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Music of Liberia

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Themusic of Liberia[1] uses many tribal beats and often one of the native dialects, orvernacular. Liberian music includes traditionalGbema music,[2] as well as the popular genreHipco.[3]

Gbema music or traditional music

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Liberian music makes particular use of vocal harmony, repetition andcall-and-response song structure as well as such typical West African elements asululation and thepolyrhythm typical ofrhythm in Sub-Saharan Africa. Christian music was introduced to Liberia by American missionaries and Christian songs are now sung in a style that mixes American harmonies with West African language, rhythm and the call-and-response format.Traditional music is performed at weddings,naming ceremonies, royal events and other special occasions, as well as ordinarychildren's songs,work songs andlullabies.

Popular music

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Highlife, andHiplife music are very popular in Liberia, as elsewhere in West Africa. Both Highlife and Hiplife music evolved out of Africa's original sound called Palmwine Music or Gbema music genre. All African music legends since 1920s were greatly inspired by thePalmwine music which originated out of Liberia in 1918-1920 by indigenous kru tribe of the Grain Coast of Africa. Late in the 1950s, a combination of North American, West African and Latin American styles, emerged inGhana,Sierra Leone andLiberia, especially among the LiberianKru people, who were sailors that learned to played Funk, Jazz, and Fuji from Americo Liberians who settled on the African continent from Louisiana, USA during the abolition of Slavery between 1822-1846. The Kru people playedSpanish guitar,banjo,pennywhistle,harmonica,accordion,mandolin andconcertina and their sounds inspired the rest of African music since then. ThePalm wine music also known as Gbema music genre also inspired the evolution of HipCo music in Liberia.[4]

Past and present musicians includeFatu Gayflor andMiatta Fahnbulleh.

The country's most renowned radio station is ELBC, or theLiberian Broadcasting System. Rap and pop music are also performed in indigenous languages across the country.

In 1963, President Tubman set up the new Cape-Palmas Military Band (CPMB). Israeli bandmaster Aharon Shefi formed and conducted a 56-piece concert and marching band that performed Liberian,American anduniversal folk and church music. TheCPMB has performed on January 1, 1964, at President Tubman's inauguration inMonrovia. Among the pieces played were Highlife, original marches by the late Liberian composer Victor Bowya, the National Anthem and "The Lone Star Forever". The CPMB had also performed in churches, schools, holidays and military parades and official events.

Hipco

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See also:Hipco (genre)

Liberia has a unique Liberian rap and singing genre calledHipco, or "Co".[5] The "co" in the genre is short for the Liberian dialectKolokwa.[6] Hipco is usually performed in Liberian English or the local vernacular. Kolokwa rap in Gbema music evolved in the 1980s but was not branded as HipCo music genre until 2002-2003 whenHipCo was founded or established by the Liberian Legendary Detrench, the late DJ SummerTime and MC Switch. HipCo has always had a social and political bent. In the 1990s it continued to develop through thecivil wars.[7][8] Hipco music was becoming popular in 2004 and still is the most popular music genre of Liberia, "serving as the medium through which rappers and singers speak against societal ills, including injustice and corruption and also with an infusion of enticing lyrics for pleasure."[9]UNICEF has worked with Hipco artists to release Hipco songs onEbola prevention, with several of the songs becoming popular on radio in the country in 2014.[10] Among high-profile Hipco artists areTakun J,DenG, andMC Caro.[11][12]

See also

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References

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  1. ^"Liberia Music Download Homepage - Music Liberia".Music Liberia. Retrieved2018-02-22.
  2. ^"Traditional/Gbema Archives - Music Liberia".Music Liberia. Retrieved2018-02-22.
  3. ^"Hipco Archives - Music Liberia".Music Liberia. Retrieved2018-02-22.
  4. ^"LiberianForum.Com ~ Liberian Information Online".www.liberianforum.com. Retrieved2017-01-24.
  5. ^Rahimian, Nora (January 9, 2013)."Liberian street hit stirs the political pot".The Guardian. RetrievedMarch 18, 2019.
  6. ^Donahue, Bill (March 12, 2019)."Last year Trump called these countries a profane name. We sent a travel writer to celebrate them".The Washington Post. RetrievedMarch 18, 2019.
  7. ^Christopher Giamo (24 June 2011)."Takun J – Hip-Co in Liberia". Together Liberia. Retrieved2012-06-06.
  8. ^Ashoka,"'Hipco' Is the Soundtrack of Monrovia's Post-War Youth",Vice, 2 April 2014.
  9. ^Dopoe Jr., Robin (January 19, 2017)."Liberia: Documenting Hipco".www.allafrica.com. All Africa. RetrievedMarch 18, 2019.
  10. ^Cullinane, Susannah (October 21, 2014)."Using music to fight Ebola in Liberia".www.cnn.com.CNN. RetrievedMarch 18, 2019.
  11. ^"The Ease of Monrovia's 'Hipco' Clubs".The New York Times. November 4, 2017. RetrievedMarch 18, 2019.
  12. ^"'Hipco' Is the Soundtrack of Monrovia's Post-War Youth".Vice.com.Vice. March 30, 2014. RetrievedMarch 18, 2019.
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