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Music of the Cook Islands

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Themusic of theCook Islands is diverse, with Christian music being especially popular.Imene tuki is a form of unaccompanied vocal music known for its uniquelyPolynesian drop in pitch at the end of phrases, along with staccato rhythmic bursts of nonsensical syllables calledtuki. The word 'imene' is derived from the English word 'hymn' (see Tahitian: 'himene' — Tahiti was first colonised by theEnglish). Likewise, the harmonies and tune characteristics, known as strophe patterns, of much Polynesian music are Western in style, deriving from missionaries through hymns and other Church music. One unique quality of Polynesian music — now almost a cliché — is the use of the sustained sixth chord in vocal music, although this chord is typically not found in religious music. Traditional songs and hymns are referred to asimene metua (lit.hymn of the parent/ancestor).[citation needed]

Traditional dance is the most prominent art form of the Cook Islands. Each island has its own unique dances that are taught to all children, and each island is home to several annual competitions. Traditional dances are generally accompanied by the drumming of thepate.[1]

The Cook Islands drumming style is well known internationally, but is often misidentified as an example ofTahitian music.[1] This is most uncommon as the Cook Islands have a strong connection to their Tahitian ancestry.[citation needed]

Harmony-singing church music and a wide variety ofhymns,wedding songs, and funeral music are found throughout the Cook Islands. There is much variation across the region, and each island has its own traditional songs.[2]

References

[edit]
  1. ^abCook Islands
  2. ^Linkels
  • Linkels, Ad. "The Real Music of Paradise". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.),World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific, pp 218–229. Rough Guides Ltd, Penguin Books.ISBN 1-85828-636-0
  • "Art and Culture".Cook Islands. 2006. RetrievedApril 10, 2006.
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