Catherine was born in Florence toLorenzo de' Medici, Duke of Urbino, and his wife,Madeleine de La Tour d'Auvergne. In 1533, at the age of 14, Catherine married Henry, the second son of KingFrancis I and QueenClaude of France, who would becomeDauphin of France (heir to the throne) upon the death of his elder brotherFrancis in 1536. Catherine's marriage was arranged by Clement VII. Henry largely excluded Catherine from state affairs during his reign, instead showering favours on his chief mistress,Diane de Poitiers, who wielded significant influence in the court. Henry's sudden accidental death in 1559 thrust Catherine into the political arena as mother of the frail 15-year-old Francis II. When Francis II died the next year, she became regent on behalf of her 10-year-old son Charles IX and thus gained sweeping powers. After Charles died in 1574, Catherine played a key role in the reign of her third son, Henry III. He dispensed with her advice only in the last months of her life but outlived her by just seven months. (Full article...)
Lemoine is best known for his proof of the existence of theLemoine point (or the symmedian point) of atriangle. Other mathematical work includes a system he calledGéométrographie and a method which relatedalgebraic expressions to geometric objects. He has been called a co-founder of modern triangle geometry, as many of its characteristics are present in his work.
For most of his life, Lemoine was a professor of mathematics at the École Polytechnique. In later years, he worked as a civil engineer inParis, and he also took an amateur's interest inmusic. During his tenure at the École Polytechnique and as a civil engineer, Lemoine published severalpapers on mathematics, most of which are included in a fourteen-page section inNathan Altshiller Court'sCollege Geometry. Additionally, he founded a mathematicaljournal titled,L'intermédiaire des mathématiciens.
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Mixed arms turret, La Ferté
Ouvrage La Ferté, also known asOuvrage Villy-La Ferté, is apetitouvrage of theMaginot Line, located in theFortified Sector of Montmédy, facingBelgium. Theouvrage lies between the towns ofVilly andLa Ferté-sur-Chiers. It possesses two combat blocks linked by an underground gallery. The westernmost position in its sector, it was a comparatively weakly armed fortification in an exposed position that left it vulnerable to isolation and attack. After a sustained attack during theBattle of France, the position was overwhelmed by German forces and was destroyed with its entire garrison killed. The fighting at La Ferté was the heaviest of any position in the Maginot Line. It is preserved as a war memorial. (Full article...)
Homme au bain ("Man at His Bath") is anoil painting completed by the FrenchImpressionistGustave Caillebotte in 1884. Thecanvas measures 145 by 114 centimetres (57 in × 45 in). The painting was held in private collections from the artist's death until June 2011, when it was acquired by theMuseum of Fine Arts, Boston. Interpretations of the painting and its malenude have contrasted the figure's masculinity with his vulnerability.
Joséphine Fodor (13 October 1789 or in 1793 – 10 August 1870) was a French lyrical artist (soprano) with Hungarian and Dutch ancestors. Her family moved toSaint Petersburg when she was an infant, probably because of the French Revolution. After marrying in 1812, Fodor and her husband moved back to France when Saint Petersburg came under attack during theFrench invasion of Russia. She performed roles for theOpéra-Comique in Paris, later being engaged by theComédie-Italienne, and also appeared in London, Venice, Naples and Vienna. Experiencing problems with her voice, she gradually ended her operatic career and withdrew from the stage. This lithograph depicts her in 1815.
An illustration showing theStade Françaisrugby union team, wearing dark blue jerseys, playing against Racing Club (now known asRacing 92) in 1906. On 20 March 1892, the two teams played in the first ever French rugby championship in a one-off game.
The Bathers is an oil-on-canvas painting by the French artistPaul Cézanne, first exhibited in 1906. The painting is the largest of a series of paintings of bathers by the artist, and is considered a masterpiece of modern art. He worked on the painting for seven years, and it remained unfinished at the time of his death. Often considered Cézanne's finest work, it is in the collection of thePhiladelphia Museum of Art.
Les raboteurs de parquet (The Floor Scrapers) is an 1875 oil on canvas painting by FrenchimpressionistGustave Caillebotte. Measuring 102 by 146.5 centimetres (40 in × 57.7 in), it depicts three men scraping the floor of what is thought to be Caillebotte's own studio, apparently engaged in conversation. According to theMusée d'Orsay, where the painting is held, this is one of the first paintings to feature the urban working class, and indeed the subject matter proved scandalous at the time.
Serge Gainsbourg (1928–1991) was a French musician, singer-songwriter, actor, author and filmmaker. Regarded as one of the most important figures inFrench pop music, he was renowned for often provocative and scandalous releases which caused uproar in France, dividing its public opinion, as well as his diverse artistic output, which ranged from his early work injazz,chanson, andyé-yé to later efforts inrock,zouk,funk,reggae, andelectronica. He is often regarded as one of the world's most influential popular musicians. His lyrical works incorporatedwordplay, with humorous, bizarre, provocative, sexual, satirical or subversive overtones. Gainsbourg's music has reached legendary stature in France, and he has become one of the country's best-loved public figures. He has also gained a cult following all over the world with chart success in the United Kingdom and Belgium with "Je t'aime... moi non plus" and "Bonnie and Clyde", respectively. This photo of Gainsbourg was taken in 1981.
Louis XVI of France (1754–1793) was King of France (later King of the French) from 1774 until his deposition in 1792. His early reign was marked by attempts to reform France in accordance withEnlightenment ideals, including ultimately quashed efforts to abolishserfdom, remove thetaille, and increasetolerance toward non-Catholics. However, after several years of national debt and financial and food crises, Louis was arrested during theinsurrection of 10 August 1792, found guilty ofhigh treason, and executed byguillotine on 21 January 1793.
This picture is an oil-on-panel portrait of Budé, produced around 1536 byJean Clouet, a painter at the court of KingFrancis I of France. He was a very skilful painter and many fine portraits are attributed to him, but his picture of Budé is his only documented work, being mentioned in Budé's handwritten notes. The painting is now held by theMetropolitan Museum of Art in New York City.
TheTurgot map of Paris is a highly accurate and detailed map of the city ofParis, France, as it existed in the 1730s. It was published in 1739 as an atlas of twenty non-overlapping sectional bird's-eye-view maps, each approximately 50 cm × 80 cm (20 in × 31 in), inisometric perspective toward the southeast, as well as one simplified overview map with a four-by-five grid showing the layout of the twenty sectional maps. It has been described as "the first all-comprising graphical inventory of the capital, down to the last orchard and tree, detailing every house and naming even the most modest cul-de-sac". The complete map is shown here in its assembled form.
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ThePalais Galliera, formally known as the Musée de la Mode de la Ville de Paris, is a museum of fashion and fashion history located in the16th arrondissement of Paris, France. Following the death of her husband in 1876, theDuchess of Galliera gave land and funds for the erection of a museum to house his collection of paintings and fine art that she proposed to give to the state. The building was completed in 1894, but the collections were in fact donated toGenoa, Italy, where they are now displayed at thePalazzo Rosso and thePalazzo Bianco.
Marie-Gabrielle Capet (6 September 1761 – 1 November 1818) was a FrenchNeoclassical painter. Until theFrench Revolution, the Royal Academy of Art in Paris was responsible for training artists and exhibiting artworks at theSalon, but limited the number of female students to four at a time. Unable to gain a place, she moved to Paris in 1781 to become a student ofAdélaïde Labille-Guiard, with whom she struck up a lifelong friendship. She specialised in painting portraits, her works including oil paintings, watercolours and miniatures. This oil-on-canvas self-portrait of Capet, dating from around 1783, is in the collection of theNational Museum of Western Art in Tokyo.