Olympia Dukakis (June 20, 1931 – May 1, 2021) was an American actress. She performed in more than 130 stage productions, in some 60 films, and in approximately 50 television series. Best known as a screen actress, she started her career in theater. Not long after her arrival in New York City, she won anObie Award forBest Actress in 1963 for heroff-Broadway performance inBertolt Brecht'sMan Equals Man.
She later moved to film acting and won anAcademy Award and aGolden Globe, among other accolades, for her performance inMoonstruck (1987). She received another Golden Globe nomination forSinatra (1992) andEmmy Award nominations forLucky Day (1991),More Tales of the City (1998) andJoan of Arc (1999). Dukakis's autobiography,Ask Me Again Tomorrow: A Life in Progress, was published in 2003.[1] In 2018, a feature-length documentary about her life, titledOlympia, was released theatrically in the United States.[2]
Olympia Dukakis (Greek:Ολυμπία Δουκάκη) was born inLowell, Massachusetts, on June 20, 1931, the daughter of Alexandra "Alec" (née Christou) and Constantine "Costas" S. Dukakis.[3] Her parents were Greek immigrants; her father arefugee fromAnatolia, and her mother an immigrant from thePeloponnese.[4][1] She had a brother, Apollo, six years her junior. Her cousin was formerMassachusetts governor and1988 U.S. presidential nomineeMichael Dukakis. As a girl, she was significantly involved in sports and was a three-time New Englandfencing champion.[5] She contended with pressures within her patriarchal Greek family and around her, "in a neighborhood where ethnic discrimination,particularly against Greeks, was routine."[6]
In 1963, Dukakis's earlyOff-Broadway presence was rewarded with anObie Award for Distinguished Performance, as Widow Leocadia Begbick inMan Equals Man (a.k.a.,A Man's A Man).[12] She continued to perform there every few years, with her last appearance on that stage occurring in 2003, where she played multiple roles inThe Chekov Cycle.
Dukakis's stage directing credits include many classics, such asOrpheus Descending,The House of Bernarda Alba,Uncle Vanya, andA Touch of the Poet, as well as more contemporary works, such asOne Flew Over the Cuckoo's Nest andKennedy's Children.
She also adapted plays such as "Mother Courage" andThe Trojan Women for herMontclair, New Jersey-situated theater company. HerBroadway theatre credits includeWho's Who in Hell andSocial Security. She appeared inMartin Sherman's one-woman play,Rose, entirely a monologue about a woman who survived theWarsaw Ghetto, in London and then on Broadway.[14][15] For the role, she won the 2000Outer Critics Circle Awards for Outstanding Solo Performance. Twenty-two years after earning her first Obie, she won her second in 1985, an Ensemble Performance Award, for playing Soot Hudlocke inThe Marriage of Bette and Boo.[3]
Dukakis' first appearance on screen was inavant-garde film creatorGregory J. Markopoulos' 1963 filmTwice a Man, in which she plays the role of the protagonist's mother whom he meets as a young woman.[16]
Dukakis at Malaparte forNorman Jewison and Friends with Moonstruck, August 2011
Moonstruck (1987) was directed byNorman Jewison who predicted Dukakis would receive honors for the role.[18] She believed him after receiving theAcademy Award for Best Supporting Actress. In addition to her Oscar, she took theGolden Globe in the same category. The honors compounded as she collected the Los Angeles and New York Film Critics Awards, all in recognition of her talent, some acting improvised, as she delivered a serious while hilarious performance.[19] Her role of the no-nonsense matriarch, Rose Castorini, plays offCher'sBest Actress Award-winning role as daughter Loretta.
She took on significant work on the small screen as well. In 1998, she starred as Charlotte Kiszko in theBritish TV dramaA Life for a Life: The True Story ofStefan Kiszko(ITV), based on the actual story of a man wrongfully imprisoned for seventeen years for themurder of a child, Lesley Molseed, after police suppressed evidence of his innocence.[21][22]
In 2018, Dukakis starred inEleftheromania, which follows anAuschwitz survivor as she recites a true story about a group from theAuschwitz-Birkenau death camp.[33] The following year, Dukakis reprised the role of Anna Madrigal, which she had first played in 1993, in aNetflix update ofArmistead Maupin'sTales of The City.[34][35]
Dukakis rides up Market Street as one of the Celebrity Grand Marshals in the LGBT Pride Parade in San Francisco on June 26, 2011, from the film,Olympia.
The theatrical poster of the filmOlympia, directed by Harry Mavromichalis, documenting Dukakis's career
In 1962, Dukakis married fellow Manhattan stage actorLouis Zorich.[39] Planning for a family, they moved out of the city in 1970 to settle inMontclair, New Jersey.[40] It was there that they raised their three children: Christina, Peter, and Stefan. They had four grandchildren.[41]
In her 2003autobiography,Ask Me Again Tomorrow: A Life in Progress, Dukakis describes the challenges she faced as a second-generationGreek-American in an area with anti-Greek ethnic bigotry, violence, and discrimination; difficulties with her mother and in other relationships; and battles with substances and chronic illness.[42]
She led an off-screen and off-stage active life. She taught acting for fifteen years atNYU[43] and gave master classes for professional theatre universities, colleges, and companies across the country.[42] She received theNational Arts Club Medal of Honor.[32]
Dukakis became an adherent ofGoddess worship, afeminist form ofmodern Paganism, during a production ofThe Trojan Women in 1982. From 1989, she was publicly outspoken about this and produced improvised stage performances based on the movement's mythology.[44] For ten years, beginning in 1985, she studied with Indian mentor Srimata Gayatri Devi in theVedanta school of Hindu philosophy.[45]
A strong advocate forwomen's rights andLGBT rights, includingsame-sex marriage, Dukakis embraced the roles of atrans landlady inTales of the City,[35] and abutch lesbian inCloudburst.[46] She was a figure on the lecture circuit discussing topics such as women living with chronic illness, life in the theater, the environment, and feminism. She has said,[6][47]
I recognize that the real pulse of life is transformation, yet I work in a world dominated by men and the things men value, where transformation is not the coinage. It's not even the language!
^abWolff, Margaret (2004). "Olympia Dukakis".In Sweet Company: Conversations with Extraordinary Women about Living a Spiritual Life. Twin Lakes, Wisconsin: Lotus Press.ISBN978-0-9720861-0-3.
^Goodman, Barbara C.; Howard, Marjorie (2015)."Six".Legendary Locals of Arlington. Arcadia Publishing.ISBN978-1-4396-5418-7.
^Wolff, Margaret (2006)."Olympia Dukakis".In Sweet Company: Conversations with Extraordinary Women about Living a Spiritual Life. John Wiley & Sons. p. 86.ISBN978-0-7879-8338-3.