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Otto Rippert

From Wikipedia, the free encyclopedia
Otto Rippert
Otto Rippert, byJan Vilimek (1896)
Born(1869-10-22)22 October 1869
Died15 January 1940(1940-01-15) (aged 70)
Berlin, Germany
Occupation(s)Actor, film director, film editor
Years active1912–1924

Otto Rippert (22 October 1869 – 15 January 1940) was a German film director during thesilent film era.

Biography

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Rippert was born inOffenbach am Main, Germany, and began his career as a stage actor, working in theatres inBaden-Baden,Forst (Lausitz),Bamberg and inBerlin. In 1906, he acted his first film in Baden-Baden for the FrenchGaumont Film Company. In 1912 he appeared (complete with stick-on beard) as the millionaireIsidor Straus inIn Nacht und Eis, one of the first films about the sinking of theTitanic.[1] The film was made byContinental-Kunstfilm of Berlin, where Rippert continued to work as a director, making some ten motion pictures between 1912 and 1914. However, his reputation as one of the pioneers of German silent film rests on some of his later achievements, for exampleHomunculus andThe Plague of Florence.[2]

Homunculus, produced by Deutsche Bioskop in 1916, is a six-part serialscience fiction film involving mad scientists, superhuman androids and sinister technology. The script was written byRobert Reinert, and the film foreshadows various elements ofFritz Lang's 1927Metropolis, as well as serving as a model for later adaptations ofMary Shelley'sFrankenstein rather than the original1910 version.[3] The subject-matter ofHomunculus is similar to an earlier film about a monstrous man-made being,Der Golem (Paul Wegener, 1915).[4]

Fritz Lang wrote the script for Rippert's historical epicThe Plague of Florence (1919), the first film (of sixteen, as of 2007) to feature theblack plague.[5] The cameraman was Emil Schünemann, who was behind the lens forIn Nacht und Eis.

After 1924, Rippert stopped directing films and worked as afilm editor. He had astroke in 1937 and died in Berlin in 1940.

Filmography

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Actor
Director
  • Zwischen Himmel und Erde (1912)
  • Die fremde Legion (1912)
  • Gelbstern (1912)
  • Mannequins (1913 film) (1913)
  • Zertrümmerte Ideale (1913)
  • Scheingold (1913)
  • Wie die Blätter... (1913)
  • Surry der Steher (The Cyclist's Last Leap) (1913)
  • Nach dem Tode (1913)
  • Die Mustercollection (1914)
(All the above films were produced byContinental-Kunstfilm)
  • Homunculus, 1. Teil - Der künstliche Mensch (1916)
  • Homunculus, 2. Teil - Das geheimnisvolle Buch (1916)
  • Homunculus, 3. Teil - Die Liebestragödie des Homunculus (1916)
  • Homunculus, 4. Teil - Die Rache des Homunculus (1916)
  • Homunculus, 5. Teil - Die Vernichtung der Menschheit (1916)
  • Homunculus, 6. Teil - Das Ende des Homunculus (1916)
  • Friedrich Werders Sendung (1916)
  • BZ-Maxe & Co. (1916)
  • Der Tod des Erasmus (1916)
  • The Knitting Needles (1916)
  • Das Buch des Lasters (1917)
  • Der Schwur der Renate Rabenau (1917)
  • Wer küßt mich? (1917)
  • Wenn die Lawinen stürzen (1917)
  • Das Mädel von nebenan (1917)
  • Der Fremde (1917)
  • Und wenn ich lieb' nimm dich in acht...! (1917)
  • Die Tochter der Gräfin Stachowska (1917)
  • Die gute Partie (1917)
  • Die Krone des Lebens (1918)
  • Der Weg, der zur Verdammnis führt, 1.Teil - Das Schicksal der Aenne Wolter (1918)
  • Das Glück der Frau Beate, co-directorAlwin Neuß (1918)
  • Baroneßchen auf Strafurlaub (1918)
  • Arme Lena (1918)
  • Heide-Gretel (1918)
  • Das verwunschene Schloß (1918)
  • Die fromme Helene (1918)
  • Inge (1918 film)
  • Der Weg, der zur Verdammnis führt, 2.Teil - Hyänen der Lust
  • Hotel Wasserhose
  • The Plague of Florence (1919)
  • The Woman with Orchids (1919)
  • The Dance of Death (1919)
  • Countess Walewska (1920)
  • Der Menschheit Anwalt
  • Schatten einer Stunde
  • Wie Satan starb
  • Teufelchen
  • Aschermittwoch (1921)
  • Susanne Stranzky
  • Die Abenteuer der schönen Dorette
  • Die Beute der Erinnyen
  • Tingeltangel (1922)
  • Die brennende Kugel
  • Winterstürme (1924)
  • Die Tragödie zweier Menschen (1925)

Notes

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  1. ^Wedel, Michael (2004)."Mime Misu's Titanic - In Night and Ice (1912)". In Bergfelder, Tim; Street, Sarah (eds.).The Titanic in myth and memory: representations in visual and literary culture. I.B.Tauris. p. 100.ISBN 978-1-85043-432-0.
  2. ^Film Portal
  3. ^Brake, Mark L.; Hook, Neil (2008).Different engines: how science drives fiction and fiction drives science. Palgrave Macmillan. pp. 80–81.ISBN 978-0-230-55389-7.
  4. ^Gerbert, Elaine (1997)."A new look: the influence of vision - technology on narrative in Taishō".New Trends & Issues in Teaching Japanese Language & Culture. University of Hawaii at Manoa, Technical Reports. Vol. 3. National Foreign Language Resource Centre [Hawaii]. p. 24.ISBN 978-0-8248-2067-1.
  5. ^Tibayrenc, Michel, ed. (2007)."Filmography of infectious diseases".Encyclopedia of infectious diseases: modern methodologies. Wiley Desktop Editions. John Wiley & Sons. p. 731.ISBN 978-0-470-11419-3.

External links

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