Nancy Price | |
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| Born | Lilian Nancy Bache Price (1880-02-03)3 February 1880 Kinver, Staffordshire, England, UK |
| Died | 31 March 1970(1970-03-31) (aged 90) Findon, Sussex, England, UK |
| Occupations |
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| Spouse | |
Nancy Price,CBE (3 February 1880 – 31 March 1970) was an Englishactress on stage and screen,author,animal welfare activist andtheatre director. Her acting career began in arepertory theatre company before progressing to the London stage, silent films,talkies and finally television. In addition to appearing on stage she became involved in theatre production and was a founder of the People's National Theatre.
ChristenedLilian Nancy Bache Price inKinver, Staffordshire, England, in 1880, Nancy was the daughter of William Henry Price (a retired farmer) and Sarah Mannix. Her mother was the granddaughter of Sir Henry Mannix. After schooling in her home village and then in nearbyMalvern Wells she decided at an early age to become an actress. She married the actor Charles Maude on 17 May 1907, and they were together until his death in 1943. They had two daughtersJoan Maude and Elizabeth Maude. Joan, Elizabeth, and Elizabeth's daughterJennifer Phipps all went on to become actresses.[1] Soon after Charles and Nancy's daughters were born, they made the village ofFindon in Sussex her home, living in a cottage called "Arcana" in Heather Lane on theDowns.[2]
She wrote many books, including her autobiography,Into an Hour-Glass (1953). At one time she managed the "Little Theatre" in the Adelphi, off the Strand.
Findon remained her home until her death in 1970.
Price was an advocate ofanimal welfare and co-founded theCouncil of Justice to Animals in 1911.[3][4] Price became avegetarian in the 1920s after an experience at a walking tour in the fens. She became lost in a fog and credited the local sheep as saving her life by offering her protection and keeping her warm.[5] Price was president of the Sussex Vegetarian Society and lectured on vegetarianism inWorthing.[6] In 1951, at a vegetarian public meeting she argued that more people would turn to vegetarianism if they visited a slaughterhouse. She suggested that vegetarian restaurants should be publicized more.[7]
In 1937, Price denounced the use ofgin traps on rabbits as "barbarous cruelty" and a "savage instrument of torture".[8] Price authored a book on dogs,Tails and Tales, published in 1945. The anthology is made up of facts about dogs taken from many sources.[9] In 1949, she funded the creation of a "Warrior Birds" memorial stone atBeach House Park to commemoratewar pigeons who gave their lives in service duringWorld War II.[4][10][11]
Price was concerned about rabbits suffering frommyxomatosis.[12] In 1954, Price supported a petition urging the Government to pass a new law making delibrate spreading of myxomatosis an offence. The petition gained support from theRSPCA and animal lovers in Worthing.[12] In 1963, Price campaigned against the carelessringing of young birds by ornithologists. She commented that the metal often damaged the legs of small birds and suggested legislation to prevent unqualified people from bird ringing.[13] She was an opponent ofblood sports and attended meetings of theLeague Against Cruel Sports Worthing branch.[14][15]
Price was an anti-vivisectionist. She was a speaker at the annual meeting of theNational Anti-Vivisection Society in 1939.[16][17] She was president of the Richmond and Twickenham branch of theBritish Union for the Abolition of Vivisection (BUAV) in 1944.[18]Price was president of the Storrington and district branch of the BUAV in 1954.[19] She stated that "if people could see inside a vivisector's chamber and see what was going on they would be horrified".[20]

Nancy joinedF.R. Benson's theatre company whilst still at school. The company specialised inShakespeare's plays and toured extensively in the provinces. Her first big break came when she caught the attention ofSir Herbert Beerbohm Tree, who cast her as Calypso inStephen Phillips's production ofUlysses atHer Majesty's Theatre, London in 1902, a role in which she enjoyed great success.[21] The part of Hilda Gunning was written for her byArthur Wing Pinero inLetty (1904),[22] a role in which the theatre criticJ. T. Grein said: "In Letty, while others enhanced their fame, Miss Nancy Price, in the part of Hilda, the shop-girl, made her name. If we read the character aright, Miss Price realised it well-nigh to perfection".[23] In 1909 she appeared as Mrs. D'Aquila inGeorge Dance's production ofThe Whip at theTheatre Royal, Drury Lane. She joinedEdith Craig's Pioneer Players at theKingsway Theatre in 1911 for a performance ofChristopher St. John'sThe First Actress. In March 1912, she appeared as India inSir Edward Elgar's Imperial MasqueThe Crown of India at theLondon Coliseum.
Together with the Dutch-born theatre impresarioJ.T. Grein, Nancy Price founded thePeople's National Theatre in 1930. Their first production wasThe Man from Blankleys byF. Anstey at theFortune Theatre.[24] When Grein left the company Nancy became its honorary director, and in 1932 a permanent home was found at theLittle Theatre in the Adelphi with Nancy as manager. The enterprise came to an end with the destruction of the theatre in 1941.[25] During this period, Nancy established the English School Theatre Movement, which toured productions of Shakespeare plays toworking class children.[26]
In the1950 King's Birthday Honours, Nancy was awarded aCBE for services to the stage.[27] In the same year, she gave her final stage performance as Martha Blanchard in the play she co-wrote with Eden Phillpotts,The Orange Orchard, at the New Lindsey Theatre.[28]
| Season | Play Title | Theatre | Role | Notes |
|---|---|---|---|---|
| 1900 | Pericles | Shakespeare Memorial Theatre,Stratford-upon-Avon | Diana | |
| 1900 | Macbeth | Shakespeare Memorial Theatre, Stratford-upon-Avon | Hecate | |
| 1902 | Ulysses | Her Majesty's Theatre, London | Calypso | Written byStephen Phillips, produced byBeerbohm Tree |
| 1902–03 | The Eternal City | His Majesty's Theatre, London | Princess Bellini | Dramatisation ofHall Caine's novel of the same name |
| 1903 | Em'ly | Adelphi Theatre, London | Rosa Dartle | |
| 1903 | A Snug Little Kingdom | Royalty Theatre, London | Sister Hope | |
| 1903 | The Two Mr. Wetherbys | Imperial Theatre, London | Constantia | Stage Society production ofSt. John Hankin's first play |
| 1903–04 | Letty | Duke of York's Theatre, London | Hilda Gunning | |
| 1908 | The Gay Lord Quex | Garrick Theatre, London | Sophy Fullgarney | |
| 1908–09 | A Modern Aspasia | The Aldwych Theatre, London | Muriel Meredith | Play byHamilton Fyfe, cast included her husband Charles Maude |
| 1909 | One of the Best | The Aldwych Theatre, London | Esther Coventry | Play bySeymour Hicks |
| 1909 | The Fountain | The Aldwych Theatre, London | Dinah Kippin | Play byGeorge Calderon |
| 1909–10 | The Whip | Theatre Royal, Drury Lane, London | Mrs. D'Aquila | |
| 1911 | The Vision of Delight | His Majesty's Theatre, London | One of The Twelve Hours | Play written byBen Jonson Coronation Gala performance |
| 1911 | The First Actress | The Kingsway Theatre, London | Margaret Hughes | |
| 1911 | The Merchant of Venice | Shakespeare Memorial Theatre, Stratford-upon-Avon | Portia | |
| 1915–16 | Richard III | His Majesty's Theatre, London | ||
| 1923 | Outward Bound | Everyman Theatre, London | Mrs. Cliveden-Banks | Play bySutton Vane |
| 1923–24 | Ambush | Garrick Theatre, London | Harriett Nichols | |
| 1925 | Enrico IV (Henry IV) | Everyman Theatre, London | Marchioness Matilda Spina | Play written by Luigi Pirandello |
| 1925 | And That's the Truth (If You Think it is) | Lyric Theatre, Hammersmith, London | Signora Frola | Based on the playCosì è (se vi pare) byLuigi Pirandello |
| 1925 | Gloriana | Little Theatre in the Adelphi, London | Princess Elizabeth | Appearing alongsideJohn Gielgud |
| 1929–30 | Belle: or What's the Bother? | Prince Of Wales Theatre, London | Annie Collins | Later renamed as Down Our Street |
| 1931 | The Silver Box | Fortune Theatre, London | Mrs. Jones | Play written byJohn Galsworthy |
| 1931 | Salome | Savoy Theatre, London | Herodias | First public performance in England ofOscar Wilde's previously banned play |
| 1932 | Trifles | Duchess Theatre, London | Mrs. Hale | Play written bySusan Glaspell |
| 1932 | Alison's House | Little Theatre in the Adelphi, London | Miss Agatha | Pulitzer Prize winning play written bySusan Glaspell |
| 1934 | Nurse Cavell | Vaudeville Theatre, London | Edith Cavell | Play written byC. E. Bechhofer Roberts andC.S. Forester |
| 1934 | The Life That I Gave Him | People's National Theatre | Don'Anna Luna | Play written by Luigi Pirandello (Italian source:La vita che ti diedi, 1923) |
| 1939 | Mrs Van Kleek | Playhouse Theatre, London | Mrs Van Kleek, the lead | Play written byElinor Mordaunt from her book of the same name published 1933 ran 10 March to 15 April 1939Queen Mary attended Friday 14 April 1939[The Times 18 March 1939] |
| 1941–42 | Whiteoaks | Theatre Royal, Bath and Comedy Theatre, London | ||
| 1943 | Vintage Wine | Grand Theatre, Blackpool | Madame Popinot | |
| 1943–44 | John Gabriel Borkman | The Playhouse Theatre, Liverpool | ||
| 1944–45 | Lisa | The Playhouse Theatre, Liverpool | ||
| 1950 | The Orange Orchard | New Lindsey Theatre, London | Martha Blanchard |
Having established herself as a stage actress in London's West End, Nancy's first film role was in the black and white, silent filmThe Lyons Mail. In the next decade she appeared in a further eight silent films before her first "talkie",The American Prisoner, which was recorded in mono sound in 1929. The last silent film in which she appearedThe Price of Divorce was adapted by producerOswald Mitchell to incorporate sound and released under the nameSuch is the Law.
| Year | Title | Role | Notes |
|---|---|---|---|
| 1916 | The Lyons Mail | Janette | |
| 1921 | Belphegor the Mountebank | Countess de Blangy | |
| 1923 | Bonnie Prince Charlie | Lady Kingsburgh | Appearing alongsideIvor Novello |
| 1923 | The Woman Who Obeyed | Governess | |
| 1923 | Comin' Thro' the Rye | Mrs. Titmouse | |
| 1923 | Love, Life and Laughter | Balloon blowers wife's friend | |
| 1927 | Huntingtower | Mrs. Moran | Based on novel byJohn Buchan |
| 1928 | His House in Order | Lady Ridgeley | Silent film which is believed lost.[29] |
| 1928 | The Price of Divorce | released asSuch is the Law | |
| 1929 | The American Prisoner | Lovey Lee | |
| 1930 | The Loves of Robert Burns | Posie Nancy | |
| 1930 | Such Is the Law | Aunt | |
| 1931 | The Speckled Band | Mrs. Staunton | EarlySherlock Holmes film |
| 1932 | Down Our Street | Annie Collins | |
| 1934 | The Crucifix | Miss Bryany | |
| 1939 | The Stars Look Down | Martha Fenwick | Adapted byA.J.Cronin |
| 1940 | Dead Man's Shoes | Madame Pelletier | Roddy McDowell in an early role |
| 1942 | Secret Mission | Violette, housekeeper | |
| 1944 | Madonna of the Seven Moons | Mama Barucci | Produced byGainsborough Pictures |
| 1945 | I Know Where I'm Going! | Mrs. Crozier | Petula Clark in an early role |
| 1945 | I Live in Grosvenor Square | Mrs. Wilson | |
| 1946 | Carnival | Mrs. Trewhella | |
| 1947 | Master of Bankdam | Lydia Crowther | Nicholas Parsons in a minor role |
| 1948 | The Three Weird Sisters | Gertrude Morgan-Vaughan | Screenplay co-written byDylan Thomas |
| 1950 | The Naked Heart | Theresa Suprenant | Film also known asMaria Chapdelaine |
| 1952 | Mandy | Jane Ellis | Distributed byEaling Studios |
| Year | Title | Role | Notes |
|---|---|---|---|
| 1938 | Will Shakespeare | Queen Elizabeth | BBC production |
| 1948 | Nurse Cavell | Edith Cavell | BBC production |
| 1949 | Down Our Street | Annie Collins | BBC production |
| 1950 | The Silver Box | Mrs.Jones | BBC production based on a play byJohn Galsworthy |
| 1950 | Thérèse Raquin | Madame Raquin | BBC production based on novelThérèse Raquin byÉmile Zola |
| 1950 | The Orange Orchard | Martha Blanchard | BBC production |
| 1951 | Whiteoaks | Grandma Adeline Whiteoak | BBC production |
| Year | Title | Role | Notes |
|---|---|---|---|
| 1951 | The Life That I Gave Him | Donn'Anna Luna | BBC production. From the playLa vita che ti diedi, 1923, by Luigi Pirandello. Translated by Clifford Bax. Adapted for broadcasting and produced by Mary Hope Allen |