InGreek mythology, the legend ofOrpheus and Eurydice (Greek:Ὀρφεύς, Εὐρυδίκη,romanized: Orpheus, Eurydikē) concerns the pitiful love ofOrpheus ofThrace, located in northeastern Greece, for the beautifulEurydice. Orpheus was the son ofOeagrus and the MuseCalliope. It may be a late addition to the Orpheus myths, as the latter cult-title suggests those attached toPersephone. The subject is among the most frequently retold of all Greek myths.
Apollo gave Orpheus alyre and taught him how to play. It had been said that "nothing could resist Orpheus's beautiful melodies, neither enemies nor beasts." Orpheus fell in love withEurydice, a woman of beauty and grace, whom he married and lived with happily for a short time. However, whenHymen was called to bless the marriage, he predicted that their perfection was not meant to last.
A short time after this prophecy, Eurydice was wandering in the forest with theNymphs. In some versions of the story, the shepherdAristaeus saw her and, beguiled by her beauty, made advances towards her and began to chase her. Other versions of the story relate that Eurydice was merely dancing with the Nymphs. Whether fleeing or dancing, she was bitten by a snake and died instantly. Orpheus sang his grief with his lyre and managed to move everything, living or not, in the world; both humans and gods learnt about his sorrow and grief.
At some point, Orpheus decided to descend to Hades by music to see his wife. Any other mortal would have died, but Orpheus, being protected by the gods, went to Hades and arrived at theStygian realm, passing by ghosts and souls of people unknown. He also managed to attractCerberus, the three-headed dog, who had a liking for his music. He presented himself in front of the god of the Greek underworld,Hades, and his wife,Persephone.
Orpheus played with his lyre a song so heartbreaking that even Hades himself was moved to compassion. The god told Orpheus that he could take Eurydice back with him, but under two conditions: she would have to walk behind him while walking out from the caves of the underworld, and hecould not turn to look at her as they walked.
Thinking it a simple task for a patient man like himself, Orpheus was delighted; he thanked Hades and left to ascend back into the living world. Unable to hear Eurydice's footsteps, however, he began to fear the gods had fooled him. Eurydice might have been behind him, but as ashade, having to come back into the light to become a full woman again. Only a few feet away from the exit, Orpheus lost his faith and turned to see Eurydice behind him, sending her back to be trapped in Hades's reign forever.
Orpheus tried to return to the underworld but was unable to, possibly because a person cannot enter the realm of Hades twice while alive. According to various versions of the myth, he played a mourning song with his lyre, calling for death so that he could be united with Eurydice forever. He was killed either by beasts tearing him apart or by theMaenads in a frenzied mood. His head remained fully intact and still sang as it floated in the water before washing up on the island ofLesbos. According to another version,Zeus decided to strike him with lightning, knowing Orpheus might reveal the secrets of the underworld to humans. In this telling, theMuses decided to save his head and keep it among the living people to sing forever, enchanting everyone with his melodies. They additionally cast his lyre into the sky as aconstellation.
InVirgil's classic version of the legend, it completes hisGeorgics, a poem on the subject of agriculture. Here the name ofAristaeus, or Aristaios, the keeper of flying insects, and thetragic conclusion was first introduced.[1]
Ovid's version of the myth, in hisMetamorphoses, was published a few decades later and employs a different poetic emphasis and purpose. It relates that Eurydice's death was not caused by fleeing from Aristaeus, but rather by dancing with nymphs on her wedding day.[2]
Other ancient writers treated Orpheus's visit to the underworld more negatively. According to Phaedrus inPlato'sSymposium,[4] the infernal deities only "presented an apparition" of Eurydice to him. Plato's representation of Orpheus is in fact that of a coward; instead of choosing to die in order to be with his love, he mocked the deities in an attempt to visit Hades, to get her back alive. As his love was not "true"—meaning that he was not willing to die for it—he was punished by the deities, first by giving him only the apparition of his former wife in the underworld and then by having him killed by women.[4]
Life After Beth, a zombie romantic dramedy byJeff Baena, the myth inspired Beth's means of death and Zach Orfman's hesitation in accepting her zombie reanimation as the real Beth (2014)[6][7]
Kaos, A darkly comedic and contemporary re-imagining of Greek mythology, exploring themes of gender politics, power and life in the underworld. The story of Eurydice and Orpheus is told (in the contemporary setting) throughout various episodes.
La chimera, a 2023 film byAlice Rohrwacher with a fable-like quality, heavily based on this myth and mythology in general.
The Song of Orpheus, episode 5 of season 2 ofThe Sandman (TV series) written byNeil Gaiman, released onNetflix on 3 July 2025, in which Orpheus is re-imagined in the episode's setting of Ancient Greece.
Orpheus Searching Eurydice in the Underworld, a painting by theAntwerp school[5]
The Kiss, a painting byGustave Klimt (1907) (Not explicitly Orpheus and Eurydice, but one interpretation ofThe Kiss is that it depicts their story)[citation needed]
Portrait of Cosimo I de' Medici as Orpheus, a painting by Agnolo Bronzino (c. 1537-1539)[6]
Don't Look Back (2009), aFlash game and modern adaptation of the legend created byTerry Cavanagh, which follows a man who ventures into the underworld to guide the spirit of his deceased lover out of the caverns.[11]