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Onkyokei

From Wikipedia, the free encyclopedia
Music genre
Onkyokei
Stylistic origins
Cultural originsLate 1990s Japan
Taku Sugimoto, whose music is commonly associated with Onkyo
Taku Sugimoto, whose music is commonly associated with Onkyo

TheOnkyo music movement orOnkyokei (音響系,Onkyōkei) (translation: "reverberation of sound"[1]) is a form offree improvisation, emerging from Japan in the late 1990s. Onkyō can be translated as "sound, noise, echo".[2] Some artists commonly associated with Onkyō includeToshimaru Nakamura,Tetuzi Akiyama,Sachiko M, andTaku Sugimoto, among others.

The Off Site, a venue in Tokyo, is home to the Onkyo music movement, which is characterized by improvisation,minimalism, and "quietnoise".[3] Onkyo improvisation, "explores the fine-grainedtextural details ofacoustic andelectronic sound".[1]

It influenced the development ofelectroacoustic improvisation, or EAI, a genre with which it is strongly intertwined. The transnational circulation of onkyo also influenced its representation as a form of "Japanese new music," despite claims by its authors that onkyo had little to do with Japanese cultural identity.[4]

See also

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References

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  1. ^abCox, Christoph and Warner, Daniel, eds. (2004).Audio Culture: Readings in Modern Music, p.413.ISBN 0-8264-1615-2.
  2. ^John H. Haig and Andrew N. Nelson (1999).The Compact Nelson Japanese-English Character Dictionary, p564.ISBN 0-8048-2037-6.
  3. ^Priest, Gail (2008).Experimental Music: Audio Explorations in Australia, p.28.ISBN 1-921410-07-8.
  4. ^Novak, David (2010). "Playing Off Site: The Untranslation of Onkyo." 'Asian Music41(1):36-60.

External links

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  • "Onkyo". Harvard Kennedy School, The Citizen. 23 March 2008. Archived fromthe original on 2008-08-28.
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