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The Music Portal

Grooved side of theVoyager Golden Record launched aboard theVoyager probes to space, which features music from around the world

Music is the arrangement ofsound to create some combination ofform,harmony,melody,rhythm, or otherwiseexpressive content. Music is generally agreed to be acultural universal that is present in all human societies.Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number ofspecific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing humancreativity. Diverse activities are involved in the creation of music, and are often divided into categories ofcomposition,improvisation, andperformance. Music may be performed using a wide variety ofmusical instruments, including thehuman voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via amusic box,barrel organ, ordigital audio workstation software on a computer.

Music often plays a key role in social events andreligious ceremonies. The techniques of making music are often transmitted as part of a cultural tradition. Music is played in public and private contexts, highlighted at events such asfestivals and concerts for various different types of ensembles. Music is used in the production of other media, such as insoundtracks to films, TV shows,operas, and video games.

Listening to music is a common means ofentertainment. The culture surrounding music extends into areas ofacademic study,journalism,philosophy,psychology, andtherapy. Themusic industry includes songwriters, performers,sound engineers, producers, tour organizers, distributors of instruments, accessories, and publishers ofsheet music andrecordings. Technology facilitating therecording and reproduction of music has historically includedsheet music,microphones,phonographs, andtape machines, with playback ofdigital music being a common use forMP3 players,CD players, andsmartphones. (Full article...)

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  • Image 1 Soprano part from opening chorus with text in Bach's own hand, St. Thomas Church, Leipzig, 1724/1725 Christ lag in Todes Banden (also spelled Todesbanden; "Christ lay in death's bonds" or "Christ lay in the snares of death"), BWV 4, is a cantata for Easter by German composer Johann Sebastian Bach, one of his earliest church cantatas. It is agreed to be an early work partly for stylistic reasons and partly because there is evidence that it was probably written for a performance in 1707. Bach went on to complete many other works in the same genre, contributing complete cantata cycles for all occasions of the liturgical year. John Eliot Gardiner described it as Bach's "first-known attempt at painting narrative in music". Christ lag in Todes Banden is a chorale cantata, a style in which both text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name, the main hymn for Easter in the Lutheran church. The composition is based on the seven stanzas of the hymn and its tune, which was derived from Medieval models. Bach used the unchanged words of a stanza of the chorale in each of the seven vocal movements, in the format of chorale variations per omnes versus (for all stanzas), and he used its tune as a cantus firmus. After an opening sinfonia, the variations are arranged symmetrically: chorus–duet–solo–chorus–solo–duet–chorus, with the focus on the central fourth stanza about the battle between Life and Death. All movements are in E minor, and Bach achieves variety and intensifies the meaning of the text through many musical forms and techniques. (Full article...)
    Image 1

    Soprano part from opening chorus with text in Bach's own hand,St. Thomas Church, Leipzig, 1724/1725

    Christ lag in Todes Banden (also spelledTodesbanden; "Christ lay in death's bonds" or "Christ lay in the snares of death"),BWV 4, is acantata for Easter by German composerJohann Sebastian Bach, one of his earliestchurch cantatas. It is agreed to be an early work partly for stylistic reasons and partly because there is evidence that it was probably written for a performance in 1707. Bach went on to complete many other works in the same genre, contributing complete cantata cycles for all occasions of theliturgical year.John Eliot Gardiner described it as Bach's "first-known attempt at painting narrative in music".
    Christ lag in Todes Banden is achorale cantata, a style in which both text and music are based on ahymn. In this instance, the source wasMartin Luther'shymn of the same name, the main hymn forEaster in the Lutheran church. The composition is based on the seven stanzas of the hymn and its tune, which was derived from Medieval models. Bach used the unchanged words of a stanza of thechorale in each of the seven vocal movements, in the format of chorale variationsper omnes versus (for all stanzas), and he used its tune as acantus firmus. After an openingsinfonia, the variations are arranged symmetrically: chorus–duet–solo–chorus–solo–duet–chorus, with the focus on the central fourth stanza about the battle between Life and Death. All movements are inE minor, and Bach achieves variety and intensifies the meaning of the text through many musical forms and techniques. (Full article...)
  • Image 2 Still Reigning is a live performance DVD by the thrash metal band Slayer, released in 2004 through American Recordings. Filmed at the Augusta (Maine) Civic Center on July 11, 2004, the performance showcases Slayer's 1986 album, Reign in Blood, played in its entirety with the four original band members on a set resembling their 1986 Reign in Pain Tour. Still Reigning was voted "best live DVD" by the readers of Revolver magazine, and received gold certification in 2005. The DVD is notable for the finale, which features Slayer covered in stage blood while performing the song "Raining Blood", leading to a demanding audio mixing process plagued by production and technical difficulties. The DVD's producer Kevin Shirley spent hours replacing cymbal and drum hits one-by-one. He publicly aired financial disagreements he had with the band and criticized the quality of the recording, and as a result was allegedly subjected to threats and insults from people associated with the band. (Full article...)
    Image 2
    Still Reigning is a live performanceDVD by thethrash metal bandSlayer, released in 2004 throughAmerican Recordings. Filmed at theAugusta (Maine) Civic Center on July 11, 2004, the performance showcases Slayer's 1986 album,Reign in Blood, played in its entirety with the four original band members on a set resembling their 1986 Reign in Pain Tour.Still Reigning was voted "best live DVD" by the readers ofRevolver magazine, and receivedgold certification in 2005.

    The DVD is notable for the finale, which features Slayer covered in stage blood while performing the song "Raining Blood", leading to a demandingaudio mixing process plagued by production and technical difficulties. The DVD's producerKevin Shirley spent hours replacingcymbal and drum hits one-by-one. He publicly aired financial disagreements he had with the band and criticized the quality of the recording, and as a result was allegedly subjected to threats and insults from people associated with the band. (Full article...)
  • Image 3 "I'm Goin' Down" is a rock song written and performed by the American singer-songwriter Bruce Springsteen. It was released on August 27, 1985 by Columbia Records as the sixth single from his 1984 album Born in the U.S.A. The song was recorded with the E Street Band in May 1982 at the Power Station music studio in New York City, and co-produced by Springsteen, Jon Landau, Chuck Plotkin, and Steve Van Zandt. Although Springsteen had changing ideas about the songs to put on the album, "I'm Goin' Down" was ultimately selected for inclusion. The recording is based on an energetic band performance that gives prominence to a heavy drum sound. The lyrics focus on sexual frustration in a deteriorating relationship. The single reached No. 9 in the United States and the top 30 in Sweden, Italy, and Canada. On the album's release, it was praised by critics for the band's musicianship and Springsteen's vocals and lyrics. Later it received favorable rankings in retrospectives of Springsteen's career, among which was an NME list calling it his fourth best song. (Full article...)
    Image 3
    "I'm Goin' Down" is arock song written and performed by the American singer-songwriterBruce Springsteen. It was released on August 27, 1985 byColumbia Records as the sixthsingle from his 1984 albumBorn in the U.S.A. The song was recorded with theE Street Band in May 1982 at thePower Station music studio in New York City, andco-produced by Springsteen,Jon Landau,Chuck Plotkin, andSteve Van Zandt. Although Springsteen had changing ideas about the songs to put on the album, "I'm Goin' Down" was ultimately selected for inclusion.

    The recording is based on an energetic band performance that gives prominence to a heavy drum sound. The lyrics focus on sexual frustration in a deteriorating relationship. The single reached No. 9 in the United States and the top 30 in Sweden, Italy, and Canada. On the album's release, it was praised by critics for the band's musicianship and Springsteen's vocals and lyrics. Later it received favorable rankings in retrospectives of Springsteen's career, among which was anNME list calling it his fourth best song. (Full article...)
  • Image 4 Late Registration is the second studio album by the American rapper Kanye West. It was released on August 30, 2005, through Roc-A-Fella Records and Def Jam Recordings. West recorded the album over the course of a year during sessions held at studios in Hollywood and New York City, in collaboration with Jon Brion. The album features guest appearances from Adam Levine, Jamie Foxx, Common, Brandy, Lupe Fiasco, Jay-Z, and Nas, among others. West's production for Late Registration departed from the sped-up soul samples of his debut studio album, The College Dropout (2004), moving towards a more elaborate and orchestral style with a 20-piece ensemble. Drawing creative inspiration from alternative acts such as Fiona Apple and Portishead, he experimented with musical shifts, string arrangements, and a variety of instruments not usually associated with hip-hop, including a celesta, harpsichord, and Chinese bells. In an effort to write authentic yet relatable lyrics, West engages in storytelling while showcasing his Christian heritage that informed his relationship to the capitalist market economy. He critiques multiple issues, such as institutional racism, higher education, health care, and the blood diamond trade. (Full article...)
    Image 4
    Late Registration is the second studio album by the American rapperKanye West. It was released on August 30, 2005, throughRoc-A-Fella Records andDef Jam Recordings. West recorded the album over the course of a year during sessions held at studios in Hollywood and New York City, in collaboration withJon Brion. The album features guest appearances fromAdam Levine,Jamie Foxx,Common,Brandy,Lupe Fiasco,Jay-Z, andNas, among others.

    West's production forLate Registration departed from the sped-upsoulsamples of his debut studio album,The College Dropout (2004), moving towards a more elaborate and orchestral style with a 20-piece ensemble. Drawing creative inspiration fromalternative acts such asFiona Apple andPortishead, he experimented with musical shifts,string arrangements, and a variety of instruments not usually associated withhip-hop, including acelesta,harpsichord, andChinese bells. In an effort to write authentic yet relatable lyrics, West engages in storytelling while showcasing hisChristian heritage that informed his relationship to thecapitalist market economy. He critiques multiple issues, such asinstitutional racism,higher education,health care, and theblood diamond trade. (Full article...)
  • Image 5 Aaliyah in 2000 Aaliyah Dana Haughton (/ɑːˈliːə/ ⓘ ah-LEE-ə; January 16, 1979 – August 25, 2001) was an American singer, actress, dancer, and model. Known as the "Princess of R&B" and "Queen of Urban Pop," she is credited with helping to redefine contemporary R&B, pop, and hip hop. Aaliyah's accolades include three American Music Awards and two MTV VMAs, along with five Grammy Award nominations. Born in Brooklyn and raised in Detroit, she first gained recognition at the age of 10, when she appeared on the television show Star Search and performed in concert alongside Gladys Knight. At the age of 12, Aaliyah signed with Jive Records and her uncle Barry Hankerson's Blackground Records. Hankerson introduced her to R. Kelly, who became her mentor, as well as lead songwriter and producer of her debut album, Age Ain't Nothing but a Number (1994). The album sold three million copies in the United States and was certified double platinum by the Recording Industry Association of America (RIAA). After allegations of an illegal marriage with Kelly, Aaliyah ended her contract with Jive and signed with Atlantic Records. (Full article...)
    Image 5

    Aaliyah in 2000

    Aaliyah Dana Haughton (/ɑːˈlə/ ah-LEE; January 16, 1979 – August 25, 2001) was an American singer, actress, dancer, and model. Known as the "Princess of R&B" and "Queen of Urban Pop," she is credited with helping to redefinecontemporary R&B,pop, andhip hop.Aaliyah's accolades include threeAmerican Music Awards and twoMTV VMAs, along with fiveGrammy Award nominations.

    Born inBrooklyn and raised in Detroit, she first gained recognition at the age of 10, when she appeared on the television showStar Search and performed in concert alongsideGladys Knight. At the age of 12, Aaliyah signed withJive Records and her uncleBarry Hankerson'sBlackground Records. Hankerson introduced her toR. Kelly, who became her mentor, as well as lead songwriter and producer of her debut album,Age Ain't Nothing but a Number (1994). The album sold three million copies in the United States and was certified double platinum by theRecording Industry Association of America (RIAA). After allegations of anillegal marriage with Kelly, Aaliyah ended her contract with Jive and signed withAtlantic Records. (Full article...)
  • Image 6 Original members performing in Wellington, New Zealand in 2006 (From left to right: Nathan Foley, Charli Robinson, Kellie Crawford, Kathleen de Leon Jones and Tim Harding) Hi-5 were an Australian children's musical group formed in 1998 in association with the children's television series of the same name. Helena Harris and Posie Graeme-Evans created the television series for the Nine Network, which premiered in 1999. The group were made up of five performers who entertained and educated preschool children through music, movement, and play. Kellie Crawford, Kathleen de Leon Jones, Nathan Foley, Tim Harding and Charli Robinson were the founding members. By the end of 2008, all of the original line-up had left, and the group's membership changed several more times after that. They collectively starred in several television series, released albums, and performed on worldwide tours. The television series features puppet characters Chatterbox and Jup Jup, who were included in the group's live stage shows. Hi-5 were one of Australia's highest paid entertainment groups, placing in the Business Review Weekly's annual list several times, earning an estimated A$18 million in 2007. As employees of the brand, once owned by the Nine Network, the members of Hi-5 did not hold equity. The Australian Recording Industry Association (ARIA) certified their albums as double platinum (It's a Party), platinum (Jump and Jive with Hi-5, Boom Boom Beat, It's a Hi-5 Christmas) and gold (Celebrate). Four of them reached the top 10 on the ARIA Albums Chart; It's a Party (number four, July 2000), Boom Boom Beat (number three, August 2001), It's a Hi-5 Christmas (number four, December 2001) and Hi-5 Hits (number ten, July 2003). By 2004, the original line-up had received three Logie Television Awards for Most Outstanding Children's Program and five consecutive ARIA Music Awards for Best Children's Album. (Full article...)
    Image 6

    Original members performing inWellington, New Zealand in 2006 (From left to right:Nathan Foley,Charli Robinson,Kellie Crawford,Kathleen de Leon Jones andTim Harding)

    Hi-5 were an Australianchildren's musical group formed in 1998 in association with thechildren's television series of the same name. Helena Harris andPosie Graeme-Evans created the television series for theNine Network, which premiered in 1999. The group were made up of five performers who entertained and educatedpreschool children through music, movement, and play.Kellie Crawford,Kathleen de Leon Jones,Nathan Foley,Tim Harding andCharli Robinson were the founding members. By the end of 2008, all of the original line-up had left, and the group's membership changed several more times after that. They collectively starred in several television series, released albums, and performed on worldwide tours. The television series features puppet characters Chatterbox and Jup Jup, who were included in the group'slive stage shows.

    Hi-5 were one of Australia's highest paid entertainment groups, placing in theBusiness Review Weekly's annual list several times, earning an estimatedA$18 million in 2007. As employees of the brand, once owned by the Nine Network, the members of Hi-5 did not holdequity. TheAustralian Recording Industry Association (ARIA) certified their albums as double platinum (It's a Party), platinum (Jump and Jive with Hi-5,Boom Boom Beat,It's a Hi-5 Christmas) and gold (Celebrate). Four of them reached the top 10 on theARIA Albums Chart;It's a Party (number four, July 2000),Boom Boom Beat (number three, August 2001),It's a Hi-5 Christmas (number four, December 2001) andHi-5 Hits (number ten, July 2003). By 2004, the original line-up had received threeLogie Television Awards forMost Outstanding Children's Program and five consecutiveARIA Music Awards forBest Children's Album. (Full article...)
  • Image 7 Romances is the twelfth studio album by Mexican singer Luis Miguel, released on 12 August 1997, by WEA Latina. It is the third album of the Romance series, in which Luis Miguel covers Latin songs from 1940 to 1978. Aside from Luis Miguel, the production also involved arranger Bebu Silvetti, and Armando Manzanero, who directed all of Luis Miguel's Romance albums. Romances consists of twelve cover versions and two new compositions by Manzanero and Silvetti. Recording took place in early 1997 at the Ocean Way recording studio in Los Angeles, California. Romances has sold over 4.5 million copies and received platinum certifications in several Latin American countries, the United States and Spain. Luis Miguel promoted the album by touring the United States, Latin America and Spain. Upon its release, Romances received generally positive reviews from music critics. They mainly praised his vocals and production of the album although few reviewers found the arrangements to be repetitive and the record too similar to its predecessors. The album earned Luis Miguel several awards, including the Grammy Award for Best Latin Pop Performance in the United States. Six singles were released: "Por Debajo de la Mesa", "El Reloj", "Contigo (Estar Contigo)", "De Quererte Así (De T'Avoir Aimee)", "Bésame Mucho", and "La Gloria Eres Tú". (Full article...)
    Image 7
    Romances is the twelfthstudio album by Mexican singerLuis Miguel, released on 12 August 1997, byWEA Latina. It is the third album of theRomance series, in which Luis Miguel covers Latin songs from 1940 to 1978. Aside from Luis Miguel, the production also involvedarrangerBebu Silvetti, andArmando Manzanero, who directed all of Luis Miguel'sRomance albums.Romances consists of twelvecover versions and two new compositions by Manzanero and Silvetti. Recording took place in early 1997 at the Ocean Way recording studio in Los Angeles, California.

    Romances has sold over 4.5 million copies and received platinum certifications in several Latin American countries, the United States and Spain. Luis Miguel promoted the album by touring the United States, Latin America and Spain. Upon its release,Romances received generally positive reviews from music critics. They mainly praised his vocals and production of the album although few reviewers found the arrangements to be repetitive and the record too similar to its predecessors. The album earned Luis Miguel several awards, including theGrammy Award for Best Latin Pop Performance in the United States. Six singles were released: "Por Debajo de la Mesa", "El Reloj", "Contigo (Estar Contigo)", "De Quererte Así (De T'Avoir Aimee)", "Bésame Mucho", and "La Gloria Eres Tú". (Full article...)
  • Image 8 Aaliyah is the third and final studio album by the American singer Aaliyah. It was released on July 7, 2001, by Blackground Records and Virgin Records. Because of its packaging design, it is also known as "The Red Album". Aaliyah started to work on the album in 1998, but rescheduled its recording around her developing film career. She resumed recording in 2000 at Sing Sing Studios in Australia, where she shot her role for the 2002 film Queen of the Damned during the day and recorded songs at night. Additional recording took place at Manhattan Center and Sony Music Studios in New York and Westlake Recording Studios in Los Angeles, among other locations. Through her recording contract with Blackground, the singer worked primarily with the record label's in-house crew of writers and producers, including Bud'da, J. Dub, Rapture, and Eric Seats, as well as longtime collaborator Timbaland. Aaliyah is described in critical commentaries as an album of R&B, neo soul, and dance-pop, while drawing on an array of other genres such as funk, hip-hop, alternative rock, electronica, and Latin music. The album's producers incorporated synthesizer melodies, fragmented beats, distorted guitar, and eccentrically manipulated vocals and song structures, while much of the lyrics were written by singer-songwriter Static Major, who shared a close friendship and strong rapport with Aaliyah. The resulting songs deal with the complexities of romantic love and different stages in a relationship. Aaliyah viewed the album as a reflection of herself as both a young adult and a matured vocalist. (Full article...)
    Image 8
    Aaliyah is the third and final studio album by the American singerAaliyah. It was released on July 7, 2001, byBlackground Records andVirgin Records. Because of its packaging design, it is also known as "The Red Album". Aaliyah started to work on the album in 1998, but rescheduled its recording around her developing film career. She resumed recording in 2000 at Sing Sing Studios in Australia, where she shot her role for the 2002 filmQueen of the Damned during the day and recorded songs at night. Additional recording took place atManhattan Center andSony Music Studios in New York andWestlake Recording Studios in Los Angeles, among other locations. Through her recording contract with Blackground, the singer worked primarily with the record label's in-house crew of writers and producers, includingBud'da, J. Dub,Rapture, andEric Seats, as well as longtime collaboratorTimbaland.

    Aaliyah is described in critical commentaries as an album ofR&B,neo soul, anddance-pop, while drawing on an array of other genres such asfunk,hip-hop,alternative rock,electronica, andLatin music. The album's producers incorporated synthesizer melodies, fragmented beats, distorted guitar, and eccentrically manipulated vocals andsong structures, while much of the lyrics were written by singer-songwriterStatic Major, who shared a close friendship and strong rapport with Aaliyah. The resulting songs deal with the complexities of romantic love and different stages in a relationship. Aaliyah viewed the album as a reflection of herself as both a young adult and a matured vocalist. (Full article...)
  • Image 9 The Symphony No. 3, Op. 36, also known as the Symphony of Sorrowful Songs (Polish: Symfonia pieśni żałosnych), is a symphony in three movements composed by Henryk Górecki in Katowice, Poland, between October and December 1976. The work is indicative of the transition between Górecki's earlier dissonant style and his later more tonal style and "represented a stylistic breakthrough: austerely plaintive, emotionally direct and steeped in medieval modes". It was premièred on 4 April 1977, at the Royan International Festival, with Stefania Woytowicz as soprano and Ernest Bour as conductor. A solo soprano sings Polish texts in each of the three movements. The first is a 15th-century Polish lament of Mary, mother of Jesus; the second a message written on the wall of a Gestapo cell during World War II; and the third a Silesian folk song of a mother searching for her son killed by the Germans in the Silesian uprisings. The first and third movements are written from the perspective of a parent who has lost a child, and the second movement from that of a child separated from a parent. The dominant themes of the symphony are motherhood, despair and suffering. (Full article...)
    Image 9
    TheSymphony No. 3,Op. 36, also known as theSymphony of Sorrowful Songs (Polish:Symfonia pieśni żałosnych), is asymphony in threemovements composed byHenryk Górecki inKatowice, Poland, between October and December 1976. The work is indicative of the transition between Górecki's earlierdissonant style and his later moretonal style and "represented a stylistic breakthrough: austerely plaintive, emotionally direct and steeped in medieval modes". It was premièred on 4 April 1977, at theRoyan International Festival, withStefania Woytowicz as soprano andErnest Bour as conductor.

    A solosoprano sings Polish texts in each of the three movements. The first is a 15th-century Polish lament ofMary, mother of Jesus; the second a message written on the wall of aGestapo cell during World War II; and the third aSilesian folk song of a mother searching for her son killed by the Germans in theSilesian uprisings. The first and third movements are written from the perspective of a parent who has lost a child, and the second movement from that of a child separated from a parent. The dominant themes of the symphony are motherhood, despair and suffering. (Full article...)
  • Image 10 Manos Arriba (English: Hands Up) is an extended play (EP) by American singer Rosanna Tavarez released by her own record label Patacon Productions in March 2008. Tavarez adopted the stage name Chana while pursuing a music career in Latin alternative music and used it for the EP. Chana rose to prominence in 2001 as a member of the girl group Eden's Crush. Following their disbandment, she worked as a host on music television shows and decided to record Spanish-language music after meeting producer Marthin Chan. She had previously rejected working with Latin music producers because she did not want to pursue a career in conventional Latin pop. A pop EP, Manos Arriba includes influences from other genres such as reggae, ska, power pop, and disco. The lyrics were based on Chana's past relationships and break-ups. She wrote and produced all five songs with Chan, and recorded them in Los Angeles, including at his personal recording studio, over roughly two years. Chana was inspired by studying Afro-Dominican dance and music. Music journalists believed the EP was not directly rooted in specifically Latin genres or topics and contrasted the style with her work with Eden's Crush. (Full article...)
    Image 10
    Manos Arriba (English:Hands Up) is anextended play (EP) by American singerRosanna Tavarez released by her ownrecord label Patacon Productions in March 2008. Tavarez adopted thestage name Chana while pursuing a music career inLatin alternative music and used it for the EP. Chana rose to prominence in 2001 as a member of thegirl groupEden's Crush. Following their disbandment, she worked as ahost onmusic television shows and decided to record Spanish-language music after meeting producer Marthin Chan. She had previously rejected working withLatin music producers because she did not want to pursue a career in conventionalLatin pop.

    Apop EP,Manos Arriba includes influences from other genres such asreggae,ska,power pop, anddisco. The lyrics were based on Chana's past relationships and break-ups. She wrote and produced all five songs with Chan, and recorded them in Los Angeles, including at his personal recording studio, over roughly two years. Chana was inspired by studyingAfro-Dominican dance and music. Music journalists believed the EP was not directly rooted in specifically Latin genres or topics and contrasted the style with her work with Eden's Crush. (Full article...)
  • Image 11 Roekiah, c. 1941 Roekiah (Perfected Spelling: Rukiah; 31 December 1917 – 2 September 1945), often credited as Miss Roekiah, was an Indonesian kroncong singer and actress. The daughter of two stage performers, she began her career at the age of seven; by 1932 she had become well known in Batavia, Dutch East Indies (now Jakarta, Indonesia), as a singer and stage actress. Around this time she met Kartolo, whom she married in 1934. The two acted in the 1937 hit film Terang Boelan, in which Roekiah and Rd Mochtar played young lovers. After the film's commercial success, Roekiah, Kartolo, and most of the cast and crew of Terang Boelan were signed to Tan's Film, first appearing for the company in their 1938 production Fatima. They acted together in two more films before Mochtar left the company in 1940; through these films, Roekiah and Mochtar became the colony's first on-screen couple. Mochtar's replacement, Rd Djoemala, acted with Roekiah in four films, although these were less successful. After the Japanese invaded the Indies in 1942, Roekiah took only one more film role before her death; most of her time was used entertaining Japanese forces. (Full article...)
    Image 11

    Roekiah,c. 1941

    Roekiah (Perfected Spelling:Rukiah; 31 December 1917 – 2 September 1945), often credited asMiss Roekiah, was an Indonesiankroncong singer and actress. The daughter of two stage performers, she began her career at the age of seven; by 1932 she had become well known inBatavia,Dutch East Indies (now Jakarta, Indonesia), as a singer and stage actress. Around this time she metKartolo, whom she married in 1934. The two acted in the 1937 hit filmTerang Boelan, in which Roekiah andRd Mochtar played young lovers.

    After the film's commercial success, Roekiah, Kartolo, and most of the cast and crew ofTerang Boelan were signed toTan's Film, first appearing for the company in their 1938 productionFatima. They acted together in two more films before Mochtar left the company in 1940; through these films, Roekiah and Mochtar became the colony's first on-screen couple. Mochtar's replacement,Rd Djoemala, acted with Roekiah in four films, although these were less successful. After theJapanese invaded the Indies in 1942, Roekiah took only one more film role before her death; most of her time was used entertaining Japanese forces. (Full article...)
  • Image 12 Born in the U.S.A. is the seventh studio album by the American singer-songwriter Bruce Springsteen, released on June 4, 1984, through Columbia Records. It was produced by Springsteen, Jon Landau, Steven Van Zandt, and Chuck Plotkin, and recorded in New York City with the E Street Band over two years between January 1982 and March 1984. Some of the songs originated from the demo tape from Springsteen's previous album Nebraska (1982). The recording sessions yielded between 70 and 90 songs; some were released as B-sides, others saw release on compilation albums, while a number remain unreleased. Born in the U.S.A.'s sound is more pop-influenced than Springsteen's earlier albums. Its production is typical of mainstream 1980s rock music, with heavy use of synthesizers and a prominent snare drum. The lyrics contrast with the album's lively sound and continue the themes explored on previous records, particularly Nebraska. Topics include working-class struggles, disillusionment, patriotism, and personal relationships, although some tracks contain humorous lyrics. The cover photograph of Springsteen from behind against a backdrop of the American flag has appeared on lists of the best album covers. (Full article...)
    Image 12
    Born in the U.S.A. is the seventh studio album by the American singer-songwriterBruce Springsteen, released on June 4, 1984, throughColumbia Records. It wasproduced by Springsteen,Jon Landau,Steven Van Zandt, andChuck Plotkin, and recorded in New York City with theE Street Band over two years between January 1982 and March 1984. Some of the songs originated from the demo tape from Springsteen's previous albumNebraska (1982). The recording sessions yielded between 70 and 90 songs; some were released asB-sides, others saw release on compilation albums, while a number remain unreleased.

    Born in the U.S.A.'s sound is more pop-influenced than Springsteen's earlier albums. Its production is typical of mainstream 1980s rock music, with heavy use of synthesizers and a prominentsnare drum. The lyrics contrast with the album's lively sound and continue the themes explored on previous records, particularlyNebraska. Topics include working-class struggles, disillusionment, patriotism, and personal relationships, although some tracks contain humorous lyrics. The cover photograph of Springsteen from behind against a backdrop of the American flag has appeared on lists of the best album covers. (Full article...)
  • Image 13 "Diamonds" is a song recorded by the Barbadian singer Rihanna as the lead single for her seventh album, Unapologetic (2012). Sia wrote the track with the song's producers, Benny Blanco and Stargate. The song premiered on September 26, 2012, during the Elvis Duran and the Morning Show and was digitally released the following day as the lead single from Unapologetic. "Diamonds" is a mid-tempo pop, electronic and R&B ballad that features heavy synthesizers, orchestral sounds and electronic rhythms. The song's lyrics serve as a departure from the themes of unhealthy relationships that were on Rihanna's previous singles contrasted to the song's portrayal of lovers as "diamonds in the sky". Music critics complimented the song's emotional depth and maturity, while also praising the lyrics and Rihanna's vocal performance, though others felt that it lacked the depth and punch when compared to her previous hits. "Diamonds" topped music charts in over 20 countries, including the United States, where it became Rihanna's twelfth number 1 single on the Billboard Hot 100 and tied her with Madonna and the Supremes for the fifth-most number 1 singles in the chart's history. "Diamonds" was certified Diamond by the Recording Industry Association of America (RIAA) and sold over 3.5 million digital copies in the country. It was also certified Diamond in Poland. It also peaked at number 1 on the UK Singles Chart and became Rihanna's seventh number 1 song in the country; it was certified quadruple-times Platinum by the British Phonographic Industry (BPI). By May 2013, it had sold over 7.5 million copies worldwide. (Full article...)
    Image 13
    "Diamonds" is a song recorded by the Barbadian singerRihanna as the lead single for her seventh album,Unapologetic (2012).Sia wrote the track with the song's producers,Benny Blanco andStargate. The song premiered on September 26, 2012, during theElvis Duran and the Morning Show and was digitally released the following day as the lead single fromUnapologetic. "Diamonds" is a mid-tempopop,electronic andR&Bballad that features heavysynthesizers, orchestral sounds and electronic rhythms. The song's lyrics serve as a departure from the themes of unhealthy relationships that were on Rihanna's previous singles contrasted to the song's portrayal of lovers as "diamonds in the sky".Music critics complimented the song's emotional depth and maturity, while also praising the lyrics and Rihanna's vocal performance, though others felt that it lacked the depth and punch when compared to her previous hits.

    "Diamonds" topped music charts in over 20 countries, including the United States, where it became Rihanna's twelfth number 1 single on theBillboard Hot 100 andtied her withMadonna andthe Supremes for the fifth-most number 1 singles in the chart's history. "Diamonds" was certifiedDiamond by theRecording Industry Association of America (RIAA) and sold over 3.5 million digital copies in the country. It was also certified Diamond in Poland. It also peaked at number 1 on theUK Singles Chart and became Rihanna's seventh number 1 song in the country; it was certified quadruple-times Platinum by theBritish Phonographic Industry (BPI). By May 2013, it had sold over 7.5 million copies worldwide. (Full article...)
  • Image 14 Smiley Smile is the twelfth studio album by the American rock band the Beach Boys, released on September 18, 1967. Conceived as a simpler and more relaxed version of their unfinished Smile album, Smiley Smile is distinguished for its homespun arrangements, "stoned" aesthetic, and lo-fi production. Critics and fans generally received the album and its lead single, "Heroes and Villains", with confusion and disappointment. The album reached number 9 on UK record charts, but sold poorly in the U.S., peaking at number 41—the band's lowest chart placement to that point. Following principal songwriter Brian Wilson's declaration that most of the original Smile tapes would be abandoned, the majority of the recording sessions lasted for six weeks at his makeshift home studio using radio broadcasting equipment, a detuned piano, electronic bass, melodica, found objects for percussion, and a Baldwin theater organ. The unconventional recording process juxtaposed an experimental party-like atmosphere with short pieces of music edited together in a disjointed manner, combining the engineering methods of "Good Vibrations" (1966) with the loose feeling of Beach Boys' Party! (1965). Despite leading these sessions, Wilson deliberately credited the album's production to the group collectively for the first time. (Full article...)
    Image 14
    Smiley Smile is the twelfth studio album by the Americanrock bandthe Beach Boys, released on September 18, 1967. Conceived as a simpler and more relaxed version of their unfinishedSmile album,Smiley Smile is distinguished for its homespun arrangements, "stoned" aesthetic, andlo-fi production. Critics and fans generally received the album and its lead single, "Heroes and Villains", with confusion and disappointment. The album reached number 9 on UKrecord charts, but sold poorly in the U.S., peaking at number 41—the band's lowest chart placement to that point.

    Following principal songwriterBrian Wilson's declaration that most of the originalSmile tapes would be abandoned, the majority of the recording sessions lasted for six weeks athis makeshift home studio using radio broadcasting equipment, adetuned piano,electronic bass,melodica,found objects forpercussion, and aBaldwintheater organ. The unconventional recording process juxtaposed an experimental party-like atmosphere with short pieces of music edited together in a disjointed manner, combining the engineering methods of "Good Vibrations" (1966) with the loose feeling ofBeach Boys' Party! (1965). Despite leading these sessions, Wilson deliberately credited the album's production to the group collectively for the first time. (Full article...)
  • Image 15 Fôrça Bruta (Brazilian Portuguese: [ˈfoʁsɐ ˈbɾutɐ] ⓘ) is the seventh studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was recorded with the Trio Mocotó band and released by Philips Records in September 1970. Conceived at a time of political tension in dictatorial Brazil, its title comes from the Portuguese term meaning "brute force" and has been interpreted ironically due to the music's relatively relaxed style. The album introduced an acoustic samba-based music that is mellower, moodier, and less ornate than Ben's preceding work. Its largely unrehearsed, nighttime recording session found the singer improvising with Trio Mocotó's groove-oriented accompaniment while experimenting with unconventional rhythmic arrangements, musical techniques, and elements of soul, funk, and rock. Ben's lyrics generally explore themes of romantic passion, melancholy, and sensuality, with women figuring prominently in his songs. In a departure from the carefree sensibility of his past releases, they also feature elements of identity politics and postmodernism, such as irony and reimagining of established idioms. (Full article...)
    Image 15
    Fôrça Bruta (Brazilian Portuguese:[ˈfoʁsɐˈbɾutɐ]) is the seventhstudio album by Brazilian singer-songwriter and guitaristJorge Ben. It was recorded with theTrio Mocotó band and released byPhilips Records in September 1970. Conceived at a time of political tension indictatorial Brazil, its title comes from thePortuguese term meaning "brute force" and has been interpreted ironically due to the music's relatively relaxed style.

    The album introduced an acousticsamba-based music that is mellower, moodier, and less ornate than Ben's preceding work. Its largely unrehearsed, nighttime recording session found the singer improvising with Trio Mocotó'sgroove-oriented accompaniment while experimenting with unconventional rhythmic arrangements, musical techniques, and elements ofsoul,funk, androck. Ben's lyrics generally explore themes of romantic passion, melancholy, and sensuality, with women figuring prominently in his songs. In a departure from the carefree sensibility of his past releases, they also feature elements ofidentity politics andpostmodernism, such as irony and reimagining of established idioms. (Full article...)

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