P. K. Page | |
|---|---|
 | |
| Born | Patricia Kathleen Page (1916-11-23)23 November 1916 |
| Died | 14 January 2010(2010-01-14) (aged 93) Oak Bay, British Columbia, Canada |
| Pen name | P.K. Page (as poet), Judith Cape (as novelist), P.K. Irwin (as a painter) |
| Nationality | Canadian |
| Notable works | The Metal and the Flower |
| Notable awards | Governor General's Award in Visual and Media Arts,Order of Canada, FRSC |
| Spouse | William Arthur Irwin (1898–1999) |
| Children | 3 |
Patricia Kathleen Page,CC OBC FRSC (23 November 1916 – 14 January 2010) was a Canadian poet,[1] though the citation as she was inducted as a Fellow of theRoyal Society of Canada reads "poet, novelist, script writer, playwright, essayist, journalist, librettist, teacher and artist."[2] She was the author of more than 30 published books that include poetry, fiction, travel diaries, essays, children's books, and an autobiography.[3]
As a visual artist, she exhibited her work asP.K. Irwin at a number of venues in Canada and abroad. Her works are in the permanent collections of theNational Gallery of Canada, theArt Gallery of Ontario and theBurnaby Art Gallery.
By special resolution of the United Nations, in 2001 Page's poem "Planet Earth" was read simultaneously in New York, theAntarctic, and the South Pacific to celebrate theInternational Year of Dialogue Among Civilizations.[1]
P.K. Page was born inSwanage, Dorset, England, and moved with her family to Canada in 1919. Page's parents moved with her toRed Deer, Alberta in 1919, when she was only 3, and later toCalgary andWinnipeg.[4] Her father wasLionel Frank Page, aCanadian Army officer. Page said her parents were creative, encouraging non-conformists who loved the arts, recited poetry and read to her. She credited her early interest in poetry to the rhythms she unconsciously imbibed as a child.[5] A year in England when she was 17 opened her eyes to galleries, ballets and concerts.
Page "later moved toSaint John, New Brunswick, where she worked as a shop assistant and radio actress during the late 1930s."[6] In 1941 she moved toMontreal and came into contact with theMontreal Group of poets, which includedA. M. Klein andF. R. Scott.
She became a founding member ofPatrick Anderson'sPreview magazine in 1942,[6] and of its successor,Northern Review, in 1945. Some of her poetry appeared in themodernist anthology,Unit of Five, in 1944, along with poems byLouis Dudek,Ronald Hambleton,Raymond Souster, andJames Wreford.[6]
In 1944 she published a romantic novel,The Sun and the Moon, under the pseudonym Judith Cape. The novel was reprinted in 1973, along with some of her short stories from the 1940s, asThe Sun and the Moon and Other Fictions.[7]
Later she became a scriptwriter at Canada'sNational Film Board, where she metW. Arthur Irwin, a former editor ofMaclean's magazine, whom she married in 1950.[5] Following her marriage, "Page devoted her time to writing the poetry collectionThe Metal and the Flower (1954), for which she received aGovernor General's Award."[6]
Page travelled with her husband on his diplomatic postings to Australia,Brazil,Mexico andGuatemala. In Brazil and Mexico, not hearing the rhythms of spoken English, she said, "I had a long dry spell, so I started painting and keeping a journal," published asBrazilian Journal and illustrated with her own paintings.[5] She began writing poetry again following her return to Canada in the mid-1960s.[6]
Her visual art, under her married name as P. K. Irwin, is in galleries and private collections, including theNational Gallery of Canada in Ottawa.[8]
She remained an active cultural collaborator and wrote steadily throughout the last years of her life inOak Bay, British Columbia.
Page's career can be divided into two periods: the first being the 1940s and 1950s, and the second starting with her return to Canada in the 1960s.
Her early poems "were inward-looking, imaginary biographies," which "rely heavily on suggestive imagery and the detailed depiction of concrete situations to express social concerns and transcendental themes ... such poems as 'The Stenographers' and 'The Landlady' focus on isolated individuals who futilely search for meaning and a sense of belonging. 'Photos of a Salt Mine' considered one of Page's best early poems, examines how art both conceals and reveals reality."[6]
Northrop Frye wrote about her 1954 volume,The Metal and the Flower, that "if there is anything such as 'pure poetry,' this must be it: a lively mind seizing on almost any experience and turning it into witty verse.... Miss Page's work has a competent elegance about it that makes even the undistinguished poems still satisfying to look at."[9]
Her later works showed "a new austerity in form and a reduction in the number of images presented." As well, there is a difference in type of image: "her later poems are often set abroad and suggest a path of liberation for the isolated, alienated individual.... Such poems as 'Bark Drawing' and 'Cook's Mountains' contain images outside the self as does 'Cry Ararat!' — a poem concerning the reconciliation of internal and external worlds, in which Mount Ararat symbolizes a place of rest [in] between."[6]
CriticGeorge Woodcock has said that Page's "most recent poems are more sharply and intensely visual than ever in their sensuous evocation of shape and color and space; their imagery takes us magically beyond any ordinary seeing into a realm of imagining in which the normal world is shaken like a vast kaleidoscope and revealed in unexpected and luminous relationships."[6]
Page's 1972 apocalyptic tale of climate change,Unless the Eye Catch Fire, appeared in the literary journalThe Malahat Review in the late 1970s and, in 1981, as the only prose piece in her poetry collectionEvening Dance of the Grey Flies. Created later as a one-woman play by actorJoy Coghill and flautist Robert Cram at the Banff Centre for the Arts, it was performed in 1994 as part of the British Empire Games Festival in Victoria, B.C. and, in 2002, at the National Arts Centre, Ottawa, and Trent University. A performance directed by David Duke was part of the Vancouver International Writers Festival in October 2009. Composer Gavin Bryers wrote music for a film version of Page's story by Anna Tchermakova, produced by Hilary Jones-Farrow for CBC Television. The June 1999 concert of Bryers' score, presented by The May Street Group and CBC Radio Two, was recorded for future broadcast.[10]
Page won the Governor General's Award in1954 forThe Metal and the Flower, and theCanadian Authors Association Award in 1985 forThe Glass Air.[7]
In 1977 she was made an Officer of theOrder of Canada and was promoted to Companion of the Order in 1998.[11] In 2003, she was made a member of theOrder of British Columbia.[12]
BCLt. Gov.Iona Campagnolo awarded her the firstLieutenant Governor's Award for Literary Excellence in 2004, calling Page "a true Renaissance woman."[8] Page was also the recipient of the 2004 Terasen Lifetime Achievement Award.[13]
In 2006, she was named a Fellow of theRoyal Society of Canada.[14] She held honorary degrees fromUniversity of Victoria (1985),University of Calgary (1989),University of Guelph (1990),Simon Fraser University (1990),University of Toronto (1998),University of Winnipeg (2001),Trent University (2004) and theUniversity of British Columbia (2005).[8]
Artworks byMimmo Paladino inspired by and incorporating her poetry were installed with Page's calligraphy text panels for exhibits in Toronto (Istituto Italiano di Cultura/Italian Government Cultural Office, October 1998), in Victoria, B.C. (Art Gallery of Greater Victoria, October 1999) and in Winnipeg (Winnipeg Art Gallery, January 2000).[15] Several of Page's poems have been translated into languages other than English.[16] A symposium on her work, "Extraordinary Presence: The Worlds of P.K. Page", was held in 2002 at Trent University.[17]
Page was a "true Canadian literary and artistic icon," according to B.C.PremierGordon Campbell.[18] "As an author, poet, teacher, scriptwriter and painter, P. K. Page was an extraordinary and varied force in promoting and developing Canadian culture. Her efforts helped to set the stage for decades of cultural growth in our nation.... It is the passion of people like Patricia that forged our country's cultural and artistic identity."[18]
TheNational Film Board of Canada dedicated a 38-minute documentary to her career (Still Waters, directed by MontrealerDonald Winkler),[19] In a special issue ofThe Malahat Review about Page and her work, Winkler writes about filming Page for the documentary segment on her childhood.[20]
Coal and Roses, her last collection, was posthumously shortlisted for theGriffin Poetry Prize.[17]
Journey with No Maps, a biography of Page bySandra Djwa, was published in late 2012[17] and was a finalist for the 2013 Charles Taylor Prize for Literary Non-Fiction.[21]
A $1,000 poetry prize is awarded annually by theMalahat Review in Page's name.[22] Its editor,Marilyn Bowering, said, "[Her] accomplishments have been an inspiration to several generations of writers," and declared that the award, called the P. K. Page Founders' Award for Poetry, would formalize Page's "long association with theMalahat Review!"[22]
Rackham-Hall, Michèle."The Art of P.K. Irwin". The Porcupine Quill, 2016. Retrieved22 September 2023.
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