Péter Esterházy (14 April 1950 – 14 July 2016) was a Hungarian writer. He was one of the best known Hungarian[1][2] and Central European[3] writers of his era. He was called a "leading figure of 20th centuryHungarian literature",[4] and his books were considered to be significant contributions to post-war literature.[5]
Esterházy was born inBudapest on 14 April 1950, the eldest son of Mátyás Esterházy de Galántha (1919–1998) (CountEsterházy until 1947, when all titles and ranks were abolished)[6] and Magdolna Mányoki (1916–1980). His paternal grandfather was CountMóric Esterházy (1881–1960), who briefly served asPrime Minister of Hungary in 1917. Through his paternal grandmother Countess MargitKárolyi (1896–1975), one of his ancestors was CountGyula Károlyi (1871–1947), also Prime Minister from 1931 to 1932.[7][8] Péter had three younger brothers, including international football playerMárton Esterházy (born 1956).
Esterházy was educated as amathematician and began to write in the 1970s.[3] He is perhaps best known outside of his native country forCelestial Harmonies (Harmonia Caelestis, 2001) which chronicles his forefathers' epic rise during theAustro-Hungarian empire to their dispossession under communism.[2][4] His next novel,Revised Edition orCorrected Version (Javított kiadás, 2002), which appeared as an appendix to the former work, deals with his realisation that his father was an informant for the secret police during thecommunist era.[4][3]
After the regime change in 1989, Péter Esterházy refused to accept the return of any land or valuables nationalized by the communists.
Many of his other works also deal with the experience of living under acommunist regime and in a post-communist country.[4][3] He wrote in a style that can be characterised aspostmodernist[3] and his prose was described byJohn Updike as "jumpy, allusive, and slangy. ...there is vividness, an electric crackle. The sentences are active and concrete. Physical details leap from the murk of emotional ambivalence".[4] In an obituary published byReuters, his literary technique is described as "Employing a stop-and-go rhythm, his writing concentrated on twists and surprises rather than straight narrative lines, combining personal experiences with references, quotes and all shades of jokes from sarcasm to toilet humor, sometimes including texts of other authors."[3]
His works have been published in more than 20 languages.[4][3] He was awarded several literary distinctions in Hungary, including the prestigiousKossuth Prize in 1996,[2] and has received awards for his work inFrance,Austria,Germany,Slovenia andPoland.
He was highly critical of the authoritarian tendencies ofViktor Orbán's administration, declaring that "Orbán is not a statesman" and that "the Orbán system is damaging to Hungary. Our Democracy is not liberal, freedom of the press is limited, and the division of power is inadequate."[9]
He was married to Margit Reén, and had four children.[2]
In October 2015, it became public knowledge that he was suffering frompancreatic cancer.[10] He died on 14 July 2016.[3]
^"Péter Esterházy at the PEN World Voices Festival".Hungarian Literature Online. 5 December 2008. Retrieved15 July 2016.Péter Esterházy, whom Salman Rushdie introduced as "one of the most significant writers of world literature today", was a special guest at the PEN World Voices Festival in New York between 29 April and 2 May.
^TheStatute IV of 1947, which is still in force in Hungary, declares the abolition of hereditary noble ranks and related styles and titles, also banning their use.
^Gudenus, János József (1990).A magyarországi főnemesség XX. századi genealógiája A–J. Budapest: Natura. pp. 352–380.ISBN963-234-313-1.
^Gudenus, János József (1993).A magyarországi főnemesség XX. századi genealógiája K–O. Budapest: Tellér. pp. 29–40.ISBN963-817-800-0.
Tötösy de Zepetnek, Steven (斯蒂文·托托西演). 文学研究的合法化: 一种新实用主义 ·整体化和经主 义文学与文化研究方法 (Legitimizing the Study of Literature: A New Pragmatism and the Systemic Approach to Literature and Culture). Trans. Ma Jui-ch'i (马瑞琪翻). Beijing: Peking University Press, 1997. 111–134.
Tötösy de Zepetnek, Steven. "Cultures, Peripheralities, and Comparative Literature."Comparative Literature: Theory, Method, Application. By Steven Tötösy de Zepetnek. Amsterdam: Rodopi, 1998. 121–175.
