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Orpheus (ballet)

From Wikipedia, the free encyclopedia
1947 neoclassical ballet by Igor Stravinsky
This article is about Balanchine's 1948 ballet. For the legendary Greek, seeOrpheus. For other uses, seeOrpheus (disambiguation).
This article includes alist of references,related reading, orexternal links,but its sources remain unclear because it lacksinline citations. Please helpimprove this article byintroducing more precise citations.(December 2022) (Learn how and when to remove this message)
Orpheus
ChoreographerGeorge Balanchine
MusicIgor Stravinsky
Premiere28 April 1948 (1948-04-28)
City Center of Music and Drama, New York
Original ballet companyBallet Society
CharactersOrpheus, Dark Angel, Eurydice, Leader of the Furies, Leader of the Bacchantes, Apollo, Pluto, Satyr, Nature Spirits, Friends to Orpheus, Furies, Lost Souls, Bacchantes
DesignIsamu Noguchi,Jean Rosenthal
GenreNeoclassical ballet
TypeClassical ballet

Orpheus is a thirty-minuteneoclassical ballet in threetableaux composed byIgor Stravinsky in collaboration with choreographerGeorge Balanchine in Hollywood, California in 1947. The work was commissioned by theBallet Society, which Balanchine founded together withLincoln Kirstein and of which he was Artistic Director. Sets and costumes were created byIsamu Noguchi.

Structure

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The original cast consisted of 30 dancers: Orpheus; Eurydice; the Dark Angel of Death; Apollo; the leader of the Furies; the leader of the Bacchantes; eight women Bacchantes; nine women in various roles (Friends to Orpheus, Furies, Pluto, Satyr, and Nature Spirits); and seven men as Lost Souls.

The action is divided into three tableaux and twelve dance episodes: (I. Tableau): Orpheus Weeps for Eurydice; Air de Danse; Dance of the Angel of Death; Interlude. (II. Tableau): Pas des furies; Air de danse (Orphée)/Interlude/Air de danse, conclusion; Pas d’action; Pas de deux; Interlude; Pas d’action. (III. Tableau): Apothéose d'Orphée.

Score

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The score is among Stravinsky's most melodious. There is a wide dynamic range (reaching fortississimo,fff, at the moment when the Bacchantes seize and dismember Orpheus); but mostly the orchestra plays quietly, seldom rising above mezzoforte.

The size of the orchestra is very much "neo-classical"; like Beethoven, Stravinsky has scored for pairs of woodwinds (except that, like Beethoven in his 5th and 6th symphonies, he has added a piccolo to the two flutes). This economy in the scoring is, like the quiet dynamics that predominate inOrpheus, in stark contrast to the composer'sThe Rite of Spring of 35 years before. Beethoven deployed three trombones in his 5th and 9th Symphonies, importing them from the world of operatic music; the use of three trombones then became the normal orchestral practice in the 19th century and up through the present day, but inOrpheus Stravinsky calls for only two. The tuba is omitted entirely. Also strikingly different fromThe Rite of Spring is the absence of a percussion section and the use of only one timpanist.

There is an important role for the harp inOrpheus. This has a long tradition in classical music, in which the character of Orpheus is associated with that instrument, by analogy with the Ancient Greeklyre. Two important examples of this may be mentioned: Gluck’s operaOrfeo ed Euridice and Liszt’s symphonic poemOrpheus.

Stravinsky's neoclassicism occasionally extends to parody; one of the most extended examples in his work is to be found in the Air de Danse (Orphée) of the second tableau, in which an elegant "Siciliana" for reduced forces of harp, timpani, strings, and oboe duet (with cor anglais replacing one of the oboes after the interlude) evokes the slow movement of a late Baroque concerto. Stravinsky also creates a neo-Baroque parody—for a scene that also takes place in Hades—in hisPerséphone of 1934.

History

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The premiere took place on April 28, 1948, atCity Center of Music and Drama,New York, and directly resulted in City Center's chairman,Morton Baum, inviting Balanchine and Kirstein to establish a resident company. The new company was named (or Ballet Society renamed)New York City Ballet and Balanchine remained its ballet master until his death.

The program for City Ballet's first performance at City Center, conducted by the composer, consisted ofOrpheus,Concerto Barocco andSymphony in C on October 11, 1948.

Noguchi's rendition ofOrpheus'lyre was adopted as – and remains – City Ballet's official symbol.

Casts

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Original

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...plus eight women Bacchantes, nine women in various roles (Furies, Pluto, Satyr, Nature Spirits, Friends to Orpheus), and seven men as Lost Souls.

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