| Pollyanna | |
|---|---|
_poster.jpg) Theatrical release poster | |
| Directed by | David Swift |
| Screenplay by | David Swift |
| Based on | Pollyanna byEleanor Porter |
| Produced by | Walt Disney |
| Starring | Jane Wyman Richard Egan Karl Malden Nancy Olson Adolphe Menjou Donald Crisp Agnes Moorehead Kevin Corcoran Hayley Mills |
| Cinematography | Russell Harlan |
| Edited by | Frank Gross |
| Music by | Paul Smith |
Production company | |
| Distributed by | Buena Vista Distribution |
Release date |
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Running time | 134 minutes |
| Country | United States |
| Language | English |
| Budget | $2.5 million[1] |
| Box office | $3.75 million (US and Canadian rentals)[2] |
Pollyanna is a 1960 Americancomedy-drama film starring child actressHayley Mills,Jane Wyman,Karl Malden, andRichard Egan in a story about a cheerful orphan changing the outlook of a small town. The film was written and directed byDavid Swift, based on the 1913 novelPollyanna byEleanor H. Porter. The film won Hayley Mills anAcademy Juvenile Award. It was the last film of actorAdolphe Menjou.
Pollyanna was Hayley Mills' first of six films for Disney, and the directorial debut ofDavid Swift.
Pollyanna, the 11-year-old orphaned daughter of missionaries, arrives in the small town of Harrington to live with her rich and strict aunt Polly Harrington in the 1910s. Pollyanna is a very cheerful, talkative, and radically optimistic youngster who focuses on the goodness of life and always finds something to be glad about, no matter what the situation is. In doing so, Pollyanna's positive outlook on everything results in her making a wide variety of friends in the community, including the hypochondriac and grouchy Mrs. Snow and the acidic recluse Mr. Pendergast.
Aunt Polly's wealth controls most of the town. When the citizens want a derelict orphanage razed and rebuilt, Aunt Polly opposes the idea, arguing that her father donated the building to the town, and it is an important landmark as such. The townspeople defy her by planning a carnival to raise funds for a new structure. Because of the control that Aunt Polly asserts over every facet of the town, however, many people feel reluctant to show their support.
A group of citizens led by Aunt Polly's ex-boyfriend Dr. Edmond Chilton tries to persuade the town's minister Rev. Ford to publicly declare his support for the bazaar by reminding him that "nobody owns a church". Rev. Ford is reminded of the truth of that statement when Pollyanna delivers a note from Aunt Polly with recommendations to his sermon content. This lesson is reinforced when Pollyanna shows Ford a locket from her late father, inscribed with a quote from Abraham Lincoln reading, "When you look for the bad in mankind expecting to find it, you surely will."
First, Rev. Ford reads one of the so-called "Glad Passages" of the Bible at church the following Sunday, stating that a young member of the congregation pointed out how many such passages there are, having gained the gumption to defy Aunt Polly. He intends to read one a week from this time on and then declares his support for the bazaar and encourages all to attend. Aunt Polly becomes furious about their audacity, forbidding Pollyanna to participate. On the evening of the carnival, Pollyanna is locked in her attic bedroom by Aunt Polly but is "rescued" by playmate and fellow orphan Jimmy Bean, who reminds her that she will lead "America the Beautiful" at the high point of the event. She slips away with Jimmy's help and has a wonderful time at the carnival, winning her first-ever doll.
Upon returning home, Pollyanna avoids Aunt Polly by climbing a tree to her attic bedroom. When trying to reach her bedroom window, she drops her new doll; Pollyanna then falls off the window ledge screaming and is knocked unconscious before being discovered by Aunt Polly and her maids.
After realizing her legs are paralyzed and that she may not ever walk again, Pollyanna develops severe depression, jeopardizing her chance of recovery. Meanwhile, Aunt Polly feels extreme guilt when she realizes how her behavior has isolated her from the town and Pollyanna. While talking to Dr. Chilton, she admits that her niece needed love and it was something she never gave her. Dr. Chilton tells Aunt Polly that they can give Pollyanna the love together and help mend the isolation she put on the townsfolk.
When the townspeople learn of Pollyanna's accident, they arrive at Aunt Polly's house with outpourings of love. Dr. Chilton carries the reluctant girl downstairs where the neighbors wish her health one by one. Pollyanna's spirit gradually returns to its usual hopefulness and love of life, and she also learns that Jimmy has been adopted by Mr. Pendergast. Pollyanna is embraced by her aunt before they leave Harrington with Dr. Chilton for an operation in Baltimore which would correct her injury and help her walk again. She also found that the town adopted a nickname, Gladtown.
Director David Swift cameos as a fireman in an early scene.
The novel had been filmed before, notably withMary Pickford, in 1920. The book continued to sell 35,000 copies per year by the late 1950s. Disney announced in June 1959 that he would make the film with Hayley Mills, Jane Wyman, and Karl Malden, and David Swift as screenwriter and director.[3]
Swift was best known at the time for his work in television. He said: "It was the first time anyone would take a $2.5 million chance on me. Trust Disney to do it."[1]
Disney put Mills into the cast after seeing her in the British filmTiger Bay. He watched the film to see the most recent performance by her father,John Mills, who was to star in the studio'sSwiss Family Robinson. Disney then offered Miss Mills the lead inPollyanna. Her accent was explained by turning Pollyanna's parents into missionaries from theBritish West Indies.[4]
Disney said the cast was the most important in the studio's history, including names such as Wyman, Malden, and Richard Egan.[5]
Swift commented on casting: "The cast scared me. Veterans of scores of movies, some of them. I was afraid they'd say 'TV man, go home'. But they didn't. It was a happy set; everybody worked his head off for me."[1]
Swift said in working on the script that, to work against the "saccharine" nature of the material, he would spend a few hours every day first working on a horror play calledThe Deadly. He would then work onPollyanna.[1]
Swift said: "In the book, Pollyanna was so filled with happiness and light that I wanted to kick her. In the old days, she came on likeBetty Hutton. Now, she is shy. We have an adult drag advice out of her."[6]
Swift also decided to remove a key plot point of the book, where Pollyanna was hit by a car and had to learn how to walk. He called this "Too coincidental. Too pat."[6]
Swift added that "instead of making her the 'glad girl' of the book, we've simmered her cheerfulness down to merely emphasize the things-could-be-worse attitude."[4]
Pollyanna began filming in August 1959.[4]
The film was shot inSanta Rosa, California, with theMableton Mansion at 1015 McDonald Avenue in Santa Rosa serving as the exterior and grounds of Aunt Polly's house. Other California locations includedNapa Valley andPetaluma. Interiors were filmed at theWalt Disney Studios inBurbank, California. The book sets the town of Harrington inVermont, but the film places Harrington inMaryland;Baltimore is mentioned several times throughout the script. Aunt Polly and Pollyanna take the train to Baltimore at the end of the film, possibly headed to Johns Hopkins Hospital due to the delicacy of the operation needed (Johns Hopkins opened in 1889, and the story takes place in the 1910s).[7]
Rotten Tomatoes rated the film 86%.
Disney reported in 1960 that the film made a profit "but not nearly what we expected".[8]
Jerry Griswold wrote inThe New York Times on October 25, 1987: "An attempt was made to resuscitatePollyanna in 1960 when Walt Disney released a movie based on the book.Time,Newsweek, and other major reviewers agreed that such an enterprise promised to be a disaster – a tearjerker of a story presented by the master of schmaltz; what surprised the critics (their opinions were unanimous) was that it was his best live-action film ever. But few had reckoned the curse of the book's by-then-saccharine reputation. When the movie failed to bring in half of the $6 million that was expected, Disney opined, 'I think the picture would have done better with a different title. Girls and women went to it, but men tended to stay away because it sounded sweet and sticky'".[9]
The film has continued to be popular on television and home media. It is available to stream onDisney+.[10]
Hayley Mills won the 1960Academy Juvenile Award for her performance and also received aBAFTA nomination for Best Actress.
The film generated a trickle of juvenile merchandise, including aDell comic book,[11] a paper-doll collection, an LP recording,an illustrated Little Golden Book, and a 30" Uneeda character doll in a red and white gingham dress, pantaloons, and boots. Disney was selling photo lockets as part of a merchandise promotion, with the quote claiming to be fromAbraham Lincoln on them: "If you look for the bad in mankind expecting to find it, you surely will". Director and screenwriter David Swift discovered the necklace in a gift shop while on vacation with his family and called the studio to have the item recalled immediately, as it was not a quote from Lincoln, but actually a paraphrasing of a line from Eleanor Porter's original 1913 novel written for the film.[12]
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