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Peter Beauvais

From Wikipedia, the free encyclopedia
German director

Peter Beauvais (September 9, 1916 inWeißenstadt, Germany – December 17, 1986 inBaden-Baden, Germany) was a Germantelevision filmdirector and scriptwriter. As a director for three decades, he helped pioneer and significantly influenced the development of German television.[1]

Career

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Beauvais was the son of a factory owner of Jewish origin. He attended the Municipal Liebig High School inFrankfurt am Main, where he studied drama, until 1935. In 1936, under theNazi regime, he was forced to emigrate to the United States on account of his Jewish background. There he worked as an actor onBroadway. Beauvais returned to Germany in 1945[2] or 1946[3] with the United States Army, for whom worked as an interpreter, including for theNuremberg Trials, and as a theatre officer.[3]

In 1950 Beauvais became an actor at the theatre inHanover, then worked as an actor and trainee director atWerner Finck's Kabarett Die Mausefalle (Mousetrap Cabaret) inStuttgart, and acted in American films produced in Germany. His first television direction work was in 1954, for Südwestfunk (Southwest Radio). In 1958–1960 he directed two theatrical films forUFA. He then moved back to television for good, directing more than 100 television films and episodes from 1960 to 1986. From 1962 to 1967, collaborating with the writer Horst Lommer, Beauvais directed a popular series of films forNDR.[3]

Over the course of his career, Beauvais created a prolific and wide-ranging body of work including comedies, satires, crime films, dramas, and science fiction films. Beauvais adapted for television literary works by writers includingArthur Schnitzler,Anton Chekhov, andJoseph Roth, and directedEugene O'Neill'sTrauer muss Elektra tragen (Mourning Becomes Electra), starringPeter Pasetti. He also adapted and filmed works by contemporary writers includingSiegfried Lenz,Karin Struck,Adolf Muschg, andMartin Walser, and originalteleplays by writers including Peter Stripp, Daniel Christoff, and Horst Lommer.[2][4]

Beauvais was also an opera director, in Germany and on international stages.[3][2]

Awards

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Beauvais won twoAdolf Grimme Prizes with gold (a prestigious award sometimes called "Germany'sGolden Globes"),[5] In 1973 forIm Reservat (In The Reserve) and in 1974 forSechs Wochen im Leben der Brüder G. (Six Weeks in the Life of the Brothers G.).[3] He also won a posthumous Grimme Prize (with gold) in 1988 forSommer in Lesmona (Summer in Lesmona) (shared with Reinhard Baumgart,Katja Riemann, andHerbert Grönemeyer),[citation needed] and aBambi Award, in 1968, forZug der Zeit (The Locomotive of Time).[4]

Personal life

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Beauvais was married four times, to the actress Ilsemarie Schnering,[4] the singer and actressKarin Hübner[4] (with whom he had a daughter, Dana),[6] the actressSabine Sinjen (1963 to 1984),[4] and the photographer and later producer Barbara Beauvais.[citation needed] Barbara Beauvais survived him and actually completed his last filmWhy Is There Salt in the Sea?, as Peter Beauvais died during production.[citation needed]

Filmography

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Film

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Television

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References

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  1. ^"Peter Beauvais. Vielfalt als Konzept" [Peter Beauvais – Diversity as a Concept]. Akademie der Künste. RetrievedFebruary 10, 2017.(in German)
  2. ^abc"Neuerscheinung: Peter Beauvais. Vielfalt als Konzept" [New Release: Peter Beauvais – Diversity as a Concept]. Akademie der Künste. RetrievedFebruary 10, 2017.(in German)
  3. ^abcde"Peter-Beauvais-Archiv" [Peter Beauvais Archives]. Akademie der Künste. RetrievedFebruary 10, 2017.(in German)
  4. ^abcdeRosemarie Kuheim (November 5, 2015)."Peter Beauvais".Deutsches Filmhaus (German Film House). RetrievedFebruary 11, 2017.(in German)
  5. ^Thomas Schmid (May 4, 2016)."Thai co-production wins Germany's Grimme Award".Film Journal International. Archived fromthe original on November 5, 2016. RetrievedFebruary 10, 2017.
  6. ^"Dana (41)".Discogs. RetrievedFebruary 11, 2017.

Further reading

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  • Jacobsen, Wolfgang; Rittmeyer, Nicky, eds. (2016).Peter Beauvais. Vielfalt als Konzept. Fernsehen. Geschichte. Ästhetik. Munich: Archiv der Akademie der Künste / Stiftung Deutsche Kinemathek.ISBN 978-3-86916-519-6.(in German)

External links

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