Movatterモバイル変換


[0]ホーム

URL:


Jump to content
WikipediaThe Free Encyclopedia
Search

Paul Apodaca

From Wikipedia, the free encyclopedia
American academic
Apodaca with a third grade student

Paul Apodaca (born inLos Angeles, California) is an emeritus associate professor ofAnthropology andAmerican Studies atChapman University.

Personal background

[edit]

Apodaca was born inLos Angeles and raised inTustin, California.[1] His father's family were from the eastern side of theNavajo Reservation, of the Ma'ii deeshgiishiniiClan (Jemez Clan), and his mother's family areMixton.[2] Apodaca received his masters' of arts degree in American Indian studies and his doctorate degree in Folklore and Mythology fromUniversity of California, Los Angeles. He was the Outstanding Graduate Student of 1996.[3] Apodaca lives inOrange, California.[4]

Professional career

[edit]

Academic

[edit]

Apodaca is an emeritus associate professor ofAnthropology andAmerican Studies atChapman University and a visiting professor atUCLA. He has worked as a regional advisor to theSmithsonian InstitutionNational Museum of the American Indian (representing the California-Nevada-Utah region).

Apodaca was a curator at theBowers Museum in Orange County over a period of seventeen years.

In 2008, Apodaca was the Lecturer in Residence at the Southwest Museum of the American Indian, a part ofAutry National Center, where he made presentations entitledThe Mayan end of the World?,Unravelling the mystery of cogged stones used in early California, andImagery and reality: the role of American Indians in film and television.[5]

In 2008, Apodaca was a keynote speaker at the University of California Native American Professional Development Conference.[6]

Apodaca recovered and restored once-lost recordings of traditionalAgua Caliente tribal leader Joe Patencio, Alvino Siva, and others singing bird songs ofCahuilla oral literature.[7] The collection is archived at the Agua Caliente Cultural Museum inPalm Springs.

Cultural advisor

[edit]

Apodaca was a selector for the NMAINative American Film and Video Festival.[8] He has also been a member of the Native California Network, and a board member for the California Council for the Humanities.[9] He has been employed by the Arizona Commission on the Arts, theCorporation for Public Broadcasting, theCalifornia Arts Council, and theCity of Los Angeles Cultural Affairs Department.

Apodaca was a consultant on Indian culture and imagery toKnott's Berry Farm and theWalt Disney Company.[10] He was a technical advisor on the television mini-series,Lonesome Dove (1989).[11]

He was a creative consultant for the Disney film,Planes: Fire and Rescue 2004, for which he helped develop the character Windlifter, a heavy-lift helicopter who is portrayed as an American Indian and voiced by actorWes Studi.[12] Apodaca assisted with design elements on Windlifter’s image, and in a script element in which Windlifter recounts an American Indian folktale of how Coyote was renewed by fire.[13]

Apodaca, Henry Koerper ofCypress College and Jon Erikson of theUniversity of California Irvine, promoted California state legislation that added an 8,000 year old carving of a bear to thelist of California state symbols as the official California State Prehistoric Artifact.[14]

Editorial advisor

[edit]

Apodaca served as a contributing editor toNews from Native California.[15] He has edited theJournal of California and Great Basin Anthropology and has been an adviser forPearson Scott Foresman publishers.[2] Apodaca serves on the editorial board of Malki Museum Press.[16]

Performing artist

[edit]

Apodaca sat in as a spoken word performer withThe Dave Brubeck Quartet during the 2009 Brubeck Festival, a commemoration of the 50th anniversary of Brubeck's legendary album,Time Out.[17]

Apodaca also appeared in a special feature segment of the DVD release of theNicolas Cage film,Knowing (2009) where he discussed the cultural significance ofapocalypse myths.[18]

Apodaca performed music for theAcademy Award winning film,Broken Rainbow (1986), a documentary film that helped to stop the relocation of twelve thousand Navajos in northern Arizona.[19][20]

List of awards

[edit]

Selected bibliography

[edit]
  • Apodaca P. and Angelo G. "Gabrielino/Tongva culture" (1991) video.[24]
  • Apodaca P. "Permanent sandpainting as an art form" (1991)[25]
  • Apodaca P. "Sharing information: the Cahuilla tribe and the Bowers Museum" (1991)[26]
  • Apodaca P. "California Indian shamanism and California Indian nights" (1994)[27]
  • Apodaca P. and Labbe A. J. "Images of power: masterworks of the Bowers Museum of Cultural Art" (1995)[28]
  • Apodaca et al "Archaeological, ethnohistoric, and historic notes regarding ORA-58 and other sites along the Lower Santa Ana River drainage, Costa Mesa" (1996)[29]
  • Apodaca P. "Testaments of hope" (1998)[30]
  • Apodaca P. "Powerful images: portrayals of Native America" (1998)[31]
  • Apodaca P. "Tradition, myth, and performance of Cahuilla bird songs" (1999), doctoral thesis, UCLA.
  • Apodaca P. and Madrigal L. "Cahuilla bird songs" (1999)[32]
  • Kozak and Lopez "Devil sickness and devil songs: Tohono O'odham poetics" (2001) Review.[33]
  • Apodaca P. "Cactus stones: symbolism and representation in Southern California and Seri indigenous folk art and artifacts" (2001)[34]
  • Apodaca P. "Hollywood Tragicomedy" (2007)[35]
  • Apodaca P. "Under West's wing, NMAI made history" (2008)[36]
  • Apodaca P. andSaubel K. S. "Founding a tribal museum: the Malki Museum" (2008)[37]
  • Apodaca P. "Native American Art" (2015)[38]
  • Apodaca P. "Wikikmal: the birdsong tradition of the Cahuilla Indians" (forthcoming)[39]

References

[edit]
  1. ^Heritage Tustin Area Historical Society newsletter vol 32:2 April/May 2007. Retrieved 2016-12-24.
  2. ^abPaul Apodaca Lapahie website
  3. ^Archives Daily Bruin website.
  4. ^Paul Apodaca UCLA winter 1999.
  5. ^Southwest MuseumArchived 2011-07-18 at theWayback Machine Autry National center website.
  6. ^Keynote speakerArchived 2012-12-12 atarchive.today AIRP website.
  7. ^Cahuilla OAC website.
  8. ^Paul Apodaca Native Networks website 1997.
  9. ^AlumniArchived 2008-08-20 at theWayback Machine American Indian Studies UCLA.
  10. ^Paul Apodaca Lapahie website.
  11. ^Lonesome Dove Internet Movie Data Base.
  12. ^Planes: Fire and Rescue Stitch Kingdom website.
  13. ^Winging it with Wes StudiArchived 2015-06-03 at theWayback Machine Indian Country Today website July 14, 2014.
  14. ^California prehistoric artefact Netstate website.
  15. ^Paul ApodacaArchived 2008-12-05 at theWayback Machine Heyday Books website.
  16. ^Board and staff Malki Museum website.
  17. ^Time OutArchived 2012-12-12 atarchive.today University of the Pacific.
  18. ^Knowing DVD magazine website.
  19. ^Awards Chapman University website October 14, 2008.
  20. ^broken rainbow IMDB.
  21. ^Award winnersArchived 2009-09-01 at theWayback Machine Orange county government website
  22. ^The People's PathArchived 2008-09-07 at theWayback Machine Native Americas Journal 2001
  23. ^Honorary Host Committee for the 40th YearArchived 2012-08-04 atarchive.today Ethnic Studies, UCLA.
  24. ^Apodaca P. and Angelo G. "Gabrielino/Tongva culture" (video) Native American Public Telecommunications, Inc./Vision Maker Video, Lincoln, Nebraska 1991.
  25. ^Apodaca P. "Permanent sandpainting as an art form" in Heth C. (Ed.)Sharing a Heritage: American Indian Arts UCLA AISC Press 1991.
  26. ^Apodaca P. "Sharing information: the Cahuilla tribe and the Bowers Museum" inNews from Native California 5(2) February–April 1991.
  27. ^Apodaca P. "California Indian shamanism and California Indian nights" inNews from Native California 7(2): 24-26 1994.
  28. ^Apodaca P. and Labbe A. J. "Images of power: masterworks of the Bowers Museum of Cultural Art" University of Washington Press, 1995.
  29. ^Apodaca P. et al "Archaeological, ethnohistoric, and historic notes regarding ORA-58 and other sites along the Lower Santa Ana River drainage, Costa Mesa" inPacific Coast Archaeological Society Quarterly 32(1):1–36 1996.
  30. ^"Testaments of hope"Chronicle of Higher Education February 20, 1998.
  31. ^Apodaca P. "Powerful images: portrayals of Native America" inAmerican Anthropologist 101(4): 818 1998.
  32. ^Apodaca P. and Madrigal L. "Cahuilla bird songs" inCalifornia Chronicles 2(2): 4–8 November 1999.
  33. ^Kozak and Lopez, "Devil sickness and devil songs: Tohono O'odham poetics" inAmerican Ethnologist 28(2): 496-497 2001.
  34. ^"Cactus stones: symbolism and representation in Southern California and Seri indigenous folk art and artifacts"Journal of California and Great Basin Anthropology 23(2):215-228 2001
  35. ^"Hollywood Tragicomedy"Indian Country Today, November 30, 2007.
  36. ^"Under West's wing, NMAI made history"Indian Country Today, January 18, 2008.
  37. ^Apodaca P. and Saubel K. S. "Founding a tribal museum: the Malki Museum" in Kennedy F.(Ed.)American Indian places: a guide to American Indian landmarks Houghton Mifflin, New York 2008.
  38. ^Apodaca P. "Native American Art" in Beal T.(Ed.)The Oxford Encyclopedia of the Bible and the Arts Oxford University Press, NY 2015.
  39. ^"Wikikmal: the birdsong tradition of the Cahuilla Indians" American Indian Studies Center, UCLA.

External links

[edit]
International
National
Other
Retrieved from "https://en.wikipedia.org/w/index.php?title=Paul_Apodaca&oldid=1329544767"
Categories:
Hidden categories:

[8]ページ先頭

©2009-2026 Movatter.jp