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TheOld School Renaissance,Old School Revival,[1] orOSR is a play style movement intabletop role-playing games which draws inspiration from the earliest days of tabletop RPGs in the 1970s, especiallyDungeons & Dragons.[2] It consists of a loose network or community of gamers and game designers[3] who share an interest in a certain style of play and set of game design principles.[4]
The terms "old school revival" and "old school renaissance" were first used on the Dragonsfoot forum as early as 2004[5] and 2005,[6][7] respectively, to refer to a growing interest in older editions ofDungeons and Dragons and games inspired by those older editions. By February of 2008, a pre-launch call for submissions forFight On! magazine described it as "a quarterly fanzine for the old-school Renaissance".[8] The two terms (revival and renaissance) continue to be used interchangeably according to user preference,[9] though a 2018 survey found that most respondents understood the R in OSR to mean "renaissance" over "revival", with "rules" and "revolution" as distant third- and fourth-place choices.[10] Ben Milton describes the use of "Revival" as a return to older role-playing games, and "Renaissance" as taking inspiration from the kinds of play they engendered.[11]
The OSR movement first developed in the early 2000s, primarily in discussion oninternet forums such as Dragonsfoot, Knights & Knaves Alehouse, and Original D&D Discussion, soon expanded by discussion on a large and diverse network ofblogs.[12] Partly as a reaction to the publication of theThird Edition ofDungeons and Dragons,[13] interest in and discussion of "old school" play also led to the creation ofDungeons and Dragons retro-clones (legal emulations of RPG rules from the 1970s and early 1980s), including games such asLabyrinth Lord andOSRIC which were developed in OSR-related forums.[14]Zines dedicated to OSR content, such asFight On! andKnockspell, began to be published as early as 2008.[15][16][17]
In addition to the development of internet platforms and printed rule books, other printed OSR products became widely available. In 2008, Matthew Finch (creator ofOSRIC) released his free "Quick Primer for Old School Gaming", which tried to sum up the OSR aesthetic.[18][19] Print-on-demand sites such asLulu andDriveThruRPG allowed authors to market periodicals, such asFight On! and many new adventure scenarios and game settings. These continue to be created and marketed, along with older, formerly out of print gaming products, via print-on-demand services.[20]
In 2012,Wizards of the Coast began publishing reprints and PDFs ofAdvanced Dungeons and Dragons andDungeons and Dragons Basic Set materials, possibly in response to a perceived market for these materials driven by the OSR.[21]
By the early 2020s, the OSR had inspired such diverse developments in tabletop gaming that new classifications such as "BrOSR", "Classic OSR", "OSR-Adjacent", "Nu-OSR/NSR" and "Commercial OSR" were being used.[22]
A variety of published RPGs can be understood to be influenced by or part of the OSR trend, ranging fromemulations of specific editions ofDungeons and Dragons such asOSRIC[23]Old-School Essentials,[24] andLabyrinth Lord[25] to games such asThe Black Hack,Mörk Borg, andElectric Bastionland, which are designed to recreate the "feel" of 1970s roleplaying while taking only slight (if any) inspiration from the early rules.[26]
Broadly, OSR games encourage a tonal fidelity to early editions ofDungeons & Dragons—less emphasis on predefined endings, and a greater emphasis on player choice determining the fate of characters. OSR Games provide play where wrong decisions can easily become lethal for characters and do not guarantee satisfying endings to character arcs. Characters live and die by player choice as opposed to the story's needs.[27]
Matthew Finch, in his 2008 bookA Quick Primer for Old School Gaming, sets out the four pillars of OSR:
This has led some critics to charge that the old school revival is essentially "fundamentalist", while many old school players counter that it is in fact radical in its original meaning, which is to say, returning to the roots of the hobby. Many of these same bloggers are participating in campaigns using older rules or retro-clones and use their blogs to demonstrate the principles of the style of gaming they prefer: rules light, freeform, and placing a greater emphasis on player skill rather than on character skill. Taken together, along with a do-it-yourself spirit, the outlines of what the old school revival is all about become more apparent.
Sometimes referred to as the Old School Renaissance (OSR), this loose gathering of gamers and designers [...]
These averages tell a simple story, which is that respondents agree most that OSR refers to a play style and set of design principles. Respondents agree somewhat that OSR is a scene or movement and that OSR is a collection of aesthetics.
If the 'old-school revival' continues to pick up steam and the current game continues to flounder [...] sooner or later some bean-counter at Hasbro who doesn't have an emotional attachment to the current edition is going to realize that there's a demand (i.e. money to be made) for 'collector's editions' of the classic games (OD&D, AD&D, B/X D&D) and we'll see them back on the shelves in some form or another.
The popularity of none d20 systems is again growing with WFRP selling second only to WoTs D&D. CoC and GURPS have also seen a slight revival in their market share. Compare this to the decrease in sales of d20 material over the last year (although still high). Over production and over stock is leading many online stores to slash prices. An old school renaissance could be on the horizon.
a fully-fledged old school revival (or, as some call it, an old school renaissance)
Respondents clearly preferred Renaissance (70% of responses) as the meaning of the R in OSR. Revival took silver, with about 20% of responses. After that was a long tail of many different alternatives. Third place was "Rules" (but at less than 4%).
Forums like Dragonsfoot, Knights & Knaves Alehouse, and Original D&D Discussion all play vital roles by enabling old school gamers to discuss, share, and argue about their ideas with one another, just like the 'zines and APAs of yore. In recent years, these forums have been bolstered by a vast network of blogs, each as idiosyncratic as its owner, and many of which have produced a significant amount of new — and free — material for use with both original and retro-clone games.
Dragonsfoot benefitted from these fans that had little interest in the latest version of the game, whose rules and aesthetics seemed very different from their own preferences.
C&C grew out of discussions on Dragonsfoot in 2003 [...] OSRIC, a First Edition AD&D clone created byMatt Finch and Stuart Marshall of the Knights & Knaves Alehouse in 2006
Through forums, blogs, and new fanzines like Fight On! and Knockspell, the movement is now attracting the attention of gamers of all stripes, including many born well after the hobby's early days.
[...] print-on-demand, an option that has become central to OSR culture.
Wizards of the Coast finally got around to acknowledging that some people like to play the earlier versions of the game and, seeing a small but flourishing market, tried to capture the spirit of OSR with a number of publishing initiatives. [...] It is as if Wizards does not really see new value in the old D&D material, but merely recognizes the opportunity to make money from those who do.
The earliest iterations of OSR games, like the Old School Reference and Index Compilation, are simply various editions of the early D&D rules with new art and accompanying text offered as PDFs (often free) or print-on-demand at cost.
Daniel Proctor's Labyrith Lord, which emulates the 1981 edition of Dungeons & Dragons, was the second retro-clone
More than strict rule emulation, though, OSR RPGs like those mentioned below seek to capture the feel of roleplaying game sessions from the time [...]
OSR RPGs [...] seek to capture the feel of roleplaying game sessions from the time via the following principles: high lethality, randomized and horribly unbalanced encounters, followers who flock to the side of high-level adventurers, and a free-form, unplanned plot that rewards careful exploration and creative solutions to dangerous scenarios.
Most of the time in old-style gaming, you don't use a rule; you make a ruling.