| Office Space | |
|---|---|
 Theatrical release poster | |
| Directed by | Mike Judge |
| Screenplay by | Mike Judge |
| Based on | Milton by Mike Judge |
| Produced by | |
| Starring | |
| Cinematography | Tim Suhrstedt |
| Edited by | David Rennie |
| Music by | John Frizzell |
Production company | |
| Distributed by | 20th Century Fox |
Release date |
|
Running time | 89 minutes[1] |
| Country | United States |
| Language | English |
| Budget | $10 million[2][3] |
| Box office | $12.2 million[2] |
Office Space is a 1999 Americansatiricalblack comedy film written and directed byMike Judge.[4] It satirizes theoffice work life of a typical 1990s software company, focusing on a handful of individuals weary of their jobs. It starsRon Livingston,Jennifer Aniston,Gary Cole,Stephen Root,David Herman,Ajay Naidu, andDiedrich Bader.[5]
Office Space was filmed inDallas andAustin, Texas. It is based on Judge'sMilton cartoon series and was his first foray into live-action filmmaking. The film was Judge's second full-length motion picture release, followingBeavis and Butt-Head Do America. It was released in theaters on February 19, 1999, by20th Century Fox. Its sympathetic depiction of ordinaryinformation technology workers garnered a cult following within that field, but it also addresses themes familiar towhite-collar employees and the workforce in general. It received critical acclaim but was a box office disappointment, making $12.2 million on a $10 million production budget; however, it sold well on home video, and has become acult film.[6]
Several aspects of the film have becomeInternet memes. A scene in which the three main characters systematically destroy a dysfunctional printer has been widely parodied.Swingline introduced a red stapler to its product line after the Milton character used one painted in that color in the film. Judge's 2009 filmExtract is also set in an office and was intended as a companion piece toOffice Space.
Peter Gibbons is a frustrated and unmotivated programmer who works at Texas-based software company Initech. Unable to stand up to his overcritical girlfriend, Anne, he is in love with local waitress Joanna, but is afraid to speak to her. He is friends with co-workers Samir Nagheenanajar, who hates that no one can pronounce his last name, and Michael Bolton, who hates having the same name asthe famous singer. Other co-workers include Milton Waddams, a meekcollator who mumbles to himself and is mostly ignored by the rest of the office; and Tom Smykowski, a jadedproduct manager who is routinely scared of being fired. The staff suffers under top-heavy, callous management, especially from vice presidentBill Lumbergh, a tedious micromanager who regularly humiliates Milton and makes Peter work almost every weekend. Peter hates Lumbergh but avoids confronting him.
Anne persuades Peter to attend an occupationalhypnotherapy session led by Dr. Swanson. Swanson hypnotizes Peter and tells him to feel relaxed and stop caring about his job until he snaps his fingers. However, Swanson suddenly dies of a heart attack before snapping Peter out of it. Peter sleeps soundly through the next day, ignoring phone calls from Lumbergh and Anne, who angrily breaks up with him while confirming his suspicions that she has been cheating on him.
Two business consultants are brought in to help the companydownsize, and Peter begins dating Joanna. She works at a chain restaurant where she is required to wear "pieces of flair": buttons allowing employees to "express themselves". Her boss hassles her for not wearing more than the required minimum.
Peter eventually shows up to work and casually disregards office protocol, stealing Lumbergh's parking space, violating the dress code, and removing a cubicle wall that blocks his view out the window. Impressed by Peter's frank insights into Initech's problems, the consultants promote him despite Lumbergh's misgivings; however, they lay off Michael, Samir, and Tom. While attempting to do the same to Milton, they learn that he had already been laid off five years prior but had not been notified and was still receiving his salary due to a payroll glitch. They fix the glitch and stop Milton's salary payments without telling him, while Lumbergh continues to mistreat him by confiscating his beloved red stapler and repeatedly relocating his desk, eventually down to the basement.
Tired of their own mistreatment, Peter, Michael, and Samir decide to take revenge by infecting Initech's accounting system with acomputer virus designed by Michael to divert huge numbers offractions of pennies into a bank account. Peter successfully installs the virus, and on Michael and Samir's last day, he steals a frequently malfunctioning printer, which the three proceed to destroy in a field. They also learn that Tom attempted suicide prior to being laid off, but then changed his mind, and in the process got into an accident that resulted in him winning a large amount of money in damages from a lawsuit. At a party at Tom's house, Peter hears rumors from a colleague that Joanna had slept with Lumbergh. When Joanna confirms this, a heated exchange leads to them breaking up. Frustrated with her job, Joanna quits in response to another lecture about her lack of "flair", giving her boss the middle finger as she does so.
On Monday, Peter discovers that abug in Michael's code has caused the virus to steal over $300,000 across the weekend, which guarantees they will be caught and sent to federal prison. Unable to conceal the crime, Peter decides to accept full responsibility, writing a confession and slipping it under Lumbergh's office door after hours, along withtraveler's checks for the stolen money. Peter learns that the 'Lumbergh' with whom Joanna slept was Ron Lumbergh, another software engineer unrelated to Bill Lumbergh. He meets Joanna, who has started a new job at another restaurant, to apologize, and they reconcile.
The next morning, Peter drives to Initech to turn himself in, but the problem has solved itself: Milton has committed arson and burned down the building as an act of revenge against the company. With the evidence of his crime destroyed, Peter begins his new job working in construction with his neighbor Lawrence, while Samir and Michael join Initech's rival, Initrode. Having found the traveler's checks, Milton escapes to Mexico but continues to be denied respect.
Office Space originated in the series of three animatedMiltonshort films that Judge created about an office worker by that name. They first aired onLiquid Television and onSaturday Night Live.[7] The inspiration came from a temp job which he had that involved alphabetizing purchase orders[8] and another job as an engineer forParallax Graphics for three months in theSan Francisco Bay Area during the 1980s,[9] "just in the heart ofSilicon Valley and in the middle of that overachieveryuppie thing, it was just awful."[10]
Peter Chernin, head of20th Century Fox, where Judge had a deal, wanted to make a film out of the Milton character,[11] inspired by a former coworker of Judge's in Silicon Valley who had threatened to quit if the company moved his desk again.[12] "You don't want to know what he does at home after work", Judge replied. Instead he suggested anensemble cast–based film; someone at the studio responded withCar Wash but "just set in an office."[10]
Milton was not the only character inspired by someone from Judge's past. During his jobs in Silicon Valley, where he barely made enough to afford his rent, he had a neighbor who was an auto mechanic. Not only did the man make more money, he had flexible work hours and seemed to Judge to be much more content with his life and work than he himself was. The neighbor inspired Lawrence, Peter's neighbor in the film.[12]
The setting of the film reflects a prevailing trend that Judge observed in the United States. "It seems like every city now has these identical office parks with identical adjoining chain restaurants", he said in an interview.[7] "There were a lot of people who wanted me to set this movie inWall Street, or like the movieBrazil, but I wanted it very unglamorous, the kind of bleak work situation like I was in".[8]
Judge wrote atreatment in 1996, and the script afterthe first season ofKing of the Hill. Fox presidentTom Rothman was happy with the draft as he was looking for lighter material to balance theevent movies likeTitanic that dominated the studio's output at the time. He considered it "the most brilliant workplace satire I'd ever read".[11] Despite that, Judge hated the ending and wished he could have completely rewritten the third act.[13]
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David Herman was the only actor Judge had in mind for a specific part: Michael Bolton. Herman had been trying to leave his seven-year contract atMADtv, but the show would not let him. So, at its nexttable reading, he managed to get himself fired by screaming all his lines.Greg Daniels said they could always find a place for him onKing of the Hill, where he had been doing some voice work; soon after he read Judge'sOffice Space script and was delighted with it.[11]
At the first read-through of the script, Judge was pleased with Herman's performance, and feltStephen Root improved on his own take on Milton, but was not happy with the rest of the cast. He considered abandoning the film, but Rothman said it worked and just needed the right actors.[11] According to Judge, while Fox at first told him to just get the best actors possible since the film's budget would not be large enough to considerbankable stars, the studio soon changed its mind.
In the wake of the success ofGood Will Hunting, he was advised to get that film's stars,Ben Affleck andMatt Damon. Again, he almost changed his mind about the film (Rothman said in 2019 that whileA-list stars are often unlikely to take roles in low-budget productions, those films should nevertheless make the effort to attract them). He had agreed to meet with Damon in New York, but thenRon Livingston's agent asked if his client could audition for the lead.Casting director Nancy Klopper was impressed, and after Judge saw the video he told the studio that he wanted Livingston in the part.[11]
Jennifer Aniston was cast to accommodate Fox's desire to have a recognizable star in the film, although they were concerned that her part was so small; the subplot involving her battle with her boss over her "flair" was added as a result and she was written out of the sex-dream sequence, along with dialogue indicating she actually had slept with Lumbergh. However, she had liked the script since she was not getting many other films like that at that point, and she had gone to the same high school as Herman,Fiorello H. LaGuardia High School in New York.Kate Hudson also read for the part.[11]
After casting theIndian AmericanAjay Naidu as Samir, who had originally been written asIranian, the character was rewritten to beJordanian, and Naidu worked with adialect coach to get the accent right.John C. McGinley auditioned for Lumbergh, but was ultimately cast as Slydell. Judge says that afterGary Cole read for Lumbergh, there was no doubt as to who would play him. "He made the character 10 times funnier." A casting search in Texas yieldedGreg Pitts for Drew, but no one who could play the Chotchkie's manager, so Judge took that role himself.[11]
Judge made the transition from animation to live-action with the help ofTim Suhrstedt, the film'sdirector of photography, who taught him about lenses and where to put the camera. Judge says, "I had a great crew, and it's good going into it not pretending you're an expert".[8]Principal photography began in Texas in May 1998.[11][14]
Several issues arose during filming. By the third day of shooting, temperatures had risen to over 100 °F (38 °C), and smoke from fires in Mexico was filling the sky overAustin, making it white. Suhrstedt says that forced the postponement of the opening traffic-jam scene until it cleared.[11]
Studio executives who saw thedailies were not happy with the footage that Judge was getting. Judge quoted studio executives as stating, "More energy! More energy! We gotta reshoot it! You're failing! You're failing!"[13] They also asked for Livingston to smile more. But at that point, only the early scenes had been filmed; Judge told the studio that happier scenes would come later. Livingston says he heard they believed he was on drugs and were considering firing him.[11]
In addition, Fox did not like thegangsta rap music used in the film.[13] Rothman told him he had to take it out, and Judge said after production he would do so if the nextfocus group also disliked it. A young man in that focus group said the fact that the characters worked in an office but listened to gangsta rap was one of the things he liked about the movie, and Rothman relented.[11]
The scene where Peter, Michael and Samir take their office printer out into a field and batter it to pieces was inspired by Judge's experience with his own printer while writingBeavis and Butt-Head Do America. He told his cowriterJoe Stillman that he was so frustrated by it that when he was done with the script, he planned to take it out into a field and destroy it while videotaping the process. Suhrstedt says the whole sequence was largely improvised, but Naidu adds that they were trying to do it in a way that evoked how theMafia would do it to someone it wanted to punish or kill; Livingston thus played his part like the "don", circling behind Naidu and Herman while they struck the blows with bat, feet and fists. Years afterward, Naidu says, he met some actual mafiosi in New York who told him that they were huge fans of the film, and the scene was "authentic".[11]
McGinley says the film contains many improvised moments. "It was likejazz on that set". One example he recalled was whenPaul Willson as Bob Porter cannot pronounce Samir's last name: "Naga ... Naga ... well, not gonna work here anymore anyway." Naidu, for his part, improvised thebreak dancing, which he did with local friends after shooting his scenes during the day.[11]
The improvisation also helped solve some problems with the script. Originally Bolton was to refer tothe singer he shared his name with as a "no-singing asshole". However, Herman recalled, it was decided that the film could not say that since it would imply he did not sing his own songs, so he came up with "no-talent ass-clown".[11]
The Alligator Grill, on South Lamar Blvd, Austin, was used for the interior shots of Chotchkies, Joanna's workplace.[15][16]
Judge was very exacting in his demands for how the Initech set looked; he said regularly that it had to seem "oppressive".[15] The production went as far asscreen-testing different types of graycubicles; Judge also wanted the cubicles to be tall so that Lumbergh would have to lean in to be seen from Peter's desk.[15] Considerable effort was also expended to making sure theTPS reports looked realistic.[11]
The glasses Root wore to play Milton had lenses so thick that he had to wearcontact lenses to see through them. Even so, he still had nodepth perception; he had to practice reaching for the stapler and was as a result grateful it had been painted red.Swingline provided the stapler after the filmmakers could not get permission to use either the Boston orBostitch brands from their manufacturer.[11]
Judge hated theonesheet poster that the studio created forOffice Space, which depicted an office worker completely covered inPost-it notes. He said, "People were like, 'What is this? A big bird? A mummy? A beekeeper?' And the tagline 'Work Sucks'? It looked like anOffice Depot ad. I just hated it. I hated the trailers, too and the TV ads especially".[13] McGinley, too, felt it looked likeBig Bird from the children's seriesSesame Street, and that he would not go to see such a film. For the home release Judge was upset that the same image was used, albeit with Milton peeking over the man from behind.[11]
The studio also had a man live in aPlexiglas cube aboveTimes Square for five days, who was broadcast live on the Internet as he answered calls and emails from people dissatisfied with their jobs.[17] Livingston, when he visited the cube for press events, found that most reporters preferred to talk to the man in the cube and not him. He was not surprised, as tracking for the movie was not good and "there was a foregone conclusion that it wasn't going to open well." ProducerMichael Rotenberg elaborated that "[i]t took a few research screenings to realize that audiences often have issues with satire."[11]
Another problem that Rothman later conceded was that they could not put Aniston on the poster due to her small role.[11] Later he admitted that the marketing campaign did not work and said, "Office Space isn't likeAmerican Pie. It doesn't have the kind of jokes you put in a 15-second television spot of somebody getting hit on the head with a frying pan. It's sly. And let me tell you, sly is hard to sell".[13]
Office Space was released on February 19, 1999, at the end of the release calendar's "dump months", in 1,740 theaters, grossing $4.2 million on its opening weekend. That was eighth overall and second for new releases afterOctober Sky.[18] Herman said he was elated after seeing the film inLos Angeles and hearing it had made $7 million, until friends more familiar with the movie business told him that was considered a poor performance.[11]
Suhrstedt saw it later inBurbank, and the theater was almost full. He assured Judge thatword of mouth would slowly increase the audience. However, in early March, Fox pulled it from three-quarters of the screens it had been on after it barely made a million dollars that weekend. The movie's grosses continued to decline precipitously, and after the end of March, when it pulled in less than $40,000 from 75 screens, it was pulled from release altogether.[3] According to Judge, a studio executive blamed the movie exclusively for the failure, telling him "Nobody wants to see your little movie about ordinary people and their boring little lives."[19]
It went on to make $10.8 million in North America.[3] The international release brought an additional $2 million. On home release, $8 million inDVD,Blu-ray Disc andVHS sales[2] were sold at release as of April 2006.[20]
On thereview aggregator websiteRotten Tomatoes, the film has an approval rating of 82% "Certified Fresh" based on 103 reviews and an average rating of 6.8/10. The site's critical consensus reads, "Mike Judge lampoons the office grind with its inspired mix of sharp dialogue and witty one-liners."[21]Metacritic gives the film aweighted average score of 68 out of 100 based on reviews from 31 critics, indicating "generally favorable reviews".[22] Audiences polled byCinemaScore during opening weekend gave the film an average grade of "C+" on a scale ranging from A+ to F.[23]
Roger Ebert of theChicago Sun-Times gave the film three out of four stars and wrote that Judge "treats his characters a little like cartoon creatures. That works. Nuances of behavior are not necessary, because in the cubicle world every personality trait is magnified, and the captives stagger forth like grotesques."[24] In his review for theSan Francisco Chronicle,Mick LaSalle writes, "Livingston is nicely cast as Peter, a young guy whose imagination and capacity for happiness are the very things making him miserable."[25] InUSA Today, Susan Wloszczyna wrote, "If you've ever had a job, you'll be amused by this paean to peons."[26]
Owen Gleiberman inEntertainment Weekly gave the film a "C" rating and criticized it for feeling "cramped and underimagined".[27] In his review forThe Globe and Mail, Rick Groen wrote: "Perhaps his TV background makes him unaccustomed to the demands of a feature-length script (the ending seems almost panicky in its abruptness), or maybe he just succumbs to the lure of the easy yuk...what began as discomfiting satire soon devolves into silly farce."[28] In his review inThe New York Times,Stephen Holden wrote, "It has the loose-jointed feel of a bunch of sketches packed together into a narrative that doesn't gather much momentum."[29]
In 2008,Entertainment Weekly namedOffice Space one of "The 100 best films from 1983 to 2008", ranking it at #73.[30]
Disappointed in the film's $12 million domestic gross, Judge decided to move on and began work on what eventually becameExtract, a similarly themed followup toOffice Space. Fox suggested that next time, he pay more heed to the studio's casting suggestions. However, he soon learned that the film had not gone unnoticed within the industry. "Jim Carrey invited me to his house.Chris Rock left me the best voicemail ever. I had dinner withMadonna", who found the Michael Bolton character's anger "sexy", Judge said.[11]
Four years later, Judge was working on theIdiocracy screenplay withEtan Cohen. During a break, the two went to an AustinStarbucks, and the baristas were doing impressions of Lumbergh. Cohen asked Judge if they were only doing it because he was present, whereupon the barista turned around and asked the two if they had ever seen the movie.[11]
Other cast members found the film had reached people when strangers began associating them with their characters. Cole, who had previously worked service jobs including bartending, said that he had not realized "the scope of the office audience" until a year after release, when people began shouting dialogue from the movie at him. Aniston says that even today, when she is eating "at a certain type of restaurant", people will ask if she likes their flair.
Thecable channelComedy Central premieredOffice Space on August 5, 2001; that airing drew 1.4 million viewers. By 2003, the channel had broadcast the film another 35 times.[31] These broadcasts helped develop the film's cult following; Livingston credits the regular airings the film received on Comedy Central for makingOffice Space a cult favorite: "It felt like it kind of went viral before that concept even existed."[11]
Since then, Livingston has been approached by college students and office workers. He said, "I get a lot of people who say, 'I quit my job because of you.' That's kind of a heavy load to carry."[31] Livingston says that people tell him watchingOffice Space made them feel better, which he still appreciates.[11]
Office Space has become acult classic, selling well on home video and DVD.[6] As of 2003[update], it had sold 2.6 million copies on VHS and DVD.[32] In the same year, it was in the top 20 best-selling Fox DVDs.[31] As of 2006[update], it had sold over six million DVDs in the United States alone.[33]
Four years after the film's release, Judge recalled that one of hisassistant directors on the film told him they had gone out to eat at aTGI Fridays and noticed that the waitstaff were no longer wearing buttons on their uniforms, the "flair" Joanna quits her job over in the film. Asked why, the manager told him that afterOffice Space had come out, customers started making jokes about it, so the chain dropped the requirement from its dress code. "So, maybe I made the world a better place" he toldDeadline Hollywood in 2014.[34]
In 2008,Entertainment Weekly ranked it fifth on its list "25 Great Comedies From the Past 25 Years", despite having originally given the film a poor review.[35] In February 2009, a reunion of many of the cast members took place at theParamount Theatre in Austin to celebrate the tenth anniversary of the film.[36][37] Rothman said in 2019 that despite his connection to several films that won theAcademy Award for Best Picture, he hopesOffice Space will be mentioned before them in hisobituary.[11]
"[Office Space] spoke to a generation in a way that few movies have," saidJohn Altschuler, who producedExtract, Judge's later companion piece. "Nobody does this kind of material. It's all about the weirdness of real people in real life."[19]
In a 2017 profile of Judge,New York Times Magazine writer Willy Staley observed that the film has been compared toHerman Melville's short story "Bartleby, the Scrivener", in which a lawyer's clerk, like Peter, shows up at the office one day but declines all work, telling his boss "I would prefer not to". Staley's own high school English teacher, he recalled, brought upOffice Space in class to get students to appreciate how tediousFranz Kafka's work at an insurance company was. "It's such a brutal portrayal of workplace misery that its most useful points of comparison date back to when office culture was first unleashed on humanity."[12]
The film was an influence on the creation of the television seriesSeverance,[38] and the comic book seriesChew, with the film's main characters cameoing in its third installment,Just Desserts.[39]
In 2022 software engineer Ermenildo Valdez Castro was inspired by the movieOffice Space, conducting a similar scheme from the movie by editing code to divert shipping fees to a personal account. A report from theSeattle police mentions that a folder named "OfficeSpace project" was found on Castro's work laptop and Castro admitted he was indeed inspired by the movie. Castro stole over $300,000 from the companyZulily.[40]
In 2024 at theSouth by Southwest conference, there was an Office Space Reunion panel with Judge, Livingston, Root, Naidu and Herman.[41]
Several elements of the film have becomememes reused in other contexts. "TPS report" has come to connote pointless,mindless paperwork,[42] and an example of "literacy practices" in the work environment that are "meaningless exercises imposed upon employees by an inept and uncaring management" and "relentlessly mundane and enervating".[43] According to Judge, the abbreviation stood for "Test Program Set" in the movie.[36] ThePC LOAD LETTER error message has likewise become a stand-in for any confusing, vague message from a computer, especially printers. The printer scene has been widely parodied, including by one U.S. presidential campaign, and the popularity of Milton's red stapler led the manufacturer to make a real one for sale.[11]
| External videos | |
|---|---|
 "Office Space with Michael Bolton" |
The film is credited with coining the now-popularslang term "ass clown", from one of the characters using it to refer to singer Michael Bolton.[44] In 2015, the comedy websiteFunny or Die put together several videos in which it spliced in the actual Michael Bolton over Herman in scenes from the film. Most of them were ones that referenced the confusion coming from the character and the singer having the same name. Bolton performed the scenes exactly as Herman had, with one exception: in his conversation with Samir, heturned to the camera and substituted the words "extremely talented" for "no-talent" before "ass-clown".[45]
Before the 2009 Austin reunion screening a printer was destroyed outside the theater, in reference to the scene in the film during which Peter, Michael, and Samir destroy the dysfunctional printer on the latter two's final day at Initech[46] That scene has frequently been parodied; often by amateurs, using a similar electronic device, in an open space somewhere, emulating the original's characterblocking, camera angles and moves,sound effects and use ofslow motion, all set toGeto Boys' "Still".[47]
The Fox animated seriesFamily Guy did its own parody of the scene in 2008, duringthe show's seventh season. In "I Dream of Jesus", the season's second episode,Brian andStewie Griffin (both voiced bySeth MacFarlane), tired ofPeter Griffin constantly playingThe Trashmen's "Surfin' Bird", steal his45 rpmsingle of the song and demolish it in a similar scene. For television, a clean version of "Still" had to be used.[48]
During the campaign for theRepublican nomination in the2016 presidential election, Texas senatorTed Cruz ran apolitical advertisement parodying the scene, showing an impersonator of likelyDemocratic nomineeHillary Clinton and two assistants destroyingher personal email server with a baseball bat in an open field.[49][50]
Stephen Root says he realized the movie's impact when people started asking him to sign their staplers. The red Swingline stapler featured prominently in the film was not available until April 2002 when the company released it in response to repeated requests by fans of the film. Its appearance in the film was achieved by taking a standard Swingline stapler and spray-painting it red.[31] Root says when he shows up on sets today, the crew has usually ordered several boxes of red Swingline staplers and left them waiting for him.[11]
The film has been adapted to amusical several times.[51][52]
Kongregate released a mobile game based on the film, titledOffice Space: Idle Profits, oniOS andAndroid in 2017. It was afree-to-playidle clicker that offeredin-app purchases.[53] In 2022 it was shut down.
| Office Space: Motion Picture Soundtrack | |
|---|---|
| Soundtrack album by Various artists | |
| Released | February 18, 1999 |
| Genre | Hip hop |
| Length | 44:35 |
| Label | Interscope |
| Producer |
|
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [54] |
| No. | Title | Writer(s) | Performer(s) | Length |
|---|---|---|---|---|
| 1. | "Shove This Jay-Oh-Bee" (contains portions of "Take This Job and Shove It" byJohnny Paycheck, 1977) | Canibus withBiz Markie | 4:21 | |
| 2. | "Get Dis Money" |
| Slum Village | 3:36 |
| 3. | "Get Off My Elevator" | Kool Keith | 3:46 | |
| 4. | "Big Boss Man" (cover ofJimmy Reed, 1960) |
| Junior Reid | 3:46 |
| 5. | "9-5" (cover ofDolly Parton, 1980) | Dolly Parton | Lisa Stone | 3:40 |
| 6. | "Down for Whatever" (fromLethal Injection, 1993) |
| Ice Cube | 4:40 |
| 7. | "Damn It Feels Good to Be a Gangsta" (fromUncut Dope: Geto Boys' Best, 1992) |
| Geto Boys | 5:09 |
| 8. | "Home" |
| Blackman, Destruct & Icon | 4:22 |
| 9. | "No Tears" (fromThe Diary, 1994) |
| Scarface | 2:27 |
| 10. | "Still" (fromThe Resurrection, 1996) |
| Geto Boys | 4:03 |
| 11. | "Mambo #8" (fromPérez Prado Plays Mucho Mambo For Dancing, 1952) | Pérez Prado | Pérez Prado | 2:06 |
| 12. | "Peanut Vendor" (fromHavana, 3 A.M., 1956) | Moises Simons | Pérez Prado | 2:39 |
| Total length: | 44:35 | |||
Shortly after the release ofOffice Space, Judge, despite his disappointment at the movie's lackluster box office, began writing the script forExtract, which he describes as a companion piece. The studio later asked him to put it aside to work onIdiocracy, which it believed would be more commercial. After that film, likeOffice Space, failed at the box office but became a cult favorite, Judge returned toExtract and it was released in 2009. It similarly makes light of workplace dysfunction, but from the perspective of a manager rather than a worker.[19]
"There's been talk of doing more withOffice Space, as a show or sequel, but it's never seemed right," Judge said ahead of the film's 20th anniversary. As for the former possibility, he recalled that because of the film,NBC offered him the chance to shapethe American version of the British sitcomThe Office, which similarly bases its humor in depictions of the absurdity of white-collar work and its effect on those who do it. Among the material the network sent, however, were some reviews, one of which said the series "succeeds where movies likeOffice Space failed." Judge passed on the offer.[11]
Quotations from Wikiquote
Data from Wikidata
