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Paul Crowther

From Wikipedia, the free encyclopedia
This article is about the academic. For the police officer, seePaul Crowther (police officer).

Paul CrowtherMRIA (/ˈkraʊðər/; born 24 August 1953) is a British philosopher. He is a professor ofphilosophy and author specialising in the fields ofaesthetics,metaphysics, andvisual culture. He has written nine books in the field of History of Art and Philosophy. He was born inLeeds,West Riding of Yorkshire, England, and he was raised in theBelle Isle estate,Hunslet, andMiddleton areas of south Leeds. He began taking an interest in art and philosophy at the age of 16.[1] He is a proponent of an approach to aesthetics he dubbed "post-analytic phenomenology".[2][3]

Career

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Crowther initially enrolled at theUniversity of Manchester to study history and politics.[1] He subsequently migrated to theUniversity of Leeds where he took a joint honours degree in Philosophy and the History of Art.[4] He was a graduate student at theUniversity of York and also holds a teaching certificate in Classical Studies.[4] He obtained his doctorate in philosophy from theUniversity of Oxford.[4] Crowther is a former fellow ofCorpus Christi College, Oxford where he was a lecturer at the Department of the History of Art and Reader in the History Faculty.[5] He has also taught at theUniversity of St Andrew's (Fife, Scotland), theUniversity of Central Lancashire, andJacobs University Bremen.[4] Between 2009 and 2016, Crowther held the post of Chair of Philosophy at theNational University of Ireland, Galway and subsequently has been emeritus professor of philosophy at the National University of Ireland, Galway.[6]

In May 2017 Crowther was elected as a member of theRoyal Irish Academy.[6]

Philosophical work

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Crowther's interests and expertise are in the fields of visual aesthetics,phenomenology, andKant. Works by him on the philosophy of visual art have been translated into Chinese, Korean, German, and Serbian, amongst other languages.[7]

In 2014, Crowther (together with Slovenian artist Mojca Oblak, and assistance from the Ministry of Culture ofSlovenia and the Moore Institute in Galway, Ireland) organized an exhibition of Victorian art entitledAwakening Beauty[8] at the National Gallery in Ljubljana, Slovenia.

Selected bibliography

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  • The Kantian Sublime: From Morality to Art (1989)[9]
  • Art and Embodiment: From Aesthetics to Self-Consciousness (1993)[10]
  • Critical Aesthetics and Postmodernism (1996)[11]
  • The Language of Twentieth-Century Art: A Conceptual History (1997)[12]
  • The Transhistorical Image: Philosophizing Art and Its History (2002)[13]
  • Philosophy After Postmodernism: Civilized Values and the Scope of Knowledge (2003)[14]
  • Defining Art, Creating the Canon: Artistic Value in an Era of Doubt (2007)[15]
  • Phenomenology of the Visual Arts (even the frame) (2009)[16]
  • The Kantian Aesthetic: From Knowledge to the Avant-Garde (2010)[17]
  • The Phenomenology of Modern Art: Exploding Deleuze, Illuminating Style (2012)[18]
  • Phenomenologies of Art and Vision: A Post-Analytic Turn (2013)[19]
  • How Pictures Complete Us: The Beautiful, the Sublime, and the Divine (2016)[20]
  • What Drawing and Painting Really Mean: The Phenomenology of Image and Gesture (2017)[21]
  • Geneses of Postmodern Art: Technology As Iconology (2018)[22]
  • Digital Art, Aesthetic Creation: The Birth of a Medium (2018)[23]
  • The Aesthetics of Self-Becoming: How Art Forms Empower (2019)[24]
  • Theory of the Art Object (2021)[25]
  • The Phenomenology of Aesthetic Consciousness and Phantasy: Working with Husserl (2021)

References

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  1. ^abKernan Andrews (2010)'There's really no such thing as useless knowledge'Archived 29 March 2018 at theWayback MachineGalway Advertiser 18 February 2010. Retrieved 1 September 2010.
  2. ^Paul Crowther,Phenomenologies of Art and Vision: A Post-Analytic Turn, Bloomsbury, 2013, p. 161.
  3. ^"Post-analytic phenomenology vs market serfdom" - Paul Crowther interviewed by Richard MarshallArchived 23 December 2018 at theWayback Machine. Retrieved 11 March 2017.
  4. ^abcd"Philosophy - Teaching Staff - Paul Crowther". Archived fromthe original on 1 March 2011. Retrieved2 August 2010..
  5. ^http://www.oup.com/us/catalog/general/subject/Philosophy/Aesthetics/?view=usa&ci=9780198236238#Author_Information Oxford University Press: Author Information - Paul Crowther (Accessed May 2011)
  6. ^ab"Two NUI Galway Academics Elected as New Members of the Royal Irish Academy". National University of Ireland, Galway. 31 May 2017. Retrieved18 June 2019.
  7. ^See, for example, the book The Language of Twentieth-Century Art (in Chinese) Jilin Press, Jilin, China, 2007, and the papers ‘Postmodernism in the Visual Arts: A Question of Ends’ (in Korean) in Mapping Contemporary Art, ed. Youngchul Lee, Shigak gwa Uneo, Seoul, 1998; ‘Jenseit von Kunst und Philosophie: Deconstructivismus und das Postmoderne Sublime’ in Deconstructivismus: Eine Anthologie ed. Benjamin, Cooke, and Papadakis, Klett-Cotta, Stuttgart, 1989;‘Umetnost I Autonomnost’, Treci Program Vol. 64, No. 1, 1985, pp. 267-279.
  8. ^"Awakening Beauty - National Gallery of Slovenia". Archived fromthe original on 27 September 2015. Retrieved2 February 2016.
  9. ^Mothersill, Mary (1992). Review of Paul Crowther, The Kantian Sublime: From Morality to Art. Mind 101: 156-160.
  10. ^Altieri, Charles (1995). Review of Paul Crowther, vols 1 and 2 of Art and Embodiment. Journal of Aesthetics and Art Criticism 53 (1): 87-9.
  11. ^Crowther, Paul (1996).Critical Aesthetics and Postmodernism. Oxford University Press.ISBN 978-0-19-823623-8.
  12. ^Davey, Nicholas (2002). Review of Paul Crowther, The Language of Twentieth-Century Art: A Conceptual History. The British Journal of Aesthetics 42 (1).
  13. ^Crowther, Paul (6 June 2002).The Transhistorical Image: Philosophizing Art and Its History. Cambridge University Press.ISBN 978-0-521-81114-9.
  14. ^Crowther, Paul (2 September 2003).Philosophy After Postmodernism: Civilized Values and the Scope of Knowledge. Routledge.ISBN 978-1-134-38860-8.
  15. ^Torsen, Ingvild (2008). Review of Paul Crowther, Defining Art, Creating the Canon: Artistic Value in an Era of Doubt. Notre Dame Philosophical Reviews 2008 (4).Aesthetics.
  16. ^'Why are the visual arts so important and what is it that makes their forms significant?' Stanford University Press: Review of Paul Crowther, Phenomenology of the Visual Arts (even the frame). Retrieved 15 September 2010.
  17. ^Crowther, Paul (25 March 2010).The Kantian Aesthetic: From Knowledge to the Avant-Garde. OUP Oxford.ISBN 978-0-19-157376-7.
  18. ^Crowther, Paul (19 April 2012).The Phenomenology of Modern Art: Exploding Deleuze, Illuminating Style. A&C Black.ISBN 978-1-4411-4258-0.
  19. ^Crowther, Paul (28 March 2013).Phenomenologies of Art and Vision: A Post-Analytic Turn. A&C Black.ISBN 978-1-4411-1973-5.
  20. ^Crowther, Paul (13 April 2016).How Pictures Complete Us: The Beautiful, the Sublime, and the Divine. Stanford University Press.ISBN 978-0-8047-9846-4.
  21. ^Crowther, Paul (21 April 2017).What Drawing and Painting Really Mean: The Phenomenology of Image and Gesture. Routledge.ISBN 978-1-315-31183-8.
  22. ^Crowther, Paul (3 September 2018).Geneses of Postmodern Art: Technology As Iconology. Routledge.ISBN 978-0-429-88624-9.
  23. ^Crowther, Paul (10 October 2018).Digital Art, Aesthetic Creation: The Birth of a Medium. Routledge.ISBN 978-0-429-88614-0.
  24. ^"The Aesthetics of Self-Becoming: How Art Forms Empower".Routledge & CRC Press. Retrieved29 September 2025.
  25. ^Crowther, Paul (30 September 2021).Theory of the Art Object. Taylor & Francis Group.ISBN 978-1-032-17775-5.
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