Perfect Days is a 2023drama film directed byWim Wenders from a script written by Wenders and Takuma Takasaki.[4] A co-production between Japan and Germany, the film follows the routine life of Hirayama (Kōji Yakusho), a public toilet cleaner in Tokyo.[5]
Hirayama works as a public toilet cleaner inTokyo's upscaleShibuya district, across town from his modest home in a middle class neighbourhood east of theSumida River. He repeats his structured, repetitive routine each day, starting at dawn. He dedicates his free time to his passion for music cassettes, which he listens to in his van to and from work, and to his books, which he reads every night before going to sleep. He reads stories byWilliam Faulkner andPatricia Highsmith, and the essays ofAya Kōda. His dreams are shown in flickery impressionistic sequences at the end of every day.
Hirayama is also very fond of trees and spends time gardening and photographing trees. He has a sandwich every day in the shade under trees in the grounds of a shrine and takes analog photos of their branches and leaves and the 'Komorebi' (木漏れ日) -- sunlight filtered by the leaves. His pride in his work is apparent by its thoroughness and precision. Hirayama's young assistant, Takashi, is often late, loud, and not as thorough. One day, a young woman named Aya stops by the public toilet Takashi is cleaning, so he hurries to finish. He tries to leave with Aya, but his motorbike will not start, so he convinces Hirayama to let him use his van.
When Aya says Takashi can stay with her as she works at agirls bar, he complains loudly that he is broke. Unbeknownst to Hirayama, Takashi slips Hirayama'sPatti Smith tape into Aya's purse. Takashi talks Hirayama into going into a shop to get some of his cassettes appraised. When Takashi discovers how valuable they are, he urges Hirayama to sell, but Hirayama refuses, giving him some cash so he can take Aya out. When Hirayama runs out of gas on the way home, he is forced to sell a cassette for gas money. Hirayama commences atic-tac-toe game with a stranger after finding a piece of paper left hidden in a stall. The game continues over the course of the film. He exchanges furtive glances with a strange woman eating lunch one bench over.
Aya catches up with Hirayama to return the Patti Smith cassette. She asks to play it in his van one last time, and then gives him a thank-you kiss on the cheek, leaving him visibly startled. On his free day, Hirayama does his laundry, takes the film with his tree photos to be developed, cleans his flat, buys a new book, and dines out at a restaurant where the proprietor shares gossip with him. Niko, Hirayama's niece, shows up unannounced, having run away from his wealthy estranged sister Keiko's home. He lets Niko accompany him to work during the next two days. The two photograph the trees in the park and ride bikes together. Eventually, Keiko comes to pick up Niko in a chauffeured car.
Keiko tells him that their father’s dementia has worsened and asks whether Hirayama will visit him in the nursing home where he lives. She says that he does not recognise anything anymore and will not behave the way he did before. Hirayama sorrowfully refuses but hugs his sister good-bye. Before she leaves, she asks him whether he really cleans toilets for a living, and he says yes. As they drive away, Hirayama begins to cry inconsolably. The next day, Takashi quits without giving notice, leaving Hirayama to cover his shift. Later, as Hirayama goes to his usual restaurant, he opens the door and sees the proprietor embracing a man. Hirayama hurries off, buying cigarettes and three cannedhighballs to consume at a nearby riverbank. The man Hirayama saw at the restaurant approaches and asks him for a cigarette.
The man tells him the restaurant proprietor is his ex-wife whom he had not seen in seven years, and that she opened her restaurant the year after divorcing him. He says he visited her to make peace before he dies from cancer, telling Hirayama to look after her. Hirayama lightens the mood by offering him a drink and inviting him to play shadow tag, and they eventually part ways. The following morning, Hirayama begins another workweek. As he drives his van and listens toNina Simone sing "Feeling Good", a range of powerful emotions washes over his face.
In an interview withThe Progressive, Wenders revealed that, in his conception, Hirayama was a wealthy alcoholic businessman who, after ending up in a hotel room with no memory, contemplating suicide, and being struck by the beauty of sunlight falling through leaves, gave up his career and became a gardener and then a toilet cleaner.[7]
The Tokyo Toilet, Yoyogi-Hachiman was one of the filming locationsThe Tokyo Toilet, Yoyogi Fukamachi Mini Park has walls that turn opaque when switched onYoyogi-Hachiman-gū was the filming location where Hirayama takes his lunch break
Right afterCOVID-19 pandemic precautions eased, Wenders was invited to Tokyo byKoji Yanai to observeThe Tokyo Toilet, a project in which Japanese public toilets were redesigned in 17 locations throughout Shibuya with the help of 16 creators invited from around the world. Wenders was invited to take a look at the uniqueness of each of these facilities. At first, the producers envisioned Wenders would make a short film or series of short films on the facilities, but he opted for a feature film, with co-screenwriter Takuma Takasaki explaining that the conception of the character of Hirayama felt like new territory for them.[8][9] The film is produced by Master Mind Limited (Japan) and Spoon Inc. (Japan) in collaboration with Wenders Images (Germany).[10][11]
The style of the film takes inspiration from the style of Japanese directorYasujirō Ozu. The minimalist approach to storytelling, the focus on ordinary life, and the 4:3 aspect ratio of the film are all nods to Ozu.[13][14] Also, the name Hirayama comes from a common character name in Ozu's films (Tokyo Story,An Autumn Afternoon).[15]
The music that Hirayama listens to with hiscassettes is a major motif in the film.[16][17] In describing the way that Hirayama chooses the music he listens to, Wenders said: "Maybe he's clinging to the past. But he's clinging a little bit also to his youth and he loves that music. He chooses in the morning exactly what he's going to listen to that day. And it's not random." Wenders describedLou Reed as "a mighty voice in the film."[18]
World sales were handled by The Match Factory,[10] withNeon distributing the film in the United States, andMubi distributing the film in the United Kingdom, Ireland, Turkey and Latin America.[24]
Perfect Days was released in Germany on 21 December 2023 by DCM,[25] and in Japan on 22 December by Bitters End.[26] The film was released in the U.S. on 7 February 2024.[27]
On thereview aggregator websiteRotten Tomatoes, the film holds an approval rating of 96% based on 184 reviews, with an average rating of 8.3/10. The website's critics consensus reads, "An absorbing slice-of-life drama led by a remarkable Kôji Yakusho performance,Perfect Days adds a quietly soaring gem to director/co-writer Wim Wenders' estimable filmography."[30]Metacritic, which uses aweighted average, assigned the film a score of 80 out of 100, based on 38 critics, indicating "generally favorable" reviews.[31]
Hsin Wang ofFIPRESCI described the film as Wim Wenders' lifetime masterpiece.[32] German film journalist Dieter Oßwald wrote, "With furious ease, Wenders succeeds in making a rather perfect film."[33]The Guardian called Perfect Days "Wim Wenders's best film in years," praising the film for being "as much a manifesto as a movie...advocating not just a new way of looking, but of new way of living." Kōji Yakusho's performance drew acclaim for his ability to "convey an extraordinarily rich interior life, almost entirely without leaning on dialogue."[34]
Following the theatrical release ofPerfect Days in international markets, interest in Japanese public facilities, particularly those of the Tokyo Toilet Project inShibuya, has surged.[69][70]
^"第96回米国アカデミー賞国際長編映画賞への出品作品として、申請８作品から「PERFECT DAYS」監督：ヴィム・ヴェンダース（出品会社：有限会社ビターズ・エンド）を選考しました。" [From the eight submitted works, we have selected "PERFECT DAYS" directed by Wim Wenders (submitted by Bitters End LLC) as the entry for the 96th Academy Awards International Feature Film. The 96th Academy Awards International Feature Film] (in Japanese). Motion Picture Producers Association of Japan. Archived fromthe original on 7 April 2024. Retrieved28 October 2024.
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