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Persian-Sassanid art patterns

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Shaft-hole Axe Head with Bird-Headed Demon, a Boar, and a Dragon figurine. From Central Asia (Bactria-Margiana), late 3rd - early 2nd millennium BC.
Flying elk with a griffin, from a burial mound at Issyk (5th-4th centuries BC),Kazakhstan

Persian-Sassanide art patterns have similarities with the art of theBulgars,Khazars, and Saka-Scythians, and have recurred in Asia. They predominantly feature motifs of fighting animals. Gold was frequently used as a base for their art creations.

Patterns

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The characteristic patterns ofPersian-Sassanide art exhibit similarities to the art of theBulgars,[1]Khazars, and Saka-Scythian, and have recurred at different locations in theCentral Asia region. A "griffin fighting anelk" motif from theTreasure of Nagyszentmiklós, found in 1799 in what is todayRomania, bears similarities with another griffin & elk motif discovered in the tombs ofHsiung-nu[2] (earlyHuns, alsoXiongnu) during ColonelPyotr Kuzmich Kozlov[3][4] expedition (1907–09) nearUrga (OuterMongolia).[5][6][7]

Agold symbolization of "animals-in-fight" has been also found in the vicinity of the city ofTurpan,[8] the principal crossroad of the northernSilk Road.Golden "animals-in-fight" have also been identified as 3rd – 2nd century B.C.Mongolia (or southernSiberia), being characteristic ofHsiung-nu orXiongnu.

The art of the nomads

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The early history of theNomads is not well recorded, which changed after their contact with cultures possessing written history.Nomadic people of the vast steppes ofAsia were a major force in history.[9] Their power was not in the empires they built, but rather the turmoil they created amongancient civilizations such asChina orPersia, impacting their historical development substantially.[10] It is believed that thenomads ranged widely, forever moving on for sake of richer grazing for their horses and sheep.[citation needed]Migrations were often seasonal. Their skill at extractinggold was unprecedented.[citation needed] In summer, during the tribe's seasonal migration, afleece would be weighted on a riverbed to collect particles ofalluvialgold. Upon the tribes' return, thefleece would be sheared, burned, and agold ingot the size of a horse's hoof would result.[citation needed] Thetay tayak (the horse's hoof) was a unit of gold for a long period, which was used as a measure of an amount of golden metal rather than money, since gold was not fabricated as currency.[citation needed] Using gold was a spiritual practice, as emblems of priestly office, prizes for physical prowess in ritual sport, or as adornment of the sacral ceremony of marriage.[11]

See also

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References

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  1. ^Bulgarian's Treasures from the past by Ivan Venedikov, Sava Boyadjiev and Dimiter Kartalev, Foreign Languages Press Sofia 1965, pp. 345-55
  2. ^The Empire of the Steppes, a History of Central Asia by Rene Grousset (transl. by Naomi Walford), Rutgers University Press, 2005, p.25
  3. ^Buddha: Radiant Awakening by Jackie Menzies, Sydney, Art Gallery of New South Wales, 2001
  4. ^Wildlife of the Tibetan Steppe by George B. Schaller, University Of Chicago Press, 2000, p.11
  5. ^Discoveries of the Kozlov Expedition by W. Perceval Yetts, he Burlington Magazine for Connoisseurs, Vol. 48, No. 277 (Apr., 1926), pp. 168-185
  6. ^The Pazirik Burial of Altai by Eugene A. Golomshtok, M. P. Griaznov in American Journal of Archaeology, Vol. 37, No. 1 (Jan. - Mar., 1933), pp. 30-45
  7. ^Recent Russian Archaeological Exploration by W. E. D. Allen in The Geographical Journal, Vol. 69, No. 3 (Mar., 1927), pp. 262-264
  8. ^The Old Silk Road - From Xi'an to Pamir, Chapter XIII: A Tour of Turpan by Bi Yading, Chinese Intercontinental Press (CIP) 2003, p.121 (ISBN 7-5032-2125-9)
  9. ^The Perilous Frontier by Thomas J. Barfield, lackwell Publishers, 1989
  10. ^Warriors of the Steppe by Erik Hildinger, Da Capo Press, 1997, pp. 57-92
  11. ^Kazakhstan, Coming of Age by Michael Fergus and Janar Jandosova, Stacey International 2003, p.106 (ISBN 1-900988-615)
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