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Polystylism

From Wikipedia, the free encyclopedia

Polystylism is the use of multiplestyles ortechniques in literature, art, film, or, especially, music.

Some prominentcontemporary polystylist composers includePeter Maxwell Davies,^[1]Alfred Schnittke,^[2] andJohn Zorn.^[3] Polystylist composers from earlier in the twentieth century includeCharles Ives^[4] andErik Satie.^[5] Among literary figures,James Joyce has been referred to as a polystylist.^[6] On the other hand, composers includingSofia Gubaidulina have rejected the term as not applicable to their work.^[7]

^John Webb, "Schnittke in Context"Tempo New Series/182, September 1992. 19–22. Citation on 19.
^Ivan Moody, "The Music of Alfred Schnittke",Tempo New Series, no. 168, 50th Anniversary 1939–1989 (March 1989): 4–11. Citation on 4.
^Ted Gordon, "John Zorn: Autonomy and the Avant-Garde"Avant vol. 3/T, 2012. 329–343. citation on 331.
^Nachum Schoffman, "Charles Ives's Song 'Vote for Names'",Current Musicology 23 (1977): 56–68.
^Daniel Albright, "Postmodern Interpretations of Satie'sParade",Canadian University Music Review/Revue de Musique des Universités Canadiennes 22, no. 1 (2002): 22–39.
^Rudolph von Abele, "Film as Interpretation: A Case Study ofUlysses",The Journal of Aesthetics and Art Criticism 31 (1973): 487–500, citation on 495.
^Vera Lukomsky, "Sofia Gubaidulina: 'My Desire Is Always to Rebel, to Swim against the Stream!'”.Perspectives of New Music 36. no. 1 (Winter 1998): 5–41, citation on 24–26.
^^a ^bAlfred Schnittke, "Polystylistic Tendencies in Modern Music (1971)", inA Schnittke Reader, edited by Aleksandr Ivashkin, English translation by John Derek Goodliffe, 87–90 (Bloomington: Indiana University Press, 2002)ISBN 978-0-253-33818-1.