Amusic download is thedigital transfer of music via theInternet into a device capable of decoding and playing it, such as apersonal computer,portable media player,MP3 player orsmartphone. This term encompasses both legaldownloads and downloads ofcopyrighted material without permission or legal payment. Music downloads are typically encoded with theMP3audio coding format.[1] or using themodified discrete cosine transform (MDCT)audio data compression, particularly theAdvanced Audio Coding (AAC) format used by iTunes.
Since the advent of streaming, downloads as a mode of music distribution has seen a steady decline from its peak in the early 2010s. According to aNielsen report, downloadable music accounted for 55.9 percent of allmusic sales in the US in 2012.[nb 1][2] By the beginning of 2011, Apple'siTunes Store alone madeUS$1.1 billion of revenue in the first quarter of its fiscal year.[3] According to theRIAA, music downloads peaked at 43% of industry revenue in the US in 2012, and has since fallen to 3% in 2022.[4]
Paid downloads are sometimes encoded withdigital rights management that restricts copying the music or playing purchased songs on certain digital audio players. They are almost alwayscompressed using alossycodec (usually MPEG-1 Layer 3, Windows Media, or AAC), which reduces file size and bandwidth requirements. These music resources have been created as a response to expanding technology and needs of customers who wanted and/or needed easy, quick access to music. Their business models respond to the "download revolution" by making legal services attractive for users.
Even legal music downloads have faced a number of challenges from artists, record labels and theRecording Industry Association of America (RIAA). In July 2007, the Universal Music Group decided not to renew their long-term contracts with iTunes. This decision was primarily based on the issue of pricing of songs, as Universal wanted to be able to charge more or less depending on the artist, a shift away from iTunes' standard—at the time—99 cents per song pricing. Many industry leaders feel that this is only the first of many show-downs betweenApple Inc. and the various record labels.[5]
According to research by the websiteTorrentFreak, 38 percent of Swedish artists support file share downloading and claim that it helps artists in early career stages. Artists, including Swedish rock group Lamont, have profited from file sharing.[6]
In the early 2000s, thepeer-to-peer file sharing companyNapster was sued due to mass infringement of music ownership copyrights by a collection of recording companies (A&M Records, Inc. v. Napster, Inc.) — a lawsuit which issued a preliminary injunction for the service and was concluded by the closure of the Napster free music sharing between its users.[7]
The Recording Industry Association of America oversees about 85 percent of published music production, distribution and manufacturing in the United States. Their stated goal is to support artists' creativity and help them not be cheated out of money by illegal downloading.[8] The Recording Industry Association of America launched its first lawsuits of individuals (P2P file swappers) on the 8th of September 2003, against users who illegally downloaded music files from theKazaaFastTrack network.[9]
RIAA claimed it filed 750 suits in February 2006[10] against individuals downloading music files without paying for them in hopes of putting an end to Internetmusic piracy. With this campaign the RIAA hoped to force people to respect the copyrights of music labels and minimize the number of illegal downloads.[11]
 | This section needs to beupdated. Please help update this article to reflect recent events or newly available information.(June 2024) |
TheOfficial Charts Company began to incorporate downloads in theUK Singles Chart on 17 April 2005, at which time Radio 1 stopped broadcasting the separate download chart,[12][13][14] although the chart is still compiled. Initially this was on condition that the song must have a physical media release at the same time; this rule was fully lifted on 1 January 2007, meaning all download sales are now eligible in the chart.[citation needed]
Music downloads have been measured by theOfficial Charts Company since 2004 and included in the mainUK Singles Chart from 2005. Up to November 2022, the most-streamed song in the UK is "Someone You Loved" byLewis Capaldi, with over 562 million streams.[15]
In November 2005, the record for the best-selling downloaded single in the United States was held byGwen Stefani's "Hollaback Girl", which sold over one million downloads, making it the first song to achieve platinum download status.[16] As of July 2012[update], the record for the best-selling downloaded single in the United States on the iTunes Store is held byThe Black Eyed Peas's "I Gotta Feeling", which has sold over 8 million downloads.[17][18]
Soon after his death in 2009,Michael Jackson became the first artist to sell over one million songs downloaded via the Internet in one week.[19] However,Adele marks the most downloads sold by a single song in a week, with "Hello" selling 1.12 million copies in November 2015.
Eminem's seventh studio album,Recovery (2010), became the first album to sell one million digital copies.[20]
Beyoncé's self-titledfifth studio album became the fastest-selling album within 24 hours in iTunes history after its release in December 2013. Within 24 hours of availability, the album sold 430,000 digital copies. Adele's third studio album25 became the fastest-selling album in a week in iTunes history after it was released on 20 November 2015. It sold 1.64 million digital copies in its first week (included preorders on the iTunes store since the release of the album's lead single "Hello" in October 2015).
In 2006, theRecording Industry Association of Japan began issuing certifications for digitally released music in Japan, compiling data from the early 2000s onwards.[21] The best-selling song isFukushima-based vocal groupGreeeen's song "Kiseki" (2008), which was certified for being legally downloaded four million times between 2008 and 2015,[22] followed by R&B singerThelma Aoyama's "Soba ni Iru ne" (2008) featuring rapperSoulJa, which was certified for three million downloads between 2008 and 2014.[23] Greeeen's song "Ai Uta" (2007) ranks as the third highest certified song, with 2.5 million downloads tracked between 2007 and 2009.[24][25] Two more songs have sold more than two million paid downloads:Ayaka's "Mikazuki" (2006) andKobukuro's "Tsubomi" (2007).[26] The most successful ringtone in Japan is Moldovan-Romanian bandO-Zone's "Dragostea din tei" (2003), known locally as "Koi no Maiahi" (恋のマイアヒ), which was certified as having four million units sold.[21]
In Japan, only two albums have received digital certifications by the RIAJ. The first wasSongs for Japan (2011), a charity compilation album raising profits for the2011 Tōhoku earthquake and tsunami, which was certified gold for 100,000 downloads in June 2011.[27] The second album was the Japanese language cast recording of theFrozen soundtrack, which sold 100,000 copies between its release in March 2014 and January 2015.[28]
In South Korea,Circle Digital Chart has been tracking digital sales since 2009. The most successful song according to their published data isBusker Busker's "Cherry Blossom Ending" (2012), which was downloaded over 7 million times between 2012 and 2017.[29][30][31][32] In 2011, "Roly-Poly" byT-ara was the most successful song of the year, selling 4.1 million digital copies.[33] "Roly Poly" also became the fastest-selling song in Korea's history and the first to reach more than 4 million downloads in a calendar year (within 5 months).In 2012, this accolade went toPsy's "Gangnam Style", after selling 3.8 million units.[29]
