| Please | ||||
|---|---|---|---|---|
 Cover art for the original CD release. | ||||
| Studio album by | ||||
| Released | 24 March 1986 | |||
| Recorded |
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| Studio | Advision (London) | |||
| Genre | ||||
| Length | 42:50 | |||
| Label | Parlophone | |||
| Producer | Stephen Hague | |||
| Pet Shop Boys chronology | ||||
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| Singles from Please | ||||
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Please is the debut studio album by Englishsynth-pop duoPet Shop Boys, released on 24 March 1986 byParlophone in the United Kingdom and byEMI America Records in the United States. According to the duo, the album's title was chosen so that people could go into a record shop and say "Can I have the Pet Shop Boys album, please?"[3]Please featured the number one hit "West End Girls" and nine other songs, including the singles "Opportunities (Let's Make Lots of Money)", "Love Comes Quickly", and "Suburbia".
Pet Shop Boys signed with Parlophone, a subsidiary ofEMI Records, in March 1985.[4] By that time,Chris Lowe andNeil Tennant had been writing songs together for over three years. Their music was influenced byItalian disco, the emerging Americanhip-hop scene, and American producerBobby Orlando's lo-fielectronic dance music. The duo had recorded some of their material with Orlando, including "West End Girls", which had been released as an unsuccessful single in 1984. Lyrically, the songs were inspired by their life in London at the time, with lyricist Tennant assuming different characters and occasionally writingsatirical songs, such as "Opportunities (Let's Make Lots of Money)".[5]
"Opportunities" was the first single for their Parlophone deal. They had written the song in 1983 and had subsequently worked on it with Orlando but never released it. Pet Shop Boys pickedJ. J. Jeczalik ofArt of Noise as producer. The recording session took three weeks and cost £40,000. When the single was released in July 1985, it only reached 116 on theUK Singles Chart.[6]
For their debut album, Pet Shop Boys wanted to work withStephen Hague, the producer ofMalcolm McLaren's "Madame Butterfly" andThe World's Famous Supreme Team's "Hey DJ". Their record company initially wanted them to useStock Aitken Waterman,[5] but Pet Shop Boys were allowed to record "West End Girls" with Hague as a trial. Hague suggested slowing the song down and making it moodier, with more focus on the story and a filmic intro of street sounds.[7] "West End Girls" was released in October, and the single climbed to the top of charts as they went on to record the rest of the album.
Please was made in 10 weeks, between November 1985 and January 1986, atAdvision Studios in London. They sequenced the songs to form a loose storyline: "They run away in the first song ["Two Divided by Zero"], they arrive in the city ("West End Girls"), they want to make money ("Opportunities"), they fall in love ("Love Comes Quickly"), move to suburbia ("Suburbia"), go out clubbing ("Tonight Is Forever"), there's violence in the city ("Violence") and casual sex ("I Want a Lover"), someone tries to pick up a boy ("Later Tonight")".[6] The sequence ends with "Why Don't We Live Together?"
"Two Divided by Zero", dating back to 1983, was co-written by Tennant and Bobby Orlando, who wrote the backing track; it is the only Pet Shop Boys song, excludingcover versions, for which Lowe does not share a songwriting credit.[b] For the album version, Hague used a similar arrangement but gave it a bigger sound that conveys the sense of excitement of running away. The track features the voice of a talkingcalculator that Tennant bought in New York as a Christmas present for his father.[6]
Hague shares a songwriting credit with the duo on "Love Comes Quickly" for coming up with the chord changes of themiddle eight.[5] The song was released as a single in February 1986 and just made the top 20 at number 19.[10] "Opportunities" was reworked following the disappointing chart performance of its initial release. They did not have time to record a new version, but Hague used elements from the single as well as the 12-inch mix by Ron Dean Miller, and re-recorded the vocals.[6] A portion of the original single, featuring a party scene, was used as the sixth track on the album, titled "Opportunities (reprise)". "Opportunities" was re-released as a single in May 1986, and reached number 11 on the UK Singles Chart and number 10 on the USBillboard Hot 100.[10][11]
Hague decided to record "Later Tonight" live in the studio, with Tennant singing accompanied by Lowe on the piano. Lowe played trombone on "I Want a Lover", originally recorded withBlue Weaver prior to the album sessions. "Why Don't We Live Together?" was also recorded earlier in 1985 with Ron Dean Miller and was reworked by Hague with new drum programming.[6] "Suburbia" was the last song completed forPlease; due to time constraints, the album version is a polished version of the Pet Shop Boys' demo. When it was released as a single in September 1986, "Suburbia" was redone with producerJulian Mendelsohn and became the Pet Shop Boys' second top 10 hit in the UK.[12]
Please was released on 24 March 1986 and debuted at number three on theUK Albums Chart.[13] In the United States,Please is Pet Shop Boys' highest charting album, reaching number seven on theBillboard 200,[14] and it is their only record to be certified platinum by theRIAA with over one million sales.[15]
Please was re-released in 2001 (as were most of the duo's studio albums up to that point) asPlease: Further Listening 1984–1986. The re-released version was digitallyremastered and came with a second disc ofB-sides and previously unreleased material from around the time of the album's original release.[16] A remastered single-disc edition ofPlease, containing only the 11 original tracks, was released in 2009.[17] In 2018, a newly remastered edition ofPlease: Further Listening 1984–1986 was released, with the same contents as the 2001 edition.[16]
"Violence" was later re-recorded by the Pet Shop Boys for a charity concert atthe Haçienda nightclub in 1992. This version, known as the 'Haçienda version', was released as one of the B-sides to "I Wouldn't Normally Do This Kind of Thing" and was then made available on the B-sides albumAlternative and onVery: Further Listening 1992–1994.[18]
"Tonight Is Forever" was later covered byLiza Minnelli on the Pet Shop Boys-produced albumResults.[19]
For their first album cover, Pet Shop Boys managerTom Watkins presented them with a fold-outlatticework model, but they thought it was too complicated. In reaction,Mark Farrow created a minimalist white cover with a tiny photo of the duo in the center with their name and the title in small type underneath. The photo, taken byEric Watson, shows Lowe and Tennant with white towels on their shoulders and was chosen from existing images for the way it blended into the background. The inner sleeve had 98 more small images by Eric Watson, Paul Rider, John Stoddard, Joe Shutter, Ian Hooton, Chris Burscough, and Chris Lowe.[20] Some international distributors made changes to the cover: EMI America redid the cover with the name on the top,[21] and in France a cover with a larger picture was made.[22]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Christgau's Record Guide | A−[23] |
| The Encyclopedia of Popular Music | [24] |
| The Great Rock Discography | 6/10[25] |
| The Rolling Stone Album Guide | [26] |
| Smash Hits | 9/10[27] |
| Sounds | [28] |
| Spin Alternative Record Guide | 8/10[29] |
| Uncut | 8/10[30] |
Please received a mix of reviews at the time of its release. In March 1986,Smash Hits reviewerChris Heath gave the album a 9 out of 10 rating describing the content as "ten thoroughly catchy songs".[27] Writing in 1986 forBillboard's "Dance Trax" column, Brian Chin described the album as an "amusingly complete compendium of recentdance music styles. It should be a long-running hit for clubs if the remixes keep coming."[31] InThe Village Voice,Robert Christgau highlighted the catchy tunes and "yearningly cynical lyrics" but stated that his favourite moments on the album are provided bysound effects–"sirens and breaking glass so skillfully integrated into the synthesized textures that at first I didn't notice they were there."[32]
Eleanor Levy ofRecord Mirror gavePlease 3.5 out of 5 stars in her review: "Clean and crisp, these Pet Shop Boys—creating layer upon glossy layer of traditional early Eighties electronic trickery… All fairly conventionally unconventional, really. A vague veneer of experimentation covering comfortable pop sounds". She added, "This is also a very accomplished debut album."[33] In the same issue, Jim Reid calledPlease "a cool, self-possessed, some might say cold, record. It would sound very good on CD… It's an ambient record, a rather good record, but not a great record".[34]
An article in theLos Angeles Times from May 1986 described a negative reaction by unspecified critics: "...many critics have been gunning for ["West End Girls"], attacking with their heavy artillery. Nor have they been very kind to the debut album,Please—loaded with disco material of course... The problem is that most critics regard disco (or dance music, as they call it now) as one-dimensional noise pollution."[2] TheTrouser Press Record Guide panned the album: "Please is a slick set of anonymous easy-listening disco tracks, brilliantly, soullessly produced (mostly by Stephen Hague), with ridiculous, overbearingly smug lyrics recited by Tennant… Ghastly, depressing and offensive."[35]
Retrospectively, several reviewers have acknowledged the strength of the album as a starting point for the Pet Shop Boys' career. "The debut Pet Shop Boys album does what all good debut albums should do and established the aesthetic of the band which would endure right to the present day," according to Martyn Young in a 2020Clash feature.[36] TheAllMusic review by Stephen Thomas Erlewine calledPlease "A collection of immaculately crafted and seamlessly produced synthesized dance-pop" that "sketches out the basic elements of the duo's sound."[1] In 2011, Josh Freeman ofThe Quietus suggested, "perhaps,Please by Pet Shop Boys is the perfect first album. Although maybe not their best…Please is an assured and hugely successful (three million sales worldwide and counting) record containing some of their best-known songs. However,Please also acted as lift-off for Neil Tennant and Chris Lowe's creative wanderlust."[37] In a 2009 review for theBBC, Ian Wade wrote: "Please really hasn't dated at all and should be the textbook example of how brilliant a pop debut could be."[38]
All tracks are written byNeil Tennant andChris Lowe, except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Two Divided by Zero" |
| 3:35 |
| 2. | "West End Girls" | 4:46 | |
| 3. | "Opportunities (Let's Make Lots of Money)" | 3:44 | |
| 4. | "Love Comes Quickly" |
| 4:19 |
| 5. | "Suburbia" | 5:10 | |
| 6. | "Opportunities" (reprise) | 0:34 | |
| Total length: | 22:08 | ||
| No. | Title | Length |
|---|---|---|
| 7. | "Tonight Is Forever" | 4:33 |
| 8. | "Violence" | 4:30 |
| 9. | "I Want a Lover" | 4:06 |
| 10. | "Later Tonight" | 2:49 |
| 11. | "Why Don't We Live Together?" | 4:45 |
| Total length: | 20:42 (42:50) | |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "A Man Could Get Arrested" (12-inch B-side; previously unreleased) | 4:11 | |
| 2. | "Opportunities" (full-length original 7-inch; previously unreleased) | 4:36 | |
| 3. | "In the Night" | 4:51 | |
| 4. | "Opportunities" (original 12-inch mix; previously unreleased on CD) | 7:00 | |
| 5. | "Why Don't We Live Together?" (original New York mix; previously unreleased) | 5:14 | |
| 6. | "West End Girls" (dance mix; previously unreleased on CD) | 6:39 | |
| 7. | "A Man Could Get Arrested" (7-inch B-side; previously unreleased on CD) | 4:51 | |
| 8. | "Love Comes Quickly" (dance mix) |
| 6:50 |
| 9. | "That's My Impression" (disco mix) | 5:19 | |
| 10. | "Was That What It Was?" | 5:17 | |
| 11. | "Suburbia" (The Full Horror) | 8:58 | |
| 12. | "Jack the Lad" | 4:32 | |
| 13. | "Paninaro" (Italian remix) | 8:38 | |
| Total length: | 76:56 | ||
Credits adapted from the liner notes ofPlease[40] andPlease: Further Listening 1984–1986[41]
Weekly charts[edit]
| Year-end charts[edit]
|
| Region | Certification | Certified units/sales |
|---|---|---|
| Brazil | — | 75,000[63] |
| Canada (Music Canada)[64] | Platinum | 100,000^ |
| Hong Kong (IFPI Hong Kong)[65] | Gold | 10,000* |
| New Zealand (RMNZ)[66] | Platinum | 15,000^ |
| United Kingdom (BPI)[68] | Platinum | 400,000[67] |
| United States (RIAA)[69] | Platinum | 1,000,000^ |
| Summaries | ||
| Worldwide | — | 3,000,000[37] |
* Sales figures based on certification alone. | ||
