| Other Afternoons | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1970 | |||
| Recorded | August 15, 1969 | |||
| Genre | Jazz | |||
| Length | 37:50 | |||
| Label | BYG Records | |||
| Producer | Jean Georgakarakos, Jean-Luc Young | |||
| Jimmy Lyons chronology | ||||
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Other Afternoons is an album by American jazz saxophonistJimmy Lyons, recorded in 1969 and released in 1970 on theBYG label as part of their Actuel series.[1] His first recording as leader, it features Lyons on alto saxophone along with trumpeterLester Bowie, bassistAlan Silva, and drummerAndrew Cyrille. (Lyons had played with Silva and Cyrille inCecil Taylor's band.)
The album was recorded as part of a marathon week-long BYG session which also produced albums by artists such asArchie Shepp (Yasmina, a Black Woman,Poem for Malcolm, andBlasé), theArt Ensemble Of Chicago (Message to Our Folks andReese and the Smooth Ones),Grachan Moncur III (New Africa), Alan Silva (Luna Surface),Dave Burrell (Echo), Andrew Cyrille (What About?), andSunny Murray (Homage to Africa andSunshine).[2][3][4]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [5] |
| Tom Hull – on the Web | B+[6] |
| The Rolling Stone Jazz Record Guide |  [7] |
In hisAllMusic review,Eugene Chadbourne awarded the album 4.5 stars, stating "this album stands out as containing much superior playing, springing from what seems to be a fully realized conception of just where the music was going". He wrote: "The combination of Lyons with Lester Bowie is simply marvelous. The alto saxophonist's speciality is a kind of pungent yet unsentimental tone, kind of a thinking man's Charlie Parker, while trumpeter Bowie seems to pack every note, whether it is blasted or delicately blown, with deep pockets of potential comedy or melancholy. It is a perfect match of contrasts, made even more interesting by both players' reliance on space, in each case developed as an alternative to the amount of intense energy or sonic bombast being tossed up by other members of these players' regular associations, the Taylor group and the Art Ensemble of Chicago, respectively. From drummer Andrew Cyrille and bassist Alan Silva a listener might expect a certain kind of firepower as well as rhythmic developments being colored in terms of suggestions and impulses rather than firmly shoved in a pocket. These two master players are thrilling here in their adventurous attempts to give their friend Jimmy Lyons a whole new sound on his album."[5]
In aJazzTimes review written in 1970,Robert Levin stated thatOther Afternoons "should make anyone who can get hold of it take serious notice—not only of [Lyons'] increasing mastery of the alto saxophone, but also of his newly revealed and exceptional talent as a composer. The album is highly charged and demonstrates Jimmy's capacity to play and write with a startling rhythmic energy, a strong sense of melody, and a near-to-excruciating lyricism."[8]Ethan Iverson called the album "an extraordinary document, one of the most poetic examples of the aggressive 'new thing' that dominated critical conversations of the era..." and wrote that it "goes from ancient to the future and back with rough finesse and measured joy... it's one of those LPs that just gets better and better with time."[3]
Writing forRed Bull Music Academy, Britt Robson commented: "Other Afternoons features the same personnel as the Cecil Taylor Unit, with one huge difference – the ivory blizzard of Taylor's piano arpeggios is replaced by the more restrained splats of trumpeter Lester Bowie. The added space in the mix enables the underrated talents of altoist Jimmy Lyons to stretch and blossom. He composes and arranges tunes featuring his furtive, gradually intensifying phrases, with well-timed nudges from Bowie."[4]