Movatterモバイル変換


[0]ホーム

URL:


Jump to content
WikipediaThe Free Encyclopedia
Search

Portal:Record production

From Wikipedia, the free encyclopedia
Wikipedia portal for content related to record production
Portal maintenance status:(November 2018)
  • This portal ismanuallymaintained by John Cline. Please contact these user(s) when you plan to make significant changes.
  • This portal has anon-standard layout.
  • This portal'ssubpageshave been checked by an editor, and are needed.
Pleasetake care when editing, especially if usingautomated editing software, and seekconsensus before making major changes. Learn how toupdate the maintenance information here.

  

The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console
Noted audio engineer Roger Nichols at a vintage Neve recording console

This portal is focused onmusic production within the era of written records throughsound recordings,digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of theproduction element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. Therecord producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form.(Read more)

Themusic industry consists of the individuals and organizations that earn money by writingsongs andmusical compositions, creating and sellingrecorded music andsheet music, presentingconcerts, as well as the organizations that aid, train, represent and supplymusic creators. Among the many individuals and organizations that operate in the industry are: thesongwriters andcomposers who write songs and musical compositions; thesingers,musicians,conductors, andbandleaders who perform the music; therecord labels,music publishers,recording studios,music producers,audio engineers, retail anddigital music stores, andperformance rights organizations who create and sell recorded music and sheet music; and thebooking agents,promoters,music venues,road crew, and audio engineers who help organize and sell concerts.(Read more)


  

Featured articles -load new batch

Featured articles are displayed here, which represent some of the best content on English Wikipedia.

  

Did you know(auto-generated) -load new batch

  

Born this day

Birthdays in Music:February 16


  

Selected albums -load new batch

These are allGood articles, which meet a core set of high editorial standards.

  • Image 1 Human After All is the third studio album by the French electronic music duo Daft Punk, released on 14 March 2005 through Virgin Records. Whereas their previous studio album, Discovery (2001), was inspired by disco and garage house and produced over two years, Human After All was more minimalistic and improvisational with heavier guitars and electronics, and was produced in six weeks. Human After All received mixed reviews from critics, who disliked its minimalistic, repetitive nature and considered the record inferior to Daft Punk's previous works. However, some praised the darker experimental tone, distinct from Daft Punk's other records. (Full article...)
    Image 1
    Human After All is the third studio album by the Frenchelectronic music duoDaft Punk, released on 14 March 2005 throughVirgin Records. Whereas their previous studio album,Discovery (2001), was inspired bydisco andgarage house and produced over two years,Human After All was more minimalistic and improvisational with heavier guitars andelectronics, and was produced in six weeks.

    Human After All received mixed reviews from critics, who disliked its minimalistic, repetitive nature and considered the record inferior to Daft Punk's previous works. However, some praised the darker experimental tone, distinct from Daft Punk's other records. (Full article...)
  • Image 2 Graveyard Mountain Home is the third studio album released under the name Chroma Key by American keyboardist Kevin Moore. It was released on November 8, 2004 by InsideOut Music. Moore originally started work on the album in 2003, planning to release a less electronica-influenced album than previous Chroma Key albums, but put it aside to work on the first OSI album. He then moved to Istanbul, Turkey, where he wrote Ghost Book, the soundtrack to the film Okul. Enjoying the experience of writing music to film, Moore scrapped his previous plans for the third Chroma Key album, instead writing an album as an alternate soundtrack to an already-existing film. Moore found the social guidance film Age 13 in the Prelinger Archives, which served as his main inspiration. He slowed the film down to half its original playback speed to allow a full album to be written around the twenty-five-minute film. With complete creative control over the album, Moore was free to experiment, sometimes writing music "not necessarily to always match the images on the screen, but to sometimes play against it." The deluxe edition of the album contains the film in its full length, played at half speed, with the album as a soundtrack in place of the original audio. (Full article...)
    Image 2
    Graveyard Mountain Home is the third studio album released under the nameChroma Key by American keyboardistKevin Moore. It was released on November 8, 2004 byInsideOut Music. Moore originally started work on the album in 2003, planning to release a lesselectronica-influenced album than previous Chroma Key albums, but put it aside to work on the firstOSI album. He then moved toIstanbul,Turkey, where he wroteGhost Book, the soundtrack to the filmOkul. Enjoying the experience of writing music to film, Moore scrapped his previous plans for the third Chroma Key album, instead writing an album as an alternate soundtrack to an already-existing film.

    Moore found thesocial guidance filmAge 13 in thePrelinger Archives, which served as his main inspiration. He slowed the film down to half its original playback speed to allow a full album to be written around the twenty-five-minute film. With complete creative control over the album, Moore was free to experiment, sometimes writing music "not necessarily to always match the images on the screen, but to sometimes play against it." The deluxe edition of the album contains the film in its full length, played at half speed, with the album as a soundtrack in place of the original audio. (Full article...)
  • Image 3 Christina Milian is the debut studio album by American singer Christina Milian. It was released on January 23, 2002, by Def Soul. Milian made her first professional musical appearance on Ja Rule's single "Between Me and You", which led to a record deal with Def Soul in 2000. Milian traveled to Sweden where she collaborated with several producers, most notably Bloodshy & Avant, who helmed five tracks from Christina Milian. Milian co-wrote 11 of the 12 songs on the album, taking inspiration from personal experiences. The album's musical style is mostly dance and R&B, and critics noted similarities to Milian's contemporaries Britney Spears and Christina Aguilera. Milian was displeased by Def Soul's portrayal of her image, which she felt was constantly changing and confusing the audience. (Full article...)
    Image 3
    Christina Milian is the debut studio album by American singerChristina Milian. It was released on January 23, 2002, byDef Soul.

    Milian made her first professional musical appearance onJa Rule's single "Between Me and You", which led to a record deal with Def Soul in 2000. Milian traveled to Sweden where she collaborated with several producers, most notablyBloodshy & Avant, who helmed five tracks fromChristina Milian. Milian co-wrote 11 of the 12 songs on the album, taking inspiration from personal experiences. The album's musical style is mostlydance andR&B, and critics noted similarities to Milian's contemporariesBritney Spears andChristina Aguilera. Milian was displeased by Def Soul's portrayal of her image, which she felt was constantly changing and confusing the audience. (Full article...)
  • Image 4 What Separates Me from You is the fourth studio album by the American rock band A Day to Remember, and their third and final for Victory Records. Originally planned for release in late-October 2010, the album was delayed by a few weeks until mid-November. What Separates Me from You was released on November 15, 2010, in the UK, and on November 16 in the US. The album, which was recorded mainly at The Wade Studios in Ocala, Florida, from May to July 2010, was the first to feature guitarist Kevin Skaff. The album was produced mostly by Chad Gilbert, with help from Andrew Wade and the band's vocalist, Jeremy McKinnon. "All I Want" was released as the first single. It reached number 12 on the U.S. Alternative Songs chart and number 25 on the Rock Songs chart. The album debuted on the U.S. Billboard 200 at number 11, and number 1 on several charts: Top Hard Rock Albums, Top Independent Albums, Top Modern Rock/Alternative Albums in the U.S. and the Rock Album Chart in the UK. The band played two songs from the album on their national TV debut in January 2011, and then went on The Game Changers Tour to help promote the album; shortly afterwards touring worldwide in support of the release. Two later singles off the album charted: "All Signs Point to Lauderdale", released in May, reached number 32 on the Hot Modern Rock Tracks chart, and radio single "It's Complicated", released in October, peaked at number 34 on the same chart. What Separates Me from You was met with generally favorable reviews, with critics praising the album's sound. The album was certified Gold by the RIAA in March 2016, and "All I Want" was certified gold in August. The album was certified Silver in the UK by the BPI. (Full article...)
    Image 4
    What Separates Me from You is the fourth studio album by the Americanrock bandA Day to Remember, and their third and final forVictory Records. Originally planned for release in late-October 2010, the album was delayed by a few weeks until mid-November.What Separates Me from You was released on November 15, 2010, in the UK, and on November 16 in the US. The album, which was recorded mainly at The Wade Studios inOcala, Florida, from May to July 2010, was the first to feature guitarist Kevin Skaff. The album was produced mostly byChad Gilbert, with help fromAndrew Wade and the band's vocalist,Jeremy McKinnon. "All I Want" was released as the first single. It reached number 12 on the U.S.Alternative Songs chart and number 25 on theRock Songs chart.

    The album debuted on the U.S.Billboard 200 at number 11, and number 1 on several charts:Top Hard Rock Albums,Top Independent Albums,Top Modern Rock/Alternative Albums in the U.S. and the Rock Album Chart in the UK. The band played two songs from the album on their national TV debut in January 2011, and then went on The Game Changers Tour to help promote the album; shortly afterwardstouring worldwide in support of the release. Two later singles off the album charted: "All Signs Point to Lauderdale", released in May, reached number 32 on theHot Modern Rock Tracks chart, andradio single "It's Complicated", released in October, peaked at number 34 on the same chart.What Separates Me from You was met with generally favorable reviews, with critics praising the album's sound. The album was certified Gold by theRIAA in March 2016, and "All I Want" was certified gold in August. The album was certified Silver in the UK by theBPI. (Full article...)
  • Image 5 Charlie and the Chocolate Factory is a 2005 musical fantasy film directed by Tim Burton and written by John August, based on the 1964 children's novel of the same name by Roald Dahl. The film stars Johnny Depp as Willy Wonka and Freddie Highmore as Charlie Bucket, alongside David Kelly, Helena Bonham Carter, Noah Taylor, Missi Pyle, James Fox, Deep Roy, and Christopher Lee. The storyline follows Charlie as he wins a contest along with four other children and is led by Wonka on a tour of his chocolate factory. Development for a second adaptation of Charlie and the Chocolate Factory began in 1991, which resulted in Warner Bros. providing the Dahl estate with total artistic control. Prior to Burton's involvement, multiple directors and actors were either in discussion with or considered by the studio to play Wonka. Burton immediately brought regular collaborators Depp and Danny Elfman aboard. Charlie and the Chocolate Factory represents the first musical film directed by Burton and the first time since The Nightmare Before Christmas that Elfman contributed to a film score using written songs and his vocals. (Full article...)
    Image 5
    Charlie and the Chocolate Factory is a 2005musicalfantasy film directed byTim Burton and written byJohn August, based on the 1964children's novel of the same name byRoald Dahl. The film starsJohnny Depp asWilly Wonka andFreddie Highmore as Charlie Bucket, alongsideDavid Kelly,Helena Bonham Carter,Noah Taylor,Missi Pyle,James Fox,Deep Roy, andChristopher Lee. The storyline follows Charlie as he wins a contest along with four other children and is led by Wonka on a tour of his chocolate factory.

    Development for a second adaptation ofCharlie and the Chocolate Factory began in 1991, which resulted inWarner Bros. providing the Dahl estate with totalartistic control. Prior to Burton's involvement, multiple directors and actors were either in discussion with or considered by the studio to play Wonka. Burton immediately brought regular collaborators Depp andDanny Elfman aboard.Charlie and the Chocolate Factory represents the first musical film directed by Burton and the first time sinceThe Nightmare Before Christmas that Elfman contributed to a film score using written songs and his vocals. (Full article...)
  • Image 6 Laid Back is the debut solo studio album by American singer-songwriter Gregg Allman, released in October 1973 by Capricorn Records. Allman, best known as the vocalist/lyricist/organist of the Allman Brothers Band, first began considering a solo career after internal disagreements with that group. He developed the album as a small creative outlet wherein he would assume full control, and he co-produced the album alongside Johnny Sandlin. Laid Back was largely recorded in March 1973 at Capricorn Sound Studios in Macon, Georgia, with additional recording and mixing taking place at the Record Plant by Manhattan Recording Engineer, Jim Reeves in New York City. The album explores Allman's varying influences, including rhythm and blues and soul music. It consists of several cover songs, originals, and a traditional hymn, and contains performances from a host of musicians, most notably Scott Boyer and Tommy Talton on guitars, Chuck Leavell on piano, Charlie Hayward on bass guitar, and Bill Stewart on drums. The album was created while Allman also worked on Brothers and Sisters, the fourth Allman Brothers album. The album title was a studio term Allman coined for relaxing a song's tempo. The album cover was painted by Abdul Mati Klarwein. (Full article...)
    Image 6
    Laid Back is the debut solo studio album by American singer-songwriterGregg Allman, released in October 1973 byCapricorn Records. Allman, best known as the vocalist/lyricist/organist ofthe Allman Brothers Band, first began considering a solo career after internal disagreements with that group. He developed the album as a small creative outlet wherein he would assume full control, and he co-produced the album alongsideJohnny Sandlin.Laid Back was largely recorded in March 1973 atCapricorn Sound Studios inMacon, Georgia, with additional recording and mixing taking place at theRecord Plant by Manhattan Recording Engineer, Jim Reeves in New York City.

    The album explores Allman's varying influences, includingrhythm and blues andsoul music. It consists of severalcover songs, originals, and a traditionalhymn, and contains performances from a host of musicians, most notablyScott Boyer andTommy Talton on guitars,Chuck Leavell on piano,Charlie Hayward on bass guitar, and Bill Stewart on drums. The album was created while Allman also worked onBrothers and Sisters, the fourth Allman Brothers album. The album title was a studio term Allman coined for relaxing a song'stempo. The album cover was painted byAbdul Mati Klarwein. (Full article...)
  • Image 7 Deep Purple, also referred to as Deep Purple III, is the third studio album by the English rock band Deep Purple, released in June 1969 on Tetragrammaton Records in the United States, but not until September 1969 on Harvest Records in the United Kingdom. Its release was preceded by the single "Emmaretta" and by a long tour in the UK, whose dates were interspersed between the album's recording sessions. The music of this album is mostly original and a combination of progressive rock, hard rock and psychedelic rock, but with a harder edge and with the guitar parts in more evidence than in the past. This was due both to the growth of guitarist Ritchie Blackmore as a songwriter and to the conflicts within the band over the fusion of classical music and rock proposed by keyboard player Jon Lord and amply implemented in the band's previous releases. (Full article...)
    Image 7
    Deep Purple, also referred to asDeep Purple III, is the third studio album by the English rock bandDeep Purple, released in June 1969 onTetragrammaton Records in the United States, but not until September 1969 onHarvest Records in the United Kingdom. Its release was preceded by the single "Emmaretta" and by a long tour in the UK, whose dates were interspersed between the album's recording sessions.

    The music of this album is mostly original and a combination ofprogressive rock,hard rock andpsychedelic rock, but with a harder edge and with the guitar parts in more evidence than in the past. This was due both to the growth of guitaristRitchie Blackmore as a songwriter and to the conflicts within the band over the fusion of classical music and rock proposed by keyboard playerJon Lord and amply implemented in the band's previous releases. (Full article...)
  • Image 8 Porcupine is the third studio album by the English post-punk band Echo & the Bunnymen. First released on 4 February 1983, it became the band's highest-charting release when it reached number two on the UK Albums Chart despite initially receiving poor reviews. It also reached number 137 on the American Billboard 200, number 85 on the Canadian RPM 100 Albums and number 24 on the Swedish chart. In 1984, the album was certified gold by the British Phonographic Industry. The album includes the singles "The Back of Love" and "The Cutter." Porcupine was recorded at Trident Studios in London, Rockfield Studios in South Wales and Amazon Studios in Liverpool. It was produced by Ian Broudie (credited as "Kingbird"), who had produced their second single, "Rescue." After being rejected by the band's label, the album was re-recorded with Shankar providing strings. It was originally released as an LP in 1983 before being reissued on CD in 1988. The album was reissued as a remastered and expanded CD in 2003, along with the other four of the band's first five studio albums. A VHS video called Porcupine – An Atlas Adventure was also released, containing six promotional videos of tracks from the album. (Full article...)
    Image 8
    Porcupine is the third studio album by the Englishpost-punk bandEcho & the Bunnymen. First released on 4 February 1983, it became the band's highest-charting release when it reached number two on theUK Albums Chart despite initially receiving poor reviews. It also reached number 137 on the AmericanBillboard 200, number 85 on the CanadianRPM 100 Albums and number 24 on the Swedish chart. In 1984, the album was certifiedgold by theBritish Phonographic Industry. The album includes thesingles "The Back of Love" and "The Cutter."

    Porcupine was recorded atTrident Studios in London,Rockfield Studios inSouth Wales and Amazon Studios inLiverpool. It was produced byIan Broudie (credited as "Kingbird"), who had produced their second single, "Rescue." After being rejected by the band's label, the album was re-recorded withShankar providing strings. It was originally released as anLP in 1983 before beingreissued on CD in 1988. The album was reissued as aremastered and expanded CD in 2003, along with the other four of the band's first five studio albums. A VHS video calledPorcupine – An Atlas Adventure was also released, containing sixpromotional videos of tracks from the album. (Full article...)
  • Image 9 Let's Dance is the fifteenth studio album by the English singer-songwriter David Bowie, released on 14 April 1983 through EMI America Records. Co-produced by Bowie and Nile Rodgers, the album was recorded in December 1982 at the Power Station in New York City. The sessions featured players from Rodgers' band Chic and the then-unknown Texas blues guitarist Stevie Ray Vaughan on lead guitar. For the first time on an album, Bowie only sang and played no instruments. Musically, Let's Dance has been described as a post-disco record, with elements of dance-rock, dance-pop and new wave. The album contains two cover songs: Iggy Pop's "China Girl", which Bowie and Pop had recorded together for the latter's The Idiot (1977), and Metro's "Criminal World". It also includes a reworking of "Cat People (Putting Out Fire)", originally recorded by Bowie and Giorgio Moroder in 1982 for the film of the same name. (Full article...)
    Image 9
    Let's Dance is the fifteenth studio album by the English singer-songwriterDavid Bowie, released on 14 April 1983 throughEMI America Records. Co-produced by Bowie andNile Rodgers, the album was recorded in December 1982 at thePower Station in New York City. The sessions featured players from Rodgers' bandChic and the then-unknownTexas blues guitaristStevie Ray Vaughan on lead guitar. For the first time on an album, Bowie only sang and played no instruments.

    Musically,Let's Dance has been described as apost-disco record, with elements ofdance-rock,dance-pop andnew wave. The album contains two cover songs:Iggy Pop's "China Girl", which Bowie and Pop had recorded together for the latter'sThe Idiot (1977), andMetro's "Criminal World". It also includes a reworking of "Cat People (Putting Out Fire)", originally recorded by Bowie andGiorgio Moroder in 1982 for thefilm of the same name. (Full article...)
  • Image 10 King & Queen is a studio album by the American recording artists Otis Redding and Carla Thomas. It is Thomas' fourth album and Redding's sixth and the final studio album before his death on December 10, 1967. Influenced by Marvin Gaye's duets, the album features ten covers of soul classics and the eleventh finishing song co-written by Redding. The album includes crossover hits "Tramp" and "Knock on Wood". Following Redding's death, the single "Lovey Dovey" was also released. The original album's liner notes were written by Tennessee Senator Howard H. Baker, Jr. It was released on March 16, 1967, by Stax Records. (Full article...)
    Image 10
    King & Queen is a studio album by the American recording artistsOtis Redding andCarla Thomas. It is Thomas' fourth album and Redding's sixth and the final studio album before his death on December 10, 1967. Influenced byMarvin Gaye's duets, the album features ten covers of soul classics and the eleventh finishing song co-written by Redding.

    The album includes crossover hits "Tramp" and "Knock on Wood". Following Redding's death, the single "Lovey Dovey" was also released. The original album'sliner notes were written byTennesseeSenatorHoward H. Baker, Jr. It was released on March 16, 1967, byStax Records. (Full article...)
  • Image 11 The Big Room is the second international studio album by Norwegian pop music duo M2M. It was released in Asia in November 2001 and in the rest of the world in early 2002. It reached No. 16 in Norway and No. 61 in Australia. Two singles were released worldwide from the album, "Everything", which peaked at No. 6 in Norway and No. 27 in Australia, and "What You Do About Me", which reached No. 46 in Australia. To promote the album M2M appeared on an episode of the series Dawson's Creek and were selected as the opening act for Jewel's This Way US tour. Despite critical acclaim, sales of The Big Room were considerably lower than their previous album, Shades of Purple, which Verdens Gang attributed to a lacklustre marketing effort by Atlantic Records. Citing disappointing sales, Atlantic chose to replace M2M as Jewel's opening act halfway through the tour, after which they returned to Norway and disbanded. (Full article...)
    Image 11
    The Big Room is the second international studio album by Norwegian pop music duoM2M. It was released in Asia in November 2001 and in the rest of the world in early 2002. It reached No. 16 in Norway and No. 61 in Australia. Two singles were released worldwide from the album, "Everything", which peaked at No. 6 in Norway and No. 27 in Australia, and "What You Do About Me", which reached No. 46 in Australia.

    To promote the album M2M appeared on an episode of the seriesDawson's Creek and were selected as the opening act forJewel's This Way US tour. Despite critical acclaim, sales ofThe Big Room were considerably lower than their previous album,Shades of Purple, whichVerdens Gang attributed to a lacklustre marketing effort byAtlantic Records. Citing disappointing sales, Atlantic chose to replace M2M as Jewel's opening act halfway through the tour, after which they returned to Norway and disbanded. (Full article...)
  • Image 12 Demonstration is the second studio album by British rapper Tinie Tempah. The album was released on 4 November 2013 as the follow-up to his commercially successful debut album, Disc-Overy (2010). In December 2010, Tempah announced he was writing for his second album, saying there would be a more electronic and live feel to it. The first two singles from the album, "Trampoline" and "Children of the Sun" were released in the run-up to the album and both managed to enter the top ten of the UK Singles Chart. The album features collaborations with producers and guest artists such as Labrinth and Diplo and sees Tempah experimenting with new musical genres. Demonstration received generally positive reviews, with music critics praising the choice of producers and Tempah's evolution as a musician. The album entered the UK Albums Chart at number three, making it less successful than Disc-Overy. It was beaten to a top two chart position by The Marshall Mathers LP 2 and James Arthur. The album was certified gold by the British Phonographic Industry on 21 February 2014. (Full article...)
    Image 12
    Demonstration is the second studio album by British rapperTinie Tempah. The album was released on 4 November 2013 as the follow-up to his commercially successful debut album,Disc-Overy (2010). In December 2010, Tempah announced he was writing for his second album, saying there would be a more electronic and live feel to it. The first two singles from the album, "Trampoline" and "Children of the Sun" were released in the run-up to the album and both managed to enter the top ten of theUK Singles Chart. The album features collaborations with producers and guest artists such asLabrinth andDiplo and sees Tempah experimenting with new musical genres.

    Demonstration received generally positive reviews, with music critics praising the choice of producers and Tempah's evolution as a musician. The album entered theUK Albums Chart at number three, making it less successful thanDisc-Overy. It was beaten to a top two chart position byThe Marshall Mathers LP 2 andJames Arthur. The album was certified gold by theBritish Phonographic Industry on 21 February 2014. (Full article...)
  

General images -load new batch

The following are images from various record production-related articles on Wikipedia.
  

  Featured lists -load new batch

Featured lists have been determined by the Wikipedia community to be the best lists on English Wikipedia.

  • Image 1 Sam Hunt set a new record for the longest-running number-one country song when "Body Like a Back Road" spent 34 weeks atop the Hot Country Songs listing. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2017, seven different songs topped the Hot Country Songs chart and 34 different songs topped Country Airplay in 52 issues of the magazine. In the issue of Billboard dated February 25, singer Sam Hunt reached number one with the song "Body Like a Back Road", which would remain in the top spot through the issue dated October 14. In August, the song broke the record for the most weeks spent at number one on the Hot Country Songs listing, surpassing the 24 weeks spent in the top spot by Florida Georgia Line's "Cruise" in 2012 and 2013. Hunt's song was finally knocked from the top of the chart in the issue dated October 21 by "What Ifs" by Kane Brown featuring Lauren Alaina. Two months later, "Meant to Be" by Bebe Rexha and Florida Georgia Line entered the Hot Country chart at number one, only the fourth time a song had debuted in the top position of the Hot Country Songs chart. The song would go on to break Hunt's record the following summer when it spent a 35th consecutive week at number one. On the Country Airplay chart, Dustin Lynch had the longest run at number one of 2017, spending four consecutive weeks at the top with "Small Town Boy". Lynch tied with Blake Shelton for the highest total number of weeks at number one on that chart, both artists spending five weeks in the top spot. Shelton took three different songs to number one, a feat also achieved by Thomas Rhett. No act achieved more than one chart-topper on the Hot Country Songs listing. (Full article...)
    Image 1
    Singer Sam Hunt
    Sam Hunt set a new record for the longest-running number-one country song when "Body Like a Back Road" spent 34 weeks atop theHot Country Songs listing.

    Hot Country Songs andCountry Airplay are charts that rank the top-performingcountry music songs in the United States, published byBillboard magazine. Hot Country Songs ranks songs based ondigital downloads,streaming, andairplay not only fromcountry stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2017, seven different songs topped the Hot Country Songs chart and 34 different songs topped Country Airplay in 52 issues of the magazine.

    In the issue ofBillboard dated February 25, singerSam Hunt reached number one with the song "Body Like a Back Road", which would remain in the top spot through the issue dated October 14. In August, the song broke the record for the most weeks spent at number one on the Hot Country Songs listing, surpassing the 24 weeks spent in the top spot byFlorida Georgia Line's "Cruise" in 2012 and 2013. Hunt's song was finally knocked from the top of the chart in the issue dated October 21 by "What Ifs" byKane Brown featuringLauren Alaina. Two months later, "Meant to Be" byBebe Rexha and Florida Georgia Line entered the Hot Country chart at number one, only the fourth time a song had debuted in the top position of the Hot Country Songs chart. The song would go on to break Hunt's record the following summer when it spent a 35th consecutive week at number one. On the Country Airplay chart,Dustin Lynch had the longest run at number one of 2017, spending four consecutive weeks at the top with "Small Town Boy". Lynch tied withBlake Shelton for the highest total number of weeks at number one on that chart, both artists spending five weeks in the top spot. Shelton took three different songs to number one, a feat also achieved byThomas Rhett. No act achieved more than one chart-topper on the Hot Country Songs listing. (Full article...)
  • Image 2 The Beatles had eighteen number-one singles on the NME chart, only one of which never topped the Record Retailer chart. The NME (or New Musical Express) was a British weekly popular music newspaper. Record charts in the United Kingdom began on 14 November 1952 when NME imitated an idea started in American Billboard magazine and compiled their own hit parade. Until 15 February 1969, when the British Market Research Bureau (BMRB) chart was established, many periodicals compiled their own charts. During this time the BBC used aggregated results of the prominent NME, Melody Maker, Disc, Record Mirror and, later, Record Retailer charts to compile their Pick of the Pops chart. Prior to 1969 there was no universally accepted source or "official" singles chart; however, the Official Charts Company and Guinness' British Hit Singles & Albums regard the canonical sources for this period as NME before 10 March 1960 and Record Retailer from then until the BMRB took over in 1969. Although Record Retailer is now the most predominantly used source for charting music in the 1960s, NME had the biggest circulation of charts in the decade and was more widely followed. After the BMRB was formed, the NME continued compiling its own chart up until 14 May 1988. The Allisons' entry for the Eurovision Song Contest, entitled "Are You Sure?", was the first single to be number one on the NME chart but not to reach the top spot on Record Retailer's chart. In total, sixteen songs failed to reach number one with Record Retailer but topped the NME chart. In 1969, after the BMRB chart was introduced, four songs topped the NME but not the BMRB chart. Notable discrepancies include "19th Nervous Breakdown", which reached number one for the Rolling Stones on the NME, Disc, and Melody Maker charts, topped the BBC's Pick of the Pops aggregated chart and was announced as number one on Top of the Pops; however, because it did not reach number one on the Record Retailer chart, it is omitted from the Official Charts Company's canon. The Beatles' "Please Please Me" suffered the same fate so, arguably, should be considered the Beatles' first number-one single. Conversely, Elvis Presley's double A-side, "Rock-A-Hula Baby"/"Can't Help Falling in Love", reached number one on all charts except NME because the entries were split by NME according to which song was requested when the shop returned its figures. (Full article...)
    Image 2
    The Beatles had eighteen number-one singles on theNME chart, only one of which never topped theRecord Retailer chart.

    TheNME (orNew Musical Express) was a British weeklypopular music newspaper. Record charts in the United Kingdom began on 14 November 1952 whenNME imitated an idea started in AmericanBillboard magazine and compiled their ownhit parade. Until 15 February 1969, when theBritish Market Research Bureau (BMRB) chart was established, many periodicals compiled their own charts. During this time theBBC used aggregated results of the prominentNME,Melody Maker,Disc,Record Mirror and, later,Record Retailer charts to compile theirPick of the Pops chart. Prior to 1969 there was no universally accepted source or "official" singles chart; however, theOfficial Charts Company and Guinness'British Hit Singles & Albums regard the canonical sources for this period asNME before 10 March 1960 andRecord Retailer from then until the BMRB took over in 1969. AlthoughRecord Retailer is now the most predominantly used source for charting music in the 1960s,NME had the biggest circulation of charts in the decade and was more widely followed. After the BMRB was formed, theNME continued compiling its own chart up until 14 May 1988.

    The Allisons' entry forthe Eurovision Song Contest, entitled "Are You Sure?", was the first single to be number one on theNME chart but not to reach the top spot onRecord Retailer's chart. In total, sixteen songs failed to reach number one withRecord Retailer but topped theNME chart. In 1969, after the BMRB chart was introduced, four songs topped theNME but not the BMRB chart. Notable discrepancies include "19th Nervous Breakdown", which reached number one forthe Rolling Stones on theNME,Disc, andMelody Maker charts, topped theBBC'sPick of the Pops aggregated chart and was announced as number one onTop of the Pops; however, because it did not reach number one on theRecord Retailer chart, it is omitted from the Official Charts Company's canon.The Beatles' "Please Please Me" suffered the same fate so, arguably, should be considered the Beatles' first number-one single. Conversely,Elvis Presley's double A-side, "Rock-A-Hula Baby"/"Can't Help Falling in Love", reached number one on all charts exceptNME because the entries were split byNME according to which song was requested when the shop returned its figures. (Full article...)
  • Image 3 Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2014, 13 different songs topped the Hot Country Songs chart and 35 different songs topped Country Airplay in 52 issues of the magazine. Jason Aldean had the longest unbroken run at number one on the Hot Country Songs, spending 14 consecutive weeks in the top spot with "Burnin' It Down". Luke Bryan spent the most total weeks at number one during the year, however. His songs "Drink a Beer" and "Play It Again" totaled 14 weeks atop the chart and he spent a further 6 weeks in the top spot as a featured vocalist on Florida Georgia Line's chart-topper "This Is How We Roll" for a total of 20 weeks at number one. Bryan and Florida Georgia Line were the acts with the most number ones during 2014, as each act had two chart-toppers in addition to their collaboration on "This Is How We Roll". No other act had more than one number one during the year. Bryan also spent the most weeks at number one on the Country Airplay listing, but with a much smaller total of seven weeks. This figure included a run of four consecutive weeks with "Play It Again", which tied with Florida Georgia Line's "Stay" for the longest unbroken run at the top of the radio-based chart during 2014. Bryan and Florida Georgia Line were both associated with bro-country, an emerging subgenre which incorporated elements from hip hop music and emphasized lyrics about partying, drinking, and attractive young women. Blake Shelton had the most chart-toppers on the airplay listing, reaching the top spot with "Doin' What She Likes", "Neon Light" and "My Eyes". (Full article...)
    Image 3
    Hot Country Songs andCountry Airplay arecharts that rank the top-performingcountry music songs in the United States, published byBillboard magazine. Hot Country Songs ranks songs based ondigital downloads,streaming, andairplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2014, 13 different songs topped the Hot Country Songs chart and 35 different songs topped Country Airplay in 52 issues of the magazine.

    Jason Aldean had the longest unbroken run at number one on the Hot Country Songs, spending 14 consecutive weeks in the top spot with "Burnin' It Down".Luke Bryan spent the most total weeks at number one during the year, however. His songs "Drink a Beer" and "Play It Again" totaled 14 weeks atop the chart and he spent a further 6 weeks in the top spot as a featured vocalist onFlorida Georgia Line's chart-topper "This Is How We Roll" for a total of 20 weeks at number one. Bryan and Florida Georgia Line were the acts with the most number ones during 2014, as each act had two chart-toppers in addition to their collaboration on "This Is How We Roll". No other act had more than one number one during the year. Bryan also spent the most weeks at number one on the Country Airplay listing, but with a much smaller total of seven weeks. This figure included a run of four consecutive weeks with "Play It Again", which tied with Florida Georgia Line's "Stay" for the longest unbroken run at the top of the radio-based chart during 2014. Bryan and Florida Georgia Line were both associated withbro-country, an emerging subgenre which incorporated elements fromhip hop music and emphasized lyrics about partying, drinking, and attractive young women.Blake Shelton had the most chart-toppers on the airplay listing, reaching the top spot with "Doin' What She Likes", "Neon Light" and "My Eyes". (Full article...)
  • Image 4 Madonna had six number ones during the 1980s. The UK singles chart is the official record chart in the United Kingdom. Until 1983, it was compiled weekly by the British Market Research Bureau (BMRB) on behalf of the British record industry with a two-week break each Christmas. The BMRB used motorcycle couriers to collect the sales figures taken up to the close of trade on Saturday. This data was compiled on Monday and given to the BBC on Tuesday to be announced on BBC Radio 1 at lunchtime and later published in Music Week. On 4 January 1983, the chart was taken over by Gallup who expanded the chart from the Top 75 to the Top 100 and began the introduction of computerised tills, which automated the data collection process. The chart was based entirely on sales of physical singles from retail outlets and announced on Tuesday until October 1987, when the Top 40 was revealed each Sunday, due to the new automated process. During the 1980s, there were a total of 191 singles that took the UK chart number 1 spot. In terms of number-one singles, Madonna was the most successful single act of the decade, as six of her singles reached the top spot. George Michael had significant involvement with eight number-one singles; with two number-one singles as a solo artist, four as a member of pop duo Wham!, one as a duet with Aretha Franklin and one as a member of charity supergroup Band Aid. The longest duration of a single at number one was nine weeks, achieved by Frankie Goes to Hollywood's "Two Tribes" in 1984. (Full article...)
    Image 4
    Madonna had six number ones during the 1980s.

    TheUK singles chart is the officialrecord chart in the United Kingdom. Until 1983, it was compiled weekly by theBritish Market Research Bureau (BMRB) on behalf of the British record industry with a two-week break each Christmas. The BMRB usedmotorcycle couriers to collect the sales figures taken up to the close of trade on Saturday. This data was compiled on Monday and given to the BBC on Tuesday to be announced on BBC Radio 1 at lunchtime and later published inMusic Week. On 4 January 1983, the chart was taken over byGallup who expanded the chart from the Top 75 to the Top 100 and began the introduction of computerised tills, which automated the data collection process. The chart was based entirely on sales of physical singles from retail outlets and announced on Tuesday until October 1987, when the Top 40 was revealed each Sunday, due to the new automated process.

    During the 1980s, there were a total of 191 singles that took the UK chart number 1 spot. In terms of number-one singles,Madonna was the most successful single act of the decade, as six of her singles reached the top spot.George Michael had significant involvement with eight number-one singles; with two number-one singles as a solo artist, four as a member of pop duoWham!, one as a duet withAretha Franklin and one as a member of charity supergroupBand Aid. The longest duration of a single at number one was nine weeks, achieved byFrankie Goes to Hollywood's "Two Tribes" in 1984. (Full article...)
  • Image 5 Pee Wee King ended the year at number one on all three charts. In 1951 Billboard magazine published three charts covering the best-performing country music songs in the United States: Most-Played Juke Box (Country & Western) Records, Best-Selling Retail Folk (Country & Western) Records and Country & Western Records Most Played By Folk Disk Jockeys. The juke box chart was compiled based on a "weekly survey among a selected group of jukebox operators whose locations require country and western records", the best sellers chart based on a "survey among a selected group of retail stores, the majority of whose customers purchase country and western records", and the jockeys chart based on a "weekly survey among a select list of over 400 disk jockeys specializing in country and western tunes". The juke box chart would be discontinued in 1957 and the other two charts merged in 1958 to form a multimetric chart, which has been published weekly since that date and since 2005 has been entitled Hot Country Songs. In the first issue of Billboard of 1951, each chart had a different number one, although two were by the same artist. Lefty Frizzell was atop both the juke box and jockeys charts, with "If You've Got the Money I've Got the Time" and "I Love You a Thousand Ways" respectively, while the best sellers chart was headed by Hank Snow with "The Golden Rocket". During the year, each of the three charts had a song spend more than ten consecutive weeks at number one: Frizzell had an unbroken run of eleven weeks in the top spot of the best sellers chart with "Always Late (with Your Kisses)" and had a similar run at number one on the jockeys chart with "I Want to Be with You Always". The longest run at number one on any of the charts, however, was the fourteen consecutive weeks which Tennessee Ernie spent atop the juke box chart with "Shotgun Boogie". Frizzell reached number one for the first time in late 1950 and achieved five chart-toppers within 18 months, but soon afterwards his chart performance began to decline, his career suffering in part due to issues in his personal life. He was the only artist with four number-one country songs in 1951; Snow and Eddy Arnold each had three. Hank Williams had two number ones on the jockeys chart, but none on either of the other two charts. (Full article...)
    Image 5
    A smiling man wearing a cowboy hat
    Pee Wee King ended the year at number one on all three charts.

    In 1951Billboard magazine published threecharts covering the best-performingcountry music songs in the United States: Most-Played Juke Box (Country & Western) Records, Best-Selling Retail Folk (Country & Western) Records and Country & Western Records Most Played By Folk Disk Jockeys. Thejuke box chart was compiled based on a "weekly survey among a selected group of jukebox operators whose locations require country and western records", the best sellers chart based on a "survey among a selected group of retail stores, the majority of whose customers purchase country and western records", and the jockeys chart based on a "weekly survey among a select list of over 400 disk jockeys specializing in country and western tunes". The juke box chart would be discontinued in 1957 and the other two charts merged in 1958 to form a multimetric chart, which has been published weekly since that date and since 2005 has been entitledHot Country Songs.

    In the first issue ofBillboard of 1951, each chart had a different number one, although two were by the same artist.Lefty Frizzell was atop both the juke box and jockeys charts, with "If You've Got the Money I've Got the Time" and "I Love You a Thousand Ways" respectively, while the best sellers chart was headed byHank Snow with "The Golden Rocket". During the year, each of the three charts had a song spend more than ten consecutive weeks at number one: Frizzell had an unbroken run of eleven weeks in the top spot of the best sellers chart with "Always Late (with Your Kisses)" and had a similar run at number one on the jockeys chart with "I Want to Be with You Always". The longest run at number one on any of the charts, however, was the fourteen consecutive weeks whichTennessee Ernie spent atop the juke box chart with "Shotgun Boogie". Frizzell reached number one for the first time in late 1950 and achieved five chart-toppers within 18 months, but soon afterwards his chart performance began to decline, his career suffering in part due to issues in his personal life. He was the only artist with four number-one country songs in 1951; Snow andEddy Arnold each had three.Hank Williams had two number ones on the jockeys chart, but none on either of the other two charts. (Full article...)
  • Image 6 Flo Rida's first U.S. number-one single "Low" was the longest-running number-one of 2008, topping the chart for 10 consecutive weeks. The Billboard Hot 100 is a chart that ranks the best-performing singles of the United States. Published by Billboard magazine, the data is compiled by Nielsen SoundScan based collectively on each single's weekly physical and digital sales, and airplay. In 2008, there were 14 singles that topped the chart in 52 issues of the magazine. Rapper Flo Rida's "Low" was the first number one of the year, and the longest-running single in 2008, staying at number one for 10 consecutive weeks. It is the longest stay at the top for a single since R&B singer Beyoncé's "Irreplaceable" reigned for 10 straight weeks starting in late 2006. "Low" is the best-performing single of 2008 in the United States, ranking number one on Billboard's year end chart of the Top Hot 100 Hits of 2008. Other singles with extended runs at number one include Katy Perry's "I Kissed a Girl", which stayed at the top spot for seven straight weeks, and T.I.'s "Whatever You Like", which topped the chart for seven non-consecutive weeks. (Full article...)
    Image 6
    Flo Rida's first U.S. number-one single "Low" was the longest-running number-one of 2008, topping the chart for 10 consecutive weeks.


    TheBillboard Hot 100 is a chart that ranks the best-performingsingles of the United States. Published byBillboard magazine, the data is compiled byNielsen SoundScan based collectively on each single's weeklyphysical anddigital sales, andairplay. In2008, there were 14 singles that topped the chart in 52 issues of the magazine.

    RapperFlo Rida's "Low" was the first number one of the year, and the longest-running single in 2008, staying at number one for 10 consecutive weeks. It is the longest stay at the top for a single since R&B singerBeyoncé's "Irreplaceable" reigned for 10 straight weeks starting in late 2006. "Low" is the best-performing single of 2008 in the United States, ranking number one onBillboard's year end chart of theTop Hot 100 Hits of 2008. Other singles with extended runs at number one includeKaty Perry's "I Kissed a Girl", which stayed at the top spot for seven straight weeks, andT.I.'s "Whatever You Like", which topped the chart for seven non-consecutive weeks. (Full article...)
  • Image 7 In 1952, Billboard magazine published three charts covering the best-performing country music songs in the United States. At the start of the year, the charts were published under the titles Most-Played Juke Box (Country & Western) Records, Best-Selling Retail Folk (Country & Western) Records and Country & Western Records Most Played By Folk Disk Jockeys. Beginning with the issue of Billboard dated November 15, the titles of the charts were changed to Most Played in Juke Boxes, National Best Sellers, and Most Played By Jockeys respectively, with the genre denoted in an overall page title rather than within the titles of the charts themselves. All three charts are considered part of the lineage of the multimetric Hot Country Songs chart, which was first published in 1958. In the first issue of Billboard of the year, "Slow Poke" by Pee Wee King retained its place at number one on both the juke box and retail charts from the previous week but was displaced from the top spot on the jockeys chart by Carl Smith's "Let Old Mother Nature Have Her Way". Smith had three number-one country songs in 1952, two of which topped all three listings. Webb Pierce was the only other artist to take as many as three different songs to the top spot in 1952, although none of his songs reached number one on all three charts during the year. The longest-running number one on both the juke box and retail charts was "The Wild Side of Life" by Hank Thompson, which on both listings spent fifteen consecutive weeks in the top spot before being replaced by "It Wasn't God Who Made Honky Tonk Angels" by Kitty Wells. Wells' song, which had been written as an answer song to "The Wild Side of Life", was the first million-selling country single by a female artist and the first Billboard country number one by a solo female. Despite this success, it did not top the jockeys chart, as the song's lyrics were deemed too controversial by some radio stations. (Full article...)
    Image 7

    In 1952,Billboard magazine published threecharts covering the best-performingcountry music songs in the United States. At the start of the year, the charts were published under the titles Most-PlayedJuke Box (Country & Western) Records, Best-Selling Retail Folk (Country & Western) Records and Country & Western Records Most Played By Folk Disk Jockeys. Beginning with the issue ofBillboard dated November 15, the titles of the charts were changed to Most Played in Juke Boxes, National Best Sellers, and Most Played By Jockeys respectively, with the genre denoted in an overall page title rather than within the titles of the charts themselves. All three charts are considered part of the lineage of the multimetricHot Country Songs chart, which was first published in 1958.

    In the first issue ofBillboard of the year, "Slow Poke" byPee Wee King retained its place at number one on both the juke box and retail charts from the previous week but was displaced from the top spot on the jockeys chart byCarl Smith's "Let Old Mother Nature Have Her Way". Smith had three number-one country songs in 1952, two of which topped all three listings.Webb Pierce was the only other artist to take as many as three different songs to the top spot in 1952, although none of his songs reached number one on all three charts during the year. The longest-running number one on both the juke box and retail charts was "The Wild Side of Life" byHank Thompson, which on both listings spent fifteen consecutive weeks in the top spot before being replaced by "It Wasn't God Who Made Honky Tonk Angels" byKitty Wells. Wells' song, which had been written as ananswer song to "The Wild Side of Life", was the first million-selling country single by a female artist and the firstBillboard country number one by a solo female. Despite this success, it did not top the jockeys chart, as the song's lyrics were deemed too controversial by some radio stations. (Full article...)
  • Image 8 American Idol winner Carrie Underwood spent eleven weeks at the top of the chart in 2006. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2006, 23 different songs topped the chart in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen SoundScan. The number one song at the start of the year was "Must Be Doin' Somethin' Right" by Billy Currington, which had reached number one in the issue of Billboard dated December 31, 2005, and remained at the top until the issue dated January 14 when it was replaced by "She Let Herself Go" by George Strait. This gave Strait his 40th number one, tying the record held by Conway Twitty for the highest number of Hot Country Songs number ones. Strait returned to the top spot in September with "Give It Away" to take the record outright. (Full article...)
    Image 8
    A blonde-haired young woman in a black dress singing into a microphone
    American Idol winnerCarrie Underwood spent eleven weeks at the top of the chart in 2006.

    Hot Country Songs is achart that ranks the top-performingcountry music songs in the United States, published byBillboard magazine. In 2006, 23 different songs topped the chart in 52 issues of the magazine, based on weeklyairplay data from country music radio stations compiled byNielsen SoundScan.

    The number one song at the start of the year was "Must Be Doin' Somethin' Right" byBilly Currington, which had reached number one in the issue ofBillboard dated December 31, 2005, and remained at the top until the issue dated January 14 when it was replaced by "She Let Herself Go" byGeorge Strait. This gave Strait his 40th number one, tying the record held byConway Twitty for the highest number of Hot Country Songs number ones. Strait returned to the top spot in September with "Give It Away" to take the record outright. (Full article...)
  • Image 9 Rapper 50 Cent's "In da Club" was one of the longest-running singles of 2003, topping the chart for nine straight weeks. It was also the best-performing single of 2003. The Billboard Hot 100 is a chart that ranks the best-performing singles in the United States. Published by Billboard magazine, the data are compiled by Nielsen SoundScan based collectively on each single's weekly physical sales, and airplay. In 2003, there were 11 singles that topped the chart. During the year, ten acts achieved a first U.S. number-one single, either as a lead artist or featured guest. Those acts were B2K, LL Cool J, 50 Cent, Sean Paul, Nate Dogg, Clay Aiken, Murphy Lee, Ludacris, and Shawnna. Beyoncé, despite having hit number one with Destiny's Child, also earns her first number one song as a solo act. P. Diddy, 50 Cent, Sean Paul, and Beyoncé were the only acts to hit number one more than once, each of them reaching number one twice throughout the year. (Full article...)
    Image 9
    A young black man, seated, wearing a black shirt and a gray baseball cap. He is smiling and speaking into a microphone.
    Rapper50 Cent's "In da Club" was one of the longest-running singles of 2003, topping the chart for nine straight weeks. It was also thebest-performing single of 2003.


    TheBillboard Hot 100 is a chart that ranks the best-performingsingles in the United States. Published byBillboard magazine, the data are compiled byNielsen SoundScan based collectively on each single's weeklyphysical sales, andairplay. In2003, there were 11 singles that topped the chart.

    During the year, ten acts achieved a first U.S. number-one single, either as a lead artist or featured guest. Those acts wereB2K,LL Cool J,50 Cent,Sean Paul,Nate Dogg,Clay Aiken,Murphy Lee,Ludacris, andShawnna.Beyoncé, despite having hit number one withDestiny's Child, also earns her first number one song as a solo act.P. Diddy, 50 Cent, Sean Paul, and Beyoncé were the only acts to hit number one more than once, each of them reaching number one twice throughout the year. (Full article...)
  • Image 10 Luis Enrique was the first artist to reach number one on the Tropical Airplay chart in 1994. In October 1994, Billboard magazine established Tropical Airplay, a chart that ranks the top-performing songs played on tropical radio stations in the United States based on weekly airplay data compiled by Nielsen's Broadcast Data Systems (BDS). It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. According to a 1985 article by Billboard, tropical music is the "sound of the Spanish-speaking Caribbean – though it extends beyond it". It usually encompasses dance genres such as salsa, merengue, bachata, vallenato, and the Colombian cumbia and tropical music in Mexico. Five songs topped the chart in 1994 and 12 tracks did the same in 1995. Until November 5, 1994, BDS ran test charts which only listed the number one song of the week on Billboard's electronic database. The first song to reach number one on the Tropical Airplay chart was "Quién Eres Tú" by Luis Enrique which remained in the top spot for three weeks. It was replaced by La India's cover of "Nunca Voy a Olvidarte", making her the first female artist to reach the top of the chart. Both artists were the only acts to have more than one chart-topper in 1994. La India had the final number one song of the year with her rendition of "Ese Hombre" which was also the first at the start of 1995. La India and Gloria Estefan were the only female acts to reach number one in 1995. (Full article...)
    Image 10
    A young man with short black hair, singing with open arms.
    Luis Enrique was the first artist to reach number one on the Tropical Airplay chart in 1994.


    In October 1994,Billboard magazine establishedTropical Airplay, achart that ranks the top-performing songs played ontropical radio stations in the United States based on weeklyairplay data compiled byNielsen'sBroadcast Data Systems (BDS). It is a subchart ofHot Latin Songs, which lists the best-performing Spanish-language songs in the country. According to a 1985 article byBillboard, tropical music is the "sound of the Spanish-speakingCaribbean – though it extends beyond it". It usually encompassesdance genres such assalsa,merengue,bachata,vallenato, and theColombian cumbia and tropical music in Mexico. Five songs topped the chart in 1994 and 12 tracks did the same in 1995. Until November 5, 1994, BDS ran test charts which only listed the number one song of the week onBillboard's electronic database.

    The first song to reach number one on the Tropical Airplay chart was "Quién Eres Tú" byLuis Enrique which remained in the top spot for three weeks. It was replaced byLa India'scover of "Nunca Voy a Olvidarte", making her the first female artist to reach the top of the chart. Both artists were the only acts to have more than one chart-topper in 1994. La India had the final number one song of the year with her rendition of "Ese Hombre" which was also the first at the start of 1995. La India andGloria Estefan were the only female acts to reach number one in 1995. (Full article...)
  

Related portals

  

Topics

Music genres andforms
Blues –Disco –Classical –Electronic –Folk –Gamelan –Rock –Metal –Country –Hip hop –Indian classical –Jazz –Vocal –New-age –Opera –Pop –Reggae –Rhythm and blues –Rock and roll –Song –Soul –Symphony
More genres...

Record labels
RCA –MCA –Capitol –BNA –Arista –EMI –Mediarts –Virgin –Metromedia –Warner Bros. –Sony –Colossus –Dunhill –Def Jam –Sun
More record labels...

Record producers
James Stroud –Richard Landis –Sean Combs –Mike Vernon –Jay-Z –Duke Pearson –Clive Davis –Colonel Tom Parker –Bob Rock –Andrew Loog Oldham –Norman Petty –Henry Mancini –Bob Weinstock –Bob Ezrin –John H. Hammond –Harry Vanda –Todd Rundgren –Berry Gordy –Sam Phillips

More record producers...
  

Categories

Category puzzle
Category puzzle
Select [►] to view subcategories





  

WikiProjects

  

Portals

  

Sister projects

The followingWikimedia Foundation sister projects provide more on this subject:

  

More content at Wikimedia Commons

Wikimedia Commons has media related toAudio engineers.
Wikimedia Commons has media related toMusic libraries.
Wikimedia Commons has media related toRecord producers.
Wikimedia Commons has media related toRecording studios.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Portal:Record_production&oldid=1325227158"
Categories:
Hidden categories:

[8]ページ先頭

©2009-2026 Movatter.jp