Movatterモバイル変換


[0]ホーム

URL:


Jump to content
WikipediaThe Free Encyclopedia
Search

Portal:Classical music

From Wikipedia, the free encyclopedia
(Redirected fromPortal:Classical Music)
Portal maintenance status:(June 2018)
  • This portal'ssubpageshave been checked by an editor, and are needed.
Pleasetake care when editing, especially if usingautomated editing software. Learn how toupdate the maintenance information here.
Wikipedia portal for content related to Classical music

The Classical Music Portal

TheDublin Philharmonic Orchestra performingTchaikovsky'sSymphony No. 4 in Charlotte, North Carolina, USA

Classical music generally refers to theart music of theWestern world, considered to bedistinct from Westernfolk music orpopular music traditions. It is sometimes distinguished asWestern classical music, as the term "classical music" can also be applied tonon-Western art musics. Classical music is often characterized by formality and complexity in itsmusical form andharmonic organization, particularly with the use ofpolyphony. Since at least the ninth century, it has been primarily a written tradition, spawning a sophisticatednotational system, as well as accompanying literature inanalytical,critical,historiographical,musicological andphilosophical practices. (Full article...)

Selected articles -load new batch

  • Image 1 Shinobue and other flutes The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In the Hornbostel–Sachs classification system, flutes are edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Paleolithic flutes with hand-bored holes are the earliest known identifiable musical instruments. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany, indicating a developed musical tradition from the earliest period of modern human presence in Europe. While the oldest flutes currently known were found in Europe, Asia also has a long history with the instrument. A playable bone flute discovered in China is dated to about 9,000 years ago. The Americas also had an ancient flute culture, with instruments found in Caral, Peru, dating back 5,000 years and in Labrador dating back about 7,500 years. (Full article...)
    Image 1
    Picture of a collection of flutes. Contains Shinobue and other flutes spread out on a violet velveteen cloth.
    Shinobue and other flutes

    Theflute is a member of a family of musical instruments in thewoodwind group. Like all woodwinds, flutes areaerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In theHornbostel–Sachs classification system, flutes areedge-blown aerophones. A musician who plays the flute is called aflautist orflutist.

    Paleolithic flutes with hand-bored holes are the earliest known identifiable musical instruments. A number of flutes dating to about 53,000 to 45,000 years ago have been found in theSwabian Jura region of present-dayGermany, indicating a developed musical tradition from the earliest period of modern human presence inEurope. While the oldest flutes currently known were found in Europe, Asia also has a long history with the instrument. A playable bone flute discovered in China is dated to about 9,000 years ago. The Americas also had an ancient flute culture, with instruments found inCaral,Peru, dating back 5,000 years and inLabrador dating back about 7,500 years. (Full article...)
  • Image 2 This harpsichord is the work of two celebrated makers: originally constructed by Andreas Ruckers in Antwerp (1646), it was later remodeled and expanded by Pascal Taskin in Paris (1780). A harpsichord is a keyboard instrument that makes its sound by plucking a set of strings. In a harpsichord, depressing a key raises its back end within the instrument, which in turn lifts one or more jacks, each a thin strip of wood holding a small plectrum made from quill or plastic; each plectrum plucks a single string. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear them. Harpsichord often include more than one choir of strings. Various devices are used to select which choir will sound when playing; these can include simple levers, or in more elaborate instruments the deployment of more than one keyboard. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. The harpsichord was widely used in Renaissance and Baroque music, both for purposes of accompaniment and as a solo instrument. During the Baroque era, the harpsichord was a standard part of the continuo group. During the late 18th century, with the spread of the piano, the harpsichord gradually disappeared from the musical scene (except in opera, where it continued to be used to accompany recitative). In the 20th century, it made a resurgence, being used in historically informed performance of older music, in new compositions, and in certain styles of popular music. (Full article...)
    Image 2
    This harpsichord is the work of two celebrated makers: originally constructed by Andreas Ruckers in Antwerp (1646), it was later remodeled and expanded by Pascal Taskin in Paris (1780).


    Aharpsichord is a keyboard instrument that makes its sound by plucking a set of strings. In a harpsichord, depressing a key raises its back end within the instrument, which in turn lifts one or more jacks, each a thin strip of wood holding a smallplectrum made fromquill orplastic; each plectrum plucks a single string. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear them. Harpsichord often include more than one choir of strings. Various devices are used to select which choir will sound when playing; these can include simple levers, or in more elaborate instruments the deployment of more than one keyboard.

    The term denotes the whole family of similar plucked-keyboard instruments, including the smallervirginals,muselar, andspinet. The harpsichord was widely used inRenaissance andBaroque music, both for purposes of accompaniment and as a solo instrument. During the Baroque era, the harpsichord was a standard part of thecontinuo group. During the late 18th century, with the spread of thepiano, the harpsichord gradually disappeared from the musical scene (except in opera, where it continued to be used to accompany recitative). In the 20th century, it made a resurgence, being used inhistorically informed performance of older music, in new compositions, and in certain styles of popular music. (Full article...)
  • Image 3 Violinist Irvine Arditti performing Ligeti's Violin Concerto with the Mexico City Philharmonic Orchestra under conductor José Areán, 14 June 2014 A concerto (/kənˈtʃɛərtoʊ/; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g., presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Arcangelo Corelli and Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian Bach's harpsichord concertos, were written around the same time. (Full article...)
    Image 3
    ViolinistIrvine Arditti performingLigeti'sViolin Concerto with theMexico City Philharmonic Orchestra under conductor José Areán, 14 June 2014

    Aconcerto (/kənˈɛərt/; pluralconcertos, orconcerti from the Italian plural) is, from thelate Baroque era, mostly understood as aninstrumental composition, written for one or moresoloists accompanied by anorchestra or otherensemble. The typical three-movement structure, a slow movement (e.g.,lento oradagio) preceded and followed by fast movements (e.g.,presto orallegro), became a standard from the early 18th century.

    The concerto originated as a genre ofvocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such asArcangelo Corelli andGiuseppe Torelli started to publish their concertos. A few decades later,Venetian composers, such asAntonio Vivaldi, had written hundreds ofviolin concertos, while also producingsolo concertos for other instruments such as acello or awoodwind instrument, andconcerti grossi for a group of soloists. The first keyboard concertos, such asGeorge Frideric Handel'sorgan concertos andJohann Sebastian Bach'sharpsichord concertos, were written around the same time. (Full article...)
  • Image 4 Various recorders (second from the bottom disassembled into its three parts) The recorder is a family of woodwind musical instruments and a member of the family of duct flutes that includes tin whistles and flageolets. It is the most prominent duct flute in the western classical tradition. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and holes for seven fingers: three for the upper hand and four for the lower. Recorders are made in various sizes and ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are wooden, often boxwood; student and scholastic recorders are commonly made of moulded plastic. The recorders' internal and external proportions vary, but the bore is generally reverse conical (i.e. tapering towards the foot) to cylindrical, and all recorder fingering systems make extensive use of forked fingerings. (Full article...)
    Image 4

    Various recorders (second from the bottom disassembled into its three parts)

    Therecorder is a family ofwoodwindmusical instruments and a member of the family ofduct flutes that includestin whistles andflageolets. It is the most prominent duct flute in thewestern classical tradition. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and holes for seven fingers: three for the upper hand and four for the lower.

    Recorders are made in various sizes and ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest noteC5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are wooden, oftenboxwood; student and scholastic recorders are commonly made of moulded plastic. The recorders' internal and external proportions vary, but the bore is generally reverse conical (i.e. tapering towards the foot) to cylindrical, and all recorder fingering systems make extensive use offorked fingerings. (Full article...)
  • Image 5 The violoncello (/ˌvaɪələnˈtʃɛloʊ/ VY-ə-lən-CHEL-oh, Italian pronunciation: [vjolonˈtʃɛllo]), commonly abbreviated as cello (/ˈtʃɛloʊ/ ⓘ CHEL-oh), is a medium-low pitched bowed string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef; the tenor clef and treble clef are used for higher-range passages. Played by a cellist or violoncellist, the instrument enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music, such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instruments such as organ, harpsichord, lute, or theorbo. Cellos are found in many other ensembles, from modern Chinese orchestras (as a replacement of Gehu 革胡)to cello rock bands. (Full article...)
    Image 5

    Thevioloncello (/ˌvələnˈɛl/VY-ə-lən-CHEL-oh,Italian pronunciation:[vjolonˈtʃɛllo]), commonly abbreviated ascello (/ˈɛl/ CHEL-oh), is a medium-low pitched bowedstring instrument of theviolin family. Its four strings are usuallytuned inperfect fifths: from low to high,C2, G2, D3 and A3. Theviola's four strings are each anoctave higher. Music for the cello is generally written in thebass clef; thetenor clef andtreble clef are used for higher-range passages.

    Played by acellist orvioloncellist, the instrument enjoys a large solo repertoirewith andwithout accompaniment, as well as numerousconcerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and inchamber music, such asstring quartets and theorchestra'sstring section, it often plays the bass part, where it may be reinforced an octave lower by thedouble basses.Figured bass music of theBaroque era typically assumes a cello,viola da gamba orbassoon as part of thebasso continuo group alongside chordal instruments such asorgan,harpsichord,lute, ortheorbo. Cellos are found in many other ensembles, from modernChinese orchestras (as a replacement of Gehu革胡)tocello rock bands. (Full article...)
  • Image 6 Breitkopf & Härtel (German pronunciation: [ˈbraɪtkɔpf ʔʊnt ˈhɛrtəl]) is a German music publishing house. Founded in 1719 in Leipzig by Bernhard Christoph Breitkopf, it is the world's oldest music publisher. (Full article...)
    Image 6

    Breitkopf & Härtel (German pronunciation:[ˈbraɪtkɔpfʔʊntˈhɛrtəl]) is a Germanmusic publishing house. Founded in 1719 inLeipzig byBernhard Christoph Breitkopf, it is the world's oldest music publisher. (Full article...)
  • Image 7 Bruckner wearing the badge of the Order of Franz Joseph Joseph Anton Bruckner (/ˈbrʊknər/; German: [ˈantoːn ˈbʁʊknɐ] ⓘ; 4 September 1824 – 11 October 1896) was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets. The symphonies are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. The German conductor Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works. (Full article...)
    Image 7

    Bruckner wearing the badge of theOrder of Franz Joseph

    Joseph Anton Bruckner (/ˈbrʊknər/;German:[ˈantoːnˈbʁʊknɐ]; 4 September 1824 – 11 October 1896) was an Austrian composer and organist best known for hissymphonies andsacred music, which includesMasses,Te Deum andmotets. The symphonies are considered emblematic of the final stage ofAustro-GermanRomanticism because of their rich harmonic language, stronglypolyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to theirdissonances, unpreparedmodulations, and rovingharmonies.

    Unlike other musical radicals such asRichard Wagner andHugo Wolf, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparentdichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. The German conductorHans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works. (Full article...)
  • Image 8 Poster from the 1875 première Carmen (French: [kaʁmɛn] ⓘ) is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of opéra comique with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamorous torero Escamillo, after which José kills her in a jealous rage. The depictions of proletarian life, immorality, and lawlessness, and the murder of the main character on stage, broke new ground in French opera and were highly controversial. (Full article...)
    Image 8

    Poster from the 1875 première

    Carmen (French:[kaʁmɛn]) is an opera in four acts by the French composerGeorges Bizet. Thelibretto was written byHenri Meilhac andLudovic Halévy, based on thenovella of the same title byProsper Mérimée. The opera was first performed by theOpéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years.Carmen has since become one of the most popular and frequently performed operas in the classicalcanon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias.

    The opera is written in the genre ofopéra comique with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fierygypsy Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamoroustorero Escamillo, after which José kills her in a jealous rage. The depictions of proletarian life, immorality, and lawlessness, and the murder of the main character on stage, broke new ground in French opera and were highly controversial. (Full article...)
  • Image 9 Mozart c. 1783 Symphony No. 40 in G minor, K. 550, was written by Wolfgang Amadeus Mozart in 1788. It is one of his most celebrated and widely performed works. (Full article...)
    Image 9

    Mozart c. 1783

    Symphony No. 40 inG minor,K. 550, was written byWolfgang Amadeus Mozart in 1788. It is one of his most celebrated and widely performed works. (Full article...)
  • Image 10 The composer (c. 1900) Finlandia, Op. 26, is a tone poem by the Finnish composer Jean Sibelius. It was written in 1899 and revised in 1900. The piece was composed for the Press Celebrations of 1899, a covert protest against increasing censorship from the Russian Empire, and was the last of seven pieces performed as an accompaniment to a tableau depicting episodes from Finnish history. The premiere was on 2 July 1900 in Helsinki with the Helsinki Philharmonic Society conducted by Robert Kajanus. A typical performance takes between 7+1⁄2 and 9 minutes. (Full article...)
    Image 10

    The composer (c. 1900)

    Finlandia,Op. 26, is atone poem by the Finnish composerJean Sibelius. It was written in 1899 and revised in 1900. The piece was composed for the Press Celebrations of 1899, a covert protest against increasing censorship from theRussian Empire, and was the last of seven pieces performed as an accompaniment to a tableau depicting episodes fromFinnish history. The premiere was on 2 July 1900 inHelsinki with theHelsinki Philharmonic Society conducted byRobert Kajanus. A typical performance takes between7+12 and 9 minutes. (Full article...)
  • Image 11 Hand-written musical notation by J. S. Bach (1685–1750). This is the beginning of the Prelude from the Suite for Lute in G minor, BWV 995 (transcription of Cello Suite No. 5 in C minor, BWV 1011). Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The process of interpreting musical notation is often referred to as reading music. Distinct methods of notation have been invented throughout history by various cultures. Much information about ancient music notation is fragmentary. Even in the same time frames, different styles of music and different cultures use different music notation methods. (Full article...)
    Image 11
    Hand-written musical notation byJ. S. Bach (1685–1750). This is the beginning of the Prelude from the Suite forLute in G minor, BWV 995 (transcription ofCello Suite No. 5 in C minor, BWV 1011).

    Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of apiece of music that are considered important for its performance in the context of a given musical tradition. The process of interpreting musical notation is often referred to asreading music.

    Distinct methods of notation have been invented throughout history by various cultures. Much information aboutancient music notation is fragmentary. Even in the same time frames, different styles of music and different cultures use different music notation methods. (Full article...)
  • Image 12 The viola (/viˈoʊlə/ vee-OH-lə, (ⓘ) Italian: [ˈvjɔːla, viˈɔːla]) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth higher) and the cello (which is tuned an octave lower). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio, meaning, literally, 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as Bratsche. The French had their own names: cinquiesme was a small viola, haute contre was a large viola, and taile was a tenor. Today, the French use the term alto, a reference to its range. (Full article...)
    Image 12

    Theviola (/viˈlə/vee-OH-lə, ()Italian:[ˈvjɔːla,viˈɔːla]) is astring instrument of theviolin family, and is usuallybowed when played. Violas are slightly larger thanviolins, and have a lower sound. Since the 18th century, it has been the middle oralto voice of theviolin family, between the violin (which is tuned aperfect fifth higher) and thecello (which is tuned anoctave lower). The strings from low to high are typically tuned toC3, G3, D4, and A4.

    In the past, the viola varied in size and style, as did its names. The wordviola originates from the Italian language. The Italians often used the termviola da braccio, meaning, literally, 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted asBratsche. The French had their own names:cinquiesme was a small viola,haute contre was a large viola, andtaile was atenor. Today, the French use the termalto, a reference to its range. (Full article...)

General images -load new batch

The following are images from various classical music-related articles on Wikipedia.
I give bird songs to those who dwell in cities and have never heard them, make rhythms for those who know only military marches or jazz, and paint colors for those who see none.
— Olivier Messiaen

Related portals

WikiProjects

Selected composers -load new batch

Entries here consist ofGood andFeatured articles, which meet a core set of high editorial standards.

  • Image 1 Valerie Muriel Rodway (February 12, 1919 – August 1970) was a Guyanese composer of cultural and patriotic songs, inspired by the events leading up to Guyana's independence in 1966. She is best known for composing music to accompany Guyana national poetry, like Arise, Guyana, Kanaïma, and the Martin Carter's Guyanese Independence poem Let Freedom Awaken. For the next two decades, school children were taught the songs she and others composed to inspire patriotism and cultural affinity. She selected the poetry for her compositions based upon her principles and values, first developed among her parents and siblings. She has been considered Guyana's greatest composer of patriotic and national music, and among the best composers from Guyana of the 20th century, generally and among composers of classical music. She was awarded the Wordsworth McAndrew Award posthumously in 2002. In 2019, she was awarded the Cacique Crown of Honor, one of the highest honors of Guyana. The National Trust of Guyana building in Cummingsburg, Georgetown, has been renamed the Valerie Rodway House in her honor. (Full article...)
    Image 1
    Valerie Muriel Rodway (February 12, 1919 – August 1970) was aGuyanese composer of cultural and patriotic songs, inspired by the events leading up to Guyana'sindependence in 1966. She is best known for composing music to accompany Guyana national poetry, likeArise, Guyana,Kanaïma, and theMartin Carter's Guyanese Independence poemLet Freedom Awaken. For the next two decades, school children were taught the songs she and others composed to inspire patriotism and cultural affinity. She selected the poetry for her compositions based upon her principles and values, first developed among her parents and siblings.

    She has been considered Guyana's greatest composer of patriotic and national music, and among the best composers from Guyana of the 20th century, generally and among composers of classical music. She was awarded theWordsworth McAndrew Awardposthumously in 2002. In 2019, she was awarded the Cacique Crown of Honor, one of the highest honors of Guyana. The National Trust of Guyana building inCummingsburg, Georgetown, has been renamed the Valerie Rodway House in her honor. (Full article...)
  • Image 2 Portrait of Mozart, aged 13, in Verona, 1770, attributed to Giambettino Cignaroli Between 1769 and 1773, the young Wolfgang Amadeus Mozart and his father Leopold made three Italian journeys. The first, an extended tour of 15 months, was financed by performances for the nobility and by public concerts, and took in the most important Italian cities. The second and third journeys were to Milan, for Wolfgang to complete operas that had been commissioned there on the first visit. From the perspective of Wolfgang's musical development, the journeys were a considerable success, and his talents were recognised by honours which included a papal knighthood and memberships in leading philharmonic societies. Leopold Mozart had been employed since 1747 as a musician in the Archbishop of Salzburg's court, becoming deputy Kapellmeister in 1763, but he had also devoted much time to Wolfgang's and his sister Nannerl's musical education. He took them on a European tour between 1763 and 1766, and spent some of 1767 and most of 1768 with them in the imperial capital, Vienna. The children's performances had captivated audiences, and the pair had made a considerable impression on European society. By 1769, Nannerl had reached adulthood, but Leopold was anxious to continue 13-year-old Wolfgang's education in Italy, a crucially important destination for any rising composer of the 18th century. (Full article...)
    Image 2
    Portrait of Mozart, aged 13, inVerona, 1770, attributed toGiambettino Cignaroli


    Between 1769 and 1773, the youngWolfgang Amadeus Mozart and his fatherLeopold made threeItalian journeys. The first, an extended tour of 15 months, was financed by performances for thenobility and by public concerts, and took in the most importantItalian cities. The second and third journeys were toMilan, for Wolfgang to complete operas that had been commissioned there on the first visit. From the perspective of Wolfgang's musical development, the journeys were a considerable success, and his talents were recognised by honours which included apapal knighthood and memberships in leading philharmonic societies.

    Leopold Mozart had been employed since 1747 as a musician in theArchbishop of Salzburg's court, becoming deputyKapellmeister in 1763, but he had also devoted much time to Wolfgang's and his sisterNannerl's musical education. He took them on aEuropean tour between 1763 and 1766, and spent some of 1767 and most of 1768 with them in theimperial capital,Vienna. The children's performances had captivated audiences, and the pair had made a considerable impression on European society. By 1769, Nannerl had reached adulthood, but Leopold was anxious to continue 13-year-old Wolfgang's education in Italy, a crucially important destination for any rising composer of the 18th century. (Full article...)
  • Image 3 Poulenc in 1922 Francis Jean Marcel Poulenc (French: [fʁɑ̃sis ʒɑ̃ maʁsɛl pulɛ̃k]; 7 January 1899 – 30 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite Trois mouvements perpétuels (1919), the ballet Les biches (1923), the Concert champêtre (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera Dialogues des Carmélites (1957), and the Gloria (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a conservatoire. He studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as "Les Six". In his early works Poulenc became known for his high spirits and irreverence. During the 1930s a much more serious side to his nature emerged, particularly in the religious music he composed from 1936 onwards, which he alternated with his more light-hearted works. (Full article...)
    Image 3
    head and shoulder shot of young man looking towards the camera
    Poulenc in 1922

    Francis Jean Marcel Poulenc (French:[fʁɑ̃sisʒɑ̃maʁsɛlpulɛ̃k]; 7 January 1899 – 30 January 1963) was a French composer and pianist. His compositions includesongs,solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suiteTrois mouvements perpétuels (1919), the balletLes biches (1923), theConcert champêtre (1928) forharpsichord and orchestra, theOrgan Concerto (1938), the operaDialogues des Carmélites (1957), and theGloria (1959) forsoprano, choir, and orchestra.

    As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a conservatoire. He studied with the pianistRicardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance ofErik Satie, under whose tutelage he became one of a group of young composers known collectively as "Les Six". In his early works Poulenc became known for his high spirits and irreverence. During the 1930s a much more serious side to his nature emerged, particularly in the religious music he composed from 1936 onwards, which he alternated with his more light-hearted works. (Full article...)
  • Image 4 Mykola Leontovych Mykola Dmytrovych Leontovych (Ukrainian: Микола Дмитрович Леонтович, pronounced [mɪˈkɔlɐ ˈdmɪtrowɪtʃ leonˈtɔwɪtʃ] ⓘ; 13 December [O.S. 1 December] 1877 – 23 January 1921) was a Ukrainian composer, conductor, ethnomusicologist, and teacher. His music was inspired by the Ukrainian composer Mykola Lysenko and the Ukrainian National Music School. Leontovych specialised in a cappella choral music, ranging from original compositions to church music to elaborate arrangements of folk music. Leontovych was born and raised in Monastyrok in the Podolia province of the Russian Empire (now in Vinnytsia Oblast, west of Ukraine). He was educated as a priest in the Kamianets-Podilskyi Theological Seminary. With the independence of the Ukrainian State in the 1917 revolution, he moved to Kyiv, where he worked at the Kyiv Conservatory and the Mykola Lysenko Institute of Music and Drama. He composed "Shchedryk" in 1914 (premiered in 1916), now known to the English-speaking world as "Carol of the Bells". He was murdered by a Soviet agent in 1921 and is known as a martyr in the Eastern Orthodox Ukrainian Church, where he is also remembered for his liturgy, the first composed in the vernacular, specifically in the modern Ukrainian language. (Full article...)
    Image 4
    Mykola Leontovych


    Mykola Dmytrovych Leontovych (Ukrainian:Микола Дмитрович Леонтович,pronounced[mɪˈkɔlɐˈdmɪtrowɪtʃleonˈtɔwɪtʃ]; 13 December [O.S. 1 December] 1877 – 23 January 1921) was aUkrainian composer, conductor,ethnomusicologist, and teacher. His music was inspired by the Ukrainian composerMykola Lysenko and theUkrainian National Music School. Leontovych specialised ina cappellachoral music, ranging from original compositions tochurch music to elaborate arrangements offolk music.

    Leontovych was born and raised inMonastyrok in thePodolia province of theRussian Empire (now inVinnytsia Oblast, west of Ukraine). He was educated as apriest in theKamianets-PodilskyiTheological Seminary. With the independence of theUkrainian State in the1917 revolution, he moved toKyiv, where he worked at theKyiv Conservatory and theMykola Lysenko Institute of Music and Drama. He composed"Shchedryk" in 1914 (premiered in 1916), now known to the English-speaking world as "Carol of the Bells". He was murdered by aSoviet agent in 1921 and is known as amartyr in theEastern Orthodox Ukrainian Church, where he is also remembered for hisliturgy, the first composed in the vernacular, specifically in themodern Ukrainian language. (Full article...)
  • Image 5 Shankar performing at Woodstock in 1969 Pandit Ravi Shankar (Bengali pronunciation: [ˈrobi ˈʃɔŋkor]; born Robindro Shaunkor Chowdhury, sometimes spelled as Ravindra Shankar Chowdhury; 7 April 1920 – 11 December 2012) was an Indian sitarist and composer. A sitar virtuoso, he became the world's best-known exponent of Indian classical music in the second half of the 20th century, and influenced many musicians in India and throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999. He is also the father of American singer Norah Jones and British-American musician and sitar player Anoushka Shankar. Shankar was born to a Bengali family in India, and spent his youth as a dancer touring India and Europe with the dance group of his brother Uday Shankar. At age 18, he gave up dancing to pursue a career in music, studying the sitar for seven years under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956. (Full article...)
    Image 5

    Shankar performing atWoodstock in 1969

    PanditRavi Shankar (Bengali pronunciation:[ˈrobiˈʃɔŋkor]; bornRobindro Shaunkor Chowdhury, sometimes spelled asRavindra Shankar Chowdhury; 7 April 1920 – 11 December 2012) was an Indiansitarist and composer. A sitarvirtuoso, he became the world's best-known exponent ofIndian classical music in the second half of the 20th century, and influenced many musicians in India and throughout the world. Shankar was awarded India's highest civilian honour, theBharat Ratna, in 1999. He is also the father of American singerNorah Jones and British-American musician andsitar playerAnoushka Shankar.

    Shankar was born to aBengali family in India, and spent his youth as a dancer touring India and Europe with the dance group of his brotherUday Shankar. At age 18, he gave up dancing to pursue a career in music, studying the sitar for seven years under court musicianAllauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for theApu Trilogy bySatyajit Ray, and was music director ofAll India Radio, New Delhi, from 1949 to 1956. (Full article...)
  • Image 6 Map showing the Grand Tour, 1763–1766. Black line shows outward journey to London, 1763–1764. Red line shows homeward journey to Salzburg, 1765–1766. Occluded line shows travel in each direction. The Mozart family grand tour was a journey through western Europe, undertaken by Leopold Mozart, his wife Anna Maria, and their children Maria Anna (Nannerl) and Wolfgang Theophilus (Wolferl) from 1763 to 1766. At the start of the tour the children were aged eleven and seven respectively. Their extraordinary skills had been demonstrated during a visit to Vienna in 1762, when they had played before the Empress Maria Theresa at the Imperial Court. Sensing the social and pecuniary opportunities that might accrue from a prolonged trip embracing the capitals and main cultural centres of Europe, Leopold obtained an extended leave of absence from his post as deputy Kapellmeister to the Prince-Archbishopric of Salzburg. Throughout the subsequent tour, the children's Wunderkind status was confirmed as their precocious performances consistently amazed and gratified their audiences. The first stage of the tour's itinerary took the family, via Munich and Frankfurt, to Brussels and then on to Paris where they stayed for five months. They then departed for London, where during a stay of more than a year Wolfgang made the acquaintance of some of the leading musicians of the day, heard much music, and composed his first symphonies. The family then moved on to the Netherlands, where the schedule of performances was interrupted by the illnesses of both children, although Wolfgang continued to compose prolifically. The homeward phase incorporated a second stop in Paris and a trip through Switzerland, before the family's return to Salzburg in November 1766. (Full article...)
    Image 6
    Simplified chart of a sector of western Europe and southern England. A green arrowed line shows the party's outward journey from Salzburg to London via Mannheim, Cologne, Liege, Brussels and Paris. A red line indicates the return via the Netherlands, Paris, Lyons, Geneva and Zürich.
    Map showing the Grand Tour, 1763–1766. Black line shows outward journey to London, 1763–1764. Red line shows homeward journey toSalzburg, 1765–1766. Occluded line shows travel in each direction.


    TheMozart family grand tour was a journey throughwestern Europe, undertaken byLeopold Mozart, his wifeAnna Maria, and their childrenMaria Anna (Nannerl) andWolfgang Theophilus (Wolferl) from 1763 to 1766. At the start of the tour the children were aged eleven and seven respectively. Their extraordinary skills had been demonstrated during a visit to Vienna in 1762, when they had played before the EmpressMaria Theresa at theImperial Court. Sensing the social and pecuniary opportunities that might accrue from a prolonged trip embracing the capitals and main cultural centres of Europe, Leopold obtained an extended leave of absence from his post as deputyKapellmeister to thePrince-Archbishopric of Salzburg. Throughout the subsequent tour, the children'sWunderkind status was confirmed as their precocious performances consistently amazed and gratified their audiences.

    The first stage of the tour's itinerary took the family, via
    Munich andFrankfurt, to Brussels and then on to Paris where they stayed for five months. They then departed for London, where during a stay of more than a year Wolfgang made the acquaintance of some of the leading musicians of the day, heard much music, and composed his firstsymphonies. The family then moved on to the Netherlands, where the schedule of performances was interrupted by the illnesses of both children, although Wolfgang continued to compose prolifically. The homeward phase incorporated a second stop in Paris and a trip through Switzerland, before the family's return toSalzburg in November 1766. (Full article...)
  • Image 7 First page of The Pilgrim: Grand Overture by Douglass John Thomas Douglass (1847–1886) was an American composer, virtuoso violinist, conductor and teacher. He is best known for composing Virginia's Ball (1868), which is generally regarded as the first opera written by a Black American composer. The work is now lost, and his only extant composition is The Pilgrim: Grand Overture (1878) for piano. His biography from James Monroe Trotter's Music and Some Highly Musical People (1878)—in which The Pilgrim survives—reports that he wrote many now lost pieces for piano, orchestra and particularly guitar, which he was known to play. A highly regarded violinist, Douglass's violin playing received high praise during his lifetime. In addition to his solo career, he traveled with various groups throughout the 1870s, including the Hyers Sisters. He settled in New York by the 1880s and conducted both a music studio and string ensemble. Later in life he led a teaching studio, and among his students was David Mannes who became the concertmaster of the New York Symphony Orchestra. Nearly 30 years after Douglass's death at age 38–39, Mannes founded the Colored Music Settlement School in the memory of his teacher. (Full article...)
    Image 7
    First page ofThe Pilgrim: Grand Overture by Douglass


    John Thomas Douglass (1847–1886) was an Americancomposer,virtuoso violinist,conductor and teacher. He is best known for composingVirginia's Ball (1868), which is generally regarded as the firstopera written by aBlack American composer. The work is now lost, and his onlyextant composition isThe Pilgrim: Grand Overture (1878) for piano. His biography fromJames Monroe Trotter'sMusic and Some Highly Musical People (1878)—in whichThe Pilgrim survives—reports that he wrote many now lost pieces for piano, orchestra and particularly guitar, which he was known to play.

    A highly regarded violinist, Douglass's violin playing received high praise during his lifetime. In addition to his solo career, he traveled with various groups throughout the 1870s, including theHyers Sisters. He settled in New York by the 1880s and conducted both a music studio and string ensemble. Later in life he led a teaching studio, and among his students wasDavid Mannes who became theconcertmaster of theNew York Symphony Orchestra. Nearly 30 years after Douglass's death at age 38–39, Mannes founded theColored Music Settlement School in the memory of his teacher. (Full article...)
  • Image 8 Monteverdi by Bernardo Strozzi (c. 1630) Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua (c. 1590–1613) and then until his death in the Republic of Venice where he was maestro di cappella at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. (Full article...)
    Image 8
    Monteverdi byBernardo Strozzi (c. 1630)
    Monteverdi's signature



    Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer,choirmaster andstring player. A composer of bothsecular andsacred music, and a pioneer in thedevelopment of opera, he is considered a crucialtransitional figure between theRenaissance andBaroque periods of music history.

    Born inCremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court ofMantua (c. 1590–1613) and then until his death in theRepublic of Venice where he wasmaestro di cappella at the basilica ofSan Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. (Full article...)
  • Image 9 Guto Pryderi Puw (2018) Guto Pryderi Puw (born 1971) is a Welsh composer, university lecturer and conductor. He is considered to be one of the most prominent Welsh composers of his generation and a key figure in current Welsh music. Puw's music has been broadcast on BBC Radio 3 and been featured on television programmes for the BBC and S4C. He has twice been awarded the Composer's Medal at the National Eisteddfod. Puw's works include pieces for unusual combinations of instruments, such as a tuba quartet or a trio consisting of harp, cello and double-bass, as well as more traditional forces such as solo baritone and piano, choir or orchestra. He was associated with the BBC National Orchestra of Wales as its Resident Composer, the first holder of this title, from 2006 to 2010. Puw's own Welsh identity is a recurrent theme in his music: some of his pieces set Welsh-language poetry to music and one of his pieces, Reservoirs, is written about the flooding of Welsh valleys to provide water for England. (Full article...)
    Image 9

    Guto Pryderi Puw (2018)

    Guto Pryderi Puw (born 1971) is a Welsh composer, university lecturer andconductor. He is considered to be one of the most prominent Welsh composers of his generation and a key figure in current Welsh music. Puw's music has been broadcast onBBC Radio 3 and been featured on television programmes for theBBC andS4C. He has twice been awarded the Composer's Medal at theNational Eisteddfod.

    Puw's works include pieces for unusual combinations of instruments, such as atuba quartet or a trio consisting ofharp, cello anddouble-bass, as well as more traditional forces such as solobaritone and piano,choir or orchestra. He was associated with theBBC National Orchestra of Wales as its Resident Composer, the first holder of this title, from 2006 to 2010. Puw's own Welsh identity is a recurrent theme in his music: some of his pieces set Welsh-language poetry to music and one of his pieces,Reservoirs, is written about the flooding of Welsh valleys to provide water for England. (Full article...)
  • Image 10 Uematsu in 2011 Nobuo Uematsu (植松 伸夫, Uematsu Nobuo; born March 21, 1959) is a Japanese composer and keyboardist best known for his contributions to the Final Fantasy video game series by Square Enix. A self-taught musician, he began playing the piano at the age of twelve, with English singer-songwriter Elton John as one of his biggest influences in pursuing a musical career. Uematsu joined Square in 1986, where he first met Final Fantasy creator Hironobu Sakaguchi. The two later worked together on many games at the company, most notably in the Final Fantasy series. After nearly two decades with Square, Uematsu left in 2004 to create his own production company and music label, Dog Ear Records. He has since composed music as a freelancer for other games, including ones developed by Square Enix and Sakaguchi's studio Mistwalker. (Full article...)
    Image 10

    Uematsu in 2011
    Nobuo Uematsu (植松 伸夫,Uematsu Nobuo; born March 21, 1959) is a Japanese composer and keyboardist best known for his contributions to theFinal Fantasy video game series bySquare Enix. A self-taught musician, he began playing the piano at the age of twelve, with English singer-songwriterElton John as one of his biggest influences in pursuing a musical career.

    Uematsu joinedSquare in 1986, where he first metFinal Fantasy creatorHironobu Sakaguchi. The two later worked together on many games at the company, most notably in theFinal Fantasy series. After nearly two decades with Square, Uematsu left in 2004 to create his own production company and music label,Dog Ear Records. He has since composed music as afreelancer for other games, including ones developed by Square Enix and Sakaguchi's studioMistwalker. (Full article...)
  • Image 11 Julius Allan Greenway Harrison (26 March 1885 – 5 April 1963) was an English composer and conductor who was particularly known for his interpretation of operatic works. Born in Lower Mitton, Stourport in Worcestershire, by the age of 16 he was already an established musician. His career included a directorship of opera at the Royal Academy of Music where he was a professor of composition, a position as répétiteur at the Royal Opera House, Covent Garden, conductor for the British National Opera Company, military service as an officer in the Royal Flying Corps, and founder member and vice-president of the Elgar Society. (Full article...)
    Image 11
    Julius Allan Greenway Harrison (26 March 1885 – 5 April 1963) was an English composer and conductor who was particularly known for his interpretation of operatic works. Born in Lower Mitton,Stourport in Worcestershire, by the age of 16 he was already an established musician. His career included a directorship of opera at theRoyal Academy of Music where he was a professor of composition, a position asrépétiteur at theRoyal Opera House, Covent Garden, conductor for theBritish National Opera Company, military service as an officer in theRoyal Flying Corps, and founder member and vice-president of theElgar Society. (Full article...)
  • Image 12 Soule in 2010 Jeremy Soule (/soʊl/ SOHL) is an American composer of soundtracks for film, television, and video games. He has composed soundtracks for over 60 games and over a dozen other works during his career, including The Elder Scrolls, Guild Wars, Total Annihilation, and the Harry Potter series. He became an employee of Square in 1994 after several years of private composition studies. After finishing the soundtrack to Secret of Evermore in 1995, he left to join Humongous Entertainment, where he composed for several children's games as well as Total Annihilation, his first award-winning score. In 2000, he left to form his own music production company, Soule Media, later called Artistry Entertainment. In 2005, he founded DirectSong, a record label that published digital versions of his soundtracks as well as those of classical composers. DirectSong remained active until 2019. (Full article...)
    Image 12

    Soule in 2010

    Jeremy Soule (/sl/SOHL) is an American composer of soundtracks for film, television, and video games. He has composed soundtracks for over 60 games and over a dozen other works during his career, includingThe Elder Scrolls,Guild Wars,Total Annihilation, and theHarry Potter series.

    He became an employee ofSquare in 1994 after several years of private composition studies. After finishing the soundtrack toSecret of Evermore in 1995, he left to joinHumongous Entertainment, where he composed for several children's games as well asTotal Annihilation, his first award-winning score. In 2000, he left to form his own music production company, Soule Media, later called Artistry Entertainment. In 2005, he founded DirectSong, a record label that published digital versions of his soundtracks as well as those of classical composers. DirectSong remained active until 2019. (Full article...)
  • Image 13 Modern-day Kemah, Turkey, where the ancient city Ani-Kamakh was in which Khosrovidukht was imprisoned Khosrovidukht (Armenian: Խոսրովիդուխտ, lit. 'daughter of Khosrov'; fl. early 8th century) was an Armenian hymnographer and poet who lived during the early 8th century. After her slightly earlier contemporary Sahakdukht, she is the first known woman of Armenian literature and music, and among the earliest woman composers in the history of music. Daughter of the ruler of Goghtn, Khosrov Goghtnatsi [hy], her father was killed and she was imprisoned in a fortress of Ani-Kamakh (modern-day Kemah) for twenty years. Her brother was imprisoned and eventually killed; Khosrovidukht's only surviving work, the sharakan (chant) "Zarmanali e indz" (More astonishing to me) was dedicated to him. Its authenticity has occasionally been doubted, with some scholars attributing it to Sahakdukht. The work did not enter the general repertory of sharakan liturgy but was eventually approved by the Armenian Church for religious use. (Full article...)
    Image 13
    Modern-dayKemah, Turkey, where the ancient city Ani-Kamakh was in which Khosrovidukht was imprisoned


    Khosrovidukht (Armenian:Խոսրովիդուխտ,lit.'daughter of Khosrov';fl. early 8th century) was an Armenianhymnographer andpoet who lived during the early 8th century. After her slightly earlier contemporarySahakdukht, she is the first known woman ofArmenian literature and music, and among the earliest woman composers in thehistory of music.

    Daughter of the ruler ofGoghtn,Khosrov Goghtnatsi [hy], her father was killed and she was imprisoned in a fortress of Ani-Kamakh (modern-dayKemah) for twenty years. Her brother was imprisoned and eventually killed; Khosrovidukht's only surviving work, thesharakan (chant) "Zarmanali e indz" (More astonishing to me) was dedicated to him. Its authenticity has occasionally been doubted, with some scholars attributing it to Sahakdukht. The work did not enter the general repertory ofsharakan liturgy but was eventually approved by theArmenian Church for religious use. (Full article...)
  • Image 14 Egardus (fl. 1400; also Engardus or Johannes Echgaerd) was a European Medieval composer of ars subtilior. Almost no information survives about his life, and only three of his works are known. A certain "Johannes Ecghaerd", who held chaplaincies in Bruges and Diksmuide, may be a possible match for Egardus. The extant works—a canon and two Glorias—appear to be less complex than music by mid-century composers, possibly because they date from either very early or very late in Egardus' career. (Full article...)
    Image 14
    Egardus (fl. 1400; alsoEngardus orJohannes Echgaerd) was a EuropeanMedieval composer ofars subtilior. Almost no information survives about his life, and only three of his works are known. A certain "Johannes Ecghaerd", who heldchaplaincies inBruges andDiksmuide, may be a possible match for Egardus. The extant works—a canon and twoGlorias—appear to be less complex than music by mid-century composers, possibly because they date from either very early or very late in Egardus' career. (Full article...)
  • Image 15 Percy Aldridge Grainger (born George Percy Grainger; 8 July 1882 – 20 February 1961) was an Australian-born composer, arranger and pianist who moved to the United States in 1914 and became an American citizen in 1918. In the course of a long and innovative career he played a prominent role in the revival of interest in British folk music in the early years of the 20th century. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of the folk-dance tune "Country Gardens". Grainger left Australia at the age of 13 to attend the Hoch Conservatory in Frankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer, and collector of original folk melodies. As his reputation grew he met many of the significant figures in European music, forming important friendships with Frederick Delius and Edvard Grieg. He became a champion of Nordic music and culture, his enthusiasm for which he often expressed in private letters, sometimes in crudely racialist or anti-Semitic terms. (Full article...)
    Image 15

    Percy Aldridge Grainger (bornGeorge Percy Grainger; 8 July 1882 – 20 February 1961) was an Australian-born composer, arranger and pianist who moved to the United States in 1914 and became an American citizen in 1918. In the course of a long and innovative career he played a prominent role in the revival of interest inBritish folk music in the early years of the 20th century. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of thefolk-dance tune "Country Gardens".

    Grainger left Australia at the age of 13 to attend theHoch Conservatory inFrankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer, and collector of original folk melodies. As his reputation grew he met many of the significant figures in European music, forming important friendships withFrederick Delius andEdvard Grieg. He became a champion ofNordic music and culture, his enthusiasm for which he often expressed in private letters, sometimes in crudelyracialist oranti-Semitic terms. (Full article...)

Did you know(auto-generated) -load new batch

  • ... that in 1994,Anthony Pople created two computer programs to analyseclassical music?
  • ... that opera singerCharles Holland spent much of his career in Europe as opportunities in classical music for African Americans were limited?
  • ... thatWFMT classical music radio hostDon Tait owned such a large collection of recordings that he had to buy a house and have its floor reinforced to accommodate the weight?

Selected image

Topics

Detailed history of
Western classical music
Early music
Medievalc. 500–1400
 • Ars antiquac. 1170–1310
 • Ars novac. 1310–1377
 • Ars subtiliorc. 1360–1420
Renaissancec. 1400–1600
 • Transition to Baroque
Common practice period
Baroquec. 1580–1750
 • Galant musicc. 1720–1770
 • Empfindsamkeitc. 1740s–1780
Classicalc. 1750–1820
 • Mannheim schoolc. 1740s–1780
 • Sturm und Drangc. 1770s
 • Transition to Romantic
Romanticc. 1800–1910
Late 19th-,20th- and21st-centuries
Modernismc. 1890–1975
 • Impressionismc. 1890–1930
 • Expressionismc. 1900–1930
 • Neoclassicismc. 1920–1950
 • Serialismc. 1920–1975
Contemporary fromc. 1950
 • Minimalism fromc. 1960
 • Postmodernism fromc. 1960s
 • Postminimalism fromc. 1980

Things you can do

Categories

Category puzzle
Category puzzle
Select [►] to view subcategories

Associated Wikimedia

The followingWikimedia Foundation sister projects provide more on this subject:

Discover Wikipedia usingportals

Purge server cache

This WikiProject is under the scope of WikiProject Music.

Retrieved from "https://en.wikipedia.org/w/index.php?title=Portal:Classical_music&oldid=1331676792"
Categories:
Hidden categories:

[8]ページ先頭

©2009-2026 Movatter.jp