ThePolaris Music Prize is an annual music award given to the best full-lengthCanadian album based on artistic merit, regardless of genre, sales, or record label.[1] The award was established in 2006 with a $20,000 cash prize,[2] which was increased to $30,000 in 2011.[3] The prize was increased to $50,000 in May 2015 by Slaight Music. Second-place prizes for the nine other acts on theshortlist also increased from $2,000 to $3,000. Polaris officials announced the Slaight Family Polaris Heritage Prize, an award that "will annually honour five albums from the five decades before Polaris launched in 2006."[4]
The Polaris committee andSOCAN announced the creation of the SOCAN Polaris Song Prize, honouring individual songs in addition to the albums award, in 2025. It replaced theSOCAN Songwriting Prize.[7]
There is no submission process or entry fee for the prize,[1] and jurors select what they consider the five best Canadian albums released in the previous year. Ballots are tabulated with each number-one pick awarded five points and a number-two pick awarded four points. A list of 40 titles is released in mid-June and sent back to the jury, which re-submits five top picks.[1]
Ballots are re-tabulated and the top ten titles are the Polaris short list, which is released in early July.[1] A group of 11 jurors (the "Grand Jury") meets inToronto in late September to choose the winner. The nominated artists (or bands) perform, and the winner is announced by the previous year's winner.[2] Each shortlisted album has one grand juror to advocate for it; ten jurors are selected for naming a shortlisted album as their top pick in the balloting, and the remaining juror did not vote for any shortlisted albums.[8]
The Polaris Music Prize board of directors selects the jurors[1] from a list of over 200 Canadian music journalists, bloggers, and broadcasters. No one with a direct financial relationship with an artist can be a jury member.[1] Enlisting music journalists, broadcasters and bloggers as judges attracts attention to good music in a cluttered commercial landscape and a fractured music scene.[9][10] Former CBCQ host and first Polaris Gala hostJian Ghomeshi was quietly removed from the juror pool on November 3, 2014.[11]
The Polaris jury introduced the Polaris Heritage Prize (later known as the Slaight Family Polaris Heritage Prize),[35] an annual award program to honour classic Canadian albums released before the creation of the Polaris Prize, in 2015.[36]
Heritage Prizes, selected by public vote from a shortlist of five nominees by a Heritage Prize jury, were awarded in their first year in the 1960s–1970s, 1980s, 1990s and 2000–2005 categories. In the second year, the shortlists were increased to 10, the categories shifted to 1960–75, 1976–85, 1986–1995 and 1996–2005, and a second prize was awarded by a jury with the winner of the public vote.[37] The jury award ensures that albums which were artistically important but not necessarily commercially popular have a fair chance of winning; the jury does not meet to make its choice until after the popular-vote winner has been determined.[37]
The prize has been considered too "indie" or too "mainstream".[43] Polaris Salons, with jurors as panellists, are held in a number of cities before the ceremonies.[44]
PWhen Fucked Up won in 2009, mainstream media outlets were uncertain about how they would present the band's name. TheCanoe.ca news service used the headline "F***** Up (language alert , language alert below) wins the 2009 Polaris Music Prize on Monday night";[45]The Globe and Mail headline was "Toronto hardcore band wins Polaris Music Prize,"[46] andThe New Yorker's was "The Prize That Dare Not Speak Its Name".[47][48]
Godspeed You! Black Emperor refused to attend the 2013 Polaris ceremonies. When the band won for their album,Allelujah! Don't Bend! Ascend!, representatives of their label (Constellation Records) accepted the prize on their behalf. Constellation's Don Wilkie said, "Godspeed will use the prize money to purchase musical instruments for, and support organizations providing music lessons to, people incarcerated within the Quebec prison system."[49] The next day, the band said that "holding a gala during a time of austerity and normalized decline is a weird thing to do" and "maybe the next celebration should happen in a cruddier hall, without the corporate banners and culture overlords."[50]
Tanya Tagaq said "FuckPETA" in her 2014 victory speech,[51] using her performance and subsequent interviews as a platform to draw attention to missing and murdered Aboriginal women across Canada.[52] Lido Pimienta's 2017 acceptance speech ended with an obscenity-spiked outburst. "All of my fucking monitors were off," Pimienta shouted into the microphone at the end of the show, which was webcast by the CBC. She had performed two songs live: "I could not hear myself when I was up here. I'm fucking pissed off. Thank you though, motherfucker."[53]
After the 2023 revelation of questions about theIndigenous Canadian status of singer-songwriterBuffy Sainte-Marie, calls were made to revoke her main- and heritage-prize awards.[54] The committee rescinded the awards in 2025 after the revocation of her membership in theOrder of Canada because she could no longer provide satisfactory proof of Canadian citizenship.[55]
In 2006 and 2007, compilation CDs and souvenir program guides with one song from each shortlisted artist (except Arcade Fire in 2007) were given out at the Polaris ceremony. From 2008 to 2011, the program guides instead download cards for the songs.
Polaris has sponsored a series of promotional singles by nominees or winners. The "Polaris Cover Sessions"[56] series has past nominees recording a cover of a song by another nominee or Heritage Prize winner, and the "Polaris Collaboration Sessions" series has two past nominees collaborating on new songs.
Polaris, theBanff Centre and Scion Sessions teamed up for a collaborative residency project with past shortlisted artists Shad and Holy Fuck. The result was the Scion Sessions-sponsored Holy Shad "Legend of Cy Borg Parts I and II" seven-inch single and a documentary video produced by AUX TV.[72]
In 2017,Buffy Sainte-Marie andTanya Tagaq collaborated on "You Got to Run (Spirit of the Wind)".[73] Two Years later, the Weather Station and Jennifer Castle recorded a two-songsplit single. The Weather Station's song was "I Tried To Wear The World (featuring Jennifer Castle)", and Castle's was "Midas Touch (featuring The Weather Station)."[74]
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