InIndonesia, afire performance (Indonesian:Pertunjukan Api) is a group of performance arts or skills that involve the manipulation of fire. It includes using fire as a finale in an otherwise non-fire performance. Performances can be done as choreographed routines to music (this type being related to dance).
Fire performance reflects Indonesia's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia, each with its own performances.[citation needed]
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Pepe'-pepeka ri Makka is a traditionalMakassar fire dance originating fromSouth Sulawesi. The dance's name reveals its connection toIslam, which spread to the communities of South Sulawesi in the 17th century—pepe means 'fire',ri means 'in', andMakka means 'Mecca' (symbolic of Islam in general). This definition can refer to the song lyrics performed by the dancer. The sung verses that accompanypepe'-pepeka ri Makka are believed to be the source of the dancers' strength. The dance's motion and poetry illustrate the story ofIbrahim (Abraham) who, byAllah's will, made peace with fire.[1]
The candle dance (Indonesian:Tari Lilin,Minangkabau:Tarian Lilin) is a dance originating fromWest Sumatra. It is performed by a group of dancers accompanied by a group of musicians. The dancers carry burning candles on plates while performing graceful movements that emphasize the dancer's elegance in the sparkling candlelight but do not let the candles fall or drip wax. The dance requires little movement, but full concentration.
This dance contains drama and stories; for example, it can evoke the atmosphere of a group of village girls helping their friend to find a missing engagement ring.
Zapin Api (lit. 'zapin of fire';Jawi:زاڤين اڤي) is a firedance technique of the classical Malayzapin founded inRupat,Riau, Indonesia. Legend says that Rupat was cursed under a series of catastrophes in the 1500s and a harmonious balance between all of the elements was needed to restore peace in the area. This led the islanders, under the leadership of Panglima Sage Dagendang, to seek the assistance from thePawang Besar (Great Mystique) of four natural elements: earth, fire, wind, and water. The mystique agreed to their request and summoned thejinns (spirits) from each respective elements for reconciliation. All of the jinns accepted the invitation to meet with the mystique, except the fire spirit, who demanded that he would arrive only if a special celebration would be held for him. The fire spirit sets the rules for the performance—including its use of fire and themantra that the mortals should abide by during the performance—thus creating theZapin Api.
The performance has several strict rituals that must be adhered to by participants and spectators. All the dancers, musicians, and instruments are required to bathe insacred water andsmoked by mantras[incomprehensible] a few days before the performance. The performance begins with participants reciting prayers and burningincense. Then, the leader recites mantras with aMalay orchestra in the background to summon the spirits. Dancers accompany the orchestra, slowly adapting a spellbound position and drawn directly into the fire.[2][3]
Sanghyang is a sacred pre-Hindu dance from Bali which aims to ward off evil.Sanghyang is a dance of spiritual communication between humans and the supernatural by singing songs of praise to the accompaniment of beats. In this dance there are always three important elements;api (fire),gending sanghyang,[definition needed] and dancers. Commonsanghyang dances includeSanghyang Dedari,Sanghyang Deling,Sanghyang Bojog,Sanghyang Jaran,Sanghyang Sampat, andSanghyang Bojog.[4]
Kecak is a form ofBalineseHindu dance and music drama which depicts a battle story from the Hindu epicRamayana.Kecak is typically performed by about fifty to one hundred men arranged in concentric circles, and whose rhythmic chanting and movement quickens during the performance. Trance rituals often accompany certain sections of thekecak dance, such as during the portrayal of the burning ofHanuman. Here, the dancer playing Hanuman is blessed by a priest and enters a trance state for the 'fire kicking dance' which follows. The dancer does not feel any pain from the fire because he is in a state of trance.[5]
| Acehnese |      | |
|---|---|---|
| Balinese | ||
| Banjarese | ||
| Batak | ||
| Betawi | ||
| Buginese and Makassarese | ||
| Cirebonese | ||
| Dayak | ||
| Javanese | ||
| Lampung | ||
| Malay | ||
| Minangkabau | ||
| Minahasan | ||
| Palembangese | ||
| Sasak | ||
| Sundanese | ||
| Timorese | ||
| Moluccan and Papuan | ||
