's birth, he was abducted by theasuraShambara. Recognising him as his foe, the asura threw him into the ocean. The infant was swallowed by a mighty fish, which was caught by fishermen and presented to Shambara. Shambara's cooks discovered the child upon cutting the fish open. The child was given to Mayavati, who was the earthly incarnation ofRati. Recognising the son of Krishna as her divine consort, Rati fell in love with him once more. Years passed until Pradyumna flowered into adolescence, raised by Mayavati. When chastised by the deity for her amorous notions towards him, she explained to him the circumstances of his new birth. She bestowed Pradyumna with the mystic art ofmahamaya, which dispelled all magic. The youth then summoned the asura to battle, where the latter first attacked him with a club, and followed with hisdaitya magic. Hundreds of weapons belonging toguhyakas,gandharvas,pisacas, and uragas (celestial snakes) were amassed to combat him, but all fell before the son of Krishna. Drawing his sharp-edged sword, he beheaded the asura. Accompanied with his wife, he descended upon the palace in Dvaraka like a cloud with lightning, the crowds of noble women mistaking his handsome countenance and bluish-black curling locks for Krishna himself. Rukmini, however, recognised him as her own son. Krishna manifested himself to the scene along withVasudeva andDevaki, and together with the residents of Dvaraka, embraced the couple and rejoiced.[5]

Marriages

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Narada (left) and Krishna - Rukmini (right) welcome Pradyumna and Mayavati (centre).

Pradyumna's first wife was Mayavati, the incarnation of Kamadeva's wifeRati. At first, Pradyumna objected, but upon explanation, he realised that she was, in fact, his eternal consort.[6] He also marriedRukmavati, the daughter of his maternal uncle,Rukmi. It is said that Princess Rukmavati found his valour, comeliness, and charm beyond words, and insisted on marrying him at herswayamvara. With her, he fathered, Krishna's grandson and favourite, and also considered avyuha avatar of Vishnu,Aniruddha. Prabhavati was an asura princess who fell in love with Pradyumna, and so he eloped with her.[7]

Role in Dvaraka

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Balarama embraces Yudhisthira, accompanied by Akrura and Pradyumna before their pilgrimage.

Soon, Pradyumna became a constant companion of his father Krishna and was well-liked by the people of Dvaraka. Pradyumna was a mightyMaharathi warrior. He possessed the extremely rareVaishnavastra, which was one of the most powerful weapons in the universe. He was one of the very few people to know the secret of theChakravyuha. According to theMahabharata, Pradyumna trainedAbhimanyu and theDraupadeyas in warfare when thePandavas were in exile. But Pradyumna did not participate in theKurukshetra War as he went on a pilgrimage with his uncleBalarama and the other Yadavas.[8] He was, however, an active participant in theAshvamedha Yagna, which was later conducted by Yudhishthira.

Defence of Dvaraka

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Pradyumna defended Dvaraka against Shalva, the king of theShalva Kingdom, along with his father, uncle and brothers. In theHarivamsa, Pradyumna alone repelled the attack ofJarasandha.

Death

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Pradyumna was later killed in an intoxicated brawl, along with all the other members of the Yadava clan. His grandson, Vajra, was the only survivor of Yadu lineage after this incident.[9]

Epithets

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TheMakara, as the one found on a pillar capital at the site of theHeliodorus pillar, is associated with Pradyumna.[10][11][12][13] 2nd century BCE.[14]Gwalior Museum.[15][11]

One of the epithets of Pradyumna in literature, such as inHarivamsa 99, is "Makaradhvaja", meaning "he whose banner or standard is the crocodile".[16] A pillar capital with the effigy of aMakara crocodile found atBesnagar near theHeliodorus pillar dedicated toVasudeva, is also attributed to Pradyumna.[16] In theMahabharata, the Makara is associated with Krishna's son andKamadeva, the God of Love, suggesting that they are identical.[16]

Descendants

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As per the Bhagavata Purana, Canto 10, Chapter 61,Aniruddha was the son of Pradyumna and Rukmavati.[17] He was later abducted by Usha (daughter ofBanaasura and granddaughter ofMahabali), who wished to marry him.[18] Usha's father, Banasura, however, imprisoned Aniruddha, creating a battle between Krishna and Shiva. In the battle, Pradyumna defeated Shiva's sonKartikeya, who fled on his peacock. At the end of the war, Banasura lost, and Aniruddha and Usha were married.[19] Aniruddha is said to have been very much like his grandfatherKrishna, to the extent that some consider him to be ajana avatar, an avatar ofVishnu.Aniruddha's son wasVajra. Vajra was known to be an invincible warrior and was the only survivor of the Yadu Dynasty after the Yadus' battle. According to some sources, Vajra then had 16 idols of Krishna and other gods carved from a rare, imperishable stone called Braja and built temples to house these idols in and aroundMathura so as to feel the presence of Krishna. It is said that Pradyumna and Arjuna were equivalent in their skills.

Texts

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The Hindu version of the history of Pradyumna is mentioned inBhagavata Purana andHari Vamsa.

The Jain version of the story of Pradyumna is mentioned in thePradyumna-charitra (poem in 18 canons) ofRajchandra, written in 1878 AD.[20]

VyūhasImageAttributesSymbol[24][25]DirectionFaceConcept
Narayana
Vishnu
VāsudevaChakra Wheel
Gadā Mace
Shankha Conch
Garuda EagleEastSaumya
(Placid/ benevolent)
Jṅāna Knowledge
SamkarsanaLāṅgalaPlough
MusalaPestle
Wine glass
Tala Fan palmSouthSimha LionBala Strength
PradyumnaCāpa Bow
Bāṇa Arrow
Makara CrocodileWestRaudra KapilaAiśvaryā Sovereignty
AniruddhaCarma Shield
Khaḍga Sword
Ṛṣya (ऋष्य) White-footed antelopeNorthVaraha BoarŚakti Power

References

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  1. ^"Story of Prabhāvatī". 28 January 2019.
  2. ^"Srimad Bhagavatam: Canto 10 - Chapter 55".bhagavata.org. Retrieved11 July 2022.
  3. ^Books 8-12: Krishna, spirit of delight. Vighneswara Publishing House. 1976. p. 740.
  4. ^"Srimad Bhagavatam: Canto 10 - Chapter 55".
  5. ^"Srimad Bhagavatam: Canto 10 - Chapter 55".bhagavata.org. Retrieved11 July 2022.
  6. ^Benton, Catherine (1 June 2006).God of Desire: Tales of Kamadeva in Sanskrit Story Literature. SUNY Press.ISBN 978-0-7914-6566-0.
  7. ^Ph.D, Lavanya Vemsani (13 June 2016).Krishna in History, Thought, and Culture: An Encyclopedia of the Hindu Lord of Many Names: An Encyclopedia of the Hindu Lord of Many Names. ABC-CLIO.ISBN 978-1-61069-211-3.
  8. ^Saraswati, Swami Vidyanand.Droupadi Ka Chirharan Aur Shrikrishan (in Hindi). Kitabghar Prakashan.ISBN 978-81-88118-64-9.
  9. ^"Srimad Bhagavatam: Canto 11 - Chapter 30".
  10. ^Indian History. Allied Publishers. 1988. p. A-222.ISBN 978-81-8424-568-4.
  11. ^abAyyar, Sulochana (1987).Costumes and Ornaments as Depicted in the Sculptures of Gwalior Museum. Mittal Publications. p. 13.ISBN 978-81-7099-002-4.
  12. ^Gupta, Vinay K. (January 2019)."Vrishnis in Ancient Literature and Art".Indology's Pulse Arts in Context, Doris Meth Srinivasan Festschrift Volume, Eds. Corinna Wessels Mevissen and Gerd Mevissen with Assistance of Vinay Kumar Gupta: 81.
  13. ^Austin, Christopher R. (2019).Pradyumna: Lover, Magician, and Scion of the Avatara. Oxford University Press. p. 24.ISBN 978-0-19-005412-0.
  14. ^VIENNOT, Odette (1958). "Le Makara dans la Décoration des Monuments de l'Inde Ancienne : Positions et Fonctions".Arts Asiatiques.5 (3): 184.JSTOR 43484068.
  15. ^Visible in the back of the image entitled "Lion capital – Udayagiri – 5th century":"Gujari Mahal State Archaeological Museum – Gwalior".Kevin Standage. 15 April 2019.
  16. ^abcAustin, Christopher R. (2019).Pradyumna: Lover, Magician, and Son of the Avatara. Oxford University Press. p. 65.ISBN 978-0-19-005411-3.
  17. ^"Srimad Bhagavatam: Canto 10 - Chapter 61".
  18. ^"Srimad Bhagavatam: Canto 10 - Chapter 62".
  19. ^"Srimad Bhagavatam: Canto 10 - Chapter 63".
  20. ^Krishnamachariar 1989, p. 294.
  21. ^Atherton, Cynthia Packert (1997).The Sculpture of Early Medieval Rajasthan. Brill. p. 78.ISBN 978-90-04-10789-2.
  22. ^A Comprehensive History of India: pt. 1-2. A.D. 300-985. Orient Longmans. 1982. p. 866.
  23. ^Parlier-Renault, Edith (2007).Temples de l'Inde méridionale: VIe-VIIIe siècles. La mise en scène des mythes. Presses Paris Sorbonne. pp. 38–42.ISBN 978-2-84050-464-1.
  24. ^"A shrine of Aniruddha, the fourth of the 'vyuhas', which had within its precincts a 'rsyadhvaja', i. e. a column bearing on its top the figure of a 'rsya' or a white antelope which was his characteristic 'lanchana'." inJournal of the Indian Society of Oriental Art. Indian Society of Oriental Art. 1937. p. 16.
  25. ^Gupta, Vinay K."Vrishnis in Ancient Literature and Art".Indology's Pulse Arts in Context, Doris Meth Srinivasan Festschrift Volume, Eds. Corinna Wessels Mevissen and Gerd Mevissen with Assistance of Vinay Kumar Gupta:80–81.

Sources

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External links

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