| "Pilot" | |||
|---|---|---|---|
| Homeland episode | |||
| Episodeno. | Season 1 Episode 1 | ||
| Directed by | Michael Cuesta | ||
| Written by | |||
| Production code | 1WAH79 | ||
| Original air date | October 2, 2011 (2011-10-02) | ||
| Running time | 55 minutes | ||
| Guest appearances | |||
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| Episode chronology | |||
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| Homelandseason 1 | |||
| List of episodes | |||
"Pilot" is the first episode of thepsychological thriller television seriesHomeland, launching the beginning of itsfirst season. It originally aired onShowtime on October 2, 2011.
The episode focuses on the return home of Marine Sergeant Nicholas Brody (Damian Lewis), rescued after eight years as a prisoner-of-war in Afghanistan. While Brody is celebrated as a hero, CIA officerCarrie Mathison (Claire Danes) believes Brody to actually be acting as asleeper agent foral-Qaeda.
The pilot was universally acclaimed by critics[1] and was the highest-rated drama premiere on Showtime since 2003.[2]
In flashback,Carrie Mathison (Claire Danes) is shown inIraq, where she is working as aCIAcase officer. She bribes her way into a prison, where one of her informants is being held - a bomb maker who is soon to be executed. As Carrie is spotted and dragged away by guards, the informant whispers something into her ear.
Back in present day, Carrie arrives late to a meeting at the CIACounterterrorism Center, where she was reassigned following the Iraqi prison incident. Director of Counterterrorism David Estes (David Harewood) announces that Marine Sergeant Nicholas Brody (Damian Lewis), missing andpresumed dead for eight years, has been rescued during a raid on anal-Qaeda compound. Carrie later confides in her co-worker and mentor, Saul Berenson (Mandy Patinkin), that what she was told by her informant in Iraq was that "An American prisoner of war has beenturned." She concludes that the POW in question must be Brody. Saul flatly rejects the possibility of the CIA conducting any investigation into Brody, who is now a beloved war hero.
Jessica Brody (Morena Baccarin), Nicholas' wife, is shown having sex with Mike Faber (Diego Klattenhoff). Mike is later revealed to be Nick's best friend when he was captured, and a fellow Marine. Jessica is shocked to receive a phone call from Brody himself announcing his return, and she heads to the airport with their children, 16-year-old Dana (Morgan Saylor) and 12-year-old Chris (Jackson Pace), to greet him. While Brody is on his way home, Carrie is preparing to conduct her own unauthorized (and illegal) surveillance operation. She enlists her friend Virgil, an independent contractor, to install hidden cameras and microphones throughout Brody's house, which Carrie can monitor from home. They successfully complete the installation before Brody gets home. Carrie begins watching Brody's every move.
The next day, Brody is the subject of a CIAdebriefing, where Carrie, David, and various other CIA personnel are present. Brody is questioned by everyone regarding his experiences as an al-Qaeda prisoner. Carrie asks Brody if he ever had any contact with Abu Nazir, the leader of al-Qaeda. He says no, but he is lying, as a memory of Brody's is shown of himself with Abu Nazir. Carrie is skeptical and asks again repeatedly before David puts a stop to it.
Later on, Brody goes to meet someone in the park. Believing that he may be meeting an al-Qaeda contact, Carrie, Virgil, and Max (Virgil's brother) follow him. But instead he meets up with Helen Walker (Afton Williamson), the wife of Tom Walker, a Marine who was captured together with Brody. Walker has also beenmissing for eight years, and Brody tells Helen that her husband was beaten to death while in captivity. Helen asks Brody if he was present while Tom was killed, and he says no, but again he is shown to be lying as Brody's memory of the beating is shown while he is clearly in the room. Carrie goes back home, where she meets a furious Saul already in her house. He has discovered her illegal surveillance setup and tells Carrie she will be reporting to theInspector General and to "get a lawyer, you're going to need one". Carrie, in desperation, makes a pass at Saul, who leaves in disgust. Carrie is despondent and seemingly on the verge of a breakdown, but she eventually gets herself together enough to go to a bar, looking for a one-night stand. While chatting up a man at the bar, she studies musicians playing live at the bar, along with news footage on the TV of Brody's return, and suddenly has a revelation. She rushes over to Saul's house and shows him various news clips of Brody that day. She notes that every time Brody was on camera, he was tapping out a distinct sequence with his fingers. Carrie suggests that it looks like a coded message, possibly intended for a handler orsleeper cell. Saul agrees that it is something that needs to be investigated further.
In the final scene, Brody is jogging throughWashington, D.C. As he jogs, more of his memories about Tom Walker's beating are being revealed, eventually concluding that, under command from Abu Nazir, it was actually Brody himself who beat Walker to death. Brody pauses from his jog to gaze at theCapitol Building.
The episode was co-written by executive producersAlex Gansa,Gideon Raff, andHoward Gordon, while executive producerMichael Cuesta directed.
The original broadcast of the pilot episode on October 2, 2011 at 10:00 pm received 1.08 million viewers, becoming Showtime's highest-rated drama premiere in eight years (sinceDead Like Me which also starred Patinkin, with 1.11 million in 2003). The episode received a total of 2.78 million viewers with additional broadcasts,on demand, and online viewings.[2]
The pilot episode received universal acclaim, scoring a Metacritic rating of 91/100 from 28 reviews, with all 28 critics giving positive reviews.[1]Hank Stuever ofThe Washington Post gave the pilot episode anA-, saying "What makesHomeland rise above other post-9/11 dramas is Danes' stellar performance as Carrie—easily this season's strongest female character" and that "The latter half of the first episode is exhilarating. I'm hooked."[3] Matthew Gilbert ofThe Boston Globe said it was his favorite drama pilot of the season, giving it anA.[4]Entertainment Weekly'sKen Tucker gave it anA-, stating "It's the fall season's most intriguing, tense puzzler."[5]IGN TV gave it a positive review, saying that it was an "ace thriller" that also managed to have something to say about thewar on terror.[6]
Michael Cuesta received a nomination for theDirectors Guild of America Award forOutstanding Directing – Drama Series, losing toPatty Jenkins for thepilot ofThe Killing.[7]
The episode receivedOutstanding Directing for a Drama Series andOutstanding Writing for a Drama Series nominations at the2012 Primetime Emmy Awards;Alex Gansa,Howard Gordon, andGideon Raff won forOutstanding Writing for a Drama Series.[8][9]
Jordan Goldman and David Latham won theEmmy Award forOutstanding Single-Camera Picture Editing for a Drama Series for their editing of "Pilot".
This episode won the 2012Edgar Award for Best Television Episode Teleplay.[10]
