| Nongthang Leima | |
|---|---|
Goddess of enchantment, seduction, thunder and lightning | |
| Member ofLairembis | |
 An illustration of Goddess Nongthang Leima | |
| Other names |
|
| Affiliation | Meitei mythology (Manipuri mythology) and Meitei religion (Sanamahism) |
| Abode | Heaven |
| Symbols | thunder and lightning |
| Texts | Leithak Leikharol |
| Gender | Female |
| Region | Ancient Kangleipak (Antique Manipur) |
| Ethnic group | Meitei ethnicity |
| Festivals | Lai Haraoba |
| Genealogy | |
| Parents | |
| Siblings | Sanamahi andPakhangba |
| Consorts | Sanamahi andPakhangba[1] |
| Offspring | Laisang Khekwaiba (withSanamahi) |
| Equivalents | |
| Greek | Astrape and Bronte |
| Roman | Fulgora |
| Part ofa series on |
| Sanamahism |
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Scripture
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InMeitei mythology and religion,Nongthang Leima (Meitei:ꯅꯣꯡꯊꯥꯡ ꯂꯩꯃ,romanized: lightning queen) is the goddess ofseduction,thunder, andlightning.[2][3][4][5] She was created byAtingkok (orSalailen) to attractHaraba (Pakhangba).[4][6][7]She masteredthunder andlightning in thechaos in the early world. She predicted the firstrain.[8] She limits the chaos and helps creation.[9]
Nongthang Leima is a pre-historicalmaibi. She is the first goddessmaibi to compose a dance form. Later, her dance form was repossessed by other goddesses.[10]
Sanamahi (Ashiba) was creating the earth. But he was frequently disturbed by his younger brother,Pakhangba (Haraba). Unable to do any work, Sanamahi complained about the matter to their father,Salailen (orAtingkok according to different versions of stories). Salailen produced a divine feminine being. He released her into the greatspace (void) of theuniverse (cosmos). In the vast emptiness of the great space (void), the divine feminine being became a beautiful and radiant goddess. She was named "Nongthang Leima", the Queen ofLightning.[11][12][6]
In another version of the story, Sidaba orderedSidabi to produce "Nongthang Leima", the divine female being to lure the destroyer from the cosmic creation.[13]
Nongthang Leima, the Queen ofLightning, filled the emptyspace (void) with bright light. Seeing her,Pakhangba (Haraba) fell in love with her. He forgot about bothering his elder brother in the creation of the earth. Haraba came to her in the great space. During that time,Sanamahi (Ashiba) completed his creation of theearth.[14][12][4][6][15]
WhenAshiba (Sanamahi) saw Nongthang Leima, he wanted to marry her.[16] Thus, they united. So, Nongthang Leima was the wife of bothSanamahi (Ashiba) andPakhangba (Haraba).[1]Nongthang Leima is also known asLangmai Sana Chingjaroibi (Old Manipuri:Langmai Sana Chingchaloipi). With the union of Chingjaroibi and Sanamahi, a son named Laisang Khekwaiba was born.[17]
According to "Politics, society, and cosmology in India's North East" written by N. Vijaylakshmi, the goddess Nongthang Leima (Nongthang Lairembi) took two divine forms after the completion of the creation of the earth. One form isPanthoibi. This form lives in the home of gods. Another form is "Apanthoibi". This form lives among the living beings.[18][19]
| Basis | Panthoibi | Apanthoibi |
|---|---|---|
| Existence of representations or manifestations in the universe | No | Yes |
| Existence of particular forms | No | Yes |
| Existence of forms as animate as well as inanimate objects | No | Yes |
| Representations in all virtues and beauty | Yes | No |
| Supreme creator (mother) of all the seven salais (clans) | No | Yes |
Among the nine forms of musical rhythms (Seisaks) ofPena (musical instrument), Nongthang Leima Seisak is one.[20][21] All these rhythms are categorised into three movements, slow rhythm, medium rhythm and fast rhythm. Nongthang Leima song belongs to the fast rhythm.[22]
During theLai Haraoba festival, devotees dance to please various deities. Among them, male dancers act after the styles ofHaraba (alias Pakhangba) and female dancers act after the styles of goddess Nongthang Leima. Goddess Nongthang Leima represents the lightning.[23]
Goddess Nongthang Leima is often identified asLeimarel Sidabi. The former is considered as an incarnation of the latter.[24]
